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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 241 53 152 it is the complementary color RGB 14 202 103. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 241 53 152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 241 53 152 shade: RGB 246 53 147, RGB 255 71 166, RGB 255 89 185, RGB 255 107 204 and RGB 255 125 223

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 241 53 152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 241 53 152 shade: RGB 241 53 152, RGB 224 35 133, RGB 207 17 114, RGB 190 0 95 and RGB 173 0 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 241 53 152 shade: RGB 241 54 152, RGB 241 54 102 and RGB 241 54 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 241 53 152 shade: RGB 241 54 152, RGB 241 54 203, RGB 228 54 241, RGB 178 54 241 and RGB 128 54 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 241 53 152 shade matches the following richer shades: RGB 241 54 152

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 241 53 152 shade: RGB 241 54 152, RGB 223 72 151, RGB 206 89 151, RGB 189 106 150 and RGB 171 124 149

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 241 53 152 shade: RGB 228 54 241, RGB 241 54 203, RGB 241 54 154, RGB 241 54 104 and RGB 241 54 54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 241 53 152 shade: RGB 199 13 111, RGB 237 16 133, RGB 241 54 152, RGB 243 93 172 and RGB 246 131 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 241 53 152 shade: RGB 241 53 152, RGB 241 178 54 and RGB 54 228 241

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 241 53 152 shade: RGB 241 53 152, RGB 154 241 54 and RGB 54 154 241

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 241 53 152 shade: RGB 241 53 152, RGB 241 178 54, RGB 54 241 141 and RGB 54 116 241

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 241 53 152 shade: RGB 241 53 152, RGB 241 234 54, RGB 54 241 141 and RGB 54 60 241

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 37 / 5

HEX #F13598

RGB 241 53 152

HSL 328.4, 0.87%, 0.58%

LAB 55.6, 75.87, -9.48

 

Complementary color

CMYK 93 / 0 / 49 / 21

HEX #0ECA67

RGB 14 202 103

HSL 148.4, 0.87%, 0.42%

LAB 71.77, -63.38, 37.75

 

CMYK 0 / 78 / 40 / 4

HEX #F63593

RGB 246 53 147

HSL 330.78, 0.91%, 0.59%

LAB 56.33, 76.6, -5.34

 

CMYK 0 / 72 / 35 / 0

HEX #FF47A6

RGB 255 71 166

HSL 329.02, 1%, 0.64%

LAB 60.36, 75.52, -10.3

 

CMYK 0 / 65 / 27 / 0

HEX #FF59B9

RGB 255 89 185

HSL 325.3, 1%, 0.67%

LAB 63.27, 71.35, -16.84

 

CMYK 0 / 58 / 20 / 0

HEX #FF6BCC

RGB 255 107 204

HSL 320.68, 1%, 0.71%

LAB 66.62, 66.49, -22.49

 

CMYK 0 / 51 / 13 / 0

HEX #FF7DDF

RGB 255 125 223

HSL 314.77, 1%, 0.75%

LAB 70.35, 61.17, -27.36

 

CMYK 0 / 78 / 37 / 5

HEX #F13598

RGB 241 53 152

HSL 328.4, 0.87%, 0.58%

LAB 55.6, 75.87, -9.48

 

CMYK 0 / 84 / 41 / 12

HEX #E02385

RGB 224 35 133

HSL 328.89, 0.75%, 0.51%

LAB 50.38, 74.19, -6.24

 

CMYK 0 / 92 / 45 / 19

HEX #CF1172

RGB 207 17 114

HSL 329.37, 0.85%, 0.44%

LAB 45.47, 71.53, -2.27

 

CMYK 0 / 100 / 50 / 25

HEX #BE005F

RGB 190 0 95

HSL 330, 1%, 0.37%

LAB 40.85, 67.87, 2.48

 

CMYK 0 / 100 / 56 / 32

HEX #AD004C

RGB 173 0 76

HSL 333.64, 1%, 0.34%

LAB 36.75, 62.57, 8.34

 

CMYK 0 / 78 / 37 / 5

HEX #F13698

RGB 241 54 152

HSL 328.56, 0.87%, 0.58%

LAB 55.69, 75.6, -9.34

 

CMYK 0 / 78 / 58 / 5

HEX #F13666

RGB 241 54 102

HSL 344.6, 0.87%, 0.58%

LAB 54.34, 71.47, 18.52

 

CMYK 0 / 78 / 78 / 5

HEX #F13636

RGB 241 54 54

HSL 0, 0.87%, 0.58%

LAB 53.61, 69.16, 45.44

 

CMYK 0 / 78 / 37 / 5

HEX #F13698

RGB 241 54 152

HSL 328.56, 0.87%, 0.58%

LAB 55.69, 75.6, -9.34

 

CMYK 0 / 78 / 16 / 5

HEX #F136CB

RGB 241 54 203

HSL 312.19, 0.87%, 0.58%

LAB 57.7, 81.51, -35.89

 

CMYK 5 / 78 / 0 / 5

HEX #E436F1

RGB 228 54 241

HSL 295.83, 0.87%, 0.58%

LAB 57.54, 84.44, -57.75

 

CMYK 26 / 78 / 0 / 5

HEX #B236F1

RGB 178 54 241

HSL 279.79, 0.87%, 0.58%

LAB 50.04, 75.61, -70.22

 

CMYK 47 / 78 / 0 / 5

HEX #8036F1

RGB 128 54 241

HSL 263.74, 0.87%, 0.58%

LAB 43.62, 67.99, -80.97

 

CMYK 0 / 78 / 37 / 5

HEX #F13698

RGB 241 54 152

HSL 328.56, 0.87%, 0.58%

LAB 55.69, 75.6, -9.34

 

