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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 241 55 164 it is the complementary color RGB 14 200 91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 241 55 164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 241 55 164 shade: RGB 246 55 159, RGB 255 73 178, RGB 255 91 197, RGB 255 109 216 and RGB 255 127 235

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 241 55 164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 241 55 164 shade: RGB 241 55 164, RGB 224 37 145, RGB 207 19 126, RGB 190 1 107 and RGB 173 0 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 241 55 164 shade: RGB 241 54 163, RGB 241 54 113, RGB 241 54 63 and RGB 241 54 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 241 55 164 shade: RGB 241 54 163, RGB 241 54 214, RGB 217 54 241, RGB 167 54 241 and RGB 117 54 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 241 55 164 shade matches the following richer shades: RGB 241 54 163

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 241 55 164 shade: RGB 241 54 163, RGB 223 72 160, RGB 206 89 157, RGB 189 106 154 and RGB 171 124 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 241 55 164 shade: RGB 216 54 241, RGB 241 54 216, RGB 241 54 166, RGB 241 54 116 and RGB 241 54 67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 241 55 164 shade: RGB 199 13 122, RGB 237 16 146, RGB 241 54 163, RGB 243 93 181 and RGB 246 131 199

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 241 55 164 shade: RGB 241 55 164, RGB 241 166 54 and RGB 54 241 241

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 241 55 164 shade: RGB 241 55 164, RGB 166 241 54 and RGB 54 166 241

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 241 55 164 shade: RGB 241 55 164, RGB 241 166 54, RGB 54 241 129 and RGB 54 129 241

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 241 55 164 shade: RGB 241 55 164, RGB 241 222 54, RGB 54 241 129 and RGB 54 73 241

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 32 / 5

HEX #F137A4

RGB 241 55 164

HSL 324.84, 0.87%, 0.58%

LAB 56.2, 76.58, -15.63

 

Complementary color

CMYK 93 / 0 / 55 / 22

HEX #0EC85B

RGB 14 200 91

HSL 144.84, 0.87%, 0.42%

LAB 70.98, -64.59, 42.62

 

CMYK 0 / 78 / 35 / 4

HEX #F6379F

RGB 246 55 159

HSL 327.33, 0.91%, 0.59%

LAB 56.91, 77.25, -11.55

 

CMYK 0 / 71 / 30 / 0

HEX #FF49B2

RGB 255 73 178

HSL 325.38, 1%, 0.64%

LAB 60.99, 76.18, -16.27

 

CMYK 0 / 64 / 23 / 0

HEX #FF5BC5

RGB 255 91 197

HSL 321.22, 1%, 0.68%

LAB 63.98, 72.08, -22.58

 

CMYK 0 / 57 / 15 / 0

HEX #FF6DD8

RGB 255 109 216

HSL 316.03, 1%, 0.71%

LAB 67.39, 67.32, -28.03

 

CMYK 0 / 50 / 8 / 0

HEX #FF7FEB

RGB 255 127 235

HSL 309.38, 1%, 0.75%

LAB 71.17, 62.11, -32.71

 

CMYK 0 / 77 / 32 / 5

HEX #F137A4

RGB 241 55 164

HSL 324.84, 0.87%, 0.58%

LAB 56.2, 76.58, -15.63

 

CMYK 0 / 83 / 35 / 12

HEX #E02591

RGB 224 37 145

HSL 325.35, 0.75%, 0.51%

LAB 50.94, 74.95, -12.63

 

CMYK 0 / 91 / 39 / 19

HEX #CF137E

RGB 207 19 126

HSL 325.85, 0.83%, 0.44%

LAB 45.96, 72.35, -8.94

 

CMYK 0 / 99 / 44 / 25

HEX #BE016B

RGB 190 1 107

HSL 326.35, 0.99%, 0.37%

LAB 41.26, 68.76, -4.5

 

CMYK 0 / 100 / 49 / 32

HEX #AD0058

RGB 173 0 88

HSL 329.48, 1%, 0.34%

LAB 37.09, 63.47, 1.06

 

