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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 242 63 147 it is the complementary color RGB 13 192 108. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 242 63 147. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 242 63 147 shade: RGB 247 63 142, RGB 255 81 161, RGB 255 99 180, RGB 255 117 199 and RGB 255 135 218

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 242 63 147. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 242 63 147 shade: RGB 242 63 147, RGB 225 45 128, RGB 208 27 109, RGB 191 9 90 and RGB 174 0 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 242 63 147 shade: RGB 241 64 147, RGB 241 64 99 and RGB 241 64 64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 242 63 147 shade: RGB 241 64 147, RGB 241 64 195, RGB 240 64 241, RGB 192 64 241 and RGB 144 64 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 242 63 147 shade matches the following richer shades: RGB 241 64 147

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 242 63 147 shade: RGB 241 64 147, RGB 225 80 148, RGB 208 97 149, RGB 192 113 150 and RGB 175 130 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 242 63 147 shade: RGB 238 64 241, RGB 241 64 197, RGB 241 64 150, RGB 241 64 102 and RGB 241 73 64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 242 63 147 shade: RGB 208 14 105, RGB 239 25 125, RGB 241 64 147, RGB 244 102 169 and RGB 247 141 191

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 242 63 147 shade: RGB 242 63 147, RGB 241 191 64 and RGB 64 221 241

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 242 63 147 shade: RGB 242 63 147, RGB 150 241 64 and RGB 64 150 241

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 242 63 147 shade: RGB 242 63 147, RGB 241 191 64, RGB 64 241 155 and RGB 64 114 241

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 242 63 147 shade: RGB 242 63 147, RGB 238 241 64, RGB 64 241 155 and RGB 67 64 241

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 39 / 5

HEX #F23F93

RGB 242 63 147

HSL 331.84, 0.87%, 0.6%

LAB 56.62, 72.76, -4.99

 

Complementary color

CMYK 93 / 0 / 44 / 25

HEX #0DC06C

RGB 13 192 108

HSL 151.84, 0.87%, 0.4%

LAB 68.66, -59.19, 31.25

 

CMYK 0 / 74 / 43 / 3

HEX #F73F8E

RGB 247 63 142

HSL 334.24, 0.92%, 0.61%

LAB 57.35, 73.59, -0.87

 

CMYK 0 / 68 / 37 / 0

HEX #FF51A1

RGB 255 81 161

HSL 332.41, 1%, 0.66%

LAB 61.41, 71.61, -5.83

 

CMYK 0 / 61 / 29 / 0

HEX #FF63B4

RGB 255 99 180

HSL 328.85, 1%, 0.69%

LAB 64.55, 66.78, -12.06

 

CMYK 0 / 54 / 22 / 0

HEX #FF75C7

RGB 255 117 199

HSL 324.35, 1%, 0.73%

LAB 68.1, 61.38, -17.44

 

CMYK 0 / 47 / 15 / 0

HEX #FF87DA

RGB 255 135 218

HSL 318.5, 1%, 0.76%

LAB 71.99, 55.65, -22.09

 

CMYK 0 / 74 / 39 / 5

HEX #F23F93

RGB 242 63 147

HSL 331.84, 0.87%, 0.6%

LAB 56.62, 72.76, -4.99

 

CMYK 0 / 80 / 43 / 12

HEX #E12D80

RGB 225 45 128

HSL 332.33, 0.75%, 0.53%

LAB 51.2, 71.72, -2

 

CMYK 0 / 87 / 48 / 18

HEX #D01B6D

RGB 208 27 109

HSL 332.82, 0.77%, 0.46%

LAB 46.04, 69.83, 1.68

 

CMYK 0 / 95 / 53 / 25

HEX #BF095A

RGB 191 9 90

HSL 333.3, 0.91%, 0.39%

LAB 41.23, 66.81, 6.22

 

CMYK 0 / 100 / 59 / 32

HEX #AE0047

RGB 174 0 71

HSL 335.52, 1%, 0.34%

LAB 36.84, 62.48, 11.74

 

CMYK 0 / 73 / 39 / 5

HEX #F14093

RGB 241 64 147

HSL 331.86, 0.86%, 0.6%

LAB 56.56, 72.19, -5.1

 

CMYK 0 / 73 / 59 / 5

HEX #F14063

RGB 241 64 99

HSL 348.14, 0.86%, 0.6%

LAB 55.35, 68.29, 21.67

 

CMYK 0 / 73 / 73 / 5

HEX #F14040

RGB 241 64 64

HSL 0, 0.86%, 0.6%

LAB 54.8, 66.48, 41.26

 

CMYK 0 / 73 / 39 / 5

HEX #F14093

RGB 241 64 147

HSL 331.86, 0.86%, 0.6%

LAB 56.56, 72.19, -5.1

 

CMYK 0 / 73 / 19 / 5

HEX #F140C3

RGB 241 64 195

HSL 315.59, 0.86%, 0.6%

LAB 58.33, 77.68, -30.33

 

CMYK 0 / 73 / 0 / 5

HEX #F040F1

RGB 240 64 241

HSL 299.66, 0.86%, 0.6%

LAB 60.38, 84, -53.12

 

CMYK 20 / 73 / 0 / 5

HEX #C040F1

RGB 192 64 241

HSL 283.39, 0.86%, 0.6%

LAB 53.19, 74.72, -65.03

 

CMYK 40 / 73 / 0 / 5

HEX #9040F1

RGB 144 64 241

HSL 267.12, 0.86%, 0.6%

LAB 46.9, 66.28, -75.52

 

CMYK 0 / 73 / 39 / 5

HEX #F14093

RGB 241 64 147

HSL 331.86, 0.86%, 0.6%

LAB 56.56, 72.19, -5.1

 

