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Color name
RGB 242 33 173

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 242 33 173 it is the complementary color RGB 13 222 82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 242 33 173. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 242 33 173 shade: RGB 247 33 168, RGB 255 51 187, RGB 255 69 206, RGB 255 87 225 and RGB 255 105 244

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 242 33 173. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 242 33 173 shade: RGB 242 33 173, RGB 225 15 154, RGB 208 0 135, RGB 191 0 116 and RGB 174 0 97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 242 33 173 shade: RGB 242 33 173, RGB 242 33 116, RGB 242 33 60 and RGB 242 33 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 242 33 173 shade: RGB 242 33 173, RGB 242 33 229, RGB 198 33 242, RGB 142 33 242 and RGB 85 33 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 242 33 173 shade matches the following richer shades: RGB 242 33 173

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 242 33 173 shade: RGB 242 33 173, RGB 223 52 166, RGB 204 71 160, RGB 185 90 153 and RGB 166 109 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 242 33 173 shade: RGB 196 33 242, RGB 242 33 231, RGB 242 33 175, RGB 242 33 120 and RGB 242 33 64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 242 33 173 shade: RGB 182 10 125, RGB 221 12 152, RGB 242 33 173, RGB 244 72 187 and RGB 246 111 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 242 33 173 shade: RGB 242 33 173, RGB 242 141 33 and RGB 33 242 224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 242 33 173 shade: RGB 242 33 173, RGB 175 242 33 and RGB 33 175 242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 242 33 173 shade: RGB 242 33 173, RGB 242 141 33, RGB 33 242 99 and RGB 33 134 242

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 242 33 173 shade: RGB 242 33 173, RGB 242 203 33, RGB 33 242 99 and RGB 33 71 242

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 29 / 5

HEX #F221AD

RGB 242 33 173

HSL 319.81, 0.89%, 0.54%

LAB 55.05, 82.58, -22.64

 

Complementary color

CMYK 94 / 0 / 63 / 13

HEX #0DDE52

RGB 13 222 82

HSL 139.81, 0.89%, 0.46%

LAB 77.84, -72.53, 54.66

 

CMYK 0 / 87 / 32 / 3

HEX #F721A8

RGB 247 33 168

HSL 322.15, 0.93%, 0.55%

LAB 55.78, 83.1, -18.52

 

CMYK 0 / 80 / 27 / 0

HEX #FF33BB

RGB 255 51 187

HSL 320, 1%, 0.6%

LAB 59.17, 83.32, -24.24

 

CMYK 0 / 73 / 19 / 0

HEX #FF45CE

RGB 255 69 206

HSL 315.81, 1%, 0.64%

LAB 61.63, 80.8, -31.3

 

CMYK 0 / 66 / 12 / 0

HEX #FF57E1

RGB 255 87 225

HSL 310.71, 1%, 0.67%

LAB 64.57, 77.38, -37.42

 

CMYK 0 / 59 / 4 / 0

HEX #FF69F4

RGB 255 105 244

HSL 304.4, 1%, 0.71%

LAB 67.94, 73.25, -42.69

 

CMYK 0 / 86 / 29 / 5

HEX #F221AD

RGB 242 33 173

HSL 319.81, 0.89%, 0.54%

LAB 55.05, 82.58, -22.64

 

CMYK 0 / 93 / 32 / 12

HEX #E10F9A

RGB 225 15 154

HSL 320.29, 0.88%, 0.47%

LAB 50.31, 79.43, -18.95

 

CMYK 0 / 100 / 35 / 18

HEX #D00087

RGB 208 0 135

HSL 321.06, 1%, 0.41%

LAB 45.85, 75.28, -14.58

 

CMYK 0 / 100 / 39 / 25

HEX #BF0074

RGB 191 0 116

HSL 323.56, 1%, 0.37%

LAB 41.75, 69.9, -9.39

 

CMYK 0 / 100 / 44 / 32

HEX #AE0061

RGB 174 0 97

HSL 326.55, 1%, 0.34%

LAB 37.59, 64.46, -3.96

 

