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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 242 128 115 it is the complementary color RGB 13 127 140. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 242 128 115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 242 128 115 shade: RGB 247 128 110, RGB 255 146 129, RGB 255 164 148, RGB 255 182 167 and RGB 255 200 186

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 242 128 115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 242 128 115 shade: RGB 242 128 115, RGB 225 110 96, RGB 208 92 77, RGB 191 74 58 and RGB 174 56 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 242 128 115 shade: RGB 241 128 115 and RGB 241 115 115

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 242 128 115 shade: RGB 241 128 115, RGB 241 162 115, RGB 241 196 115, RGB 241 230 115 and RGB 219 241 115

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 242 128 115 shade matches the following richer shades: RGB 241 128 115 and RGB 254 118 102

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 242 128 115 shade: RGB 241 128 115, RGB 229 137 127, RGB 217 147 139, RGB 204 157 152 and RGB 192 167 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 242 128 115 shade: RGB 241 115 170, RGB 241 115 136, RGB 241 127 115, RGB 241 161 115 and RGB 241 195 115

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 242 128 115 shade: RGB 234 59 39, RGB 238 93 77, RGB 241 128 115, RGB 245 162 152 and RGB 249 196 190

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 242 128 115 shade: RGB 242 128 115, RGB 203 241 115 and RGB 115 153 241

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 242 128 115 shade: RGB 242 128 115, RGB 115 241 127 and RGB 127 115 241

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 242 128 115 shade: RGB 242 128 115, RGB 203 241 115, RGB 115 229 241 and RGB 153 115 241

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 242 128 115 shade: RGB 242 128 115, RGB 165 241 115, RGB 115 229 241 and RGB 191 115 241

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 52 / 5

HEX #F28073

RGB 242 128 115

HSL 6.14, 0.83%, 0.7%

LAB 66.18, 42.38, 26.9

 

Complementary color

CMYK 91 / 9 / 0 / 45

HEX #0D7F8C

RGB 13 127 140

HSL 186.14, 0.83%, 0.3%

LAB 48.46, -23.64, -15.23

 

CMYK 0 / 48 / 55 / 3

HEX #F7806E

RGB 247 128 110

HSL 7.88, 0.9%, 0.7%

LAB 66.78, 43.82, 30.59

 

CMYK 0 / 43 / 49 / 0

HEX #FF9281

RGB 255 146 129

HSL 8.1, 1%, 0.75%

LAB 71.83, 39.3, 26.99

 

CMYK 0 / 36 / 42 / 0

HEX #FFA494

RGB 255 164 148

HSL 8.97, 1%, 0.79%

LAB 76.04, 31.87, 22.33

 

CMYK 0 / 29 / 35 / 0

HEX #FFB6A7

RGB 255 182 167

HSL 10.23, 1%, 0.83%

LAB 80.46, 24.6, 18.19

 

CMYK 0 / 22 / 27 / 0

HEX #FFC8BA

RGB 255 200 186

HSL 12.17, 1%, 0.86%

LAB 85.05, 17.58, 14.48

 

CMYK 0 / 47 / 52 / 5

HEX #F28073

RGB 242 128 115

HSL 6.14, 0.83%, 0.7%

LAB 66.18, 42.38, 26.9

 

CMYK 0 / 51 / 57 / 12

HEX #E16E60

RGB 225 110 96

HSL 6.51, 0.68%, 0.63%

LAB 59.89, 43.59, 28.88

 

CMYK 0 / 56 / 63 / 18

HEX #D05C4D

RGB 208 92 77

HSL 6.87, 0.58%, 0.56%

LAB 53.6, 44.84, 31.15

 

CMYK 0 / 61 / 70 / 25

HEX #BF4A3A

RGB 191 74 58

HSL 7.22, 0.53%, 0.49%

LAB 47.34, 46.05, 33.77

 