CMYK 0 / 78 / 32 / 5

HEX #F136A3

RGB 241 54 163

HSL 325.03, 0.87%, 0.58%

LAB 56.07, 76.74, -15.24

 

CMYK 0 / 78 / 53 / 5

HEX #F13671

RGB 241 54 113

HSL 341.07, 0.87%, 0.58%

LAB 54.59, 72.23, 12.27

 

CMYK 0 / 78 / 74 / 5

HEX #F1363F

RGB 241 54 63

HSL 357.11, 0.87%, 0.58%

LAB 53.71, 69.47, 40.59

 

CMYK 0 / 78 / 78 / 5

HEX #F13636

RGB 241 54 54

HSL 0, 0.87%, 0.58%

LAB 53.61, 69.16, 45.44

 

CMYK 0 / 78 / 32 / 5

HEX #F136A3

RGB 241 54 163

HSL 325.03, 0.87%, 0.58%

LAB 56.07, 76.74, -15.24

 

CMYK 0 / 78 / 11 / 5

HEX #F136D6

RGB 241 54 214

HSL 308.66, 0.87%, 0.58%

LAB 58.22, 82.99, -41.34

 

CMYK 10 / 78 / 0 / 5

HEX #D936F1

RGB 217 54 241

HSL 292.3, 0.87%, 0.58%

LAB 55.83, 82.43, -60.59

 

CMYK 31 / 78 / 0 / 5

HEX #A736F1

RGB 167 54 241

HSL 276.26, 0.87%, 0.58%

LAB 48.52, 73.8, -72.77

 

CMYK 51 / 78 / 0 / 5

HEX #7536F1

RGB 117 54 241

HSL 260.21, 0.87%, 0.58%

LAB 42.42, 66.56, -83

 

CMYK 0 / 78 / 32 / 5

HEX #F136A3

RGB 241 54 163

HSL 325.03, 0.87%, 0.58%

LAB 56.07, 76.74, -15.24

 

CMYK 0 / 78 / 32 / 5

HEX #F136A3

RGB 241 54 163

HSL 325.03, 0.87%, 0.58%

LAB 56.07, 76.74, -15.24

 

CMYK 0 / 68 / 28 / 13

HEX #DF48A0

RGB 223 72 160

HSL 325.03, 0.7%, 0.58%

LAB 54.93, 66.12, -15.5

 

CMYK 0 / 57 / 24 / 19

HEX #CE599D

RGB 206 89 157

HSL 325.13, 0.54%, 0.58%

LAB 54.76, 53.75, -14.25

 

CMYK 0 / 44 / 19 / 26

HEX #BD6A9A

RGB 189 106 154

HSL 325.3, 0.39%, 0.58%

LAB 55.54, 39.36, -11.55

 

CMYK 0 / 27 / 11 / 33

HEX #AB7C98

RGB 171 124 152

HSL 324.26, 0.22%, 0.58%

LAB 57.41, 22.78, -7.83

 

CMYK 10 / 78 / 0 / 5

HEX #D836F1

RGB 216 54 241

HSL 291.98, 0.87%, 0.58%

LAB 55.67, 82.24, -60.85

 

CMYK 0 / 78 / 10 / 5

HEX #F136D8

RGB 241 54 216

HSL 308.02, 0.87%, 0.58%

LAB 58.32, 83.26, -42.32

 

CMYK 0 / 78 / 31 / 5

HEX #F136A6

RGB 241 54 166

HSL 324.06, 0.87%, 0.58%

LAB 56.18, 77.06, -16.83

 

CMYK 0 / 78 / 52 / 5

HEX #F13674

RGB 241 54 116

HSL 340.11, 0.87%, 0.58%

LAB 54.66, 72.45, 10.58

 

CMYK 0 / 78 / 72 / 5

HEX #F13643

RGB 241 54 67

HSL 355.83, 0.87%, 0.58%

LAB 53.75, 69.63, 38.38

 