CMYK 0 / 86 / 29 / 5

HEX #F221AD

RGB 242 33 173

HSL 319.81, 0.89%, 0.54%

LAB 55.05, 82.58, -22.64

 

CMYK 0 / 86 / 52 / 5

HEX #F22174

RGB 242 33 116

HSL 336.17, 0.89%, 0.54%

LAB 53.2, 77.41, 8.54

 

CMYK 0 / 86 / 75 / 5

HEX #F2213C

RGB 242 33 60

HSL 352.25, 0.89%, 0.54%

LAB 52.16, 74.46, 40.62

 

CMYK 0 / 86 / 86 / 5

HEX #F22121

RGB 242 33 33

HSL 0, 0.89%, 0.54%

LAB 51.92, 73.75, 54.5

 

CMYK 0 / 86 / 29 / 5

HEX #F221AD

RGB 242 33 173

HSL 319.81, 0.89%, 0.54%

LAB 55.05, 82.58, -22.64

 

CMYK 0 / 86 / 5 / 5

HEX #F221E5

RGB 242 33 229

HSL 303.73, 0.89%, 0.54%

LAB 57.68, 89.54, -50.67

 

CMYK 18 / 86 / 0 / 5

HEX #C621F2

RGB 198 33 242

HSL 287.37, 0.89%, 0.54%

LAB 51.27, 84.29, -68.65

 

CMYK 41 / 86 / 0 / 5

HEX #8E21F2

RGB 142 33 242

HSL 271.29, 0.89%, 0.54%

LAB 43.14, 76.71, -82.27

 

CMYK 65 / 86 / 0 / 5

HEX #5521F2

RGB 85 33 242

HSL 254.93, 0.89%, 0.54%

LAB 36.8, 71.38, -92.94

 

CMYK 0 / 86 / 29 / 5

HEX #F221AD

RGB 242 33 173

HSL 319.81, 0.89%, 0.54%

LAB 55.05, 82.58, -22.64

 

CMYK 0 / 86 / 29 / 5

HEX #F221AD

RGB 242 33 173

HSL 319.81, 0.89%, 0.54%

LAB 55.05, 82.58, -22.64

 

CMYK 0 / 77 / 26 / 13

HEX #DF34A6

RGB 223 52 166

HSL 320, 0.73%, 0.54%

LAB 52.84, 73.38, -22.22

 

CMYK 0 / 65 / 22 / 20

HEX #CC47A0

RGB 204 71 160

HSL 319.85, 0.57%, 0.54%

LAB 51.7, 61.36, -20.7

 

CMYK 0 / 51 / 17 / 27

HEX #B95A99

RGB 185 90 153

HSL 320.21, 0.4%, 0.54%

LAB 51.75, 46.16, -16.75

 

CMYK 0 / 34 / 11 / 35

HEX #A66D93

RGB 166 109 147

HSL 320, 0.24%, 0.54%

LAB 53.11, 28.58, -11.4

 

CMYK 19 / 86 / 0 / 5

HEX #C421F2

RGB 196 33 242

HSL 286.79, 0.89%, 0.54%

LAB 50.96, 83.99, -69.17

 

CMYK 0 / 86 / 5 / 5

HEX #F221E7

RGB 242 33 231

HSL 303.16, 0.89%, 0.54%

LAB 57.78, 89.81, -51.62

 

CMYK 0 / 86 / 28 / 5

HEX #F221AF

RGB 242 33 175

HSL 319.23, 0.89%, 0.54%

LAB 55.13, 82.8, -23.68

 

CMYK 0 / 86 / 50 / 5

HEX #F22178

RGB 242 33 120

HSL 335.02, 0.89%, 0.54%

LAB 53.3, 77.71, 6.27

 

CMYK 0 / 86 / 74 / 5

HEX #F22140

RGB 242 33 64

HSL 351.1, 0.89%, 0.54%

LAB 52.21, 74.6, 38.38

 

