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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 242 166 89 it is the complementary color RGB 13 89 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 242 166 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 242 166 89 shade: RGB 247 166 84, RGB 255 184 103, RGB 255 202 122, RGB 255 220 141 and RGB 255 238 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 242 166 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 242 166 89 shade: RGB 242 166 89, RGB 225 148 70, RGB 208 130 51, RGB 191 112 32 and RGB 174 94 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 242 166 89 shade: RGB 241 166 89, RGB 241 125 89 and RGB 241 89 89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 242 166 89 shade: RGB 241 166 89, RGB 241 207 89, RGB 235 241 89, RGB 194 241 89 and RGB 153 241 89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 242 166 89 shade matches the following richer shades: RGB 241 166 89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 242 166 89 shade: RGB 241 166 89, RGB 227 166 104, RGB 212 166 118, RGB 198 165 133 and RGB 183 165 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 242 166 89 shade: RGB 241 89 94, RGB 241 125 89, RGB 241 165 89, RGB 241 206 89 and RGB 236 241 89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 242 166 89 shade: RGB 230 125 18, RGB 238 145 51, RGB 241 166 89, RGB 244 186 128 and RGB 247 207 166

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 242 166 89 shade: RGB 242 166 89, RGB 135 241 89 and RGB 105 89 241

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 242 166 89 shade: RGB 242 166 89, RGB 89 241 165 and RGB 165 89 241

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 242 166 89 shade: RGB 242 166 89, RGB 135 241 89, RGB 89 165 241 and RGB 196 89 241

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 242 166 89 shade: RGB 242 166 89, RGB 89 241 89, RGB 89 165 241 and RGB 241 89 241

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 63 / 5

HEX #F2A659

RGB 242 166 89

HSL 30.2, 0.85%, 0.65%

LAB 74.11, 20.7, 50.36

 

Complementary color

CMYK 92 / 46 / 0 / 35

HEX #0D59A6

RGB 13 89 166

HSL 210.2, 0.85%, 0.35%

LAB 37.81, 8.88, -47.34

 

CMYK 0 / 33 / 66 / 3

HEX #F7A654

RGB 247 166 84

HSL 30.18, 0.91%, 0.65%

LAB 74.63, 22.44, 53.5

 

CMYK 0 / 28 / 60 / 0

HEX #FFB867

RGB 255 184 103

HSL 31.97, 1%, 0.7%

LAB 79.91, 17.48, 50.67

RGB 255 184 103

CMYK 0 / 21 / 52 / 0

HEX #FFCA7A

RGB 255 202 122

HSL 36.09, 1%, 0.74%

LAB 84.44, 9.57, 46.79

RGB 255 202 122

CMYK 0 / 14 / 45 / 0

HEX #FFDC8D

RGB 255 220 141

HSL 41.58, 1%, 0.78%

LAB 89.1, 2.03, 43.19

RGB 255 220 141

CMYK 0 / 7 / 37 / 0

HEX #FFEEA0

RGB 255 238 160

HSL 49.26, 1%, 0.81%

LAB 93.86, -5.1, 39.85

RGB 255 238 160

CMYK 0 / 31 / 63 / 5

HEX #F2A659

RGB 242 166 89

HSL 30.2, 0.85%, 0.65%

LAB 74.11, 20.7, 50.36

 

CMYK 0 / 34 / 69 / 12

HEX #E19446

RGB 225 148 70

HSL 30.19, 0.72%, 0.58%

LAB 67.75, 22.1, 51.8

 

CMYK 0 / 38 / 75 / 18

HEX #D08233

RGB 208 130 51

HSL 30.19, 0.63%, 0.51%

LAB 61.32, 23.71, 53.1

 

CMYK 0 / 41 / 83 / 25

HEX #BF7020

RGB 191 112 32

HSL 30.19, 0.71%, 0.44%

LAB 54.83, 25.55, 53.97

 

