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Color name
RGB 241 63 176

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 241 63 176 it is the complementary color RGB 14 192 79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 241 63 176. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 241 63 176 shade: RGB 246 63 171, RGB 255 81 190, RGB 255 99 209, RGB 255 117 228 and RGB 255 135 247

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 241 63 176. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 241 63 176 shade: RGB 241 63 176, RGB 224 45 157, RGB 207 27 138, RGB 190 9 119 and RGB 173 0 100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 241 63 176 shade: RGB 240 65 176, RGB 240 65 129, RGB 240 65 82 and RGB 240 65 65

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 241 63 176 shade: RGB 240 65 176, RGB 240 65 223, RGB 210 65 240, RGB 162 65 240 and RGB 115 65 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 241 63 176 shade matches the following richer shades: RGB 240 65 176

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 241 63 176 shade: RGB 240 65 176, RGB 224 81 172, RGB 207 98 167, RGB 191 114 163 and RGB 174 131 158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 241 63 176 shade: RGB 208 65 240, RGB 240 65 226, RGB 240 65 179, RGB 240 65 132 and RGB 240 65 85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 241 63 176 shade: RGB 207 15 137, RGB 237 26 160, RGB 240 65 176, RGB 243 103 192 and RGB 246 142 208

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 241 63 176 shade: RGB 241 63 176, RGB 240 161 65 and RGB 65 240 231

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 241 63 176 shade: RGB 241 63 176, RGB 179 240 65 and RGB 65 179 240

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 241 63 176 shade: RGB 241 63 176, RGB 240 161 65, RGB 65 240 126 and RGB 65 144 240

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 241 63 176 shade: RGB 241 63 176, RGB 240 214 65, RGB 65 240 126 and RGB 65 91 240

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 27 / 5

HEX #F13FB0

RGB 241 63 176

HSL 321.91, 0.86%, 0.6%

LAB 57.45, 75.64, -20.72

 

Complementary color

CMYK 93 / 0 / 59 / 25

HEX #0EC04F

RGB 14 192 79

HSL 141.91, 0.86%, 0.4%

LAB 68.28, -63.72, 45.04

 

CMYK 0 / 74 / 30 / 4

HEX #F63FAB

RGB 246 63 171

HSL 324.59, 0.91%, 0.61%

LAB 58.12, 76.28, -16.72

 

CMYK 0 / 68 / 25 / 0

HEX #FF51BE

RGB 255 81 190

HSL 322.41, 1%, 0.66%

LAB 62.39, 74.88, -21.03

 

CMYK 0 / 61 / 18 / 0

HEX #FF63D1

RGB 255 99 209

HSL 317.69, 1%, 0.69%

LAB 65.58, 70.52, -26.89

 

CMYK 0 / 54 / 11 / 0

HEX #FF75E4

RGB 255 117 228

HSL 311.74, 1%, 0.73%

LAB 69.17, 65.59, -31.95

 

CMYK 0 / 47 / 3 / 0

HEX #FF87F7

RGB 255 135 247

HSL 304, 1%, 0.76%

LAB 73.09, 60.29, -36.31

 

CMYK 0 / 74 / 27 / 5

HEX #F13FB0

RGB 241 63 176

HSL 321.91, 0.86%, 0.6%

LAB 57.45, 75.64, -20.72

 

CMYK 0 / 80 / 30 / 12

HEX #E02D9D

RGB 224 45 157

HSL 322.46, 0.74%, 0.53%

LAB 52.02, 74.41, -18.15

 

CMYK 0 / 87 / 33 / 19

HEX #CF1B8A

RGB 207 27 138

HSL 323, 0.77%, 0.46%

LAB 46.82, 72.32, -14.95

 

CMYK 0 / 95 / 37 / 25

HEX #BE0977

RGB 190 9 119

HSL 323.54, 0.91%, 0.39%

LAB 41.96, 69.08, -10.96

 

