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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 242 180 221 it is the complementary color RGB 13 75 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 242 180 221. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 242 180 221 shade: RGB 247 180 216, RGB 255 198 235, RGB 255 216 254, RGB 255 234 255 and RGB 255 252 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 242 180 221. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 242 180 221 shade: RGB 242 180 221, RGB 225 162 202, RGB 208 144 183, RGB 191 126 164 and RGB 174 108 145

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 242 180 221 shade: RGB 241 181 221, RGB 241 181 205, RGB 241 181 188 and RGB 241 181 181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 242 180 221 shade: RGB 241 181 221, RGB 241 181 237, RGB 229 181 241, RGB 213 181 241 and RGB 197 181 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 242 180 221 shade matches the following richer shades: RGB 241 181 221 and RGB 249 174 223

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 242 180 221 shade: RGB 241 181 221, RGB 234 188 219, RGB 227 195 216, RGB 220 202 214 and RGB 213 209 212

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 242 180 221 shade: RGB 229 181 241, RGB 241 181 237, RGB 241 181 221, RGB 241 181 205 and RGB 241 181 189

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 242 180 221 shade: RGB 229 111 189, RGB 235 146 205, RGB 241 181 221, RGB 248 216 237 and RGB 254 251 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 242 180 221 shade: RGB 242 180 221, RGB 241 213 181 and RGB 181 241 237

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 242 180 221 shade: RGB 242 180 221, RGB 221 241 181 and RGB 181 221 241

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 242 180 221 shade: RGB 242 180 221, RGB 241 213 181, RGB 181 241 201 and RGB 181 209 241

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 242 180 221 shade: RGB 242 180 221, RGB 241 231 181, RGB 181 241 201 and RGB 181 191 241

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 9 / 5

HEX #F2B4DD

RGB 242 180 221

HSL 320.32, 0.7%, 0.83%

LAB 80.03, 28.81, -11.74

 

Complementary color

CMYK 83 / 0 / 55 / 71

HEX #0D4B22

RGB 13 75 34

HSL 140.32, 0.7%, 0.17%

LAB 27.39, -29.52, 18.99

 

CMYK 0 / 27 / 13 / 3

HEX #F7B4D8

RGB 247 180 216

HSL 327.76, 0.81%, 0.84%

LAB 80.39, 29.68, -8.46

 

CMYK 0 / 22 / 8 / 0

HEX #FFC6EB

RGB 255 198 235

HSL 321.05, 1%, 0.89%

LAB 85.83, 26.04, -10.46

 

CMYK 0 / 15 / 0 / 0

HEX #FFD8FE

RGB 255 216 254

HSL 301.54, 1%, 0.92%

LAB 90.56, 19.9, -13.44

 

CMYK 0 / 8 / 0 / 0

HEX #FFEAFF

RGB 255 234 255

HSL 300, 1%, 0.96%

LAB 94.88, 10.72, -7.54

 

CMYK 0 / 1 / 0 / 0

HEX #FFFCFF

RGB 255 252 255

HSL 300, 1%, 0.99%

LAB 99.26, 1.52, -1.09

 

CMYK 0 / 26 / 9 / 5

HEX #F2B4DD

RGB 242 180 221

HSL 320.32, 0.7%, 0.83%

LAB 80.03, 28.81, -11.74

 

CMYK 0 / 28 / 10 / 12

HEX #E1A2CA

RGB 225 162 202

HSL 321.9, 0.51%, 0.76%

LAB 73.62, 29.44, -11.17

 

CMYK 0 / 31 / 12 / 18

HEX #D090B7

RGB 208 144 183

HSL 323.44, 0.41%, 0.69%

LAB 67.11, 30.12, -10.55

 

CMYK 0 / 34 / 14 / 25

HEX #BF7EA4

RGB 191 126 164

HSL 324.92, 0.34%, 0.62%

LAB 60.5, 30.85, -9.88

 

CMYK 0 / 38 / 17 / 32

HEX #AE6C91

RGB 174 108 145

HSL 326.36, 0.29%, 0.55%

LAB 53.78, 31.63, -9.13

 

