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Color name
RGB 242 32 222

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 242 32 222 it is the complementary color RGB 13 223 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 242 32 222. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 242 32 222 shade: RGB 247 32 217, RGB 255 50 236, RGB 255 68 255, RGB 255 86 255 and RGB 255 104 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 242 32 222. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 242 32 222 shade: RGB 242 32 222, RGB 225 14 203, RGB 208 0 184, RGB 191 0 165 and RGB 174 0 146

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 242 32 222 shade: RGB 242 33 222, RGB 242 33 165, RGB 242 33 109, RGB 242 33 53 and RGB 242 33 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 242 32 222 shade: RGB 242 33 222, RGB 205 33 242, RGB 149 33 242, RGB 93 33 242 and RGB 36 33 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 242 32 222 shade matches the following richer shades: RGB 242 33 222

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 242 32 222 shade: RGB 242 33 222, RGB 223 52 206, RGB 204 71 191, RGB 185 90 176 and RGB 166 109 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 242 32 222 shade: RGB 148 33 242, RGB 203 33 242, RGB 242 33 224, RGB 242 33 169 and RGB 242 33 113

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 242 32 222 shade: RGB 182 10 165, RGB 221 12 201, RGB 242 33 222, RGB 244 72 227 and RGB 246 111 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 242 32 222 shade: RGB 242 32 222, RGB 242 92 33 and RGB 33 242 175

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 242 32 222 shade: RGB 242 32 222, RGB 224 242 33 and RGB 33 224 242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 242 32 222 shade: RGB 242 32 222, RGB 242 92 33, RGB 33 242 50 and RGB 33 182 242

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 242 32 222 shade: RGB 242 32 222, RGB 242 155 33, RGB 33 242 50 and RGB 33 120 242

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 8 / 5

HEX #F220DE

RGB 242 32 222

HSL 305.71, 0.89%, 0.54%

LAB 57.25, 88.73, -47.39

 

Complementary color

CMYK 94 / 0 / 85 / 13

HEX #0DDF21

RGB 13 223 33

HSL 125.71, 0.89%, 0.46%

LAB 77.86, -76.57, 70.84

 

CMYK 0 / 87 / 12 / 3

HEX #F720D9

RGB 247 32 217

HSL 308.37, 0.93%, 0.55%

LAB 57.86, 88.98, -43.54

 

CMYK 0 / 80 / 7 / 0

HEX #FF32EC

RGB 255 50 236

HSL 305.56, 1%, 0.6%

LAB 61.31, 89.72, -48.71

 

CMYK 0 / 73 / 0 / 0

HEX #FF44FF

RGB 255 68 255

HSL 300, 1%, 0.63%

LAB 63.85, 87.96, -55.22

 

CMYK 0 / 66 / 0 / 0

HEX #FF56FF

RGB 255 86 255

HSL 300, 1%, 0.67%

LAB 65.85, 82.25, -52.03

 

CMYK 0 / 59 / 0 / 0

HEX #FF68FF

RGB 255 104 255

HSL 300, 1%, 0.7%

LAB 68.3, 75.43, -48.17

 

CMYK 0 / 87 / 8 / 5

HEX #F220DE

RGB 242 32 222

HSL 305.71, 0.89%, 0.54%

LAB 57.25, 88.73, -47.39

 

CMYK 0 / 94 / 10 / 12

HEX #E10ECB

RGB 225 14 203

HSL 306.26, 0.88%, 0.47%

LAB 52.55, 85.34, -44.19

 

CMYK 0 / 100 / 12 / 18

HEX #D000B8

RGB 208 0 184

HSL 306.92, 1%, 0.41%

LAB 48.1, 80.95, -40.4

 

CMYK 0 / 100 / 14 / 25

HEX #BF00A5

RGB 191 0 165

HSL 308.17, 1%, 0.37%

LAB 43.93, 75.45, -35.94

 

CMYK 0 / 100 / 16 / 32

HEX #AE0092

RGB 174 0 146

HSL 309.66, 1%, 0.34%

LAB 39.7, 69.85, -31.35

 

