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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 242 78 234 it is the complementary color RGB 13 177 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 242 78 234. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 242 78 234 shade: RGB 247 78 229, RGB 255 96 248, RGB 255 114 255, RGB 255 132 255 and RGB 255 150 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 242 78 234. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 242 78 234 shade: RGB 242 78 234, RGB 225 60 215, RGB 208 42 196, RGB 191 24 177 and RGB 174 6 158

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 242 78 234 shade: RGB 241 79 233, RGB 241 79 190, RGB 241 79 146, RGB 241 79 102 and RGB 241 79 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 242 78 234 shade: RGB 241 79 233, RGB 205 79 241, RGB 162 79 241, RGB 118 79 241 and RGB 79 79 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 242 78 234 shade matches the following richer shades: RGB 241 79 233

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 242 78 234 shade: RGB 241 79 233, RGB 226 94 220, RGB 211 110 206, RGB 195 125 192 and RGB 180 140 178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 242 78 234 shade: RGB 160 79 241, RGB 203 79 241, RGB 241 79 236, RGB 241 79 193 and RGB 241 79 149

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 242 78 234 shade: RGB 222 16 212, RGB 238 41 229, RGB 241 79 233, RGB 244 117 238 and RGB 247 156 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 242 78 234 shade: RGB 242 78 234, RGB 241 117 79 and RGB 79 241 182

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 242 78 234 shade: RGB 242 78 234, RGB 236 241 79 and RGB 79 236 241

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 242 78 234 shade: RGB 242 78 234, RGB 241 117 79, RGB 79 241 84 and RGB 79 203 241

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 242 78 234 shade: RGB 242 78 234, RGB 241 166 79, RGB 79 241 84 and RGB 79 155 241

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 3 / 5

HEX #F24EEA

RGB 242 78 234

HSL 302.93, 0.86%, 0.63%

LAB 61.88, 78.91, -46.81

 

Complementary color

CMYK 93 / 0 / 88 / 31

HEX #0DB115

RGB 13 177 21

HSL 122.93, 0.86%, 0.37%

LAB 63, -64.29, 60.26

 

CMYK 0 / 68 / 7 / 3

HEX #F74EE5

RGB 247 78 229

HSL 306.39, 0.91%, 0.64%

LAB 62.41, 79.27, -43.14

 

CMYK 0 / 62 / 3 / 0

HEX #FF60F8

RGB 255 96 248

HSL 302.64, 1%, 0.69%

LAB 66.83, 77.47, -46.65

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FF

RGB 255 114 255

HSL 300, 1%, 0.72%

LAB 69.83, 71.23, -45.76

 

CMYK 0 / 48 / 0 / 0

HEX #FF84FF

RGB 255 132 255

HSL 300, 1%, 0.76%

LAB 72.88, 63.08, -40.99

 

CMYK 0 / 41 / 0 / 0

HEX #FF96FF

RGB 255 150 255

HSL 300, 1%, 0.79%

LAB 76.25, 54.33, -35.75

 

CMYK 0 / 68 / 3 / 5

HEX #F24EEA

RGB 242 78 234

HSL 302.93, 0.86%, 0.63%

LAB 61.88, 78.91, -46.81

 

CMYK 0 / 73 / 4 / 12

HEX #E13CD7

RGB 225 60 215

HSL 303.64, 0.73%, 0.56%

LAB 56.23, 78.15, -45.22

 

CMYK 0 / 80 / 6 / 18

HEX #D02AC4

RGB 208 42 196

HSL 304.34, 0.66%, 0.49%

LAB 50.75, 76.73, -43.19

 

CMYK 0 / 87 / 7 / 25

HEX #BF18B1

RGB 191 24 177

HSL 305.03, 0.78%, 0.42%

LAB 45.5, 74.38, -40.59

 

CMYK 0 / 97 / 9 / 32

HEX #AE069E

RGB 174 6 158

HSL 305.71, 0.93%, 0.35%

LAB 40.57, 70.84, -37.27

 