CMYK 0 / 25 / 8 / 5

HEX #F1B5DD

RGB 241 181 221

HSL 320, 0.68%, 0.83%

LAB 80.16, 27.94, -11.56

 

CMYK 0 / 25 / 15 / 5

HEX #F1B5CD

RGB 241 181 205

HSL 336, 0.68%, 0.83%

LAB 79.7, 25.32, -3.6

 

CMYK 0 / 25 / 22 / 5

HEX #F1B5BC

RGB 241 181 188

HSL 353, 0.68%, 0.83%

LAB 79.26, 22.74, 4.95

 

CMYK 0 / 25 / 25 / 5

HEX #F1B5B5

RGB 241 181 181

HSL 0, 0.68%, 0.83%

LAB 79.09, 21.75, 8.5

 

CMYK 0 / 25 / 8 / 5

HEX #F1B5DD

RGB 241 181 221

HSL 320, 0.68%, 0.83%

LAB 80.16, 27.94, -11.56

 

CMYK 0 / 25 / 2 / 5

HEX #F1B5ED

RGB 241 181 237

HSL 304, 0.68%, 0.83%

LAB 80.66, 30.73, -19.43

 

CMYK 5 / 25 / 0 / 5

HEX #E5B5F1

RGB 229 181 241

HSL 288, 0.68%, 0.83%

LAB 79.65, 27.6, -23.23

 

CMYK 12 / 25 / 0 / 5

HEX #D5B5F1

RGB 213 181 241

HSL 272, 0.68%, 0.83%

LAB 78.2, 22.53, -25.57

 

CMYK 18 / 25 / 0 / 5

HEX #C5B5F1

RGB 197 181 241

HSL 256, 0.68%, 0.83%

LAB 76.84, 17.55, -27.76

 

CMYK 0 / 25 / 8 / 5

HEX #F1B5DD

RGB 241 181 221

HSL 320, 0.68%, 0.83%

LAB 80.16, 27.94, -11.56

 

CMYK 0 / 30 / 10 / 2

HEX #F9AEDF

RGB 249 174 223

HSL 320.8, 0.86%, 0.83%

LAB 79.47, 34.65, -13.6

 

CMYK 0 / 25 / 8 / 5

HEX #F1B5DD

RGB 241 181 221

HSL 320, 0.68%, 0.83%

LAB 80.16, 27.94, -11.56

 

CMYK 0 / 20 / 6 / 8

HEX #EABCDB

RGB 234 188 219

HSL 319.57, 0.52%, 0.83%

LAB 81.06, 21.49, -9.22

 

CMYK 0 / 14 / 5 / 11

HEX #E3C3D8

RGB 227 195 216

HSL 320.63, 0.36%, 0.83%

LAB 82.01, 14.84, -6.27

 

CMYK 0 / 8 / 3 / 14

HEX #DCCAD6

RGB 220 202 214

HSL 320, 0.2%, 0.83%

LAB 83.08, 8.36, -3.69

 

CMYK 0 / 2 / 0 / 16

HEX #D5D1D4

RGB 213 209 212

HSL 315, 0.05%, 0.83%

LAB 84.23, 1.91, -1.01

 

CMYK 5 / 25 / 0 / 5

HEX #E5B5F1

RGB 229 181 241

HSL 288, 0.68%, 0.83%

LAB 79.65, 27.6, -23.23

 

CMYK 0 / 25 / 2 / 5

HEX #F1B5ED

RGB 241 181 237

HSL 304, 0.68%, 0.83%

LAB 80.66, 30.73, -19.43

 

CMYK 0 / 25 / 8 / 5

HEX #F1B5DD

RGB 241 181 221

HSL 320, 0.68%, 0.83%

LAB 80.16, 27.94, -11.56

 

CMYK 0 / 25 / 15 / 5

HEX #F1B5CD

RGB 241 181 205

HSL 336, 0.68%, 0.83%

LAB 79.7, 25.32, -3.6

 

