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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 242 78 151 it is the complementary color RGB 13 177 104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 242 78 151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 242 78 151 shade: RGB 247 78 146, RGB 255 96 165, RGB 255 114 184, RGB 255 132 203 and RGB 255 150 222

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 242 78 151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 242 78 151 shade: RGB 242 78 151, RGB 225 60 132, RGB 208 42 113, RGB 191 24 94 and RGB 174 6 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 242 78 151 shade: RGB 241 79 151, RGB 241 79 107 and RGB 241 79 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 242 78 151 shade: RGB 241 79 151, RGB 241 79 195, RGB 241 79 239, RGB 200 79 241 and RGB 156 79 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 242 78 151 shade matches the following richer shades: RGB 241 79 151

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 242 78 151 shade: RGB 241 79 151, RGB 226 94 153, RGB 211 110 155, RGB 195 125 156 and RGB 180 140 158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 242 78 151 shade: RGB 241 79 239, RGB 241 79 195, RGB 241 79 152, RGB 241 79 109 and RGB 241 93 79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 242 78 151 shade: RGB 222 16 108, RGB 238 41 129, RGB 241 79 151, RGB 244 117 174 and RGB 247 156 196

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 242 78 151 shade: RGB 242 78 151, RGB 241 201 79 and RGB 79 217 241

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 242 78 151 shade: RGB 242 78 151, RGB 152 241 79 and RGB 79 152 241

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 242 78 151 shade: RGB 242 78 151, RGB 241 201 79, RGB 79 241 168 and RGB 79 120 241

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 242 78 151 shade: RGB 242 78 151, RGB 233 241 79, RGB 79 241 168 and RGB 87 79 241

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 38 / 5

HEX #F24E97

RGB 242 78 151

HSL 333.29, 0.86%, 0.63%

LAB 58.57, 68.09, -4.46

 

Complementary color

CMYK 93 / 0 / 41 / 31

HEX #0DB168

RGB 13 177 104

HSL 153.29, 0.86%, 0.37%

LAB 63.78, -54.7, 26.96

 

CMYK 0 / 68 / 41 / 3

HEX #F74E92

RGB 247 78 146

HSL 335.86, 0.91%, 0.64%

LAB 59.25, 68.98, -0.44

 

CMYK 0 / 62 / 35 / 0

HEX #FF60A5

RGB 255 96 165

HSL 333.96, 1%, 0.69%

LAB 63.62, 66.29, -4.86

 

CMYK 0 / 55 / 28 / 0

HEX #FF72B8

RGB 255 114 184

HSL 330.21, 1%, 0.72%

LAB 67.09, 60.78, -10.52

 

CMYK 0 / 48 / 20 / 0

HEX #FF84CB

RGB 255 132 203

HSL 325.37, 1%, 0.76%

LAB 70.92, 54.9, -15.41

 

CMYK 0 / 41 / 13 / 0

HEX #FF96DE

RGB 255 150 222

HSL 318.86, 1%, 0.79%

LAB 75.04, 48.84, -19.66

 

CMYK 0 / 68 / 38 / 5

HEX #F24E97

RGB 242 78 151

HSL 333.29, 0.86%, 0.63%

LAB 58.57, 68.09, -4.46

 

CMYK 0 / 73 / 41 / 12

HEX #E13C84

RGB 225 60 132

HSL 333.82, 0.73%, 0.56%

LAB 52.85, 67.78, -1.99

 

CMYK 0 / 80 / 46 / 18

HEX #D02A71

RGB 208 42 113

HSL 334.34, 0.66%, 0.49%

LAB 47.31, 66.86, 1.07

 

CMYK 0 / 87 / 51 / 25

HEX #BF185E

RGB 191 24 94

HSL 334.85, 0.78%, 0.42%

LAB 42.06, 65.04, 4.87

 

