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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 241 66 230 it is the complementary color RGB 14 189 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 241 66 230. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 241 66 230 shade: RGB 246 66 225, RGB 255 84 244, RGB 255 102 255, RGB 255 120 255 and RGB 255 138 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 241 66 230. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 241 66 230 shade: RGB 241 66 230, RGB 224 48 211, RGB 207 30 192, RGB 190 12 173 and RGB 173 0 154

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 241 66 230 shade: RGB 240 65 229, RGB 240 65 182, RGB 240 65 135, RGB 240 65 87 and RGB 240 65 65

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 241 66 230 shade: RGB 240 65 229, RGB 204 65 240, RGB 157 65 240, RGB 109 65 240 and RGB 65 65 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 241 66 230 shade matches the following richer shades: RGB 240 65 229

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 241 66 230 shade: RGB 240 65 229, RGB 224 81 215, RGB 207 98 200, RGB 191 114 186 and RGB 174 131 171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 241 66 230 shade: RGB 155 65 240, RGB 202 65 240, RGB 240 65 231, RGB 240 65 185 and RGB 240 65 138

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 241 66 230 shade: RGB 207 15 195, RGB 237 26 224, RGB 240 65 229, RGB 243 103 234 and RGB 246 142 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 241 66 230 shade: RGB 241 66 230, RGB 240 109 65 and RGB 65 240 179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 241 66 230 shade: RGB 241 66 230, RGB 231 240 65 and RGB 65 231 240

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 241 66 230 shade: RGB 241 66 230, RGB 240 109 65, RGB 65 240 74 and RGB 65 196 240

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 241 66 230 shade: RGB 241 66 230, RGB 240 161 65, RGB 65 240 74 and RGB 65 144 240

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 5 / 5

HEX #F142E6

RGB 241 66 230

HSL 303.77, 0.86%, 0.6%

LAB 60.17, 81.95, -47.29

 

Complementary color

CMYK 93 / 0 / 87 / 26

HEX #0EBD19

RGB 14 189 25

HSL 123.77, 0.86%, 0.4%

LAB 66.94, -67.47, 62.89

 

CMYK 0 / 73 / 9 / 4

HEX #F642E1

RGB 246 66 225

HSL 307, 0.91%, 0.61%

LAB 60.72, 82.28, -43.57

 

CMYK 0 / 67 / 4 / 0

HEX #FF54F4

RGB 255 84 244

HSL 303.86, 1%, 0.66%

LAB 65.07, 81.24, -47.21

 

CMYK 0 / 60 / 0 / 0

HEX #FF66FF

RGB 255 102 255

HSL 300, 1%, 0.7%

LAB 68.01, 76.24, -48.63

 

CMYK 0 / 53 / 0 / 0

HEX #FF78FF

RGB 255 120 255

HSL 300, 1%, 0.74%

LAB 70.81, 68.59, -44.22

 

CMYK 0 / 46 / 0 / 0

HEX #FF8AFF

RGB 255 138 255

HSL 300, 1%, 0.77%

LAB 73.97, 60.22, -39.29

 

CMYK 0 / 73 / 5 / 5

HEX #F142E6

RGB 241 66 230

HSL 303.77, 0.86%, 0.6%

LAB 60.17, 81.95, -47.29

 

CMYK 0 / 79 / 6 / 12

HEX #E030D3

RGB 224 48 211

HSL 304.43, 0.74%, 0.53%

LAB 54.72, 80.63, -45.34

 

CMYK 0 / 86 / 7 / 19

HEX #CF1EC0

RGB 207 30 192

HSL 305.08, 0.75%, 0.46%

LAB 49.5, 78.48, -42.87

 

CMYK 0 / 94 / 9 / 25

HEX #BE0CAD

RGB 190 12 173

HSL 305.73, 0.88%, 0.4%

LAB 44.56, 75.23, -39.73

 

CMYK 0 / 100 / 11 / 32

HEX #AD009A

RGB 173 0 154

HSL 306.59, 1%, 0.34%

LAB 39.94, 70.74, -35.85

 