CMYK 0 / 67 / 3 / 5

HEX #F14FE9

RGB 241 79 233

HSL 302.96, 0.85%, 0.63%

LAB 61.81, 78.18, -46.38

 

CMYK 0 / 67 / 21 / 5

HEX #F14FBE

RGB 241 79 190

HSL 318.89, 0.85%, 0.63%

LAB 59.9, 72.03, -25.04

 

CMYK 0 / 67 / 39 / 5

HEX #F14F92

RGB 241 79 146

HSL 335.19, 0.85%, 0.63%

LAB 58.38, 66.93, -1.82

 

CMYK 0 / 67 / 58 / 5

HEX #F14F66

RGB 241 79 102

HSL 351.48, 0.85%, 0.63%

LAB 57.32, 63.19, 22.53

 

CMYK 0 / 67 / 67 / 5

HEX #F14F4F

RGB 241 79 79

HSL 0, 0.85%, 0.63%

LAB 56.94, 61.82, 35.33

 

CMYK 0 / 67 / 3 / 5

HEX #F14FE9

RGB 241 79 233

HSL 302.96, 0.85%, 0.63%

LAB 61.81, 78.18, -46.38

 

CMYK 15 / 67 / 0 / 5

HEX #CD4FF1

RGB 205 79 241

HSL 286.67, 0.85%, 0.63%

LAB 57, 71.7, -58.81

 

CMYK 33 / 67 / 0 / 5

HEX #A24FF1

RGB 162 79 241

HSL 270.74, 0.85%, 0.63%

LAB 51.41, 62.89, -68.1

 

CMYK 51 / 67 / 0 / 5

HEX #764FF1

RGB 118 79 241

HSL 254.44, 0.85%, 0.63%

LAB 46.7, 54.9, -75.97

 

CMYK 67 / 67 / 0 / 5

HEX #4F4FF1

RGB 79 79 241

HSL 240, 0.85%, 0.63%

LAB 43.66, 49.36, -81.07

 

CMYK 0 / 67 / 3 / 5

HEX #F14FE9

RGB 241 79 233

HSL 302.96, 0.85%, 0.63%

LAB 61.81, 78.18, -46.38

 

CMYK 0 / 67 / 3 / 5

HEX #F14FE9

RGB 241 79 233

HSL 302.96, 0.85%, 0.63%

LAB 61.81, 78.18, -46.38

 

CMYK 0 / 58 / 3 / 11

HEX #E25EDC

RGB 226 94 220

HSL 302.73, 0.69%, 0.63%

LAB 61.08, 66.71, -40.39

 

CMYK 0 / 48 / 2 / 17

HEX #D36ECE

RGB 211 110 206

HSL 302.97, 0.53%, 0.63%

LAB 61.18, 52.87, -32.5

 

CMYK 0 / 36 / 2 / 24

HEX #C37DC0

RGB 195 125 192

HSL 302.57, 0.37%, 0.63%

LAB 61.72, 37.67, -23.92

 

CMYK 0 / 22 / 1 / 29

HEX #B48CB2

RGB 180 140 178

HSL 303, 0.21%, 0.63%

LAB 63.07, 21.72, -14.09

 

CMYK 34 / 67 / 0 / 5

HEX #A04FF1

RGB 160 79 241

HSL 270, 0.85%, 0.63%

LAB 51.17, 62.5, -68.5

 

CMYK 16 / 67 / 0 / 5

HEX #CB4FF1

RGB 203 79 241

HSL 285.93, 0.85%, 0.63%

LAB 56.72, 71.27, -59.27

 

CMYK 0 / 67 / 2 / 5

HEX #F14FEC

RGB 241 79 236

HSL 301.85, 0.85%, 0.63%

LAB 61.95, 78.65, -47.82

 

CMYK 0 / 67 / 20 / 5

HEX #F14FC1

RGB 241 79 193

HSL 317.78, 0.85%, 0.63%

LAB 60.02, 72.43, -26.58

 

