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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 242 167 108 it is the complementary color RGB 13 88 147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 242 167 108. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 242 167 108 shade: RGB 247 167 103, RGB 255 185 122, RGB 255 203 141, RGB 255 221 160 and RGB 255 239 179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 242 167 108. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 242 167 108 shade: RGB 242 167 108, RGB 225 149 89, RGB 208 131 70, RGB 191 113 51 and RGB 174 95 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 242 167 108 shade: RGB 242 168 109, RGB 242 132 109 and RGB 242 109 109

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 242 167 108 shade: RGB 242 168 109, RGB 242 203 109, RGB 242 239 109, RGB 209 242 109 and RGB 173 242 109

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 242 167 108 shade matches the following richer shades: RGB 242 168 109

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 242 167 108 shade: RGB 242 168 109, RGB 229 169 122, RGB 216 171 135, RGB 203 172 147 and RGB 191 174 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 242 167 108 shade: RGB 242 109 122, RGB 242 131 109, RGB 242 167 109, RGB 242 202 109 and RGB 242 237 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 242 167 108 shade: RGB 235 122 33, RGB 239 145 71, RGB 242 168 109, RGB 245 190 147 and RGB 248 213 185

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 242 167 108 shade: RGB 242 167 108, RGB 158 242 109 and RGB 113 109 242

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 242 167 108 shade: RGB 242 167 108, RGB 109 242 167 and RGB 167 109 242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 242 167 108 shade: RGB 242 167 108, RGB 158 242 109, RGB 109 184 242 and RGB 193 109 242

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 242 167 108 shade: RGB 242 167 108, RGB 118 242 109, RGB 109 184 242 and RGB 233 109 242

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 55 / 5

HEX #F2A76C

RGB 242 167 108

HSL 26.42, 0.84%, 0.69%

LAB 74.57, 21.53, 41.39

 

Complementary color

CMYK 91 / 40 / 0 / 42

HEX #0D5893

RGB 13 88 147

HSL 206.42, 0.84%, 0.31%

LAB 36.31, 1.75, -38.34

 

CMYK 0 / 32 / 58 / 3

HEX #F7A767

RGB 247 167 103

HSL 26.67, 0.9%, 0.69%

LAB 75.07, 23.16, 44.68

 

CMYK 0 / 27 / 52 / 0

HEX #FFB97A

RGB 255 185 122

HSL 28.42, 1%, 0.74%

LAB 80.38, 18.42, 41.76

 

CMYK 0 / 20 / 45 / 0

HEX #FFCB8D

RGB 255 203 141

HSL 32.63, 1%, 0.78%

LAB 84.94, 10.78, 37.87

 

CMYK 0 / 13 / 37 / 0

HEX #FFDDA0

RGB 255 221 160

HSL 38.53, 1%, 0.81%

LAB 89.63, 3.51, 34.3

 

CMYK 0 / 6 / 30 / 0

HEX #FFEFB3

RGB 255 239 179

HSL 47.37, 1%, 0.85%

LAB 94.42, -3.38, 31.03

 

CMYK 0 / 31 / 55 / 5

HEX #F2A76C

RGB 242 167 108

HSL 26.42, 0.84%, 0.69%

LAB 74.57, 21.53, 41.39

 

CMYK 0 / 34 / 60 / 12

HEX #E19559

RGB 225 149 89

HSL 26.47, 0.69%, 0.62%

LAB 68.19, 22.75, 42.94

 

CMYK 0 / 37 / 66 / 18

HEX #D08346

RGB 208 131 70

HSL 26.52, 0.59%, 0.55%

LAB 61.73, 24.15, 44.55

 

CMYK 0 / 41 / 73 / 25

HEX #BF7133

RGB 191 113 51

HSL 26.57, 0.58%, 0.47%

LAB 55.2, 25.74, 46.15

 

