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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 242 133 32 it is the complementary color RGB 13 122 223. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 242 133 32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 242 133 32 shade: RGB 247 133 27, RGB 255 151 46, RGB 255 169 65, RGB 255 187 84 and RGB 255 205 103

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 242 133 32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 242 133 32 shade: RGB 242 133 32, RGB 225 115 13, RGB 208 97 0, RGB 191 79 0 and RGB 174 61 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 242 133 32 shade: RGB 242 133 33, RGB 242 77 33 and RGB 242 33 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 242 133 32 shade: RGB 242 133 33, RGB 242 190 33, RGB 237 242 33, RGB 181 242 33 and RGB 125 242 33

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 242 133 32 shade matches the following richer shades: RGB 242 133 33

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 242 133 32 shade: RGB 242 133 33, RGB 223 134 52, RGB 204 135 71, RGB 185 135 90 and RGB 166 136 109

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 242 133 32 shade: RGB 242 33 47, RGB 242 75 33, RGB 242 130 33, RGB 242 186 33 and RGB 242 242 33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 242 133 32 shade: RGB 182 93 10, RGB 221 113 12, RGB 242 133 33, RGB 244 155 72 and RGB 246 176 111

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 242 133 32 shade: RGB 242 133 32, RGB 102 242 33 and RGB 47 33 242

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 242 133 32 shade: RGB 242 133 32, RGB 33 242 130 and RGB 130 33 242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 242 133 32 shade: RGB 242 133 32, RGB 102 242 33, RGB 33 144 242 and RGB 172 33 242

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 242 133 32 shade: RGB 242 133 32, RGB 40 242 33, RGB 33 144 242 and RGB 235 33 242

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 87 / 5

HEX #F28520

RGB 242 133 32

HSL 28.86, 0.89%, 0.54%

LAB 66.33, 35.58, 66.35

 

Complementary color

CMYK 94 / 45 / 0 / 13

HEX #0D7ADF

RGB 13 122 223

HSL 208.86, 0.89%, 0.46%

LAB 51.07, 10.47, -58.97

 

CMYK 0 / 46 / 89 / 3

HEX #F7851B

RGB 247 133 27

HSL 28.91, 0.93%, 0.54%

LAB 67, 37.48, 68.58

 

CMYK 0 / 41 / 82 / 0

HEX #FF972E

RGB 255 151 46

HSL 30.14, 1%, 0.59%

LAB 71.95, 31.91, 67.13

 

CMYK 0 / 34 / 75 / 0

HEX #FFA941

RGB 255 169 65

HSL 32.84, 1%, 0.63%

LAB 76.08, 23.22, 63.72

 

CMYK 0 / 27 / 67 / 0

HEX #FFBB54

RGB 255 187 84

HSL 36.14, 1%, 0.66%

LAB 80.43, 14.73, 60.1

 

CMYK 0 / 20 / 60 / 0

HEX #FFCD67

RGB 255 205 103

HSL 40.26, 1%, 0.7%

LAB 84.95, 6.57, 56.51

 

CMYK 0 / 45 / 87 / 5

HEX #F28520

RGB 242 133 32

HSL 28.86, 0.89%, 0.54%

LAB 66.33, 35.58, 66.35

 

CMYK 0 / 49 / 94 / 12

HEX #E1730D

RGB 225 115 13

HSL 28.87, 0.89%, 0.47%

LAB 60.16, 37.66, 65.49

 

CMYK 0 / 53 / 100 / 18

HEX #D06100

RGB 208 97 0

HSL 27.98, 1%, 0.41%

LAB 53.98, 39.86, 62.76

 

CMYK 0 / 59 / 100 / 25

HEX #BF4F00

RGB 191 79 0

HSL 24.82, 1%, 0.37%

LAB 47.84, 42.09, 57.85

 

CMYK 0 / 65 / 100 / 32

HEX #AE3D00

RGB 174 61 0

HSL 21.03, 1%, 0.34%

LAB 41.75, 44.09, 53.01

 

CMYK 0 / 45 / 86 / 5

HEX #F28521

RGB 242 133 33

HSL 28.71, 0.89%, 0.54%

LAB 66.34, 35.6, 66.04

 

CMYK 0 / 68 / 86 / 5

HEX #F24D21

RGB 242 77 33

HSL 12.63, 0.89%, 0.54%

LAB 56.38, 61.28, 58.07

 

CMYK 0 / 86 / 86 / 5

HEX #F22121

RGB 242 33 33

HSL 0, 0.89%, 0.54%

LAB 51.92, 73.75, 54.5

 

CMYK 0 / 45 / 86 / 5

HEX #F28521

RGB 242 133 33

HSL 28.71, 0.89%, 0.54%

LAB 66.34, 35.6, 66.04

 

CMYK 0 / 21 / 86 / 5

HEX #F2BE21

RGB 242 190 33

HSL 45.07, 0.89%, 0.54%

LAB 79.51, 5.76, 76.6

 

CMYK 2 / 0 / 86 / 5

HEX #EDF221

RGB 237 242 33

HSL 61.44, 0.89%, 0.54%

LAB 92.41, -22.39, 86.78

 

CMYK 25 / 0 / 86 / 5

HEX #B5F221

RGB 181 242 33

HSL 77.51, 0.89%, 0.54%

LAB 88.66, -44.58, 82.16

 

CMYK 48 / 0 / 86 / 5

HEX #7DF221

RGB 125 242 33

HSL 93.59, 0.89%, 0.54%

LAB 85.99, -63.43, 78.84

 

CMYK 0 / 45 / 86 / 5

HEX #F28521

RGB 242 133 33

HSL 28.71, 0.89%, 0.54%

LAB 66.34, 35.6, 66.04

 