CMYK 0 / 97 / 57 / 32

HEX #AE064B

RGB 174 6 75

HSL 335.36, 0.93%, 0.35%

LAB 37.18, 62.04, 9.61

 

CMYK 0 / 67 / 37 / 5

HEX #F14F97

RGB 241 79 151

HSL 333.33, 0.85%, 0.63%

LAB 58.53, 67.44, -4.53

 

CMYK 0 / 67 / 56 / 5

HEX #F14F6B

RGB 241 79 107

HSL 349.63, 0.85%, 0.63%

LAB 57.42, 63.55, 19.73

 

CMYK 0 / 67 / 67 / 5

HEX #F14F4F

RGB 241 79 79

HSL 0, 0.85%, 0.63%

LAB 56.94, 61.82, 35.33

 

CMYK 0 / 67 / 37 / 5

HEX #F14F97

RGB 241 79 151

HSL 333.33, 0.85%, 0.63%

LAB 58.53, 67.44, -4.53

 

CMYK 0 / 67 / 19 / 5

HEX #F14FC3

RGB 241 79 195

HSL 317.04, 0.85%, 0.63%

LAB 60.1, 72.69, -27.59

 

CMYK 0 / 67 / 1 / 5

HEX #F14FEF

RGB 241 79 239

HSL 300.74, 0.85%, 0.63%

LAB 62.1, 79.12, -49.26

 

CMYK 17 / 67 / 0 / 5

HEX #C84FF1

RGB 200 79 241

HSL 284.81, 0.85%, 0.63%

LAB 56.31, 70.64, -59.95

 

CMYK 35 / 67 / 0 / 5

HEX #9C4FF1

RGB 156 79 241

HSL 268.52, 0.85%, 0.63%

LAB 50.7, 61.72, -69.29

 

CMYK 0 / 67 / 37 / 5

HEX #F14F97

RGB 241 79 151

HSL 333.33, 0.85%, 0.63%

LAB 58.53, 67.44, -4.53

 

CMYK 0 / 67 / 37 / 5

HEX #F14F97

RGB 241 79 151

HSL 333.33, 0.85%, 0.63%

LAB 58.53, 67.44, -4.53

 

CMYK 0 / 58 / 32 / 11

HEX #E25E99

RGB 226 94 153

HSL 333.18, 0.69%, 0.63%

LAB 58.48, 57.1, -6.03

 

CMYK 0 / 48 / 27 / 17

HEX #D36E9B

RGB 211 110 155

HSL 333.27, 0.53%, 0.63%

LAB 59.31, 44.87, -6.2

 

CMYK 0 / 36 / 20 / 24

HEX #C37D9C

RGB 195 125 156

HSL 333.43, 0.37%, 0.63%

LAB 60.49, 31.53, -5.25

 

CMYK 0 / 22 / 12 / 29

HEX #B48C9E

RGB 180 140 158

HSL 333, 0.21%, 0.63%

LAB 62.45, 18.09, -3.69

 

CMYK 0 / 67 / 1 / 5

HEX #F14FEF

RGB 241 79 239

HSL 300.74, 0.85%, 0.63%

LAB 62.1, 79.12, -49.26

 

CMYK 0 / 67 / 19 / 5

HEX #F14FC3

RGB 241 79 195

HSL 317.04, 0.85%, 0.63%

LAB 60.1, 72.69, -27.59

 

CMYK 0 / 67 / 37 / 5

HEX #F14F98

RGB 241 79 152

HSL 332.96, 0.85%, 0.63%

LAB 58.56, 67.54, -5.07

 

CMYK 0 / 67 / 55 / 5

HEX #F14F6D

RGB 241 79 109

HSL 348.89, 0.85%, 0.63%

LAB 57.46, 63.69, 18.61

 

CMYK 0 / 61 / 67 / 5

HEX #F15D4F

RGB 241 93 79

HSL 5.19, 0.85%, 0.63%

LAB 59.06, 56.09, 37.89

 