CMYK 0 / 78 / 37 / 5

HEX #F13698

RGB 241 54 152

HSL 328.56, 0.87%, 0.58%

LAB 55.69, 75.6, -9.34

 

CMYK 0 / 68 / 32 / 13

HEX #DF4897

RGB 223 72 151

HSL 328.61, 0.7%, 0.58%

LAB 54.61, 65.05, -10.69

 

CMYK 0 / 57 / 27 / 19

HEX #CE5997

RGB 206 89 151

HSL 328.21, 0.54%, 0.58%

LAB 54.55, 52.94, -11.04

 

CMYK 0 / 44 / 21 / 26

HEX #BD6A96

RGB 189 106 150

HSL 328.19, 0.39%, 0.58%

LAB 55.41, 38.75, -9.42

 

CMYK 0 / 27 / 13 / 33

HEX #AB7C95

RGB 171 124 149

HSL 328.09, 0.22%, 0.58%

LAB 57.31, 22.25, -6.23

 

CMYK 5 / 78 / 0 / 5

HEX #E436F1

RGB 228 54 241

HSL 295.83, 0.87%, 0.58%

LAB 57.54, 84.44, -57.75

 

CMYK 0 / 78 / 16 / 5

HEX #F136CB

RGB 241 54 203

HSL 312.19, 0.87%, 0.58%

LAB 57.7, 81.51, -35.89

 

CMYK 0 / 78 / 36 / 5

HEX #F1369A

RGB 241 54 154

HSL 327.91, 0.87%, 0.58%

LAB 55.76, 75.8, -10.42

 

CMYK 0 / 78 / 57 / 5

HEX #F13668

RGB 241 54 104

HSL 343.96, 0.87%, 0.58%

LAB 54.38, 71.6, 17.39

 

CMYK 0 / 78 / 78 / 5

HEX #F13636

RGB 241 54 54

HSL 0, 0.87%, 0.58%

LAB 53.61, 69.16, 45.44

 

CMYK 0 / 93 / 44 / 22

HEX #C70D6F

RGB 199 13 111

HSL 328.39, 0.88%, 0.42%

LAB 43.62, 69.93, -3.31

 

CMYK 0 / 93 / 44 / 7

HEX #ED1085

RGB 237 16 133

HSL 328.24, 0.87%, 0.5%

LAB 51.91, 79.9, -3.7

 

CMYK 0 / 78 / 37 / 5

HEX #F13698

RGB 241 54 152

HSL 328.56, 0.87%, 0.58%

LAB 55.69, 75.6, -9.34

 

CMYK 0 / 62 / 29 / 5

HEX #F35DAC

RGB 243 93 172

HSL 328.4, 0.86%, 0.66%

LAB 61.53, 64.86, -12.19

 

CMYK 0 / 47 / 22 / 4

HEX #F683C0

RGB 246 131 192

HSL 328.17, 0.86%, 0.74%

LAB 69.21, 50.99, -11.97

 

CMYK 0 / 78 / 37 / 5

HEX #F13598

RGB 241 53 152

HSL 328.4, 0.87%, 0.58%

LAB 55.6, 75.87, -9.48

 

CMYK 0 / 26 / 78 / 5

HEX #F1B236

RGB 241 178 54

HSL 39.79, 0.87%, 0.58%

LAB 76.56, 12.21, 67.84

 

CMYK 78 / 5 / 0 / 5

HEX #36E4F1

RGB 54 228 241

HSL 184.17, 0.87%, 0.58%

LAB 83.24, -37.66, -18.6

 

CMYK 0 / 78 / 37 / 5

HEX #F13598

RGB 241 53 152

HSL 328.4, 0.87%, 0.58%

LAB 55.6, 75.87, -9.48

 

CMYK 36 / 0 / 78 / 5

HEX #9AF136

RGB 154 241 54

HSL 87.91, 0.87%, 0.58%

LAB 87.02, -53.07, 75.22

 

CMYK 78 / 36 / 0 / 5

HEX #369AF1

RGB 54 154 241

HSL 207.91, 0.87%, 0.58%

LAB 61.87, 0.8, -51.71

 

CMYK 0 / 78 / 37 / 5

HEX #F13598

RGB 241 53 152

HSL 328.4, 0.87%, 0.58%

LAB 55.6, 75.87, -9.48

 

CMYK 0 / 26 / 78 / 5

HEX #F1B236

RGB 241 178 54

HSL 39.79, 0.87%, 0.58%

LAB 76.56, 12.21, 67.84

 

CMYK 78 / 0 / 41 / 5

HEX #36F18D

RGB 54 241 141

HSL 147.91, 0.87%, 0.58%

LAB 84.8, -66.84, 35.66

 

CMYK 78 / 52 / 0 / 5

HEX #3674F1

RGB 54 116 241

HSL 220.11, 0.87%, 0.58%

LAB 51.41, 23.89, -68.48

 

CMYK 0 / 78 / 37 / 5

HEX #F13598

RGB 241 53 152

HSL 328.4, 0.87%, 0.58%

LAB 55.6, 75.87, -9.48

 

CMYK 0 / 3 / 78 / 5

HEX #F1EA36

RGB 241 234 54

HSL 57.75, 0.87%, 0.58%

LAB 90.69, -16.31, 80.64

 

CMYK 78 / 0 / 41 / 5

HEX #36F18D

RGB 54 241 141

HSL 147.91, 0.87%, 0.58%

LAB 84.8, -66.84, 35.66

 

CMYK 78 / 75 / 0 / 5

HEX #363CF1

RGB 54 60 241

HSL 238.07, 0.87%, 0.58%

LAB 38.49, 57.54, -89.63

 

Description

Color code: RGB 241 53 152 | qconv.com Color code: RGB 241 53 152 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 53 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 53 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 37 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 37% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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