CMYK 0 / 45 / 82 / 32

HEX #AE5F20

RGB 174 95 32

HSL 26.62, 0.69%, 0.4%

LAB 48.62, 27.57, 47.5

 

CMYK 0 / 31 / 55 / 5

HEX #F2A86D

RGB 242 168 109

HSL 26.62, 0.84%, 0.69%

LAB 74.82, 21.08, 41.18

 

CMYK 0 / 45 / 55 / 5

HEX #F2846D

RGB 242 132 109

HSL 10.38, 0.84%, 0.69%

LAB 66.89, 39.87, 31.15

 

CMYK 0 / 55 / 55 / 5

HEX #F26D6D

RGB 242 109 109

HSL 0, 0.84%, 0.69%

LAB 62.44, 51.16, 25.33

 

CMYK 0 / 31 / 55 / 5

HEX #F2A86D

RGB 242 168 109

HSL 26.62, 0.84%, 0.69%

LAB 74.82, 21.08, 41.18

 

CMYK 0 / 16 / 55 / 5

HEX #F2CB6D

RGB 242 203 109

HSL 42.41, 0.84%, 0.69%

LAB 83.28, 2.73, 51.43

 

CMYK 0 / 1 / 55 / 5

HEX #F2EF6D

RGB 242 239 109

HSL 58.65, 0.84%, 0.69%

LAB 92.45, -15.39, 62.05

 

CMYK 14 / 0 / 55 / 5

HEX #D1F26D

RGB 209 242 109

HSL 74.89, 0.84%, 0.69%

LAB 90.85, -29.75, 59.6

 

CMYK 29 / 0 / 55 / 5

HEX #ADF26D

RGB 173 242 109

HSL 91.13, 0.84%, 0.69%

LAB 88.68, -42.94, 56.52

 

CMYK 0 / 31 / 55 / 5

HEX #F2A86D

RGB 242 168 109

HSL 26.62, 0.84%, 0.69%

LAB 74.82, 21.08, 41.18

 

CMYK 0 / 31 / 55 / 5

HEX #F2A86D

RGB 242 168 109

HSL 26.62, 0.84%, 0.69%

LAB 74.82, 21.08, 41.18

 

CMYK 0 / 26 / 47 / 10

HEX #E5A97A

RGB 229 169 122

HSL 26.36, 0.67%, 0.69%

LAB 73.83, 16.47, 32.84

 

CMYK 0 / 21 / 38 / 15

HEX #D8AB87

RGB 216 171 135

HSL 26.67, 0.51%, 0.69%

LAB 73.2, 11.61, 24.81

 

CMYK 0 / 15 / 28 / 20

HEX #CBAC93

RGB 203 172 147

HSL 26.79, 0.35%, 0.69%

LAB 72.43, 7.5, 17.05

 

CMYK 0 / 9 / 16 / 25

HEX #BFAEA0

RGB 191 174 160

HSL 27.1, 0.19%, 0.69%

LAB 72.15, 3.77, 9.39

 

CMYK 0 / 55 / 50 / 5

HEX #F26D7A

RGB 242 109 122

HSL 354.14, 0.84%, 0.69%

LAB 62.69, 52.23, 18.26

 

CMYK 0 / 46 / 55 / 5

HEX #F2836D

RGB 242 131 109

HSL 9.92, 0.84%, 0.69%

LAB 66.68, 40.38, 30.88

 

CMYK 0 / 31 / 55 / 5

HEX #F2A76D

RGB 242 167 109

HSL 26.17, 0.84%, 0.69%

LAB 74.58, 21.61, 40.89

 

CMYK 0 / 17 / 55 / 5

HEX #F2CA6D

RGB 242 202 109

HSL 41.95, 0.84%, 0.69%

LAB 83.03, 3.24, 51.14

 

CMYK 0 / 2 / 55 / 5

HEX #F2ED6D

RGB 242 237 109

HSL 57.74, 0.84%, 0.69%

LAB 91.93, -14.41, 61.46

 

