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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 242 42 211 it is the complementary color RGB 13 213 44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 242 42 211. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 242 42 211 shade: RGB 247 42 206, RGB 255 60 225, RGB 255 78 244, RGB 255 96 255 and RGB 255 114 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 242 42 211. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 242 42 211 shade: RGB 242 42 211, RGB 225 24 192, RGB 208 6 173, RGB 191 0 154 and RGB 174 0 135

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 242 42 211 shade: RGB 241 44 210, RGB 241 44 157, RGB 241 44 104, RGB 241 44 51 and RGB 241 44 44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 242 42 211 shade: RGB 241 44 210, RGB 218 44 241, RGB 165 44 241, RGB 112 44 241 and RGB 59 44 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 242 42 211 shade matches the following richer shades: RGB 241 44 210

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 242 42 211 shade: RGB 241 44 210, RGB 223 62 198, RGB 205 80 185, RGB 187 98 173 and RGB 168 116 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 242 42 211 shade: RGB 165 44 241, RGB 218 44 241, RGB 241 44 211, RGB 241 44 159 and RGB 241 44 106

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 242 42 211 shade: RGB 190 12 163, RGB 229 14 196, RGB 241 44 210, RGB 244 82 219 and RGB 246 121 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 242 42 211 shade: RGB 242 42 211, RGB 241 113 44 and RGB 44 241 192

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 242 42 211 shade: RGB 242 42 211, RGB 211 241 44 and RGB 44 211 241

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 242 42 211 shade: RGB 242 42 211, RGB 241 113 44, RGB 44 241 73 and RGB 44 172 241

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 242 42 211 shade: RGB 242 42 211, RGB 241 172 44, RGB 44 241 73 and RGB 44 113 241

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 13 / 5

HEX #F22AD3

RGB 242 42 211

HSL 309.3, 0.88%, 0.56%

LAB 57.3, 85.5, -41.06

 

Complementary color

CMYK 94 / 0 / 79 / 16

HEX #0DD52C

RGB 13 213 44

HSL 129.3, 0.88%, 0.44%

LAB 74.73, -73.25, 65.21

 

CMYK 0 / 83 / 17 / 3

HEX #F72ACE

RGB 247 42 206

HSL 312, 0.93%, 0.57%

LAB 57.93, 85.84, -37.17

 

CMYK 0 / 76 / 12 / 0

HEX #FF3CE1

RGB 255 60 225

HSL 309.23, 1%, 0.62%

LAB 61.59, 85.83, -42.09

 

CMYK 0 / 69 / 4 / 0

HEX #FF4EF4

RGB 255 78 244

HSL 303.73, 1%, 0.65%

LAB 64.36, 83.26, -48.33

 

CMYK 0 / 62 / 0 / 0

HEX #FF60FF

RGB 255 96 255

HSL 300, 1%, 0.69%

LAB 67.16, 78.59, -49.97

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FF

RGB 255 114 255

HSL 300, 1%, 0.72%

LAB 69.83, 71.23, -45.76

 

CMYK 0 / 83 / 13 / 5

HEX #F22AD3

RGB 242 42 211

HSL 309.3, 0.88%, 0.56%

LAB 57.3, 85.5, -41.06

 

CMYK 0 / 89 / 15 / 12

HEX #E118C0

RGB 225 24 192

HSL 309.85, 0.81%, 0.49%

LAB 52.36, 82.8, -38.13

 

CMYK 0 / 97 / 17 / 18

HEX #D006AD

RGB 208 6 173

HSL 310.4, 0.94%, 0.42%

LAB 47.7, 79.05, -34.55

 

CMYK 0 / 100 / 19 / 25

HEX #BF009A

RGB 191 0 154

HSL 311.62, 1%, 0.37%

LAB 43.37, 74.05, -30.21

 

CMYK 0 / 100 / 22 / 32

HEX #AE0087

RGB 174 0 135

HSL 313.45, 1%, 0.34%

LAB 39.15, 68.47, -25.46

 

