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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 241 61 244 it is the complementary color RGB 14 194 11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 241 61 244. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 241 61 244 shade: RGB 246 61 239, RGB 255 79 255, RGB 255 97 255, RGB 255 115 255 and RGB 255 133 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 241 61 244. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 241 61 244 shade: RGB 241 61 244, RGB 224 43 225, RGB 207 25 206, RGB 190 7 187 and RGB 173 0 168

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 241 61 244 shade: RGB 240 62 243, RGB 243 62 197, RGB 243 62 148, RGB 243 62 99 and RGB 243 62 62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 241 61 244 shade: RGB 240 62 243, RGB 191 62 243, RGB 142 62 243, RGB 93 62 243 and RGB 62 62 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 241 61 244 shade matches the following richer shades: RGB 240 62 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 241 61 244 shade: RGB 240 62 243, RGB 224 78 227, RGB 208 95 210, RGB 192 111 194 and RGB 176 128 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 241 61 244 shade: RGB 143 62 243, RGB 192 62 243, RGB 240 62 243, RGB 243 62 198 and RGB 243 62 149

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 241 61 244 shade: RGB 207 12 211, RGB 237 23 241, RGB 240 62 243, RGB 243 101 246 and RGB 246 140 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 241 61 244 shade: RGB 241 61 244, RGB 243 95 62 and RGB 62 243 168

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 241 61 244 shade: RGB 241 61 244, RGB 243 240 62 and RGB 62 243 240

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 241 61 244 shade: RGB 241 61 244, RGB 243 95 62, RGB 65 243 62 and RGB 62 210 243

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 241 61 244 shade: RGB 241 61 244, RGB 243 149 62, RGB 65 243 62 and RGB 62 156 243

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 75 / 0 / 4

HEX #F13DF4

RGB 241 61 244

HSL 299.02, 0.89%, 0.6%

LAB 60.4, 85.5, -54.74

 

Complementary color

CMYK 93 / 0 / 94 / 24

HEX #0EC20B

RGB 14 194 11

HSL 119.02, 0.89%, 0.4%

LAB 68.53, -69.31, 66.57

 

CMYK 0 / 75 / 3 / 4

HEX #F63DEF

RGB 246 61 239

HSL 302.27, 0.91%, 0.6%

LAB 60.92, 85.73, -51.08

 

CMYK 0 / 69 / 0 / 0

HEX #FF4FFF

RGB 255 79 255

HSL 300, 1%, 0.65%

LAB 65.02, 84.61, -53.35

 

CMYK 0 / 62 / 0 / 0

HEX #FF61FF

RGB 255 97 255

HSL 300, 1%, 0.69%

LAB 67.3, 78.2, -49.75

 

CMYK 0 / 55 / 0 / 0

HEX #FF73FF

RGB 255 115 255

HSL 300, 1%, 0.73%

LAB 69.99, 70.8, -45.51

 

CMYK 0 / 48 / 0 / 0

HEX #FF85FF

RGB 255 133 255

HSL 300, 1%, 0.76%

LAB 73.06, 62.61, -40.71

 

CMYK 1 / 75 / 0 / 4

HEX #F13DF4

RGB 241 61 244

HSL 299.02, 0.89%, 0.6%

LAB 60.4, 85.5, -54.74

 

CMYK 0 / 81 / 0 / 12

HEX #E02BE1

RGB 224 43 225

HSL 299.67, 0.75%, 0.53%

LAB 55.08, 83.86, -52.72

 

CMYK 0 / 88 / 0 / 19

HEX #CF19CE

RGB 207 25 206

HSL 300.33, 0.78%, 0.45%

LAB 50, 81.33, -50.17

 

CMYK 0 / 96 / 2 / 25

HEX #BE07BB

RGB 190 7 187

HSL 300.98, 0.93%, 0.39%

LAB 45.2, 77.69, -46.96

 

CMYK 0 / 100 / 3 / 32

HEX #AD00A8

RGB 173 0 168

HSL 301.73, 1%, 0.34%

LAB 40.75, 72.72, -42.99

 

