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Color name
RGB 241 187 23

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 241 187 23 it is the complementary color RGB 14 68 232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 241 187 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 241 187 23 shade: RGB 246 187 18, RGB 255 205 37, RGB 255 223 56, RGB 255 241 75 and RGB 255 255 94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 241 187 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 241 187 23 shade: RGB 241 187 23, RGB 224 169 4, RGB 207 151 0, RGB 190 133 0 and RGB 173 115 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 241 187 23 shade: RGB 241 187 23, RGB 241 128 23, RGB 241 70 23 and RGB 241 23 23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 241 187 23 shade: RGB 241 187 23, RGB 236 241 23, RGB 177 241 23, RGB 119 241 23 and RGB 60 241 23

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 241 187 23 shade matches the following richer shades: RGB 241 187 23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 241 187 23 shade: RGB 241 187 23, RGB 221 177 43, RGB 201 167 63, RGB 182 157 83 and RGB 162 147 102

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 241 187 23 shade: RGB 241 70 23, RGB 241 128 23, RGB 241 187 23, RGB 237 241 23 and RGB 179 241 23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 241 187 23 shade: RGB 172 132 10, RGB 211 162 12, RGB 241 187 23, RGB 243 198 62 and RGB 246 210 101

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 241 187 23 shade: RGB 241 187 23, RGB 34 241 23 and RGB 99 23 241

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 241 187 23 shade: RGB 241 187 23, RGB 23 241 187 and RGB 187 23 241

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 241 187 23 shade: RGB 241 187 23, RGB 34 241 23, RGB 23 78 241 and RGB 230 23 241

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 241 187 23 shade: RGB 241 187 23, RGB 23 241 78, RGB 23 78 241 and RGB 241 23 187

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 90 / 5

HEX #F1BB17

RGB 241 187 23

HSL 45.14, 0.89%, 0.52%

LAB 78.64, 6.7, 77.91

 

Complementary color

CMYK 94 / 71 / 0 / 9

HEX #0E44E8

RGB 14 68 232

HSL 225.14, 0.89%, 0.48%

LAB 37.94, 48.19, -85.49

 

CMYK 0 / 24 / 93 / 4

HEX #F6BB12

RGB 246 187 18

HSL 44.47, 0.93%, 0.52%

LAB 79.14, 8.78, 79.32

 

CMYK 0 / 20 / 85 / 0

HEX #FFCD25

RGB 255 205 37

HSL 46.24, 1%, 0.57%

LAB 84.51, 3.64, 80.25

 

CMYK 0 / 13 / 78 / 0

HEX #FFDF38

RGB 255 223 56

HSL 50.35, 1%, 0.61%

LAB 89.07, -4.97, 79.06

 

CMYK 0 / 5 / 71 / 0

HEX #FFF14B

RGB 255 241 75

HSL 55.33, 1%, 0.65%

LAB 93.74, -13.13, 77.25

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5E

RGB 255 255 94

HSL 60, 1%, 0.68%

LAB 97.47, -18.93, 74

 

CMYK 0 / 22 / 90 / 5

HEX #F1BB17

RGB 241 187 23

HSL 45.14, 0.89%, 0.52%

LAB 78.64, 6.7, 77.91

 

CMYK 0 / 25 / 98 / 12

HEX #E0A904

RGB 224 169 4

HSL 45, 0.96%, 0.45%

LAB 72.38, 8.59, 75.1

 

CMYK 0 / 27 / 100 / 19

HEX #CF9700

RGB 207 151 0

HSL 43.77, 1%, 0.41%

LAB 66.06, 10.72, 70.37

 

CMYK 0 / 30 / 100 / 25

HEX #BE8500

RGB 190 133 0

HSL 42, 1%, 0.37%

LAB 59.64, 12.98, 65.11

 

CMYK 0 / 34 / 100 / 32

HEX #AD7300

RGB 173 115 0

HSL 39.88, 1%, 0.34%

LAB 53.11, 15.33, 59.77

 