CMYK 0 / 68 / 78 / 32

HEX #AE3827

RGB 174 56 39

HSL 7.56, 0.63%, 0.42%

LAB 41.17, 47.12, 36.75

 

CMYK 0 / 47 / 52 / 5

HEX #F18073

RGB 241 128 115

HSL 6.19, 0.82%, 0.7%

LAB 66.04, 42.01, 26.7

 

CMYK 0 / 52 / 52 / 5

HEX #F17373

RGB 241 115 115

HSL 0, 0.82%, 0.7%

LAB 63.51, 48.43, 23.32

 

CMYK 0 / 47 / 52 / 5

HEX #F18073

RGB 241 128 115

HSL 6.19, 0.82%, 0.7%

LAB 66.04, 42.01, 26.7

 

CMYK 0 / 33 / 52 / 5

HEX #F1A273

RGB 241 162 115

HSL 22.38, 0.82%, 0.7%

LAB 73.4, 24.35, 36.25

 

CMYK 0 / 19 / 52 / 5

HEX #F1C473

RGB 241 196 115

HSL 38.57, 0.82%, 0.7%

LAB 81.52, 6.44, 46.37

 

CMYK 0 / 5 / 52 / 5

HEX #F1E673

RGB 241 230 115

HSL 54.76, 0.82%, 0.7%

LAB 90.11, -10.89, 56.63

 

CMYK 9 / 0 / 52 / 5

HEX #DBF173

RGB 219 241 115

HSL 70.48, 0.82%, 0.7%

LAB 91.33, -24.92, 57.64

 

CMYK 0 / 47 / 52 / 5

HEX #F18073

RGB 241 128 115

HSL 6.19, 0.82%, 0.7%

LAB 66.04, 42.01, 26.7

 

CMYK 0 / 54 / 60 / 0

HEX #FE7666

RGB 254 118 102

HSL 6.32, 0.99%, 0.7%

LAB 65.74, 50.63, 33.87

 

CMYK 0 / 47 / 52 / 5

HEX #F18073

RGB 241 128 115

HSL 6.19, 0.82%, 0.7%

LAB 66.04, 42.01, 26.7

 

CMYK 0 / 40 / 45 / 10

HEX #E5897F

RGB 229 137 127

HSL 5.88, 0.66%, 0.7%

LAB 66.58, 34, 20.46

 

CMYK 0 / 32 / 36 / 15

HEX #D9938B

RGB 217 147 139

HSL 6.15, 0.51%, 0.7%

LAB 67.64, 25.43, 15

 

CMYK 0 / 23 / 25 / 20

HEX #CC9D98

RGB 204 157 152

HSL 5.77, 0.34%, 0.7%

LAB 68.91, 16.73, 9.35

 

CMYK 0 / 13 / 15 / 25

HEX #C0A7A4

RGB 192 167 164

HSL 6.43, 0.18%, 0.7%

LAB 70.54, 8.59, 4.89

 

CMYK 0 / 52 / 29 / 5

HEX #F173AA

RGB 241 115 170

HSL 333.81, 0.82%, 0.7%

LAB 64.85, 54.2, -6.12

 

CMYK 0 / 52 / 44 / 5

HEX #F17388

RGB 241 115 136

HSL 350, 0.82%, 0.7%

LAB 63.95, 50.36, 11.97

 

CMYK 0 / 47 / 52 / 5

HEX #F17F73

RGB 241 127 115

HSL 5.71, 0.82%, 0.7%

LAB 65.84, 42.52, 26.43

 

CMYK 0 / 33 / 52 / 5

HEX #F1A173

RGB 241 161 115

HSL 21.9, 0.82%, 0.7%

LAB 73.17, 24.87, 35.96

 

CMYK 0 / 19 / 52 / 5

HEX #F1C373

RGB 241 195 115

HSL 38.1, 0.82%, 0.7%

LAB 81.27, 6.96, 46.07

 