CMYK 0 / 93 / 51 / 13

HEX #DE106C

RGB 222 16 108

HSL 333.2, 0.87%, 0.47%

LAB 48.24, 74.59, 5.82

 

CMYK 0 / 83 / 46 / 7

HEX #EE2981

RGB 238 41 129

HSL 333.2, 0.85%, 0.55%

LAB 53.33, 75.91, 0.8

 

CMYK 0 / 67 / 37 / 5

HEX #F14F97

RGB 241 79 151

HSL 333.33, 0.85%, 0.63%

LAB 58.53, 67.44, -4.53

 

CMYK 0 / 52 / 29 / 4

HEX #F475AE

RGB 244 117 174

HSL 333.07, 0.85%, 0.71%

LAB 65.76, 54.72, -7.01

 

CMYK 0 / 37 / 21 / 3

HEX #F79CC4

RGB 247 156 196

HSL 333.63, 0.85%, 0.79%

LAB 74.53, 39.2, -6.25

 

CMYK 0 / 68 / 38 / 5

HEX #F24E97

RGB 242 78 151

HSL 333.29, 0.86%, 0.63%

LAB 58.57, 68.09, -4.46

 

CMYK 0 / 17 / 67 / 5

HEX #F1C94F

RGB 241 201 79

HSL 45.19, 0.85%, 0.63%

LAB 82.4, 1.36, 63.91

 

CMYK 67 / 10 / 0 / 5

HEX #4FD9F1

RGB 79 217 241

HSL 188.89, 0.85%, 0.63%

LAB 80.54, -29.57, -22.65

 

CMYK 0 / 68 / 38 / 5

HEX #F24E97

RGB 242 78 151

HSL 333.29, 0.86%, 0.63%

LAB 58.57, 68.09, -4.46

 

CMYK 37 / 0 / 67 / 5

HEX #98F14F

RGB 152 241 79

HSL 92.96, 0.85%, 0.63%

LAB 87.07, -52.23, 66.89

 

CMYK 67 / 37 / 0 / 5

HEX #4F98F1

RGB 79 152 241

HSL 212.96, 0.85%, 0.63%

LAB 62.06, 5.22, -51.36

 

CMYK 0 / 68 / 38 / 5

HEX #F24E97

RGB 242 78 151

HSL 333.29, 0.86%, 0.63%

LAB 58.57, 68.09, -4.46

 

CMYK 0 / 17 / 67 / 5

HEX #F1C94F

RGB 241 201 79

HSL 45.19, 0.85%, 0.63%

LAB 82.4, 1.36, 63.91

 

CMYK 67 / 0 / 30 / 5

HEX #4FF1A8

RGB 79 241 168

HSL 152.96, 0.85%, 0.63%

LAB 85.71, -58.31, 23.29

 

CMYK 67 / 50 / 0 / 5

HEX #4F78F1

RGB 79 120 241

HSL 224.81, 0.85%, 0.63%

LAB 53.43, 24.53, -65.16

 

CMYK 0 / 68 / 38 / 5

HEX #F24E97

RGB 242 78 151

HSL 333.29, 0.86%, 0.63%

LAB 58.57, 68.09, -4.46

 

CMYK 3 / 0 / 67 / 5

HEX #E9F14F

RGB 233 241 79

HSL 62.96, 0.85%, 0.63%

LAB 92.04, -21.88, 73.57

 

CMYK 67 / 0 / 30 / 5

HEX #4FF1A8

RGB 79 241 168

HSL 152.96, 0.85%, 0.63%

LAB 85.71, -58.31, 23.29

 

CMYK 64 / 67 / 0 / 5

HEX #574FF1

RGB 87 79 241

HSL 242.96, 0.85%, 0.63%

LAB 44.19, 50.34, -80.18

 

Description

Color code: RGB 242 78 151 | qconv.com Color code: RGB 242 78 151 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 78 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 78 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 38 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 38% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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