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Color name
RGB 242 124 58

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 242 124 58 it is the complementary color RGB 13 131 197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 242 124 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 242 124 58 shade: RGB 247 124 53, RGB 255 142 72, RGB 255 160 91, RGB 255 178 110 and RGB 255 196 129

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 242 124 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 242 124 58 shade: RGB 242 124 58, RGB 225 106 39, RGB 208 88 20, RGB 191 70 1 and RGB 174 52 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 242 124 58 shade: RGB 242 124 58, RGB 242 74 58 and RGB 242 58 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 242 124 58 shade: RGB 242 124 58, RGB 242 174 58, RGB 242 223 58, RGB 211 242 58 and RGB 161 242 58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 242 124 58 shade matches the following richer shades: RGB 242 124 58

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 242 124 58 shade: RGB 242 124 58, RGB 225 129 75, RGB 208 134 92, RGB 191 138 109 and RGB 174 143 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 242 124 58 shade: RGB 242 58 92, RGB 242 73 58, RGB 242 122 58, RGB 242 171 58 and RGB 242 220 58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 242 124 58 shade: RGB 205 82 13, RGB 239 98 19, RGB 242 124 58, RGB 244 150 97 and RGB 247 175 136

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 242 124 58 shade: RGB 242 124 58, RGB 141 242 58 and RGB 58 67 242

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 242 124 58 shade: RGB 242 124 58, RGB 58 242 122 and RGB 122 58 242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 242 124 58 shade: RGB 242 124 58, RGB 141 242 58, RGB 58 178 242 and RGB 159 58 242

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 242 124 58 shade: RGB 242 124 58, RGB 86 242 58, RGB 58 178 242 and RGB 214 58 242

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 76 / 5

HEX #F27C3A

RGB 242 124 58

HSL 21.52, 0.88%, 0.59%

LAB 64.64, 40.91, 54.79

 

Complementary color

CMYK 93 / 34 / 0 / 23

HEX #0D83C5

RGB 13 131 197

HSL 201.52, 0.88%, 0.41%

LAB 52.23, -5.06, -42.4

 

CMYK 0 / 50 / 79 / 3

HEX #F77C35

RGB 247 124 53

HSL 21.96, 0.92%, 0.59%

LAB 65.32, 42.66, 57.92

 

CMYK 0 / 44 / 72 / 0

HEX #FF8E48

RGB 255 142 72

HSL 22.95, 1%, 0.64%

LAB 70.23, 37.48, 54.64

 

CMYK 0 / 37 / 64 / 0

HEX #FFA05B

RGB 255 160 91

HSL 25.24, 1%, 0.68%

LAB 74.29, 29.23, 49.99

 

CMYK 0 / 30 / 57 / 0

HEX #FFB26E

RGB 255 178 110

HSL 28.14, 1%, 0.72%

LAB 78.59, 21.13, 45.63

 

CMYK 0 / 23 / 49 / 0

HEX #FFC481

RGB 255 196 129

HSL 31.9, 1%, 0.75%

LAB 83.09, 13.29, 41.6

 

CMYK 0 / 49 / 76 / 5

HEX #F27C3A

RGB 242 124 58

HSL 21.52, 0.88%, 0.59%

LAB 64.64, 40.91, 54.79

 

CMYK 0 / 53 / 83 / 12

HEX #E16A27

RGB 225 106 39

HSL 21.61, 0.76%, 0.52%

LAB 58.47, 42.66, 56.31

 

CMYK 0 / 58 / 90 / 18

HEX #D05814

RGB 208 88 20

HSL 21.7, 0.82%, 0.45%

LAB 52.33, 44.49, 57.1

 

CMYK 0 / 63 / 99 / 25

HEX #BF4601

RGB 191 70 1

HSL 21.79, 0.99%, 0.38%

LAB 46.26, 46.28, 56.73

 