CMYK 1 / 74 / 0 / 5

HEX #F03EF3

RGB 240 62 243

HSL 299.01, 0.88%, 0.6%

LAB 60.29, 84.88, -54.38

 

CMYK 0 / 74 / 19 / 5

HEX #F33EC5

RGB 243 62 197

HSL 315.25, 0.88%, 0.6%

LAB 58.54, 78.99, -31.13

 

CMYK 0 / 74 / 39 / 5

HEX #F33E94

RGB 243 62 148

HSL 331.49, 0.88%, 0.6%

LAB 56.72, 73.42, -5.41

 

CMYK 0 / 74 / 59 / 5

HEX #F33E63

RGB 243 62 99

HSL 347.73, 0.88%, 0.6%

LAB 55.48, 69.48, 21.91

 

CMYK 0 / 74 / 74 / 5

HEX #F33E3E

RGB 243 62 62

HSL 0, 0.88%, 0.6%

LAB 54.92, 67.63, 42.6

 

CMYK 1 / 74 / 0 / 5

HEX #F03EF3

RGB 240 62 243

HSL 299.01, 0.88%, 0.6%

LAB 60.29, 84.88, -54.38

 

CMYK 21 / 74 / 0 / 5

HEX #BF3EF3

RGB 191 62 243

HSL 282.76, 0.88%, 0.6%

LAB 52.94, 75.61, -66.56

 

CMYK 42 / 74 / 0 / 5

HEX #8E3EF3

RGB 142 62 243

HSL 266.52, 0.88%, 0.6%

LAB 46.53, 67.28, -77.26

 

CMYK 62 / 74 / 0 / 5

HEX #5D3EF3

RGB 93 62 243

HSL 250.28, 0.88%, 0.6%

LAB 41.6, 60.63, -85.55

 

CMYK 74 / 74 / 0 / 5

HEX #3E3EF3

RGB 62 62 243

HSL 240, 0.88%, 0.6%

LAB 39.48, 57.7, -89.12

 

CMYK 1 / 74 / 0 / 5

HEX #F03EF3

RGB 240 62 243

HSL 299.01, 0.88%, 0.6%

LAB 60.29, 84.88, -54.38

 

CMYK 1 / 74 / 0 / 5

HEX #F03EF3

RGB 240 62 243

HSL 299.01, 0.88%, 0.6%

LAB 60.29, 84.88, -54.38

 

CMYK 1 / 66 / 0 / 11

HEX #E04EE3

RGB 224 78 227

HSL 298.79, 0.73%, 0.6%

LAB 58.83, 73.78, -47.9

 

CMYK 1 / 55 / 0 / 18

HEX #D05FD2

RGB 208 95 210

HSL 298.96, 0.56%, 0.6%

LAB 58.27, 59.91, -39.34

 

CMYK 1 / 43 / 0 / 24

HEX #C06FC2

RGB 192 111 194

HSL 298.55, 0.4%, 0.6%

LAB 58.48, 44.57, -30.08

 

CMYK 1 / 28 / 0 / 31

HEX #B080B1

RGB 176 128 177

HSL 298.78, 0.24%, 0.6%

LAB 59.75, 26.9, -18.6

 

CMYK 41 / 74 / 0 / 5

HEX #8F3EF3

RGB 143 62 243

HSL 266.85, 0.88%, 0.6%

LAB 46.65, 67.43, -77.06

 

CMYK 21 / 74 / 0 / 5

HEX #C03EF3

RGB 192 62 243

HSL 283.09, 0.88%, 0.6%

LAB 53.08, 75.79, -66.32

 

CMYK 1 / 74 / 0 / 5

HEX #F03EF3

RGB 240 62 243

HSL 299.01, 0.88%, 0.6%

LAB 60.29, 84.88, -54.38

 

CMYK 0 / 74 / 19 / 5

HEX #F33EC6

RGB 243 62 198

HSL 314.92, 0.88%, 0.6%

LAB 58.58, 79.12, -31.63

 

