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Color name
RGB 242 38 161

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 242 38 161 it is the complementary color RGB 13 217 94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 242 38 161. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 242 38 161 shade: RGB 247 38 156, RGB 255 56 175, RGB 255 74 194, RGB 255 92 213 and RGB 255 110 232

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 242 38 161. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 242 38 161 shade: RGB 242 38 161, RGB 225 20 142, RGB 208 2 123, RGB 191 0 104 and RGB 174 0 85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 242 38 161 shade: RGB 242 38 161, RGB 242 38 106, RGB 242 38 51 and RGB 242 38 38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 242 38 161 shade: RGB 242 38 161, RGB 242 38 216, RGB 213 38 242, RGB 158 38 242 and RGB 103 38 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 242 38 161 shade matches the following richer shades: RGB 242 38 161

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 242 38 161 shade: RGB 242 38 161, RGB 223 56 157, RGB 205 75 153, RGB 186 93 149 and RGB 168 112 145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 242 38 161 shade: RGB 211 38 242, RGB 242 38 218, RGB 242 38 164, RGB 242 38 109 and RGB 242 38 55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 242 38 161 shade: RGB 187 10 117, RGB 226 13 141, RGB 242 38 161, RGB 244 77 178 and RGB 246 116 194

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 242 38 161 shade: RGB 242 38 161, RGB 242 157 38 and RGB 38 242 238

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 242 38 161 shade: RGB 242 38 161, RGB 164 242 38 and RGB 38 164 242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 242 38 161 shade: RGB 242 38 161, RGB 242 157 38, RGB 38 242 116 and RGB 38 123 242

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 242 38 161 shade: RGB 242 38 161, RGB 242 218 38, RGB 38 242 116 and RGB 38 61 242

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 33 / 5

HEX #F226A1

RGB 242 38 161

HSL 323.82, 0.89%, 0.55%

LAB 54.9, 80.42, -15.82

 

Complementary color

CMYK 94 / 0 / 57 / 15

HEX #0DD95E

RGB 13 217 94

HSL 143.82, 0.89%, 0.45%

LAB 76.39, -69.54, 47.69

 

CMYK 0 / 85 / 37 / 3

HEX #F7269C

RGB 247 38 156

HSL 326.12, 0.93%, 0.56%

LAB 55.65, 81.03, -11.66

 

CMYK 0 / 78 / 31 / 0

HEX #FF38AF

RGB 255 56 175

HSL 324.12, 1%, 0.61%

LAB 59.14, 80.78, -17.35

 

CMYK 0 / 71 / 24 / 0

HEX #FF4AC2

RGB 255 74 194

HSL 320.22, 1%, 0.65%

LAB 61.7, 77.73, -24.37

 

CMYK 0 / 64 / 16 / 0

HEX #FF5CD5

RGB 255 92 213

HSL 315.46, 1%, 0.68%

LAB 64.74, 73.83, -30.44

 

CMYK 0 / 57 / 9 / 0

HEX #FF6EE8

RGB 255 110 232

HSL 309.52, 1%, 0.72%

LAB 68.2, 69.27, -35.67

 

CMYK 0 / 84 / 33 / 5

HEX #F226A1

RGB 242 38 161

HSL 323.82, 0.89%, 0.55%

LAB 54.9, 80.42, -15.82

 

CMYK 0 / 91 / 37 / 12

HEX #E1148E

RGB 225 20 142

HSL 324.29, 0.84%, 0.48%

LAB 50.05, 77.68, -12.15

 

CMYK 0 / 99 / 41 / 18

HEX #D0027B

RGB 208 2 123

HSL 324.76, 0.98%, 0.41%

LAB 45.47, 73.97, -7.8

 

CMYK 0 / 100 / 46 / 25

HEX #BF0068

RGB 191 0 104

HSL 327.33, 1%, 0.37%

LAB 41.34, 68.82, -2.48

 

