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Color name
RGB 241 44 69

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 241 44 69 it is the complementary color RGB 14 211 186. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 241 44 69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 241 44 69 shade: RGB 246 44 64, RGB 255 62 83, RGB 255 80 102, RGB 255 98 121 and RGB 255 116 140

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 241 44 69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 241 44 69 shade: RGB 241 44 69, RGB 224 26 50, RGB 207 8 31, RGB 190 0 12 and RGB 173 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 241 44 69 shade: RGB 241 44 69 and RGB 241 44 44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 241 44 69 shade: RGB 241 44 69, RGB 241 44 122, RGB 241 44 175, RGB 241 44 228 and RGB 200 44 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 241 44 69 shade matches the following richer shades: RGB 241 44 69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 241 44 69 shade: RGB 241 44 69, RGB 223 62 82, RGB 205 80 96, RGB 187 98 109 and RGB 168 116 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 241 44 69 shade: RGB 241 44 175, RGB 241 44 123, RGB 241 44 70, RGB 241 70 44 and RGB 241 123 44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 241 44 69 shade: RGB 190 12 34, RGB 229 14 41, RGB 241 44 69, RGB 244 82 103 and RGB 246 121 137

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 241 44 69 shade: RGB 241 44 69, RGB 228 241 44 and RGB 44 149 241

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 241 44 69 shade: RGB 241 44 69, RGB 70 241 44 and RGB 44 70 241

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 241 44 69 shade: RGB 241 44 69, RGB 228 241 44, RGB 44 241 215 and RGB 57 44 241

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 241 44 69 shade: RGB 241 44 69, RGB 169 241 44, RGB 44 241 215 and RGB 116 44 241

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 71 / 5

HEX #F12C45

RGB 241 44 69

HSL 352.39, 0.88%, 0.56%

LAB 52.87, 72.28, 36.21

 

Complementary color

CMYK 93 / 0 / 12 / 17

HEX #0ED3BA

RGB 14 211 186

HSL 172.39, 0.88%, 0.44%

LAB 76.21, -48.39, 0.24

 

CMYK 0 / 82 / 74 / 4

HEX #F62C40

RGB 246 44 64

HSL 354.06, 0.92%, 0.57%

LAB 53.78, 73.41, 40.37

 

CMYK 0 / 76 / 67 / 0

HEX #FF3E53

RGB 255 62 83

HSL 353.47, 1%, 0.62%

LAB 57.4, 71.96, 34.18

 

CMYK 0 / 69 / 60 / 0

HEX #FF5066

RGB 255 80 102

HSL 352.46, 1%, 0.66%

LAB 59.85, 67.06, 26.31

 

CMYK 0 / 62 / 53 / 0

HEX #FF6279

RGB 255 98 121

HSL 351.21, 1%, 0.69%

LAB 62.82, 61.32, 19.33

 

CMYK 0 / 55 / 45 / 0

HEX #FF748C

RGB 255 116 140

HSL 349.64, 1%, 0.73%

LAB 66.25, 55, 13.22

 

CMYK 0 / 82 / 71 / 5

HEX #F12C45

RGB 241 44 69

HSL 352.39, 0.88%, 0.56%

LAB 52.87, 72.28, 36.21

 

CMYK 0 / 88 / 78 / 12

HEX #E01A32

RGB 224 26 50

HSL 352.73, 0.79%, 0.49%

LAB 48.03, 70.71, 40.77

 

CMYK 0 / 96 / 85 / 19

HEX #CF081F

RGB 207 8 31

HSL 353.07, 0.93%, 0.42%

LAB 43.56, 68.11, 45.58

 

CMYK 0 / 100 / 94 / 25

HEX #BE000C

RGB 190 0 12

HSL 356.21, 1%, 0.37%

LAB 39.54, 64.33, 49.54

 

CMYK 0 / 100 / 100 / 32

HEX #AD0000

RGB 173 0 0

HSL 0, 1%, 0.34%

LAB 35.76, 59.89, 50.12

 

CMYK 0 / 82 / 71 / 5

HEX #F12C45

RGB 241 44 69

HSL 352.39, 0.88%, 0.56%

LAB 52.87, 72.28, 36.21

 

CMYK 0 / 82 / 82 / 5

HEX #F12C2C

RGB 241 44 44

HSL 0, 0.88%, 0.56%

LAB 52.6, 71.45, 49.69

 

CMYK 0 / 82 / 71 / 5

HEX #F12C45

RGB 241 44 69

HSL 352.39, 0.88%, 0.56%

LAB 52.87, 72.28, 36.21

 

CMYK 0 / 82 / 49 / 5

HEX #F12C7A

RGB 241 44 122

HSL 336.24, 0.88%, 0.56%

LAB 53.93, 75.42, 5.94

 

CMYK 0 / 82 / 27 / 5

HEX #F12CAF

RGB 241 44 175

HSL 320.1, 0.88%, 0.56%

LAB 55.68, 80.47, -22.85

 

CMYK 0 / 82 / 5 / 5

HEX #F12CE4

RGB 241 44 228

HSL 303.96, 0.88%, 0.56%

LAB 58.14, 87.23, -49.39

 

CMYK 17 / 82 / 0 / 5

HEX #C82CF1

RGB 200 44 241

HSL 287.51, 0.88%, 0.56%

LAB 52.32, 82.06, -66.38

 

CMYK 0 / 82 / 71 / 5

HEX #F12C45

RGB 241 44 69

HSL 352.39, 0.88%, 0.56%

LAB 52.87, 72.28, 36.21

 

CMYK 0 / 82 / 71 / 5

HEX #F12C45

RGB 241 44 69

HSL 352.39, 0.88%, 0.56%

LAB 52.87, 72.28, 36.21

 