CMYK 0 / 73 / 39 / 5

HEX #F14093

RGB 241 64 147

HSL 331.86, 0.86%, 0.6%

LAB 56.56, 72.19, -5.1

 

CMYK 0 / 64 / 34 / 12

HEX #E15094

RGB 225 80 148

HSL 331.86, 0.71%, 0.6%

LAB 55.97, 62.17, -6.86

 

CMYK 0 / 53 / 28 / 18

HEX #D06195

RGB 208 97 149

HSL 331.89, 0.54%, 0.6%

LAB 56.22, 49.52, -7.36

 

CMYK 0 / 41 / 22 / 25

HEX #C07196

RGB 192 113 150

HSL 331.9, 0.39%, 0.6%

LAB 57.29, 36.05, -6.58

 

CMYK 0 / 26 / 14 / 31

HEX #AF8297

RGB 175 130 151

HSL 332, 0.22%, 0.6%

LAB 59.26, 20.68, -4.45

 

CMYK 1 / 73 / 0 / 5

HEX #EE40F1

RGB 238 64 241

HSL 298.98, 0.86%, 0.6%

LAB 60.06, 83.6, -53.64

 

CMYK 0 / 73 / 18 / 5

HEX #F140C5

RGB 241 64 197

HSL 314.92, 0.86%, 0.6%

LAB 58.41, 77.94, -31.35

 

CMYK 0 / 73 / 38 / 5

HEX #F14096

RGB 241 64 150

HSL 330.85, 0.86%, 0.6%

LAB 56.65, 72.49, -6.73

 

CMYK 0 / 73 / 58 / 5

HEX #F14066

RGB 241 64 102

HSL 347.12, 0.86%, 0.6%

LAB 55.41, 68.48, 19.97

 

CMYK 0 / 70 / 73 / 5

HEX #F14940

RGB 241 73 64

HSL 3.05, 0.86%, 0.6%

LAB 55.92, 63.38, 42.52

 

CMYK 0 / 93 / 50 / 18

HEX #D00E69

RGB 208 14 105

HSL 331.86, 0.87%, 0.44%

LAB 45.28, 71.37, 3.06

 

CMYK 0 / 90 / 48 / 6

HEX #EF197D

RGB 239 25 125

HSL 331.96, 0.87%, 0.52%

LAB 52.43, 78.64, 1.92

 

CMYK 0 / 73 / 39 / 5

HEX #F14093

RGB 241 64 147

HSL 331.86, 0.86%, 0.6%

LAB 56.56, 72.19, -5.1

 

CMYK 0 / 58 / 31 / 4

HEX #F466A9

RGB 244 102 169

HSL 331.69, 0.87%, 0.68%

LAB 63.01, 60.95, -8.25

 

CMYK 0 / 43 / 23 / 3

HEX #F78DBF

RGB 247 141 191

HSL 331.7, 0.87%, 0.76%

LAB 71.27, 46.18, -8.32

 

CMYK 0 / 74 / 39 / 5

HEX #F23F93

RGB 242 63 147

HSL 331.84, 0.87%, 0.6%

LAB 56.62, 72.76, -4.99

 

CMYK 0 / 21 / 73 / 5

HEX #F1BF40

RGB 241 191 64

HSL 43.05, 0.86%, 0.6%

LAB 79.8, 5.8, 67.25

 

CMYK 73 / 8 / 0 / 5

HEX #40DDF1

RGB 64 221 241

HSL 186.78, 0.86%, 0.6%

LAB 81.38, -33.38, -21.41

 

CMYK 0 / 74 / 39 / 5

HEX #F23F93

RGB 242 63 147

HSL 331.84, 0.87%, 0.6%

LAB 56.62, 72.76, -4.99

 

CMYK 38 / 0 / 73 / 5

HEX #96F140

RGB 150 241 64

HSL 90.85, 0.86%, 0.6%

LAB 86.88, -53.88, 71.96

 

CMYK 73 / 38 / 0 / 5

HEX #4096F1

RGB 64 150 241

HSL 210.85, 0.86%, 0.6%

LAB 61, 4.29, -53.06

 

CMYK 0 / 74 / 39 / 5

HEX #F23F93

RGB 242 63 147

HSL 331.84, 0.87%, 0.6%

LAB 56.62, 72.76, -4.99

 

CMYK 0 / 21 / 73 / 5

HEX #F1BF40

RGB 241 191 64

HSL 43.05, 0.86%, 0.6%

LAB 79.8, 5.8, 67.25

 

CMYK 73 / 0 / 36 / 5

HEX #40F19B

RGB 64 241 155

HSL 150.85, 0.86%, 0.6%

LAB 85.18, -63.05, 29.17

 

CMYK 73 / 53 / 0 / 5

HEX #4072F1

RGB 64 114 241

HSL 223.05, 0.86%, 0.6%

LAB 51.24, 26.25, -68.74

 

CMYK 0 / 74 / 39 / 5

HEX #F23F93

RGB 242 63 147

HSL 331.84, 0.87%, 0.6%

LAB 56.62, 72.76, -4.99

 

CMYK 1 / 0 / 73 / 5

HEX #EEF140

RGB 238 241 64

HSL 61.02, 0.86%, 0.6%

LAB 92.34, -20.56, 79.07

 

CMYK 73 / 0 / 36 / 5

HEX #40F19B

RGB 64 241 155

HSL 150.85, 0.86%, 0.6%

LAB 85.18, -63.05, 29.17

 

CMYK 72 / 73 / 0 / 5

HEX #4340F1

RGB 67 64 241

HSL 241.02, 0.86%, 0.6%

LAB 39.93, 56.43, -87.23

 

Description

Color code: RGB 242 63 147 | qconv.com Color code: RGB 242 63 147 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 63 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 63 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 39 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 39% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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