CMYK 0 / 73 / 5 / 6

HEX #F041E5

RGB 240 65 229

HSL 303.77, 0.85%, 0.6%

LAB 59.86, 81.89, -47.24

 

CMYK 0 / 73 / 24 / 6

HEX #F041B6

RGB 240 65 182

HSL 319.89, 0.85%, 0.6%

LAB 57.74, 75.5, -23.78

 

CMYK 0 / 73 / 44 / 6

HEX #F04187

RGB 240 65 135

HSL 336, 0.85%, 0.6%

LAB 56.14, 70.48, 1.36

 

CMYK 0 / 73 / 64 / 6

HEX #F04157

RGB 240 65 87

HSL 352.46, 0.85%, 0.6%

LAB 55.07, 66.95, 28.34

 

CMYK 0 / 73 / 73 / 6

HEX #F04141

RGB 240 65 65

HSL 0, 0.85%, 0.6%

LAB 54.75, 65.89, 40.6

 

CMYK 0 / 73 / 5 / 6

HEX #F041E5

RGB 240 65 229

HSL 303.77, 0.85%, 0.6%

LAB 59.86, 81.89, -47.24

 

CMYK 15 / 73 / 0 / 6

HEX #CC41F0

RGB 204 65 240

HSL 287.66, 0.85%, 0.6%

LAB 54.98, 76.46, -61.5

 

CMYK 35 / 73 / 0 / 6

HEX #9D41F0

RGB 157 65 240

HSL 271.54, 0.85%, 0.6%

LAB 48.56, 67.82, -72.19

 

CMYK 55 / 73 / 0 / 6

HEX #6D41F0

RGB 109 65 240

HSL 255.09, 0.85%, 0.6%

LAB 43.25, 60.33, -81.1

 

CMYK 73 / 73 / 0 / 6

HEX #4141F0

RGB 65 65 240

HSL 240, 0.85%, 0.6%

LAB 39.91, 55.41, -86.71

 

CMYK 0 / 73 / 5 / 6

HEX #F041E5

RGB 240 65 229

HSL 303.77, 0.85%, 0.6%

LAB 59.86, 81.89, -47.24

 

CMYK 0 / 73 / 5 / 6

HEX #F041E5

RGB 240 65 229

HSL 303.77, 0.85%, 0.6%

LAB 59.86, 81.89, -47.24

 

CMYK 0 / 64 / 4 / 12

HEX #E051D7

RGB 224 81 215

HSL 303.78, 0.7%, 0.6%

LAB 58.64, 70.7, -41.43

 

CMYK 0 / 53 / 3 / 19

HEX #CF62C8

RGB 207 98 200

HSL 303.85, 0.53%, 0.6%

LAB 58.2, 56.5, -33.79

 

CMYK 0 / 40 / 3 / 25

HEX #BF72BA

RGB 191 114 186

HSL 303.9, 0.38%, 0.6%

LAB 58.65, 41.2, -25.26

 

CMYK 0 / 25 / 2 / 32

HEX #AE83AB

RGB 174 131 171

HSL 304.19, 0.21%, 0.6%

LAB 60.04, 23.37, -14.74

 

CMYK 35 / 73 / 0 / 6

HEX #9B41F0

RGB 155 65 240

HSL 270.86, 0.85%, 0.6%

LAB 48.31, 67.47, -72.61

 

CMYK 16 / 73 / 0 / 6

HEX #CA41F0

RGB 202 65 240

HSL 286.97, 0.85%, 0.6%

LAB 54.69, 76.08, -61.99

 

CMYK 0 / 73 / 4 / 6

HEX #F041E7

RGB 240 65 231

HSL 303.09, 0.85%, 0.6%

LAB 59.96, 82.19, -48.2

 

CMYK 0 / 73 / 23 / 6

HEX #F041B9

RGB 240 65 185

HSL 318.86, 0.85%, 0.6%

LAB 57.85, 75.87, -25.33

 