CMYK 0 / 74 / 39 / 5

HEX #F33E95

RGB 243 62 149

HSL 331.16, 0.88%, 0.6%

LAB 56.75, 73.52, -5.95

 

CMYK 2 / 94 / 0 / 17

HEX #CF0CD3

RGB 207 12 211

HSL 298.79, 0.89%, 0.44%

LAB 49.78, 83.6, -53.4

 

CMYK 2 / 90 / 0 / 5

HEX #ED17F1

RGB 237 23 241

HSL 298.9, 0.89%, 0.52%

LAB 57.04, 91.74, -58.46

 

CMYK 1 / 74 / 0 / 5

HEX #F03EF3

RGB 240 62 243

HSL 299.01, 0.88%, 0.6%

LAB 60.29, 84.88, -54.38

 

CMYK 1 / 59 / 0 / 4

HEX #F365F6

RGB 243 101 246

HSL 298.76, 0.89%, 0.68%

LAB 65.76, 72.29, -47.34

 

CMYK 1 / 44 / 0 / 3

HEX #F68CF8

RGB 246 140 248

HSL 298.89, 0.89%, 0.76%

LAB 72.97, 55.48, -37.12

 

CMYK 1 / 75 / 0 / 4

HEX #F13DF4

RGB 241 61 244

HSL 299.02, 0.89%, 0.6%

LAB 60.4, 85.5, -54.74

 

CMYK 0 / 61 / 74 / 5

HEX #F35F3E

RGB 243 95 62

HSL 10.94, 0.88%, 0.6%

LAB 59.51, 55.12, 47.59

 

CMYK 74 / 0 / 31 / 5

HEX #3EF3A8

RGB 62 243 168

HSL 155.14, 0.88%, 0.6%

LAB 85.98, -61.47, 23.62

 

CMYK 1 / 75 / 0 / 4

HEX #F13DF4

RGB 241 61 244

HSL 299.02, 0.89%, 0.6%

LAB 60.4, 85.5, -54.74

 

CMYK 0 / 1 / 74 / 5

HEX #F3F03E

RGB 243 240 62

HSL 59.01, 0.88%, 0.6%

LAB 92.45, -18.11, 79.94

 

CMYK 74 / 0 / 1 / 5

HEX #3EF3F0

RGB 62 243 240

HSL 179.01, 0.88%, 0.6%

LAB 87.69, -43.93, -11.4

 

CMYK 1 / 75 / 0 / 4

HEX #F13DF4

RGB 241 61 244

HSL 299.02, 0.89%, 0.6%

LAB 60.4, 85.5, -54.74

 

CMYK 0 / 61 / 74 / 5

HEX #F35F3E

RGB 243 95 62

HSL 10.94, 0.88%, 0.6%

LAB 59.51, 55.12, 47.59

 

CMYK 73 / 0 / 74 / 5

HEX #41F33E

RGB 65 243 62

HSL 119.01, 0.88%, 0.6%

LAB 84.78, -75.66, 69.63

 

CMYK 74 / 14 / 0 / 5

HEX #3ED2F3

RGB 62 210 243

HSL 190.94, 0.88%, 0.6%

LAB 78.22, -27.69, -27.29

 

CMYK 1 / 75 / 0 / 4

HEX #F13DF4

RGB 241 61 244

HSL 299.02, 0.89%, 0.6%

LAB 60.4, 85.5, -54.74

 

CMYK 0 / 39 / 74 / 5

HEX #F3953E

RGB 243 149 62

HSL 28.84, 0.88%, 0.6%

LAB 70.1, 28.63, 58.55

 

CMYK 73 / 0 / 74 / 5

HEX #41F33E

RGB 65 243 62

HSL 119.01, 0.88%, 0.6%

LAB 84.78, -75.66, 69.63

 

CMYK 74 / 36 / 0 / 5

HEX #3E9CF3

RGB 62 156 243

HSL 208.84, 0.88%, 0.6%

LAB 62.74, 1.25, -51.42

 

Description

Color code: RGB 241 61 244 | qconv.com Color code: RGB 241 61 244 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 61 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 61 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 75 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 75% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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