CMYK 0 / 93 / 39 / 22

HEX #C70D7A

RGB 199 13 122

HSL 324.84, 0.88%, 0.42%

LAB 44, 70.93, -9.58

 

CMYK 0 / 93 / 38 / 7

HEX #ED1092

RGB 237 16 146

HSL 324.71, 0.87%, 0.5%

LAB 52.34, 81.04, -10.87

 

CMYK 0 / 78 / 32 / 5

HEX #F136A3

RGB 241 54 163

HSL 325.03, 0.87%, 0.58%

LAB 56.07, 76.74, -15.24

 

CMYK 0 / 62 / 26 / 5

HEX #F35DB5

RGB 243 93 181

HSL 324.8, 0.86%, 0.66%

LAB 61.84, 65.98, -16.89

 

CMYK 0 / 47 / 19 / 4

HEX #F683C7

RGB 246 131 199

HSL 324.52, 0.86%, 0.74%

LAB 69.43, 51.99, -15.54

 

CMYK 0 / 77 / 32 / 5

HEX #F137A4

RGB 241 55 164

HSL 324.84, 0.87%, 0.58%

LAB 56.2, 76.58, -15.63

 

CMYK 0 / 31 / 78 / 5

HEX #F1A636

RGB 241 166 54

HSL 35.94, 0.87%, 0.58%

LAB 73.7, 18.53, 65.18

 

CMYK 78 / 0 / 0 / 5

HEX #36F1F1

RGB 54 241 241

HSL 180, 0.87%, 0.58%

LAB 87.02, -43.53, -12.93

 

CMYK 0 / 77 / 32 / 5

HEX #F137A4

RGB 241 55 164

HSL 324.84, 0.87%, 0.58%

LAB 56.2, 76.58, -15.63

 

CMYK 31 / 0 / 78 / 5

HEX #A6F136

RGB 166 241 54

HSL 84.06, 0.87%, 0.58%

LAB 87.62, -48.9, 76

 

CMYK 78 / 31 / 0 / 5

HEX #36A6F1

RGB 54 166 241

HSL 204.06, 0.87%, 0.58%

LAB 65.28, -6.06, -46.31

 

CMYK 0 / 77 / 32 / 5

HEX #F137A4

RGB 241 55 164

HSL 324.84, 0.87%, 0.58%

LAB 56.2, 76.58, -15.63

 

CMYK 0 / 31 / 78 / 5

HEX #F1A636

RGB 241 166 54

HSL 35.94, 0.87%, 0.58%

LAB 73.7, 18.53, 65.18

 

CMYK 78 / 0 / 46 / 5

HEX #36F181

RGB 54 241 129

HSL 144.06, 0.87%, 0.58%

LAB 84.63, -68.86, 41.33

 

CMYK 78 / 46 / 0 / 5

HEX #3681F1

RGB 54 129 241

HSL 215.94, 0.87%, 0.58%

LAB 54.9, 15.8, -62.84

 

CMYK 0 / 77 / 32 / 5

HEX #F137A4

RGB 241 55 164

HSL 324.84, 0.87%, 0.58%

LAB 56.2, 76.58, -15.63

 

CMYK 0 / 8 / 78 / 5

HEX #F1DE36

RGB 241 222 54

HSL 53.9, 0.87%, 0.58%

LAB 87.59, -10.4, 77.87

 

CMYK 78 / 0 / 46 / 5

HEX #36F181

RGB 54 241 129

HSL 144.06, 0.87%, 0.58%

LAB 84.63, -68.86, 41.33

 

CMYK 78 / 70 / 0 / 5

HEX #3649F1

RGB 54 73 241

HSL 233.9, 0.87%, 0.58%

LAB 41.06, 50.37, -85.4

 

Description

Color code: RGB 241 55 164 | qconv.com Color code: RGB 241 55 164 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 55 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 55 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 32 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 32% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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