CMYK 0 / 45 / 86 / 5

HEX #F28521

RGB 242 133 33

HSL 28.71, 0.89%, 0.54%

LAB 66.34, 35.6, 66.04

 

CMYK 0 / 40 / 77 / 13

HEX #DF8634

RGB 223 134 52

HSL 28.77, 0.73%, 0.54%

LAB 64.15, 27.89, 56.1

 

CMYK 0 / 34 / 65 / 20

HEX #CC8747

RGB 204 135 71

HSL 28.87, 0.57%, 0.54%

LAB 62.19, 20.36, 44.44

 

CMYK 0 / 27 / 51 / 27

HEX #B9875A

RGB 185 135 90

HSL 28.42, 0.4%, 0.54%

LAB 60.23, 13.8, 31.6

 

CMYK 0 / 18 / 34 / 35

HEX #A6886D

RGB 166 136 109

HSL 28.42, 0.24%, 0.54%

LAB 58.81, 7.41, 18.79

 

CMYK 0 / 86 / 81 / 5

HEX #F2212F

RGB 242 33 47

HSL 355.98, 0.89%, 0.54%

LAB 52.03, 74.06, 47.65

 

CMYK 0 / 69 / 86 / 5

HEX #F24B21

RGB 242 75 33

HSL 12.06, 0.89%, 0.54%

LAB 56.11, 62.03, 57.85

 

CMYK 0 / 46 / 86 / 5

HEX #F28221

RGB 242 130 33

HSL 27.85, 0.89%, 0.54%

LAB 65.71, 37.13, 65.54

 

CMYK 0 / 23 / 86 / 5

HEX #F2BA21

RGB 242 186 33

HSL 43.92, 0.89%, 0.54%

LAB 78.52, 7.84, 75.81

 

CMYK 0 / 0 / 86 / 5

HEX #F2F221

RGB 242 242 33

HSL 60, 0.89%, 0.54%

LAB 92.79, -20.33, 87.25

 

CMYK 0 / 49 / 95 / 29

HEX #B65D0A

RGB 182 93 10

HSL 28.95, 0.9%, 0.38%

LAB 49.25, 31.51, 55.68

 

CMYK 0 / 49 / 95 / 13

HEX #DD710C

RGB 221 113 12

HSL 29, 0.9%, 0.46%

LAB 59.17, 37.06, 64.74

 

CMYK 0 / 45 / 86 / 5

HEX #F28521

RGB 242 133 33

HSL 28.71, 0.89%, 0.54%

LAB 66.34, 35.6, 66.04

 

CMYK 0 / 36 / 70 / 4

HEX #F49B48

RGB 244 155 72

HSL 28.95, 0.89%, 0.62%

LAB 71.65, 26.35, 55.74

 

CMYK 0 / 28 / 55 / 4

HEX #F6B06F

RGB 246 176 111

HSL 28.89, 0.88%, 0.7%

LAB 77.16, 18.63, 43.14

 

CMYK 0 / 45 / 87 / 5

HEX #F28520

RGB 242 133 32

HSL 28.86, 0.89%, 0.54%

LAB 66.33, 35.58, 66.35

 

CMYK 58 / 0 / 86 / 5

HEX #66F221

RGB 102 242 33

HSL 100.19, 0.89%, 0.54%

LAB 85.22, -69.55, 77.87

 

CMYK 81 / 86 / 0 / 5

HEX #2F21F2

RGB 47 33 242

HSL 244.02, 0.89%, 0.54%

LAB 34.2, 69.4, -97.34

 

CMYK 0 / 45 / 87 / 5

HEX #F28520

RGB 242 133 32

HSL 28.86, 0.89%, 0.54%

LAB 66.33, 35.58, 66.35

 

CMYK 86 / 0 / 46 / 5

HEX #21F282

RGB 33 242 130

HSL 147.85, 0.89%, 0.54%

LAB 84.71, -70.97, 40.9

 

CMYK 46 / 86 / 0 / 5

HEX #8221F2

RGB 130 33 242

HSL 267.85, 0.89%, 0.54%

LAB 41.6, 75.36, -84.85

 

CMYK 0 / 45 / 87 / 5

HEX #F28520

RGB 242 133 32

HSL 28.86, 0.89%, 0.54%

LAB 66.33, 35.58, 66.35

 

CMYK 58 / 0 / 86 / 5

HEX #66F221

RGB 102 242 33

HSL 100.19, 0.89%, 0.54%

LAB 85.22, -69.55, 77.87

 

CMYK 86 / 40 / 0 / 5

HEX #2190F2

RGB 33 144 242

HSL 208.13, 0.89%, 0.54%

LAB 58.68, 5.28, -57.37

 

CMYK 29 / 86 / 0 / 5

HEX #AC21F2

RGB 172 33 242

HSL 279.9, 0.89%, 0.54%

LAB 47.33, 80.53, -75.24

 

CMYK 0 / 45 / 87 / 5

HEX #F28520

RGB 242 133 32

HSL 28.86, 0.89%, 0.54%

LAB 66.33, 35.58, 66.35

 

CMYK 83 / 0 / 86 / 5

HEX #28F221

RGB 40 242 33

HSL 117.99, 0.89%, 0.54%

LAB 84, -79.96, 76.34

 

CMYK 86 / 40 / 0 / 5

HEX #2190F2

RGB 33 144 242

HSL 208.13, 0.89%, 0.54%

LAB 58.68, 5.28, -57.37

 

CMYK 3 / 86 / 0 / 5

HEX #EB21F2

RGB 235 33 242

HSL 297.99, 0.89%, 0.54%

LAB 57.23, 90.2, -58.74

 

Description

Color code: RGB 242 133 32 | qconv.com Color code: RGB 242 133 32 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 133 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 133 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 87 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 87% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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