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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 242 17 105 it is the complementary color RGB 13 238 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 242 17 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 242 17 105 shade: RGB 247 17 100, RGB 255 35 119, RGB 255 53 138, RGB 255 71 157 and RGB 255 89 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 242 17 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 242 17 105 shade: RGB 242 17 105, RGB 225 0 86, RGB 208 0 67, RGB 191 0 48 and RGB 174 0 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 242 17 105 shade: RGB 242 17 105, RGB 242 17 44 and RGB 242 17 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 242 17 105 shade: RGB 242 17 105, RGB 242 17 166, RGB 242 17 226, RGB 197 17 242 and RGB 136 17 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 242 17 105 shade matches the following richer shades: RGB 242 17 105

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 242 17 105 shade: RGB 242 17 105, RGB 222 37 109, RGB 202 58 114, RGB 181 78 118 and RGB 161 98 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 242 17 105 shade: RGB 242 17 227, RGB 242 17 167, RGB 242 17 107, RGB 242 17 47 and RGB 242 47 17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 242 17 105 shade: RGB 168 8 71, RGB 207 10 87, RGB 242 17 105, RGB 244 56 130 and RGB 246 95 154

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 242 17 105 shade: RGB 242 17 105, RGB 242 197 17 and RGB 17 197 242

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 242 17 105 shade: RGB 242 17 105, RGB 107 242 17 and RGB 17 107 242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 242 17 105 shade: RGB 242 17 105, RGB 242 197 17, RGB 17 242 152 and RGB 17 62 242

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 242 17 105 shade: RGB 242 17 105, RGB 220 242 17, RGB 17 242 152 and RGB 40 17 242

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 57 / 5

HEX #F21169

RGB 242 17 105

HSL 336.53, 0.9%, 0.51%

LAB 52.17, 78.86, 13.77

 

Complementary color

CMYK 95 / 0 / 37 / 7

HEX #0DEE96

RGB 13 238 150

HSL 156.53, 0.9%, 0.49%

LAB 83.67, -67.03, 29.58

 

CMYK 0 / 93 / 60 / 3

HEX #F71164

RGB 247 17 100

HSL 338.35, 0.93%, 0.52%

LAB 53.05, 79.71, 18.17

 

CMYK 0 / 86 / 53 / 0

HEX #FF2377

RGB 255 35 119

HSL 337.09, 1%, 0.57%

LAB 55.88, 80.36, 10.88

 

CMYK 0 / 79 / 46 / 0

HEX #FF358A

RGB 255 53 138

HSL 334.75, 1%, 0.6%

LAB 57.69, 78.02, 2.17

 

CMYK 0 / 72 / 38 / 0

HEX #FF479D

RGB 255 71 157

HSL 331.96, 1%, 0.64%

LAB 60.07, 74.6, -5.49

 

CMYK 0 / 65 / 31 / 0

HEX #FF59B0

RGB 255 89 176

HSL 328.55, 1%, 0.67%

LAB 62.96, 70.29, -12.16

 

CMYK 0 / 93 / 57 / 5

HEX #F21169

RGB 242 17 105

HSL 336.53, 0.9%, 0.51%

LAB 52.17, 78.86, 13.77

 

CMYK 0 / 100 / 62 / 12

HEX #E10056

RGB 225 0 86

HSL 337.07, 1%, 0.44%

LAB 47.85, 75.23, 18.97

 

CMYK 0 / 100 / 68 / 18

HEX #D00043

RGB 208 0 67

HSL 340.67, 1%, 0.41%

LAB 43.97, 70.31, 25.02

 

CMYK 0 / 100 / 75 / 25

HEX #BF0030

RGB 191 0 48

HSL 344.92, 1%, 0.37%

LAB 40.06, 65.43, 31.22

 

CMYK 0 / 100 / 83 / 32

HEX #AE001D

RGB 174 0 29

HSL 350, 1%, 0.34%

LAB 36.15, 60.61, 37.28

 

CMYK 0 / 93 / 57 / 5

HEX #F21169

RGB 242 17 105

HSL 336.53, 0.9%, 0.51%

LAB 52.17, 78.86, 13.77

 

CMYK 0 / 93 / 82 / 5

HEX #F2112C

RGB 242 17 44

HSL 352.8, 0.9%, 0.51%

LAB 51.22, 76.23, 48.46

 

CMYK 0 / 93 / 93 / 5

HEX #F21111

RGB 242 17 17

HSL 0, 0.9%, 0.51%

LAB 51.06, 75.78, 60.22

 

CMYK 0 / 93 / 57 / 5

HEX #F21169

RGB 242 17 105

HSL 336.53, 0.9%, 0.51%

LAB 52.17, 78.86, 13.77

 

CMYK 0 / 93 / 31 / 5

HEX #F211A6

RGB 242 17 166

HSL 320.27, 0.9%, 0.51%

LAB 54.06, 83.93, -20.05

 

CMYK 0 / 93 / 7 / 5

HEX #F211E2

RGB 242 17 226

HSL 304.27, 0.9%, 0.51%

LAB 56.85, 91.08, -50.29

 

CMYK 19 / 93 / 0 / 5

HEX #C511F2

RGB 197 17 242

HSL 288, 0.9%, 0.51%

LAB 50.31, 86.52, -70.21

 

CMYK 44 / 93 / 0 / 5

HEX #8811F2

RGB 136 17 242

HSL 271.73, 0.9%, 0.51%

LAB 41.29, 79.22, -85.34

 

CMYK 0 / 93 / 57 / 5

HEX #F21169

RGB 242 17 105

HSL 336.53, 0.9%, 0.51%

LAB 52.17, 78.86, 13.77

 