CMYK 0 / 82 / 13 / 5

HEX #F12CD2

RGB 241 44 210

HSL 309.44, 0.88%, 0.56%

LAB 57.23, 84.77, -40.63

 

CMYK 0 / 82 / 35 / 5

HEX #F12C9D

RGB 241 44 157

HSL 325.58, 0.88%, 0.56%

LAB 55.01, 78.55, -13.32

 

CMYK 0 / 82 / 57 / 5

HEX #F12C68

RGB 241 44 104

HSL 341.73, 0.88%, 0.56%

LAB 53.49, 74.13, 16.17

 

CMYK 0 / 82 / 79 / 5

HEX #F12C33

RGB 241 44 51

HSL 357.87, 0.88%, 0.56%

LAB 52.67, 71.64, 46.08

 

CMYK 0 / 82 / 82 / 5

HEX #F12C2C

RGB 241 44 44

HSL 0, 0.88%, 0.56%

LAB 52.6, 71.45, 49.69

 

CMYK 0 / 82 / 13 / 5

HEX #F12CD2

RGB 241 44 210

HSL 309.44, 0.88%, 0.56%

LAB 57.23, 84.77, -40.63

 

CMYK 10 / 82 / 0 / 5

HEX #DA2CF1

RGB 218 44 241

HSL 292.99, 0.88%, 0.56%

LAB 55.13, 85.08, -61.7

 

CMYK 32 / 82 / 0 / 5

HEX #A52CF1

RGB 165 44 241

HSL 276.85, 0.88%, 0.56%

LAB 47.17, 76.6, -74.97

 

CMYK 54 / 82 / 0 / 5

HEX #702CF1

RGB 112 44 241

HSL 260.71, 0.88%, 0.56%

LAB 40.57, 69.81, -86.06

 

CMYK 76 / 82 / 0 / 5

HEX #3B2CF1

RGB 59 44 241

HSL 244.57, 0.88%, 0.56%

LAB 36.14, 65.44, -93.52

 

CMYK 0 / 82 / 13 / 5

HEX #F12CD2

RGB 241 44 210

HSL 309.44, 0.88%, 0.56%

LAB 57.23, 84.77, -40.63

 

CMYK 0 / 82 / 13 / 5

HEX #F12CD2

RGB 241 44 210

HSL 309.44, 0.88%, 0.56%

LAB 57.23, 84.77, -40.63

 

CMYK 0 / 72 / 11 / 13

HEX #DF3EC6

RGB 223 62 198

HSL 309.32, 0.72%, 0.56%

LAB 55.29, 74.61, -37.02

 

CMYK 0 / 61 / 10 / 20

HEX #CD50B9

RGB 205 80 185

HSL 309.6, 0.56%, 0.56%

LAB 54.26, 61.59, -31.34

 

CMYK 0 / 48 / 7 / 27

HEX #BB62AD

RGB 187 98 173

HSL 309.44, 0.4%, 0.56%

LAB 54.36, 46.01, -24.43

 

CMYK 0 / 31 / 5 / 34

HEX #A874A0

RGB 168 116 160

HSL 309.23, 0.23%, 0.56%

LAB 55.43, 27.69, -15.45

 

CMYK 32 / 82 / 0 / 5

HEX #A52CF1

RGB 165 44 241

HSL 276.85, 0.88%, 0.56%

LAB 47.17, 76.6, -74.97

 

CMYK 10 / 82 / 0 / 5

HEX #DA2CF1

RGB 218 44 241

HSL 292.99, 0.88%, 0.56%

LAB 55.13, 85.08, -61.7

 

CMYK 0 / 82 / 12 / 5

HEX #F12CD3

RGB 241 44 211

HSL 309.14, 0.88%, 0.56%

LAB 57.27, 84.9, -41.12

 

CMYK 0 / 82 / 34 / 5

HEX #F12C9F

RGB 241 44 159

HSL 324.97, 0.88%, 0.56%

LAB 55.08, 78.75, -14.39

 