CMYK 0 / 100 / 51 / 32

HEX #AE0055

RGB 174 0 85

HSL 330.69, 1%, 0.34%

LAB 37.22, 63.47, 3.2

 

CMYK 0 / 84 / 33 / 5

HEX #F226A1

RGB 242 38 161

HSL 323.82, 0.89%, 0.55%

LAB 54.9, 80.42, -15.82

 

CMYK 0 / 84 / 56 / 5

HEX #F2266A

RGB 242 38 106

HSL 340, 0.89%, 0.55%

LAB 53.28, 75.8, 14.7

 

CMYK 0 / 84 / 79 / 5

HEX #F22633

RGB 242 38 51

HSL 356.18, 0.89%, 0.55%

LAB 52.4, 73.22, 45.88

 

CMYK 0 / 84 / 84 / 5

HEX #F22626

RGB 242 38 38

HSL 0, 0.89%, 0.55%

LAB 52.29, 72.89, 52.46

 

CMYK 0 / 84 / 33 / 5

HEX #F226A1

RGB 242 38 161

HSL 323.82, 0.89%, 0.55%

LAB 54.9, 80.42, -15.82

 

CMYK 0 / 84 / 11 / 5

HEX #F226D8

RGB 242 38 216

HSL 307.65, 0.89%, 0.55%

LAB 57.29, 86.93, -43.93

 

CMYK 12 / 84 / 0 / 5

HEX #D526F2

RGB 213 38 242

HSL 291.47, 0.89%, 0.55%

LAB 53.97, 85.68, -64.18

 

CMYK 35 / 84 / 0 / 5

HEX #9E26F2

RGB 158 38 242

HSL 275.29, 0.89%, 0.55%

LAB 45.72, 77.45, -77.94

 

CMYK 57 / 84 / 0 / 5

HEX #6726F2

RGB 103 38 242

HSL 259.12, 0.89%, 0.55%

LAB 39.04, 71.22, -89.18

 

CMYK 0 / 84 / 33 / 5

HEX #F226A1

RGB 242 38 161

HSL 323.82, 0.89%, 0.55%

LAB 54.9, 80.42, -15.82

 

CMYK 0 / 84 / 33 / 5

HEX #F226A1

RGB 242 38 161

HSL 323.82, 0.89%, 0.55%

LAB 54.9, 80.42, -15.82

 

CMYK 0 / 75 / 30 / 13

HEX #DF389D

RGB 223 56 157

HSL 323.71, 0.72%, 0.55%

LAB 52.9, 71.16, -16.83

 

CMYK 0 / 63 / 25 / 20

HEX #CD4B99

RGB 205 75 153

HSL 324, 0.57%, 0.55%

LAB 52.19, 59.08, -15.81

 

CMYK 0 / 50 / 20 / 27

HEX #BA5D95

RGB 186 93 149

HSL 323.87, 0.4%, 0.55%

LAB 52.33, 44.35, -13.51

 

CMYK 0 / 33 / 14 / 34

HEX #A87091

RGB 168 112 145

HSL 324.64, 0.24%, 0.55%

LAB 53.98, 27.25, -8.9

 

CMYK 13 / 84 / 0 / 5

HEX #D326F2

RGB 211 38 242

HSL 290.88, 0.89%, 0.55%

LAB 53.65, 85.35, -64.71

 

CMYK 0 / 84 / 10 / 5

HEX #F226DA

RGB 242 38 218

HSL 307.06, 0.89%, 0.55%

LAB 57.39, 87.19, -44.91

 

CMYK 0 / 84 / 32 / 5

HEX #F226A4

RGB 242 38 164

HSL 322.94, 0.89%, 0.55%

LAB 55.01, 80.73, -17.42

 

CMYK 0 / 84 / 55 / 5

HEX #F2266D

RGB 242 38 109

HSL 339.12, 0.89%, 0.55%

LAB 53.35, 76, 12.98

 

CMYK 0 / 84 / 77 / 5

HEX #F22637

RGB 242 38 55

HSL 355, 0.89%, 0.55%

LAB 52.44, 73.34, 43.73

 