CMYK 0 / 75 / 83 / 8

HEX #EA3B27

RGB 234 59 39

HSL 6.15, 0.82%, 0.54%

LAB 52.69, 65.21, 51.74

 

CMYK 0 / 61 / 68 / 7

HEX #EE5D4D

RGB 238 93 77

HSL 5.96, 0.83%, 0.62%

LAB 58.55, 54.97, 38.27

 

CMYK 0 / 47 / 52 / 5

HEX #F18073

RGB 241 128 115

HSL 6.19, 0.82%, 0.7%

LAB 66.04, 42.01, 26.7

 

CMYK 0 / 34 / 38 / 4

HEX #F5A298

RGB 245 162 152

HSL 6.45, 0.82%, 0.78%

LAB 74.52, 29.6, 17.89

 

CMYK 0 / 21 / 24 / 2

HEX #F9C4BE

RGB 249 196 190

HSL 6.1, 0.83%, 0.86%

LAB 83.62, 18.02, 10.24

 

CMYK 0 / 47 / 52 / 5

HEX #F28073

RGB 242 128 115

HSL 6.14, 0.83%, 0.7%

LAB 66.18, 42.38, 26.9

 

CMYK 16 / 0 / 52 / 5

HEX #CBF173

RGB 203 241 115

HSL 78.1, 0.82%, 0.7%

LAB 90.25, -31.02, 56.11

 

CMYK 52 / 37 / 0 / 5

HEX #7399F1

RGB 115 153 241

HSL 221.9, 0.82%, 0.7%

LAB 63.98, 11.37, -48.21

 

CMYK 0 / 47 / 52 / 5

HEX #F28073

RGB 242 128 115

HSL 6.14, 0.83%, 0.7%

LAB 66.18, 42.38, 26.9

 

CMYK 52 / 0 / 47 / 5

HEX #73F17F

RGB 115 241 127

HSL 125.71, 0.82%, 0.7%

LAB 86.05, -57.96, 44.39

 

CMYK 47 / 52 / 0 / 5

HEX #7F73F1

RGB 127 115 241

HSL 245.71, 0.82%, 0.7%

LAB 55.2, 36.39, -62.16

 

CMYK 0 / 47 / 52 / 5

HEX #F28073

RGB 242 128 115

HSL 6.14, 0.83%, 0.7%

LAB 66.18, 42.38, 26.9

 

CMYK 16 / 0 / 52 / 5

HEX #CBF173

RGB 203 241 115

HSL 78.1, 0.82%, 0.7%

LAB 90.25, -31.02, 56.11

 

CMYK 52 / 5 / 0 / 5

HEX #73E5F1

RGB 115 229 241

HSL 185.71, 0.82%, 0.7%

LAB 85.01, -29.19, -15.79

 

CMYK 37 / 52 / 0 / 5

HEX #9973F1

RGB 153 115 241

HSL 258.1, 0.82%, 0.7%

LAB 57.45, 42.29, -58.43

 

CMYK 0 / 47 / 52 / 5

HEX #F28073

RGB 242 128 115

HSL 6.14, 0.83%, 0.7%

LAB 66.18, 42.38, 26.9

 

CMYK 32 / 0 / 52 / 5

HEX #A5F173

RGB 165 241 115

HSL 96.19, 0.82%, 0.7%

LAB 88.04, -44.64, 52.95

 

CMYK 52 / 5 / 0 / 5

HEX #73E5F1

RGB 115 229 241

HSL 185.71, 0.82%, 0.7%

LAB 85.01, -29.19, -15.79

 

CMYK 21 / 52 / 0 / 5

HEX #BF73F1

RGB 191 115 241

HSL 276.19, 0.82%, 0.7%

LAB 61.38, 51.75, -51.92

 

Description

Color code: RGB 242 128 115 | qconv.com Color code: RGB 242 128 115 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 128 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 128 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 52 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 52% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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