CMYK 0 / 46 / 93 / 32

HEX #AE5E0D

RGB 174 94 13

HSL 30.19, 0.86%, 0.37%

LAB 48.3, 27.63, 53.77

 

CMYK 0 / 31 / 63 / 5

HEX #F1A659

RGB 241 166 89

HSL 30.39, 0.84%, 0.65%

LAB 73.99, 20.29, 50.2

 

CMYK 0 / 48 / 63 / 5

HEX #F17D59

RGB 241 125 89

HSL 14.21, 0.84%, 0.65%

LAB 65.03, 41.6, 39.65

 

CMYK 0 / 63 / 63 / 5

HEX #F15959

RGB 241 89 89

HSL 0, 0.84%, 0.65%

LAB 58.57, 58.35, 31.67

 

CMYK 0 / 31 / 63 / 5

HEX #F1A659

RGB 241 166 89

HSL 30.39, 0.84%, 0.65%

LAB 73.99, 20.29, 50.2

 

CMYK 0 / 14 / 63 / 5

HEX #F1CF59

RGB 241 207 89

HSL 46.58, 0.84%, 0.65%

LAB 83.99, -1.14, 61.36

 

CMYK 2 / 0 / 63 / 5

HEX #EBF159

RGB 235 241 89

HSL 62.37, 0.84%, 0.65%

LAB 92.26, -20.51, 70.04

 

CMYK 20 / 0 / 63 / 5

HEX #C2F159

RGB 194 241 89

HSL 78.55, 0.84%, 0.65%

LAB 89.44, -36.55, 66.2

 

CMYK 37 / 0 / 63 / 5

HEX #99F159

RGB 153 241 89

HSL 94.74, 0.84%, 0.65%

LAB 87.19, -51.12, 63.12

 

CMYK 0 / 31 / 63 / 5

HEX #F1A659

RGB 241 166 89

HSL 30.39, 0.84%, 0.65%

LAB 73.99, 20.29, 50.2

 

CMYK 0 / 31 / 63 / 5

HEX #F1A659

RGB 241 166 89

HSL 30.39, 0.84%, 0.65%

LAB 73.99, 20.29, 50.2

 

CMYK 0 / 27 / 54 / 11

HEX #E3A668

RGB 227 166 104

HSL 30.24, 0.69%, 0.65%

LAB 72.63, 15.63, 40.68

 

CMYK 0 / 22 / 44 / 17

HEX #D4A676

RGB 212 166 118

HSL 30.64, 0.52%, 0.65%

LAB 71.27, 10.81, 31.29

 

CMYK 0 / 17 / 33 / 22

HEX #C6A585

RGB 198 165 133

HSL 29.54, 0.36%, 0.65%

LAB 69.9, 7.46, 21.12

 

CMYK 0 / 10 / 20 / 28

HEX #B7A593

RGB 183 165 147

HSL 30, 0.2%, 0.65%

LAB 68.81, 3.58, 11.71

 

CMYK 0 / 63 / 61 / 5

HEX #F1595E

RGB 241 89 94

HSL 358.03, 0.84%, 0.65%

LAB 58.65, 58.66, 28.91

 

CMYK 0 / 48 / 63 / 5

HEX #F17D59

RGB 241 125 89

HSL 14.21, 0.84%, 0.65%

LAB 65.03, 41.6, 39.65

 

CMYK 0 / 32 / 63 / 5

HEX #F1A559

RGB 241 165 89

HSL 30, 0.84%, 0.65%

LAB 73.76, 20.81, 49.93

 

CMYK 0 / 15 / 63 / 5

HEX #F1CE59

RGB 241 206 89

HSL 46.18, 0.84%, 0.65%

LAB 83.74, -0.63, 61.09

 

CMYK 2 / 0 / 63 / 5

HEX #ECF159

RGB 236 241 89

HSL 61.97, 0.84%, 0.65%

LAB 92.34, -20.11, 70.15

 