CMYK 0 / 86 / 8 / 5

HEX #F221DE

RGB 242 33 222

HSL 305.74, 0.89%, 0.54%

LAB 57.31, 88.58, -47.3

 

CMYK 0 / 86 / 32 / 5

HEX #F221A5

RGB 242 33 165

HSL 322.11, 0.89%, 0.54%

LAB 54.74, 81.73, -18.42

 

CMYK 0 / 86 / 55 / 5

HEX #F2216D

RGB 242 33 109

HSL 338.18, 0.89%, 0.54%

LAB 53.03, 76.93, 12.53

 

CMYK 0 / 86 / 78 / 5

HEX #F22135

RGB 242 33 53

HSL 354.26, 0.89%, 0.54%

LAB 52.09, 74.23, 44.46

 

CMYK 0 / 86 / 86 / 5

HEX #F22121

RGB 242 33 33

HSL 0, 0.89%, 0.54%

LAB 51.92, 73.75, 54.5

 

CMYK 0 / 86 / 8 / 5

HEX #F221DE

RGB 242 33 222

HSL 305.74, 0.89%, 0.54%

LAB 57.31, 88.58, -47.3

 

CMYK 15 / 86 / 0 / 5

HEX #CD21F2

RGB 205 33 242

HSL 289.38, 0.89%, 0.54%

LAB 52.37, 85.36, -66.82

 

CMYK 38 / 86 / 0 / 5

HEX #9521F2

RGB 149 33 242

HSL 273.3, 0.89%, 0.54%

LAB 44.07, 77.54, -80.7

 

CMYK 62 / 86 / 0 / 5

HEX #5D21F2

RGB 93 33 242

HSL 257.22, 0.89%, 0.54%

LAB 37.53, 71.96, -91.71

 

CMYK 85 / 86 / 0 / 5

HEX #2421F2

RGB 36 33 242

HSL 240.86, 0.89%, 0.54%

LAB 33.72, 69.05, -98.15

 

CMYK 0 / 86 / 8 / 5

HEX #F221DE

RGB 242 33 222

HSL 305.74, 0.89%, 0.54%

LAB 57.31, 88.58, -47.3

 

CMYK 0 / 86 / 8 / 5

HEX #F221DE

RGB 242 33 222

HSL 305.74, 0.89%, 0.54%

LAB 57.31, 88.58, -47.3

 

CMYK 0 / 77 / 8 / 13

HEX #DF34CE

RGB 223 52 206

HSL 305.96, 0.73%, 0.54%

LAB 54.66, 78.68, -42.6

 

CMYK 0 / 65 / 6 / 20

HEX #CC47BF

RGB 204 71 191

HSL 305.86, 0.57%, 0.54%

LAB 53.06, 65.93, -36.69

 

CMYK 0 / 51 / 5 / 27

HEX #B95AB0

RGB 185 90 176

HSL 305.68, 0.4%, 0.54%

LAB 52.69, 49.95, -28.79

 

CMYK 0 / 34 / 4 / 35

HEX #A66DA0

RGB 166 109 160

HSL 306.32, 0.24%, 0.54%

LAB 53.58, 30.94, -18.29

 

CMYK 39 / 86 / 0 / 5

HEX #9421F2

RGB 148 33 242

HSL 273.01, 0.89%, 0.54%

LAB 43.94, 77.42, -80.92

 

CMYK 16 / 86 / 0 / 5

HEX #CB21F2

RGB 203 33 242

HSL 288.8, 0.89%, 0.54%

LAB 52.06, 85.05, -67.34

 

CMYK 0 / 86 / 7 / 5

HEX #F221E0

RGB 242 33 224

HSL 305.17, 0.89%, 0.54%

LAB 57.41, 88.85, -48.27

 

CMYK 0 / 86 / 30 / 5

HEX #F221A9

RGB 242 33 169

HSL 320.96, 0.89%, 0.54%

LAB 54.9, 82.15, -20.53

 

