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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 242 58 67 it is the complementary color RGB 13 197 188. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 242 58 67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 242 58 67 shade: RGB 247 58 62, RGB 255 76 81, RGB 255 94 100, RGB 255 112 119 and RGB 255 130 138

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 242 58 67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 242 58 67 shade: RGB 242 58 67, RGB 225 40 48, RGB 208 22 29, RGB 191 4 10 and RGB 174 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 242 58 67 shade: RGB 242 58 67 and RGB 242 58 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 242 58 67 shade: RGB 242 58 67, RGB 242 58 117, RGB 242 58 166, RGB 242 58 216 and RGB 218 58 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 242 58 67 shade matches the following richer shades: RGB 242 58 67

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 242 58 67 shade: RGB 242 58 67, RGB 225 75 82, RGB 208 92 97, RGB 191 109 113 and RGB 174 126 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 242 58 67 shade: RGB 242 58 165, RGB 242 58 116, RGB 242 58 67, RGB 242 98 58 and RGB 242 147 58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 242 58 67 shade: RGB 205 13 22, RGB 239 19 30, RGB 242 58 67, RGB 244 97 104 and RGB 247 136 141

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 242 58 67 shade: RGB 242 58 67, RGB 214 242 58 and RGB 58 141 242

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 242 58 67 shade: RGB 242 58 67, RGB 67 242 58 and RGB 58 67 242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 242 58 67 shade: RGB 242 58 67, RGB 214 242 58, RGB 58 242 233 and RGB 86 58 242

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 242 58 67 shade: RGB 242 58 67, RGB 159 242 58, RGB 58 242 233 and RGB 141 58 242

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 72 / 5

HEX #F23A43

RGB 242 58 67

HSL 357.07, 0.88%, 0.59%

LAB 54.35, 68.76, 39.12

 

Complementary color

CMYK 93 / 0 / 5 / 23

HEX #0DC5BC

RGB 13 197 188

HSL 177.07, 0.88%, 0.41%

LAB 71.99, -41.87, -7.05

 

CMYK 0 / 77 / 75 / 3

HEX #F73A3E

RGB 247 58 62

HSL 358.73, 0.92%, 0.6%

LAB 55.22, 69.99, 43.15

 

CMYK 0 / 70 / 68 / 0

HEX #FF4C51

RGB 255 76 81

HSL 358.32, 1%, 0.65%

LAB 59, 67.33, 37.26

 

CMYK 0 / 63 / 61 / 0

HEX #FF5E64

RGB 255 94 100

HSL 357.76, 1%, 0.68%

LAB 61.81, 61.5, 30.01

 

CMYK 0 / 56 / 53 / 0

HEX #FF7077

RGB 255 112 119

HSL 357.06, 1%, 0.72%

LAB 65.11, 55.01, 23.56

 

CMYK 0 / 49 / 46 / 0

HEX #FF828A

RGB 255 130 138

HSL 356.16, 1%, 0.75%

LAB 68.79, 48.13, 17.89

 

CMYK 0 / 76 / 72 / 5

HEX #F23A43

RGB 242 58 67

HSL 357.07, 0.88%, 0.59%

LAB 54.35, 68.76, 39.12

 

CMYK 0 / 82 / 79 / 12

HEX #E12830

RGB 225 40 48

HSL 357.41, 0.76%, 0.52%

LAB 49.18, 68.14, 43.15

 

CMYK 0 / 89 / 86 / 18

HEX #D0161D

RGB 208 22 29

HSL 357.74, 0.81%, 0.45%

LAB 44.34, 66.66, 47.33

 

CMYK 0 / 98 / 95 / 25

HEX #BF040A

RGB 191 4 10

HSL 358.07, 0.96%, 0.38%

LAB 39.89, 64.14, 50.55

 

CMYK 0 / 100 / 100 / 32

HEX #AE0000

RGB 174 0 0

HSL 0, 1%, 0.34%

LAB 35.98, 60.15, 50.35

 

CMYK 0 / 76 / 72 / 5

HEX #F23A43

RGB 242 58 67

HSL 357.07, 0.88%, 0.59%

LAB 54.35, 68.76, 39.12

 

CMYK 0 / 76 / 76 / 5

HEX #F23A3A

RGB 242 58 58

HSL 0, 0.88%, 0.59%

LAB 54.25, 68.42, 44.01

 

CMYK 0 / 76 / 72 / 5

HEX #F23A43

RGB 242 58 67

HSL 357.07, 0.88%, 0.59%

LAB 54.35, 68.76, 39.12

 

CMYK 0 / 76 / 52 / 5

HEX #F23A75

RGB 242 58 117

HSL 340.76, 0.88%, 0.59%

LAB 55.27, 71.66, 10.86

 

CMYK 0 / 76 / 31 / 5

HEX #F23AA6

RGB 242 58 166

HSL 324.78, 0.88%, 0.59%

LAB 56.74, 76.21, -15.97

 

CMYK 0 / 76 / 11 / 5

HEX #F23AD8

RGB 242 58 216

HSL 308.48, 0.88%, 0.59%

LAB 58.85, 82.43, -41.48

 

CMYK 10 / 76 / 0 / 5

HEX #DA3AF2

RGB 218 58 242

HSL 292.17, 0.88%, 0.59%

LAB 56.43, 81.66, -60.18

 

CMYK 0 / 76 / 72 / 5

HEX #F23A43

RGB 242 58 67

HSL 357.07, 0.88%, 0.59%

LAB 54.35, 68.76, 39.12

 

CMYK 0 / 76 / 72 / 5

HEX #F23A43

RGB 242 58 67

HSL 357.07, 0.88%, 0.59%

LAB 54.35, 68.76, 39.12

 