CMYK 0 / 93 / 57 / 5

HEX #F21169

RGB 242 17 105

HSL 336.53, 0.9%, 0.51%

LAB 52.17, 78.86, 13.77

 

CMYK 0 / 83 / 51 / 13

HEX #DE256D

RGB 222 37 109

HSL 336.65, 0.74%, 0.51%

LAB 49.44, 71.26, 6.93

 

CMYK 0 / 71 / 44 / 21

HEX #CA3A72

RGB 202 58 114

HSL 336.67, 0.58%, 0.51%

LAB 48, 60.37, 1.33

 

CMYK 0 / 57 / 35 / 29

HEX #B54E76

RGB 181 78 118

HSL 336.7, 0.41%, 0.51%

LAB 47.73, 45.89, -1.93

 

CMYK 0 / 39 / 24 / 37

HEX #A1627B

RGB 161 98 123

HSL 336.19, 0.25%, 0.51%

LAB 49.18, 28.99, -3.12

 

CMYK 0 / 93 / 6 / 5

HEX #F211E3

RGB 242 17 227

HSL 304, 0.9%, 0.51%

LAB 56.9, 91.22, -50.77

 

CMYK 0 / 93 / 31 / 5

HEX #F211A7

RGB 242 17 167

HSL 320, 0.9%, 0.51%

LAB 54.1, 84.03, -20.58

 

CMYK 0 / 93 / 56 / 5

HEX #F2116B

RGB 242 17 107

HSL 336, 0.9%, 0.51%

LAB 52.22, 78.99, 12.62

 

CMYK 0 / 93 / 81 / 5

HEX #F2112F

RGB 242 17 47

HSL 352, 0.9%, 0.51%

LAB 51.25, 76.31, 46.89

 

CMYK 0 / 81 / 93 / 5

HEX #F22F11

RGB 242 47 17

HSL 8, 0.9%, 0.51%

LAB 52.9, 70.52, 61.3

 

CMYK 0 / 95 / 58 / 34

HEX #A80847

RGB 168 8 71

HSL 336.38, 0.91%, 0.35%

LAB 35.89, 60.07, 10.23

 

CMYK 0 / 95 / 58 / 19

HEX #CF0A57

RGB 207 10 87

HSL 336.55, 0.91%, 0.43%

LAB 44.48, 70.27, 13.14

 

CMYK 0 / 93 / 57 / 5

HEX #F21169

RGB 242 17 105

HSL 336.53, 0.9%, 0.51%

LAB 52.17, 78.86, 13.77

 

CMYK 0 / 77 / 47 / 4

HEX #F43882

RGB 244 56 130

HSL 336.38, 0.9%, 0.59%

LAB 55.76, 73.79, 3.86

 

CMYK 0 / 61 / 37 / 4

HEX #F65F9A

RGB 246 95 154

HSL 336.56, 0.89%, 0.67%

LAB 61.75, 62.85, -1.45

 

CMYK 0 / 93 / 57 / 5

HEX #F21169

RGB 242 17 105

HSL 336.53, 0.9%, 0.51%

LAB 52.17, 78.86, 13.77

 

CMYK 0 / 19 / 93 / 5

HEX #F2C511

RGB 242 197 17

HSL 48, 0.9%, 0.51%

LAB 81.21, 1.86, 80.8

 

CMYK 93 / 19 / 0 / 5

HEX #11C5F2

RGB 17 197 242

HSL 192, 0.9%, 0.51%

LAB 73.84, -24.75, -33.53

 

CMYK 0 / 93 / 57 / 5

HEX #F21169

RGB 242 17 105

HSL 336.53, 0.9%, 0.51%

LAB 52.17, 78.86, 13.77

 

CMYK 56 / 0 / 93 / 5

HEX #6BF211

RGB 107 242 17

HSL 96, 0.9%, 0.51%

LAB 85.34, -68.73, 80.45

 

CMYK 93 / 56 / 0 / 5

HEX #116BF2

RGB 17 107 242

HSL 216, 0.9%, 0.51%

LAB 48.32, 27.5, -74.1

 

CMYK 0 / 93 / 57 / 5

HEX #F21169

RGB 242 17 105

HSL 336.53, 0.9%, 0.51%

LAB 52.17, 78.86, 13.77

 

CMYK 0 / 19 / 93 / 5

HEX #F2C511

RGB 242 197 17

HSL 48, 0.9%, 0.51%

LAB 81.21, 1.86, 80.8

 

CMYK 93 / 0 / 37 / 5

HEX #11F298

RGB 17 242 152

HSL 156, 0.9%, 0.51%

LAB 84.94, -67.88, 30.27

 

CMYK 93 / 74 / 0 / 5

HEX #113EF2

RGB 17 62 242

HSL 228, 0.9%, 0.51%

LAB 37.8, 55.14, -91.39

 

CMYK 0 / 93 / 57 / 5

HEX #F21169

RGB 242 17 105

HSL 336.53, 0.9%, 0.51%

LAB 52.17, 78.86, 13.77

 

CMYK 9 / 0 / 93 / 5

HEX #DCF211

RGB 220 242 17

HSL 65.87, 0.9%, 0.51%

LAB 91.13, -29.59, 87.5

 

CMYK 93 / 0 / 37 / 5

HEX #11F298

RGB 17 242 152

HSL 156, 0.9%, 0.51%

LAB 84.94, -67.88, 30.27

 

CMYK 83 / 93 / 0 / 5

HEX #2811F2

RGB 40 17 242

HSL 246.13, 0.9%, 0.51%

LAB 32.4, 73.67, -100.35

 

Description

Color code: RGB 242 17 105 | qconv.com Color code: RGB 242 17 105 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 17 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 17 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 57 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 57% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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