CMYK 0 / 95 / 37 / 27

HEX #BB0A75

RGB 187 10 117

HSL 323.73, 0.9%, 0.39%

LAB 41.32, 68.13, -10.74

 

CMYK 0 / 94 / 38 / 11

HEX #E20D8D

RGB 226 13 141

HSL 323.94, 0.89%, 0.47%

LAB 49.95, 78.54, -11.68

 

CMYK 0 / 84 / 33 / 5

HEX #F226A1

RGB 242 38 161

HSL 323.82, 0.89%, 0.55%

LAB 54.9, 80.42, -15.82

 

CMYK 0 / 68 / 27 / 4

HEX #F44DB2

RGB 244 77 178

HSL 323.71, 0.88%, 0.63%

LAB 59.67, 72.02, -18.46

 

CMYK 0 / 53 / 21 / 4

HEX #F674C2

RGB 246 116 194

HSL 324, 0.88%, 0.71%

LAB 66.5, 58.47, -17.17

 

CMYK 0 / 84 / 33 / 5

HEX #F226A1

RGB 242 38 161

HSL 323.82, 0.89%, 0.55%

LAB 54.9, 80.42, -15.82

 

CMYK 0 / 35 / 84 / 5

HEX #F29D26

RGB 242 157 38

HSL 35, 0.89%, 0.55%

LAB 71.64, 23.21, 68.85

 

CMYK 84 / 0 / 2 / 5

HEX #26F2EE

RGB 38 242 238

HSL 178.82, 0.89%, 0.55%

LAB 87.04, -46.01, -11.34

 

CMYK 0 / 84 / 33 / 5

HEX #F226A1

RGB 242 38 161

HSL 323.82, 0.89%, 0.55%

LAB 54.9, 80.42, -15.82

 

CMYK 32 / 0 / 84 / 5

HEX #A4F226

RGB 164 242 38

HSL 82.94, 0.89%, 0.55%

LAB 87.75, -50.64, 80.03

 

CMYK 84 / 32 / 0 / 5

HEX #26A4F2

RGB 38 164 242

HSL 202.94, 0.89%, 0.55%

LAB 64.46, -6, -48.17

 

CMYK 0 / 84 / 33 / 5

HEX #F226A1

RGB 242 38 161

HSL 323.82, 0.89%, 0.55%

LAB 54.9, 80.42, -15.82

 

CMYK 0 / 35 / 84 / 5

HEX #F29D26

RGB 242 157 38

HSL 35, 0.89%, 0.55%

LAB 71.64, 23.21, 68.85

 

CMYK 84 / 0 / 52 / 5

HEX #26F274

RGB 38 242 116

HSL 142.94, 0.89%, 0.55%

LAB 84.58, -72.74, 47.41

 

CMYK 84 / 49 / 0 / 5

HEX #267BF2

RGB 38 123 242

HSL 215, 0.89%, 0.55%

LAB 52.94, 18.49, -66.59

 

CMYK 0 / 84 / 33 / 5

HEX #F226A1

RGB 242 38 161

HSL 323.82, 0.89%, 0.55%

LAB 54.9, 80.42, -15.82

 

CMYK 0 / 10 / 84 / 5

HEX #F2DA26

RGB 242 218 38

HSL 52.94, 0.89%, 0.55%

LAB 86.58, -8.45, 81.21

 

CMYK 84 / 0 / 52 / 5

HEX #26F274

RGB 38 242 116

HSL 142.94, 0.89%, 0.55%

LAB 84.58, -72.74, 47.41

 

CMYK 84 / 75 / 0 / 5

HEX #263DF2

RGB 38 61 242

HSL 233.24, 0.89%, 0.55%

LAB 38.13, 56.43, -90.82

 

Description

Color code: RGB 242 38 161 | qconv.com Color code: RGB 242 38 161 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 38 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 38 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 33 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 33% 5% C M Y K

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Provide designers and agencies with accurate color values.

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