CMYK 0 / 22 / 90 / 5

HEX #F1BB17

RGB 241 187 23

HSL 45.14, 0.89%, 0.52%

LAB 78.64, 6.7, 77.91

 

CMYK 0 / 47 / 90 / 5

HEX #F18017

RGB 241 128 23

HSL 28.9, 0.89%, 0.52%

LAB 65.12, 37.56, 67.84

 

CMYK 0 / 71 / 90 / 5

HEX #F14617

RGB 241 70 23

HSL 12.94, 0.89%, 0.52%

LAB 55.22, 63.36, 60.8

 

CMYK 0 / 90 / 90 / 5

HEX #F11717

RGB 241 23 23

HSL 0, 0.89%, 0.52%

LAB 51.12, 74.89, 58.03

 

CMYK 0 / 22 / 90 / 5

HEX #F1BB17

RGB 241 187 23

HSL 45.14, 0.89%, 0.52%

LAB 78.64, 6.7, 77.91

 

CMYK 2 / 0 / 90 / 5

HEX #ECF117

RGB 236 241 23

HSL 61.38, 0.89%, 0.52%

LAB 92.04, -22.5, 88.01

 

CMYK 27 / 0 / 90 / 5

HEX #B1F117

RGB 177 241 23

HSL 77.61, 0.89%, 0.52%

LAB 88.12, -45.87, 83.24

 

CMYK 51 / 0 / 90 / 5

HEX #77F117

RGB 119 241 23

HSL 93.58, 0.89%, 0.52%

LAB 85.45, -65.05, 79.95

 

CMYK 75 / 0 / 90 / 5

HEX #3CF117

RGB 60 241 23

HSL 109.82, 0.89%, 0.52%

LAB 83.93, -77.64, 78.07

 

CMYK 0 / 22 / 90 / 5

HEX #F1BB17

RGB 241 187 23

HSL 45.14, 0.89%, 0.52%

LAB 78.64, 6.7, 77.91

 

CMYK 0 / 22 / 90 / 5

HEX #F1BB17

RGB 241 187 23

HSL 45.14, 0.89%, 0.52%

LAB 78.64, 6.7, 77.91

 

CMYK 0 / 20 / 81 / 13

HEX #DDB12B

RGB 221 177 43

HSL 45.17, 0.72%, 0.52%

LAB 74.18, 3.77, 68.59

 

CMYK 0 / 17 / 69 / 21

HEX #C9A73F

RGB 201 167 63

HSL 45.22, 0.56%, 0.52%

LAB 69.76, 1.25, 56.27

 

CMYK 0 / 14 / 54 / 29

HEX #B69D53

RGB 182 157 83

HSL 44.85, 0.4%, 0.52%

LAB 65.5, -0.2, 41.68

 

CMYK 0 / 9 / 37 / 36

HEX #A29366

RGB 162 147 102

HSL 45, 0.24%, 0.52%

LAB 61.23, -1.25, 25.87

 

CMYK 0 / 71 / 90 / 5

HEX #F14617

RGB 241 70 23

HSL 12.94, 0.89%, 0.52%

LAB 55.22, 63.36, 60.8

 

CMYK 0 / 47 / 90 / 5

HEX #F18017

RGB 241 128 23

HSL 28.9, 0.89%, 0.52%

LAB 65.12, 37.56, 67.84

 

CMYK 0 / 22 / 90 / 5

HEX #F1BB17

RGB 241 187 23

HSL 45.14, 0.89%, 0.52%

LAB 78.64, 6.7, 77.91

 

CMYK 2 / 0 / 90 / 5

HEX #EDF117

RGB 237 241 23

HSL 61.1, 0.89%, 0.52%

LAB 92.12, -22.08, 88.1

 

CMYK 26 / 0 / 90 / 5

HEX #B3F117

RGB 179 241 23

HSL 77.06, 0.89%, 0.52%

LAB 88.24, -45.13, 83.38

 