CMYK 0 / 100 / 42 / 32

HEX #AD0064

RGB 173 0 100

HSL 325.32, 1%, 0.34%

LAB 37.49, 64.51, -6.06

 

CMYK 0 / 73 / 27 / 6

HEX #F041B0

RGB 240 65 176

HSL 321.94, 0.85%, 0.6%

LAB 57.5, 74.78, -20.66

 

CMYK 0 / 73 / 46 / 6

HEX #F04181

RGB 240 65 129

HSL 338.06, 0.85%, 0.6%

LAB 55.98, 69.94, 4.68

 

CMYK 0 / 73 / 66 / 6

HEX #F04152

RGB 240 65 82

HSL 354.17, 0.85%, 0.6%

LAB 54.98, 66.68, 31.16

 

CMYK 0 / 73 / 73 / 6

HEX #F04141

RGB 240 65 65

HSL 0, 0.85%, 0.6%

LAB 54.75, 65.89, 40.6

 

CMYK 0 / 73 / 27 / 6

HEX #F041B0

RGB 240 65 176

HSL 321.94, 0.85%, 0.6%

LAB 57.5, 74.78, -20.66

 

CMYK 0 / 73 / 7 / 6

HEX #F041DF

RGB 240 65 223

HSL 305.83, 0.85%, 0.6%

LAB 59.56, 81.01, -44.34

 

CMYK 13 / 73 / 0 / 6

HEX #D241F0

RGB 210 65 240

HSL 289.71, 0.85%, 0.6%

LAB 55.86, 77.62, -60.04

 

CMYK 33 / 73 / 0 / 6

HEX #A241F0

RGB 162 65 240

HSL 273.26, 0.85%, 0.6%

LAB 49.2, 68.69, -71.13

 

CMYK 52 / 73 / 0 / 6

HEX #7341F0

RGB 115 65 240

HSL 257.14, 0.85%, 0.6%

LAB 43.82, 61.16, -80.13

 

CMYK 0 / 73 / 27 / 6

HEX #F041B0

RGB 240 65 176

HSL 321.94, 0.85%, 0.6%

LAB 57.5, 74.78, -20.66

 

CMYK 0 / 73 / 27 / 6

HEX #F041B0

RGB 240 65 176

HSL 321.94, 0.85%, 0.6%

LAB 57.5, 74.78, -20.66

 

CMYK 0 / 64 / 23 / 12

HEX #E051AC

RGB 224 81 172

HSL 321.82, 0.7%, 0.6%

LAB 56.79, 64.43, -19.66

 

CMYK 0 / 53 / 19 / 19

HEX #CF62A7

RGB 207 98 167

HSL 322.02, 0.53%, 0.6%

LAB 56.87, 51.23, -16.87

 

CMYK 0 / 40 / 15 / 25

HEX #BF72A3

RGB 191 114 163

HSL 321.82, 0.38%, 0.6%

LAB 57.8, 37.21, -13.34

 

CMYK 0 / 25 / 9 / 32

HEX #AE839E

RGB 174 131 158

HSL 322.33, 0.21%, 0.6%

LAB 59.62, 20.97, -7.95

 

CMYK 13 / 73 / 0 / 6

HEX #D041F0

RGB 208 65 240

HSL 289.03, 0.85%, 0.6%

LAB 55.57, 77.23, -60.53

 

CMYK 0 / 73 / 6 / 6

HEX #F041E2

RGB 240 65 226

HSL 304.8, 0.85%, 0.6%

LAB 59.7, 81.45, -45.79

 

CMYK 0 / 73 / 25 / 6

HEX #F041B3

RGB 240 65 179

HSL 320.91, 0.85%, 0.6%

LAB 57.62, 75.14, -22.22

 

CMYK 0 / 73 / 45 / 6

HEX #F04184

RGB 240 65 132

HSL 337.03, 0.85%, 0.6%

LAB 56.06, 70.21, 3.02

 

CMYK 0 / 73 / 65 / 6

HEX #F04155

RGB 240 65 85

HSL 353.14, 0.85%, 0.6%

LAB 55.03, 66.84, 29.47

 