CMYK 0 / 95 / 31 / 29

HEX #B60A7D

RGB 182 10 125

HSL 319.88, 0.9%, 0.38%

LAB 40.64, 67.89, -16.84

 

CMYK 0 / 95 / 31 / 13

HEX #DD0C98

RGB 221 12 152

HSL 319.81, 0.9%, 0.46%

LAB 49.38, 78.68, -19.25

 

CMYK 0 / 86 / 29 / 5

HEX #F221AD

RGB 242 33 173

HSL 319.81, 0.89%, 0.54%

LAB 55.05, 82.58, -22.64

 

CMYK 0 / 70 / 23 / 4

HEX #F448BB

RGB 244 72 187

HSL 319.88, 0.89%, 0.62%

LAB 59.39, 74.84, -24.06

 

CMYK 0 / 55 / 18 / 4

HEX #F66FC9

RGB 246 111 201

HSL 320, 0.88%, 0.7%

LAB 65.89, 61.75, -22.04

 

CMYK 0 / 86 / 29 / 5

HEX #F221AD

RGB 242 33 173

HSL 319.81, 0.89%, 0.54%

LAB 55.05, 82.58, -22.64

 

CMYK 0 / 42 / 86 / 5

HEX #F28D21

RGB 242 141 33

HSL 31, 0.89%, 0.54%

LAB 68.05, 31.47, 67.41

 

CMYK 86 / 0 / 7 / 5

HEX #21F2E0

RGB 33 242 224

HSL 174.83, 0.89%, 0.54%

LAB 86.61, -50.18, -4.66

 

CMYK 0 / 86 / 29 / 5

HEX #F221AD

RGB 242 33 173

HSL 319.81, 0.89%, 0.54%

LAB 55.05, 82.58, -22.64

 

CMYK 28 / 0 / 86 / 5

HEX #AFF221

RGB 175 242 33

HSL 79.23, 0.89%, 0.54%

LAB 88.32, -46.81, 81.74

 

CMYK 86 / 28 / 0 / 5

HEX #21AFF2

RGB 33 175 242

HSL 199.23, 0.89%, 0.54%

LAB 67.57, -12.44, -43.29

 

CMYK 0 / 86 / 29 / 5

HEX #F221AD

RGB 242 33 173

HSL 319.81, 0.89%, 0.54%

LAB 55.05, 82.58, -22.64

 

CMYK 0 / 42 / 86 / 5

HEX #F28D21

RGB 242 141 33

HSL 31, 0.89%, 0.54%

LAB 68.05, 31.47, 67.41

 

CMYK 86 / 0 / 59 / 5

HEX #21F263

RGB 33 242 99

HSL 138.95, 0.89%, 0.54%

LAB 84.34, -75.4, 54.81

 

CMYK 86 / 45 / 0 / 5

HEX #2186F2

RGB 33 134 242

HSL 211, 0.89%, 0.54%

LAB 55.87, 11.33, -61.86

 

CMYK 0 / 86 / 29 / 5

HEX #F221AD

RGB 242 33 173

HSL 319.81, 0.89%, 0.54%

LAB 55.05, 82.58, -22.64

 

CMYK 0 / 16 / 86 / 5

HEX #F2CB21

RGB 242 203 33

HSL 48.8, 0.89%, 0.54%

LAB 82.75, -0.96, 79.2

 

CMYK 86 / 0 / 59 / 5

HEX #21F263

RGB 33 242 99

HSL 138.95, 0.89%, 0.54%

LAB 84.34, -75.4, 54.81

 

CMYK 86 / 71 / 0 / 5

HEX #2147F2

RGB 33 71 242

HSL 229.09, 0.89%, 0.54%

LAB 39.98, 50.57, -87.76

 

Description

Color code: RGB 242 33 173 | qconv.com Color code: RGB 242 33 173 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 33 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 33 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 29 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 29% 5% C M Y K

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Provide designers and agencies with accurate color values.

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