CMYK 0 / 46 / 92 / 10

HEX #E67D12

RGB 230 125 18

HSL 30.28, 0.85%, 0.49%

LAB 62.96, 34.6, 66.74

 

CMYK 0 / 39 / 79 / 7

HEX #EE9133

RGB 238 145 51

HSL 30.16, 0.85%, 0.57%

LAB 68.51, 28.25, 61.34

 

CMYK 0 / 31 / 63 / 5

HEX #F1A659

RGB 241 166 89

HSL 30.39, 0.84%, 0.65%

LAB 73.99, 20.29, 50.2

 

CMYK 0 / 24 / 48 / 4

HEX #F4BA80

RGB 244 186 128

HSL 30, 0.84%, 0.73%

LAB 79.56, 14.04, 37.4

 

CMYK 0 / 16 / 33 / 3

HEX #F7CFA6

RGB 247 207 166

HSL 30.37, 0.84%, 0.81%

LAB 85.58, 8.36, 25.64

 

CMYK 0 / 31 / 63 / 5

HEX #F2A659

RGB 242 166 89

HSL 30.2, 0.85%, 0.65%

LAB 74.11, 20.7, 50.36

 

CMYK 44 / 0 / 63 / 5

HEX #87F159

RGB 135 241 89

HSL 101.84, 0.84%, 0.65%

LAB 86.4, -56.78, 62.01

 

CMYK 56 / 63 / 0 / 5

HEX #6959F1

RGB 105 89 241

HSL 246.32, 0.84%, 0.65%

LAB 47.62, 47.3, -74.51

 

CMYK 0 / 31 / 63 / 5

HEX #F2A659

RGB 242 166 89

HSL 30.2, 0.85%, 0.65%

LAB 74.11, 20.7, 50.36

 

CMYK 63 / 0 / 32 / 5

HEX #59F1A5

RGB 89 241 165

HSL 150, 0.84%, 0.65%

LAB 85.88, -57.2, 25.11

 

CMYK 32 / 63 / 0 / 5

HEX #A559F1

RGB 165 89 241

HSL 270, 0.84%, 0.65%

LAB 53.49, 58.76, -64.73

 

CMYK 0 / 31 / 63 / 5

HEX #F2A659

RGB 242 166 89

HSL 30.2, 0.85%, 0.65%

LAB 74.11, 20.7, 50.36

 

CMYK 44 / 0 / 63 / 5

HEX #87F159

RGB 135 241 89

HSL 101.84, 0.84%, 0.65%

LAB 86.4, -56.78, 62.01

 

CMYK 63 / 32 / 0 / 5

HEX #59A5F1

RGB 89 165 241

HSL 210, 0.84%, 0.65%

LAB 66.05, -0.63, -45.04

 

CMYK 19 / 63 / 0 / 5

HEX #C459F1

RGB 196 89 241

HSL 282.24, 0.84%, 0.65%

LAB 57.3, 65.54, -58.4

 

CMYK 0 / 31 / 63 / 5

HEX #F2A659

RGB 242 166 89

HSL 30.2, 0.85%, 0.65%

LAB 74.11, 20.7, 50.36

 

CMYK 63 / 0 / 63 / 5

HEX #59F159

RGB 89 241 89

HSL 120, 0.84%, 0.65%

LAB 84.87, -68.47, 59.9

 

CMYK 63 / 32 / 0 / 5

HEX #59A5F1

RGB 89 165 241

HSL 210, 0.84%, 0.65%

LAB 66.05, -0.63, -45.04

 

CMYK 0 / 63 / 0 / 5

HEX #F159F1

RGB 241 89 241

HSL 300, 0.84%, 0.65%

LAB 63.5, 75.79, -48.15

 

Description

Color code: RGB 242 166 89 | qconv.com Color code: RGB 242 166 89 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 166 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 166 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 63 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 63% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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