CMYK 0 / 72 / 63 / 13

HEX #DF3E52

RGB 223 62 82

HSL 352.55, 0.72%, 0.56%

LAB 51.54, 62.67, 26.17

 

CMYK 0 / 61 / 53 / 20

HEX #CD5060

RGB 205 80 96

HSL 352.32, 0.56%, 0.56%

LAB 51.34, 50.78, 16.98

 

CMYK 0 / 48 / 42 / 27

HEX #BB626D

RGB 187 98 109

HSL 352.58, 0.4%, 0.56%

LAB 52.29, 36.83, 10.15

 

CMYK 0 / 31 / 27 / 34

HEX #A8747B

RGB 168 116 123

HSL 351.92, 0.23%, 0.56%

LAB 54.29, 21.49, 4.43

 

CMYK 0 / 82 / 27 / 5

HEX #F12CAF

RGB 241 44 175

HSL 320.1, 0.88%, 0.56%

LAB 55.68, 80.47, -22.85

 

CMYK 0 / 82 / 49 / 5

HEX #F12C7B

RGB 241 44 123

HSL 335.94, 0.88%, 0.56%

LAB 53.95, 75.5, 5.38

 

CMYK 0 / 82 / 71 / 5

HEX #F12C46

RGB 241 44 70

HSL 352.08, 0.88%, 0.56%

LAB 52.89, 72.32, 35.64

 

CMYK 0 / 71 / 82 / 5

HEX #F1462C

RGB 241 70 44

HSL 7.92, 0.88%, 0.56%

LAB 55.34, 63.78, 52.25

 

CMYK 0 / 49 / 82 / 5

HEX #F17B2C

RGB 241 123 44

HSL 24.06, 0.88%, 0.56%

LAB 64.2, 40.55, 60.3

 

CMYK 0 / 94 / 82 / 25

HEX #BE0C22

RGB 190 12 34

HSL 352.58, 0.88%, 0.4%

LAB 40.12, 63.47, 39.48

 

CMYK 0 / 94 / 82 / 10

HEX #E50E29

RGB 229 14 41

HSL 352.47, 0.88%, 0.48%

LAB 48.43, 73.26, 46.46

 

CMYK 0 / 82 / 71 / 5

HEX #F12C45

RGB 241 44 69

HSL 352.39, 0.88%, 0.56%

LAB 52.87, 72.28, 36.21

 

CMYK 0 / 66 / 58 / 4

HEX #F45267

RGB 244 82 103

HSL 352.22, 0.88%, 0.64%

LAB 58.27, 63.03, 23.3

 

CMYK 0 / 51 / 44 / 4

HEX #F67989

RGB 246 121 137

HSL 352.32, 0.87%, 0.72%

LAB 65.81, 49.28, 14.11

 

CMYK 0 / 82 / 71 / 5

HEX #F12C45

RGB 241 44 69

HSL 352.39, 0.88%, 0.56%

LAB 52.87, 72.28, 36.21

 

CMYK 5 / 0 / 82 / 5

HEX #E4F12C

RGB 228 241 44

HSL 63.96, 0.88%, 0.56%

LAB 91.5, -25.33, 83.5

 

CMYK 82 / 38 / 0 / 5

HEX #2C95F1

RGB 44 149 241

HSL 208.02, 0.88%, 0.56%

LAB 60.23, 2.77, -54.32

 

CMYK 0 / 82 / 71 / 5

HEX #F12C45

RGB 241 44 69

HSL 352.39, 0.88%, 0.56%

LAB 52.87, 72.28, 36.21

 

CMYK 71 / 0 / 82 / 5

HEX #46F12C

RGB 70 241 44

HSL 112.08, 0.88%, 0.56%

LAB 84.17, -75.32, 74.23

 

CMYK 82 / 71 / 0 / 5

HEX #2C46F1

RGB 44 70 241

HSL 232.08, 0.88%, 0.56%

LAB 40.03, 51.41, -87.11

 

CMYK 0 / 82 / 71 / 5

HEX #F12C45

RGB 241 44 69

HSL 352.39, 0.88%, 0.56%

LAB 52.87, 72.28, 36.21

 

CMYK 5 / 0 / 82 / 5

HEX #E4F12C

RGB 228 241 44

HSL 63.96, 0.88%, 0.56%

LAB 91.5, -25.33, 83.5

 

CMYK 82 / 0 / 11 / 5

HEX #2CF1D7

RGB 44 241 215

HSL 172.08, 0.88%, 0.56%

LAB 86.18, -51.44, -0.55

 

CMYK 76 / 82 / 0 / 5

HEX #392CF1

RGB 57 44 241

HSL 243.96, 0.88%, 0.56%

LAB 36.03, 65.33, -93.72

 

CMYK 0 / 82 / 71 / 5

HEX #F12C45

RGB 241 44 69

HSL 352.39, 0.88%, 0.56%

LAB 52.87, 72.28, 36.21

 

CMYK 30 / 0 / 82 / 5

HEX #A9F12C

RGB 169 241 44

HSL 81.93, 0.88%, 0.56%

LAB 87.74, -48.23, 78.78

 

CMYK 82 / 0 / 11 / 5

HEX #2CF1D7

RGB 44 241 215

HSL 172.08, 0.88%, 0.56%

LAB 86.18, -51.44, -0.55

 

CMYK 52 / 82 / 0 / 5

HEX #742CF1

RGB 116 44 241

HSL 261.93, 0.88%, 0.56%

LAB 41, 70.25, -85.33

 

Description

Color code: RGB 241 44 69 | qconv.com Color code: RGB 241 44 69 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 44 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 44 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 71 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 71% 5% C M Y K

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Provide designers and agencies with accurate color values.

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