CMYK 0 / 73 / 43 / 6

HEX #F0418A

RGB 240 65 138

HSL 334.97, 0.85%, 0.6%

LAB 56.23, 70.75, -0.29

 

CMYK 0 / 93 / 6 / 19

HEX #CF0FC3

RGB 207 15 195

HSL 303.75, 0.86%, 0.44%

LAB 48.94, 81.01, -45.49

 

CMYK 0 / 89 / 5 / 7

HEX #ED1AE0

RGB 237 26 224

HSL 303.7, 0.85%, 0.52%

LAB 56.21, 88.97, -50.23

 

CMYK 0 / 73 / 5 / 6

HEX #F041E5

RGB 240 65 229

HSL 303.77, 0.85%, 0.6%

LAB 59.86, 81.89, -47.24

 

CMYK 0 / 58 / 4 / 5

HEX #F367EA

RGB 243 103 234

HSL 303.86, 0.85%, 0.68%

LAB 65.51, 69.48, -41.09

 

CMYK 0 / 42 / 3 / 4

HEX #F68EEF

RGB 246 142 239

HSL 304.04, 0.85%, 0.76%

LAB 73, 52.91, -32.17

 

CMYK 0 / 73 / 5 / 5

HEX #F142E6

RGB 241 66 230

HSL 303.77, 0.86%, 0.6%

LAB 60.17, 81.95, -47.29

 

CMYK 0 / 55 / 73 / 6

HEX #F06D41

RGB 240 109 65

HSL 15.09, 0.85%, 0.6%

LAB 61.52, 47.78, 48.08

 

CMYK 73 / 0 / 25 / 6

HEX #41F0B3

RGB 65 240 179

HSL 159.09, 0.85%, 0.6%

LAB 85.35, -57.61, 17.09

 

CMYK 0 / 73 / 5 / 5

HEX #F142E6

RGB 241 66 230

HSL 303.77, 0.86%, 0.6%

LAB 60.17, 81.95, -47.29

 

CMYK 4 / 0 / 73 / 6

HEX #E7F041

RGB 231 240 65

HSL 63.09, 0.85%, 0.6%

LAB 91.55, -22.89, 77.83

 

CMYK 73 / 4 / 0 / 6

HEX #41E7F0

RGB 65 231 240

HSL 183.09, 0.85%, 0.6%

LAB 84.26, -38.22, -16.52

 

CMYK 0 / 73 / 5 / 5

HEX #F142E6

RGB 241 66 230

HSL 303.77, 0.86%, 0.6%

LAB 60.17, 81.95, -47.29

 

CMYK 0 / 55 / 73 / 6

HEX #F06D41

RGB 240 109 65

HSL 15.09, 0.85%, 0.6%

LAB 61.52, 47.78, 48.08

 

CMYK 73 / 0 / 69 / 6

HEX #41F04A

RGB 65 240 74

HSL 123.09, 0.85%, 0.6%

LAB 83.93, -73.82, 64.61

 

CMYK 73 / 18 / 0 / 6

HEX #41C4F0

RGB 65 196 240

HSL 195.09, 0.85%, 0.6%

LAB 74.12, -21.26, -31.97

 

CMYK 0 / 73 / 5 / 5

HEX #F142E6

RGB 241 66 230

HSL 303.77, 0.86%, 0.6%

LAB 60.17, 81.95, -47.29

 

CMYK 0 / 33 / 73 / 6

HEX #F0A141

RGB 240 161 65

HSL 32.91, 0.85%, 0.6%

LAB 72.49, 21.21, 59.55

 

CMYK 73 / 0 / 69 / 6

HEX #41F04A

RGB 65 240 74

HSL 123.09, 0.85%, 0.6%

LAB 83.93, -73.82, 64.61

 

CMYK 73 / 40 / 0 / 6

HEX #4190F0

RGB 65 144 240

HSL 212.91, 0.85%, 0.6%

LAB 59.31, 7.62, -55.21

 

Description

Color code: RGB 241 66 230 | qconv.com Color code: RGB 241 66 230 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 66 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 66 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 5 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 5% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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