CMYK 0 / 70 / 100 / 32

HEX #AE3400

RGB 174 52 0

HSL 17.93, 1%, 0.34%

LAB 40.34, 47.89, 52.3

 

CMYK 0 / 49 / 76 / 5

HEX #F27C3A

RGB 242 124 58

HSL 21.52, 0.88%, 0.59%

LAB 64.64, 40.91, 54.79

 

CMYK 0 / 69 / 76 / 5

HEX #F24A3A

RGB 242 74 58

HSL 5.22, 0.88%, 0.59%

LAB 56.17, 63.09, 46.06

 

CMYK 0 / 76 / 76 / 5

HEX #F23A3A

RGB 242 58 58

HSL 0, 0.88%, 0.59%

LAB 54.25, 68.42, 44.01

 

CMYK 0 / 49 / 76 / 5

HEX #F27C3A

RGB 242 124 58

HSL 21.52, 0.88%, 0.59%

LAB 64.64, 40.91, 54.79

 

CMYK 0 / 28 / 76 / 5

HEX #F2AE3A

RGB 242 174 58

HSL 37.83, 0.88%, 0.59%

LAB 75.73, 14.89, 65.64

 

CMYK 0 / 8 / 76 / 5

HEX #F2DF3A

RGB 242 223 58

HSL 53.8, 0.88%, 0.59%

LAB 87.95, -10.34, 77.02

 

CMYK 13 / 0 / 76 / 5

HEX #D3F23A

RGB 211 242 58

HSL 70.11, 0.88%, 0.59%

LAB 90.62, -32.15, 78.6

 

CMYK 33 / 0 / 76 / 5

HEX #A1F23A

RGB 161 242 58

HSL 86.41, 0.88%, 0.59%

LAB 87.67, -50.88, 74.78

 

CMYK 0 / 49 / 76 / 5

HEX #F27C3A

RGB 242 124 58

HSL 21.52, 0.88%, 0.59%

LAB 64.64, 40.91, 54.79

 

CMYK 0 / 49 / 76 / 5

HEX #F27C3A

RGB 242 124 58

HSL 21.52, 0.88%, 0.59%

LAB 64.64, 40.91, 54.79

 

CMYK 0 / 43 / 67 / 12

HEX #E1814B

RGB 225 129 75

HSL 21.6, 0.71%, 0.59%

LAB 63.52, 32.47, 44.65

 

CMYK 0 / 36 / 56 / 18

HEX #D0865C

RGB 208 134 92

HSL 21.72, 0.55%, 0.59%

LAB 62.7, 24.09, 34.2

 

CMYK 0 / 28 / 43 / 25

HEX #BF8A6D

RGB 191 138 109

HSL 21.22, 0.39%, 0.59%

LAB 61.96, 16.56, 23.5

 

CMYK 0 / 18 / 28 / 32

HEX #AE8F7E

RGB 174 143 126

HSL 21.25, 0.23%, 0.59%

LAB 61.78, 9.06, 13.43

 

CMYK 0 / 76 / 62 / 5

HEX #F23A5C

RGB 242 58 92

HSL 348.91, 0.88%, 0.59%

LAB 54.74, 69.99, 25.04

 

CMYK 0 / 70 / 76 / 5

HEX #F2493A

RGB 242 73 58

HSL 4.89, 0.88%, 0.59%

LAB 56.04, 63.46, 45.92

 

CMYK 0 / 50 / 76 / 5

HEX #F27A3A

RGB 242 122 58

HSL 20.87, 0.88%, 0.59%

LAB 64.24, 41.91, 54.39

 

CMYK 0 / 29 / 76 / 5

HEX #F2AB3A

RGB 242 171 58

HSL 36.85, 0.88%, 0.59%

LAB 75.02, 16.47, 64.95

 

CMYK 0 / 9 / 76 / 5

HEX #F2DC3A

RGB 242 220 58

HSL 52.83, 0.88%, 0.59%

LAB 87.18, -8.84, 76.31

 