CMYK 0 / 67 / 64 / 12

HEX #E14B52

RGB 225 75 82

HSL 357.2, 0.71%, 0.59%

LAB 53.65, 58.46, 28.93

 

CMYK 0 / 56 / 53 / 18

HEX #D05C61

RGB 208 92 97

HSL 357.41, 0.55%, 0.59%

LAB 53.95, 46.32, 20.01

 

CMYK 0 / 43 / 41 / 25

HEX #BF6D71

RGB 191 109 113

HSL 357.07, 0.39%, 0.59%

LAB 55.28, 32.93, 12.08

 

CMYK 0 / 28 / 26 / 32

HEX #AE7E80

RGB 174 126 128

HSL 357.5, 0.23%, 0.59%

LAB 57.54, 18.9, 6.28

 

CMYK 0 / 76 / 32 / 5

HEX #F23AA5

RGB 242 58 165

HSL 325.11, 0.88%, 0.59%

LAB 56.7, 76.1, -15.44

 

CMYK 0 / 76 / 52 / 5

HEX #F23A74

RGB 242 58 116

HSL 341.09, 0.88%, 0.59%

LAB 55.24, 71.59, 11.42

 

CMYK 0 / 76 / 72 / 5

HEX #F23A43

RGB 242 58 67

HSL 357.07, 0.88%, 0.59%

LAB 54.35, 68.76, 39.12

 

CMYK 0 / 60 / 76 / 5

HEX #F2623A

RGB 242 98 58

HSL 13.04, 0.88%, 0.59%

LAB 59.81, 53.29, 49.87

 

CMYK 0 / 39 / 76 / 5

HEX #F2933A

RGB 242 147 58

HSL 29.02, 0.88%, 0.59%

LAB 69.51, 29.1, 59.62

 

CMYK 0 / 94 / 89 / 20

HEX #CD0D16

RGB 205 13 22

HSL 357.19, 0.88%, 0.43%

LAB 43.25, 66.95, 49.48

 

CMYK 0 / 92 / 87 / 6

HEX #EF131E

RGB 239 19 30

HSL 357, 0.87%, 0.51%

LAB 50.58, 74.99, 54.54

 

CMYK 0 / 76 / 72 / 5

HEX #F23A43

RGB 242 58 67

HSL 357.07, 0.88%, 0.59%

LAB 54.35, 68.76, 39.12

 

CMYK 0 / 60 / 57 / 4

HEX #F46168

RGB 244 97 104

HSL 357.14, 0.87%, 0.67%

LAB 60.59, 56.9, 25.79

 

CMYK 0 / 45 / 43 / 3

HEX #F7888D

RGB 247 136 141

HSL 357.3, 0.87%, 0.75%

LAB 68.97, 42.6, 16.29

 

CMYK 0 / 76 / 72 / 5

HEX #F23A43

RGB 242 58 67

HSL 357.07, 0.88%, 0.59%

LAB 54.35, 68.76, 39.12

 

CMYK 12 / 0 / 76 / 5

HEX #D6F23A

RGB 214 242 58

HSL 69.13, 0.88%, 0.59%

LAB 90.83, -30.96, 78.86

 

CMYK 76 / 42 / 0 / 5

HEX #3A8DF2

RGB 58 141 242

HSL 212.93, 0.88%, 0.59%

LAB 58.38, 9.29, -57.81

 

CMYK 0 / 76 / 72 / 5

HEX #F23A43

RGB 242 58 67

HSL 357.07, 0.88%, 0.59%

LAB 54.35, 68.76, 39.12

 

CMYK 72 / 0 / 76 / 5

HEX #43F23A

RGB 67 242 58

HSL 117.07, 0.88%, 0.59%

LAB 84.49, -75.32, 70.62

 

CMYK 76 / 72 / 0 / 5

HEX #3A43F2

RGB 58 67 242

HSL 237.07, 0.88%, 0.59%

LAB 40.12, 54.39, -87.5

 

CMYK 0 / 76 / 72 / 5

HEX #F23A43

RGB 242 58 67

HSL 357.07, 0.88%, 0.59%

LAB 54.35, 68.76, 39.12

 

CMYK 12 / 0 / 76 / 5

HEX #D6F23A

RGB 214 242 58

HSL 69.13, 0.88%, 0.59%

LAB 90.83, -30.96, 78.86

 

CMYK 76 / 0 / 4 / 5

HEX #3AF2E9

RGB 58 242 233

HSL 177.07, 0.88%, 0.59%

LAB 87.14, -45.82, -8.56

 

CMYK 64 / 76 / 0 / 5

HEX #563AF2

RGB 86 58 242

HSL 249.13, 0.88%, 0.59%

LAB 40.27, 61.52, -87.19

 

CMYK 0 / 76 / 72 / 5

HEX #F23A43

RGB 242 58 67

HSL 357.07, 0.88%, 0.59%

LAB 54.35, 68.76, 39.12

 

CMYK 34 / 0 / 76 / 5

HEX #9FF23A

RGB 159 242 58

HSL 87.07, 0.88%, 0.59%

LAB 87.57, -51.57, 74.65

 

CMYK 76 / 0 / 4 / 5

HEX #3AF2E9

RGB 58 242 233

HSL 177.07, 0.88%, 0.59%

LAB 87.14, -45.82, -8.56

 

CMYK 42 / 76 / 0 / 5

HEX #8D3AF2

RGB 141 58 242

HSL 267.07, 0.88%, 0.59%

LAB 45.77, 68.51, -77.95

 

Description

Color code: RGB 242 58 67 | qconv.com Color code: RGB 242 58 67 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 58 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 58 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 72 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 72% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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