CMYK 0 / 23 / 94 / 33

HEX #AC840A

RGB 172 132 10

HSL 45.19, 0.89%, 0.36%

LAB 57.36, 5.5, 60.93

 

CMYK 0 / 23 / 94 / 17

HEX #D3A20C

RGB 211 162 12

HSL 45.23, 0.89%, 0.44%

LAB 69.27, 6.7, 71.27

 

CMYK 0 / 22 / 90 / 5

HEX #F1BB17

RGB 241 187 23

HSL 45.14, 0.89%, 0.52%

LAB 78.64, 6.7, 77.91

 

CMYK 0 / 19 / 74 / 5

HEX #F3C63E

RGB 243 198 62

HSL 45.08, 0.88%, 0.6%

LAB 81.72, 2.94, 69.91

 

CMYK 0 / 15 / 59 / 4

HEX #F6D265

RGB 246 210 101

HSL 45.1, 0.89%, 0.68%

LAB 85.31, 0.17, 57.62

 

CMYK 0 / 22 / 90 / 5

HEX #F1BB17

RGB 241 187 23

HSL 45.14, 0.89%, 0.52%

LAB 78.64, 6.7, 77.91

 

CMYK 86 / 0 / 90 / 5

HEX #22F117

RGB 34 241 23

HSL 116.97, 0.89%, 0.52%

LAB 83.61, -80.53, 77.66

 

CMYK 59 / 90 / 0 / 5

HEX #6317F1

RGB 99 23 241

HSL 260.92, 0.89%, 0.52%

LAB 37.14, 74.77, -91.77

 

CMYK 0 / 22 / 90 / 5

HEX #F1BB17

RGB 241 187 23

HSL 45.14, 0.89%, 0.52%

LAB 78.64, 6.7, 77.91

 

CMYK 90 / 0 / 22 / 5

HEX #17F1BB

RGB 23 241 187

HSL 165.14, 0.89%, 0.52%

LAB 85.34, -59.71, 12.85

 

CMYK 22 / 90 / 0 / 5

HEX #BB17F1

RGB 187 23 241

HSL 285.14, 0.89%, 0.52%

LAB 48.92, 84.19, -71.99

 

CMYK 0 / 22 / 90 / 5

HEX #F1BB17

RGB 241 187 23

HSL 45.14, 0.89%, 0.52%

LAB 78.64, 6.7, 77.91

 

CMYK 86 / 0 / 90 / 5

HEX #22F117

RGB 34 241 23

HSL 116.97, 0.89%, 0.52%

LAB 83.61, -80.53, 77.66

 

CMYK 90 / 68 / 0 / 5

HEX #174EF1

RGB 23 78 241

HSL 224.86, 0.89%, 0.52%

LAB 41.19, 45.63, -85.22

 

CMYK 5 / 90 / 0 / 5

HEX #E617F1

RGB 230 23 241

HSL 296.97, 0.89%, 0.52%

LAB 55.87, 90.62, -60.41

 

CMYK 0 / 22 / 90 / 5

HEX #F1BB17

RGB 241 187 23

HSL 45.14, 0.89%, 0.52%

LAB 78.64, 6.7, 77.91

 

CMYK 90 / 0 / 68 / 5

HEX #17F14E

RGB 23 241 78

HSL 135.14, 0.89%, 0.52%

LAB 83.78, -78.01, 62.79

 

CMYK 90 / 68 / 0 / 5

HEX #174EF1

RGB 23 78 241

HSL 224.86, 0.89%, 0.52%

LAB 41.19, 45.63, -85.22

 

CMYK 0 / 90 / 22 / 5

HEX #F117BB

RGB 241 23 187

HSL 314.86, 0.89%, 0.52%

LAB 54.97, 85.38, -30.94

 

Description

Color code: RGB 241 187 23 | qconv.com Color code: RGB 241 187 23 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 187 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 187 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 90 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 90% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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