CMYK 0 / 48 / 86 / 8

HEX #EB7A21

RGB 235 122 33

HSL 26.44, 0.83%, 0.53%

LAB 63.09, 38.41, 63.02

 

CMYK 0 / 39 / 70 / 6

HEX #EF9147

RGB 239 145 71

HSL 26.43, 0.84%, 0.61%

LAB 68.79, 29.51, 52.96

 

CMYK 0 / 31 / 55 / 5

HEX #F2A86D

RGB 242 168 109

HSL 26.62, 0.84%, 0.69%

LAB 74.82, 21.08, 41.18

 

CMYK 0 / 22 / 40 / 4

HEX #F5BE93

RGB 245 190 147

HSL 26.33, 0.83%, 0.77%

LAB 80.93, 14.27, 29.3

 

CMYK 0 / 14 / 25 / 3

HEX #F8D5B9

RGB 248 213 185

HSL 26.67, 0.82%, 0.85%

LAB 87.51, 8.08, 18.36

 

CMYK 0 / 31 / 55 / 5

HEX #F2A76C

RGB 242 167 108

HSL 26.42, 0.84%, 0.69%

LAB 74.57, 21.53, 41.39

 

CMYK 35 / 0 / 55 / 5

HEX #9EF26D

RGB 158 242 109

HSL 97.89, 0.84%, 0.69%

LAB 87.91, -48.03, 55.43

 

CMYK 53 / 55 / 0 / 5

HEX #716DF2

RGB 113 109 242

HSL 241.8, 0.84%, 0.69%

LAB 52.79, 37.37, -66.65

 

CMYK 0 / 31 / 55 / 5

HEX #F2A76C

RGB 242 167 108

HSL 26.42, 0.84%, 0.69%

LAB 74.57, 21.53, 41.39

 

CMYK 55 / 0 / 31 / 5

HEX #6DF2A7

RGB 109 242 167

HSL 146.17, 0.84%, 0.69%

LAB 86.77, -53.19, 25.39

 

CMYK 31 / 55 / 0 / 5

HEX #A76DF2

RGB 167 109 242

HSL 266.17, 0.84%, 0.69%

LAB 57.62, 49.17, -58.63

 

CMYK 0 / 31 / 55 / 5

HEX #F2A76C

RGB 242 167 108

HSL 26.42, 0.84%, 0.69%

LAB 74.57, 21.53, 41.39

 

CMYK 35 / 0 / 55 / 5

HEX #9EF26D

RGB 158 242 109

HSL 97.89, 0.84%, 0.69%

LAB 87.91, -48.03, 55.43

 

CMYK 55 / 24 / 0 / 5

HEX #6DB8F2

RGB 109 184 242

HSL 206.17, 0.84%, 0.69%

LAB 72.19, -7.09, -35.93

 

CMYK 20 / 55 / 0 / 5

HEX #C16DF2

RGB 193 109 242

HSL 277.89, 0.84%, 0.69%

LAB 60.5, 55.53, -53.86

 

CMYK 0 / 31 / 55 / 5

HEX #F2A76C

RGB 242 167 108

HSL 26.42, 0.84%, 0.69%

LAB 74.57, 21.53, 41.39

 

CMYK 51 / 0 / 55 / 5

HEX #76F26D

RGB 118 242 109

HSL 115.94, 0.84%, 0.69%

LAB 86.24, -59.88, 53.04

 

CMYK 55 / 24 / 0 / 5

HEX #6DB8F2

RGB 109 184 242

HSL 206.17, 0.84%, 0.69%

LAB 72.19, -7.09, -35.93

 

CMYK 4 / 55 / 0 / 5

HEX #E96DF2

RGB 233 109 242

HSL 295.94, 0.84%, 0.69%

LAB 65.49, 65.65, -45.65

 

Description

Color code: RGB 242 167 108 | qconv.com Color code: RGB 242 167 108 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 167 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 167 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 55 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 55% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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