CMYK 0 / 25 / 22 / 5

HEX #F1B5BD

RGB 241 181 189

HSL 352, 0.68%, 0.83%

LAB 79.28, 22.89, 4.45

 

CMYK 0 / 52 / 17 / 10

HEX #E56FBD

RGB 229 111 189

HSL 320.34, 0.69%, 0.67%

LAB 63.1, 54.97, -19.74

 

CMYK 0 / 38 / 13 / 8

HEX #EB92CD

RGB 235 146 205

HSL 320.22, 0.69%, 0.75%

LAB 71.3, 41.76, -16.19

 

CMYK 0 / 25 / 8 / 5

HEX #F1B5DD

RGB 241 181 221

HSL 320, 0.68%, 0.83%

LAB 80.16, 27.94, -11.56

 

CMYK 0 / 13 / 4 / 3

HEX #F8D8ED

RGB 248 216 237

HSL 320.63, 0.7%, 0.91%

LAB 89.48, 14.57, -6.18

 

CMYK 0 / 1 / 0 / 0

HEX #FEFBFD

RGB 254 251 253

HSL 320, 0.6%, 0.99%

LAB 98.89, 1.35, -0.61

 

CMYK 0 / 26 / 9 / 5

HEX #F2B4DD

RGB 242 180 221

HSL 320.32, 0.7%, 0.83%

LAB 80.03, 28.81, -11.74

 

CMYK 0 / 12 / 25 / 5

HEX #F1D5B5

RGB 241 213 181

HSL 32, 0.68%, 0.83%

LAB 86.81, 4.93, 19.4

 

CMYK 25 / 0 / 2 / 5

HEX #B5F1ED

RGB 181 241 237

HSL 176, 0.68%, 0.83%

LAB 91.17, -19.61, -4.22

 

CMYK 0 / 26 / 9 / 5

HEX #F2B4DD

RGB 242 180 221

HSL 320.32, 0.7%, 0.83%

LAB 80.03, 28.81, -11.74

 

CMYK 8 / 0 / 25 / 5

HEX #DDF1B5

RGB 221 241 181

HSL 80, 0.68%, 0.83%

LAB 92.41, -16.57, 26.86

 

CMYK 25 / 8 / 0 / 5

HEX #B5DDF1

RGB 181 221 241

HSL 200, 0.68%, 0.83%

LAB 85.95, -8.65, -14.06

 

CMYK 0 / 26 / 9 / 5

HEX #F2B4DD

RGB 242 180 221

HSL 320.32, 0.7%, 0.83%

LAB 80.03, 28.81, -11.74

 

CMYK 0 / 12 / 25 / 5

HEX #F1D5B5

RGB 241 213 181

HSL 32, 0.68%, 0.83%

LAB 86.81, 4.93, 19.4

 

CMYK 25 / 0 / 17 / 5

HEX #B5F1C9

RGB 181 241 201

HSL 140, 0.68%, 0.83%

LAB 90.3, -26.77, 13.25

 

CMYK 25 / 13 / 0 / 5

HEX #B5D1F1

RGB 181 209 241

HSL 212, 0.68%, 0.83%

LAB 82.79, -2.39, -18.81

 

CMYK 0 / 26 / 9 / 5

HEX #F2B4DD

RGB 242 180 221

HSL 320.32, 0.7%, 0.83%

LAB 80.03, 28.81, -11.74

 

CMYK 0 / 4 / 25 / 5

HEX #F1E7B5

RGB 241 231 181

HSL 50, 0.68%, 0.83%

LAB 91.32, -4.29, 25.61

 

CMYK 25 / 0 / 17 / 5

HEX #B5F1C9

RGB 181 241 201

HSL 140, 0.68%, 0.83%

LAB 90.3, -26.77, 13.25

 

CMYK 25 / 21 / 0 / 5

HEX #B5BFF1

RGB 181 191 241

HSL 230, 0.68%, 0.83%

LAB 78.13, 7.26, -25.89

 

Description

Color code: RGB 242 180 221 | qconv.com Color code: RGB 242 180 221 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 180 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 180 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 9 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 9% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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