CMYK 0 / 67 / 38 / 5

HEX #F14F95

RGB 241 79 149

HSL 334.07, 0.85%, 0.63%

LAB 58.47, 67.23, -3.45

 

CMYK 0 / 93 / 5 / 13

HEX #DE10D4

RGB 222 16 212

HSL 302.91, 0.87%, 0.47%

LAB 52.57, 85.87, -49.36

 

CMYK 0 / 83 / 4 / 7

HEX #EE29E5

RGB 238 41 229

HSL 302.74, 0.85%, 0.55%

LAB 57.48, 87.42, -51.02

 

CMYK 0 / 67 / 3 / 5

HEX #F14FE9

RGB 241 79 233

HSL 302.96, 0.85%, 0.63%

LAB 61.81, 78.18, -46.38

 

CMYK 0 / 52 / 2 / 4

HEX #F475EE

RGB 244 117 238

HSL 302.83, 0.85%, 0.71%

LAB 68.12, 64.2, -39.22

 

CMYK 0 / 37 / 2 / 3

HEX #F79CF3

RGB 247 156 243

HSL 302.64, 0.85%, 0.79%

LAB 76.08, 46.8, -29.59

 

CMYK 0 / 68 / 3 / 5

HEX #F24EEA

RGB 242 78 234

HSL 302.93, 0.86%, 0.63%

LAB 61.88, 78.91, -46.81

 

CMYK 0 / 51 / 67 / 5

HEX #F1754F

RGB 241 117 79

HSL 14.07, 0.85%, 0.63%

LAB 63.33, 44.98, 42.93

 

CMYK 67 / 0 / 24 / 5

HEX #4FF1B6

RGB 79 241 182

HSL 158.15, 0.85%, 0.63%

LAB 85.98, -55.37, 16.45

 

CMYK 0 / 68 / 3 / 5

HEX #F24EEA

RGB 242 78 234

HSL 302.93, 0.86%, 0.63%

LAB 61.88, 78.91, -46.81

 

CMYK 2 / 0 / 67 / 5

HEX #ECF14F

RGB 236 241 79

HSL 61.85, 0.85%, 0.63%

LAB 92.27, -20.67, 73.87

 

CMYK 67 / 2 / 0 / 5

HEX #4FECF1

RGB 79 236 241

HSL 181.85, 0.85%, 0.63%

LAB 86.01, -38.51, -14.4

 

CMYK 0 / 68 / 3 / 5

HEX #F24EEA

RGB 242 78 234

HSL 302.93, 0.86%, 0.63%

LAB 61.88, 78.91, -46.81

 

CMYK 0 / 51 / 67 / 5

HEX #F1754F

RGB 241 117 79

HSL 14.07, 0.85%, 0.63%

LAB 63.33, 44.98, 42.93

 

CMYK 67 / 0 / 65 / 5

HEX #4FF154

RGB 79 241 84

HSL 121.85, 0.85%, 0.63%

LAB 84.59, -70.89, 61.55

 

CMYK 67 / 16 / 0 / 5

HEX #4FCBF1

RGB 79 203 241

HSL 194.07, 0.85%, 0.63%

LAB 76.51, -22.64, -28.8

 

CMYK 0 / 68 / 3 / 5

HEX #F24EEA

RGB 242 78 234

HSL 302.93, 0.86%, 0.63%

LAB 61.88, 78.91, -46.81

 

CMYK 0 / 31 / 67 / 5

HEX #F1A64F

RGB 241 166 79

HSL 32.22, 0.85%, 0.63%

LAB 73.89, 19.69, 54.83

 

CMYK 67 / 0 / 65 / 5

HEX #4FF154

RGB 79 241 84

HSL 121.85, 0.85%, 0.63%

LAB 84.59, -70.89, 61.55

 

CMYK 67 / 36 / 0 / 5

HEX #4F9BF1

RGB 79 155 241

HSL 211.85, 0.85%, 0.63%

LAB 62.89, 3.47, -50.04

 

Description

Color code: RGB 242 78 234 | qconv.com Color code: RGB 242 78 234 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 78 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 78 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 3 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 3% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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