CMYK 0 / 86 / 53 / 5

HEX #F22171

RGB 242 33 113

HSL 337.03, 0.89%, 0.54%

LAB 53.12, 77.2, 10.25

 

CMYK 0 / 95 / 9 / 29

HEX #B60AA5

RGB 182 10 165

HSL 305.93, 0.9%, 0.38%

LAB 42.58, 72.87, -38.19

 

CMYK 0 / 95 / 9 / 13

HEX #DD0CC9

RGB 221 12 201

HSL 305.74, 0.9%, 0.46%

LAB 51.67, 84.55, -44.48

 

CMYK 0 / 86 / 8 / 5

HEX #F221DE

RGB 242 33 222

HSL 305.74, 0.89%, 0.54%

LAB 57.31, 88.58, -47.3

 

CMYK 0 / 70 / 7 / 4

HEX #F448E3

RGB 244 72 227

HSL 305.93, 0.89%, 0.62%

LAB 61.15, 80.29, -44.04

 

CMYK 0 / 55 / 5 / 4

HEX #F66FE9

RGB 246 111 233

HSL 305.78, 0.88%, 0.7%

LAB 67.16, 66.62, -37.93

 

CMYK 0 / 87 / 8 / 5

HEX #F220DE

RGB 242 32 222

HSL 305.71, 0.89%, 0.54%

LAB 57.25, 88.73, -47.39

 

CMYK 0 / 62 / 86 / 5

HEX #F25C21

RGB 242 92 33

HSL 16.94, 0.89%, 0.54%

LAB 58.64, 55.2, 59.88

 

CMYK 86 / 0 / 28 / 5

HEX #21F2AF

RGB 33 242 175

HSL 160.77, 0.89%, 0.54%

LAB 85.46, -62.29, 19.25

 

CMYK 0 / 87 / 8 / 5

HEX #F220DE

RGB 242 32 222

HSL 305.71, 0.89%, 0.54%

LAB 57.25, 88.73, -47.39

 

CMYK 7 / 0 / 86 / 5

HEX #E0F221

RGB 224 242 33

HSL 65.17, 0.89%, 0.54%

LAB 91.44, -27.7, 85.6

 

CMYK 86 / 7 / 0 / 5

HEX #21E0F2

RGB 33 224 242

HSL 185.17, 0.89%, 0.54%

LAB 81.86, -37.07, -21.24

 

CMYK 0 / 87 / 8 / 5

HEX #F220DE

RGB 242 32 222

HSL 305.71, 0.89%, 0.54%

LAB 57.25, 88.73, -47.39

 

CMYK 0 / 62 / 86 / 5

HEX #F25C21

RGB 242 92 33

HSL 16.94, 0.89%, 0.54%

LAB 58.64, 55.2, 59.88

 

CMYK 86 / 0 / 79 / 5

HEX #21F232

RGB 33 242 50

HSL 124.88, 0.89%, 0.54%

LAB 84, -79.75, 72.32

 

CMYK 86 / 25 / 0 / 5

HEX #21B6F2

RGB 33 182 242

HSL 197.22, 0.89%, 0.54%

LAB 69.6, -16.21, -40.1

 

CMYK 0 / 87 / 8 / 5

HEX #F220DE

RGB 242 32 222

HSL 305.71, 0.89%, 0.54%

LAB 57.25, 88.73, -47.39

 

CMYK 0 / 36 / 86 / 5

HEX #F29B21

RGB 242 155 33

HSL 35.02, 0.89%, 0.54%

LAB 71.17, 24.15, 69.91

 

CMYK 86 / 0 / 79 / 5

HEX #21F232

RGB 33 242 50

HSL 124.88, 0.89%, 0.54%

LAB 84, -79.75, 72.32

 

CMYK 86 / 50 / 0 / 5

HEX #2178F2

RGB 33 120 242

HSL 215.02, 0.89%, 0.54%

LAB 52.03, 20.03, -68.06

 

Description

Color code: RGB 242 32 222 | qconv.com Color code: RGB 242 32 222 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 32 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 32 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 8 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 8% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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