CMYK 0 / 60 / 94 / 20

HEX #CD520D

RGB 205 82 13

HSL 21.56, 0.88%, 0.43%

LAB 50.74, 46.09, 57.72

 

CMYK 0 / 59 / 92 / 6

HEX #EF6213

RGB 239 98 19

HSL 21.55, 0.87%, 0.51%

LAB 59.1, 51.25, 64.46

 

CMYK 0 / 49 / 76 / 5

HEX #F27C3A

RGB 242 124 58

HSL 21.52, 0.88%, 0.59%

LAB 64.64, 40.91, 54.79

 

CMYK 0 / 39 / 60 / 4

HEX #F49661

RGB 244 150 97

HSL 21.63, 0.87%, 0.67%

LAB 70.81, 30.45, 42.52

 

CMYK 0 / 29 / 45 / 3

HEX #F7AF88

RGB 247 175 136

HSL 21.08, 0.87%, 0.75%

LAB 77.41, 21.8, 30.46

 

CMYK 0 / 49 / 76 / 5

HEX #F27C3A

RGB 242 124 58

HSL 21.52, 0.88%, 0.59%

LAB 64.64, 40.91, 54.79

 

CMYK 42 / 0 / 76 / 5

HEX #8DF23A

RGB 141 242 58

HSL 92.93, 0.88%, 0.59%

LAB 86.74, -57.51, 73.57

 

CMYK 76 / 72 / 0 / 5

HEX #3A43F2

RGB 58 67 242

HSL 237.07, 0.88%, 0.59%

LAB 40.12, 54.39, -87.5

 

CMYK 0 / 49 / 76 / 5

HEX #F27C3A

RGB 242 124 58

HSL 21.52, 0.88%, 0.59%

LAB 64.64, 40.91, 54.79

 

CMYK 76 / 0 / 50 / 5

HEX #3AF27A

RGB 58 242 122

HSL 140.87, 0.88%, 0.59%

LAB 84.9, -69.79, 45.04

 

CMYK 50 / 76 / 0 / 5

HEX #7A3AF2

RGB 122 58 242

HSL 260.87, 0.88%, 0.59%

LAB 43.62, 65.79, -81.57

 

CMYK 0 / 49 / 76 / 5

HEX #F27C3A

RGB 242 124 58

HSL 21.52, 0.88%, 0.59%

LAB 64.64, 40.91, 54.79

 

CMYK 42 / 0 / 76 / 5

HEX #8DF23A

RGB 141 242 58

HSL 92.93, 0.88%, 0.59%

LAB 86.74, -57.51, 73.57

 

CMYK 76 / 26 / 0 / 5

HEX #3AB2F2

RGB 58 178 242

HSL 200.87, 0.88%, 0.59%

LAB 68.86, -11.92, -41.24

 

CMYK 34 / 76 / 0 / 5

HEX #9F3AF2

RGB 159 58 242

HSL 272.93, 0.88%, 0.59%

LAB 48.02, 71.31, -74.19

 

CMYK 0 / 49 / 76 / 5

HEX #F27C3A

RGB 242 124 58

HSL 21.52, 0.88%, 0.59%

LAB 64.64, 40.91, 54.79

 

CMYK 64 / 0 / 76 / 5

HEX #56F23A

RGB 86 242 58

HSL 110.87, 0.88%, 0.59%

LAB 84.89, -71.92, 71.15

 

CMYK 76 / 26 / 0 / 5

HEX #3AB2F2

RGB 58 178 242

HSL 200.87, 0.88%, 0.59%

LAB 68.86, -11.92, -41.24

 

CMYK 12 / 76 / 0 / 5

HEX #D63AF2

RGB 214 58 242

HSL 290.87, 0.88%, 0.59%

LAB 55.82, 80.91, -61.19

 

Description

Color code: RGB 242 124 58 | qconv.com Color code: RGB 242 124 58 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 124 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 124 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 76 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 76% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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