CMYK 0 / 82 / 56 / 5

HEX #F12C6A

RGB 241 44 106

HSL 341.12, 0.88%, 0.56%

LAB 53.54, 74.26, 15.02

 

CMYK 0 / 94 / 14 / 25

HEX #BE0CA3

RGB 190 12 163

HSL 309.1, 0.88%, 0.4%

LAB 44.02, 73.88, -34.62

 

CMYK 0 / 94 / 14 / 10

HEX #E50EC4

RGB 229 14 196

HSL 309.21, 0.88%, 0.48%

LAB 52.9, 85.15, -39.54

 

CMYK 0 / 82 / 13 / 5

HEX #F12CD2

RGB 241 44 210

HSL 309.44, 0.88%, 0.56%

LAB 57.23, 84.77, -40.63

 

CMYK 0 / 66 / 10 / 4

HEX #F452DB

RGB 244 82 219

HSL 309.26, 0.88%, 0.64%

LAB 61.98, 75.7, -38.23

 

CMYK 0 / 51 / 8 / 4

HEX #F679E3

RGB 246 121 227

HSL 309.12, 0.87%, 0.72%

LAB 68.62, 61.09, -32.35

 

CMYK 0 / 83 / 13 / 5

HEX #F22AD3

RGB 242 42 211

HSL 309.3, 0.88%, 0.56%

LAB 57.3, 85.5, -41.06

 

CMYK 0 / 53 / 82 / 5

HEX #F1712C

RGB 241 113 44

HSL 21.02, 0.88%, 0.56%

LAB 62.25, 45.48, 58.55

 

CMYK 82 / 0 / 20 / 5

HEX #2CF1C0

RGB 44 241 192

HSL 165.08, 0.88%, 0.56%

LAB 85.63, -57.2, 10.68

 

CMYK 0 / 83 / 13 / 5

HEX #F22AD3

RGB 242 42 211

HSL 309.3, 0.88%, 0.56%

LAB 57.3, 85.5, -41.06

 

CMYK 12 / 0 / 82 / 5

HEX #D3F12C

RGB 211 241 44

HSL 69.14, 0.88%, 0.56%

LAB 90.29, -32.19, 81.99

 

CMYK 82 / 12 / 0 / 5

HEX #2CD3F1

RGB 44 211 241

HSL 189.14, 0.88%, 0.56%

LAB 78.15, -30.49, -26.34

 

CMYK 0 / 83 / 13 / 5

HEX #F22AD3

RGB 242 42 211

HSL 309.3, 0.88%, 0.56%

LAB 57.3, 85.5, -41.06

 

CMYK 0 / 53 / 82 / 5

HEX #F1712C

RGB 241 113 44

HSL 21.02, 0.88%, 0.56%

LAB 62.25, 45.48, 58.55

 

CMYK 82 / 0 / 70 / 5

HEX #2CF149

RGB 44 241 73

HSL 128.83, 0.88%, 0.56%

LAB 83.93, -76.85, 64.88

 

CMYK 82 / 29 / 0 / 5

HEX #2CACF1

RGB 44 172 241

HSL 201.02, 0.88%, 0.56%

LAB 66.82, -10.34, -43.91

 

CMYK 0 / 83 / 13 / 5

HEX #F22AD3

RGB 242 42 211

HSL 309.3, 0.88%, 0.56%

LAB 57.3, 85.5, -41.06

 

CMYK 0 / 29 / 82 / 5

HEX #F1AC2C

RGB 241 172 44

HSL 38.98, 0.88%, 0.56%

LAB 75.07, 15.04, 69.86

 

CMYK 82 / 0 / 70 / 5

HEX #2CF149

RGB 44 241 73

HSL 128.83, 0.88%, 0.56%

LAB 83.93, -76.85, 64.88

 

CMYK 82 / 53 / 0 / 5

HEX #2C71F1

RGB 44 113 241

HSL 218.98, 0.88%, 0.56%

LAB 50.33, 24.86, -70.24

 

Description

Color code: RGB 242 42 211 | qconv.com Color code: RGB 242 42 211 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 42 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 42 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 13 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 13% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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