CMYK 0 / 93 / 34 / 19

HEX #CF0F89

RGB 207 15 137

HSL 321.88, 0.86%, 0.44%

LAB 46.2, 73.93, -15.3

 

CMYK 0 / 89 / 32 / 7

HEX #ED1AA0

RGB 237 26 160

HSL 321.9, 0.85%, 0.52%

LAB 53.26, 81.23, -17.82

 

CMYK 0 / 73 / 27 / 6

HEX #F041B0

RGB 240 65 176

HSL 321.94, 0.85%, 0.6%

LAB 57.5, 74.78, -20.66

 

CMYK 0 / 58 / 21 / 5

HEX #F367C0

RGB 243 103 192

HSL 321.86, 0.85%, 0.68%

LAB 63.8, 63.18, -20.18

 

CMYK 0 / 42 / 15 / 4

HEX #F68ED0

RGB 246 142 208

HSL 321.92, 0.85%, 0.76%

LAB 71.89, 47.85, -16.83

 

CMYK 0 / 74 / 27 / 5

HEX #F13FB0

RGB 241 63 176

HSL 321.91, 0.86%, 0.6%

LAB 57.45, 75.64, -20.72

 

CMYK 0 / 33 / 73 / 6

HEX #F0A141

RGB 240 161 65

HSL 32.91, 0.85%, 0.6%

LAB 72.49, 21.21, 59.55

 

CMYK 73 / 0 / 4 / 6

HEX #41F0E7

RGB 65 240 231

HSL 176.91, 0.85%, 0.6%

LAB 86.61, -44.76, -8.28

 

CMYK 0 / 74 / 27 / 5

HEX #F13FB0

RGB 241 63 176

HSL 321.91, 0.86%, 0.6%

LAB 57.45, 75.64, -20.72

 

CMYK 25 / 0 / 73 / 6

HEX #B3F041

RGB 179 240 65

HSL 80.91, 0.85%, 0.6%

LAB 88.11, -43.22, 73.34

 

CMYK 73 / 25 / 0 / 6

HEX #41B3F0

RGB 65 179 240

HSL 200.91, 0.85%, 0.6%

LAB 69.22, -12.31, -39.57

 

CMYK 0 / 74 / 27 / 5

HEX #F13FB0

RGB 241 63 176

HSL 321.91, 0.86%, 0.6%

LAB 57.45, 75.64, -20.72

 

CMYK 0 / 33 / 73 / 6

HEX #F0A141

RGB 240 161 65

HSL 32.91, 0.85%, 0.6%

LAB 72.49, 21.21, 59.55

 

CMYK 73 / 0 / 48 / 6

HEX #41F07E

RGB 65 240 126

HSL 140.91, 0.85%, 0.6%

LAB 84.46, -67.58, 42.6

 

CMYK 73 / 40 / 0 / 6

HEX #4190F0

RGB 65 144 240

HSL 212.91, 0.85%, 0.6%

LAB 59.31, 7.62, -55.21

 

CMYK 0 / 74 / 27 / 5

HEX #F13FB0

RGB 241 63 176

HSL 321.91, 0.86%, 0.6%

LAB 57.45, 75.64, -20.72

 

CMYK 0 / 11 / 73 / 6

HEX #F0D641

RGB 240 214 65

HSL 51.09, 0.85%, 0.6%

LAB 85.5, -6.38, 72.36

 

CMYK 73 / 0 / 48 / 6

HEX #41F07E

RGB 65 240 126

HSL 140.91, 0.85%, 0.6%

LAB 84.46, -67.58, 42.6

 

CMYK 73 / 62 / 0 / 6

HEX #415BF0

RGB 65 91 240

HSL 231.09, 0.85%, 0.6%

LAB 45.49, 40.3, -77.53

 

Description

Color code: RGB 241 63 176 | qconv.com Color code: RGB 241 63 176 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 63 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 63 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 27 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 27% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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