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Color name
RGB 241 187 103

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 241 187 103 it is the complementary color RGB 14 68 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 241 187 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 241 187 103 shade: RGB 246 187 98, RGB 255 205 117, RGB 255 223 136, RGB 255 241 155 and RGB 255 255 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 241 187 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 241 187 103 shade: RGB 241 187 103, RGB 224 169 84, RGB 207 151 65, RGB 190 133 46 and RGB 173 115 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 241 187 103 shade: RGB 240 186 101, RGB 240 148 101, RGB 240 110 101 and RGB 240 101 101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 241 187 103 shade: RGB 240 186 101, RGB 240 223 101, RGB 220 240 101, RGB 182 240 101 and RGB 144 240 101

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 241 187 103 shade matches the following richer shades: RGB 240 186 101 and RGB 254 188 87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 241 187 103 shade: RGB 240 186 101, RGB 227 183 114, RGB 213 180 128, RGB 199 177 141 and RGB 186 174 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 241 187 103 shade: RGB 240 110 101, RGB 240 147 101, RGB 240 184 101, RGB 240 222 101 and RGB 222 240 101

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 241 187 103 shade: RGB 233 152 25, RGB 237 169 63, RGB 240 186 101, RGB 244 202 138 and RGB 247 219 176

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 241 187 103 shade: RGB 241 187 103, RGB 128 240 101 and RGB 128 101 240

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 241 187 103 shade: RGB 241 187 103, RGB 101 240 184 and RGB 184 101 240

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 241 187 103 shade: RGB 241 187 103, RGB 128 240 101, RGB 101 156 240 and RGB 212 101 240

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 241 187 103 shade: RGB 241 187 103, RGB 101 240 114, RGB 101 156 240 and RGB 240 101 226

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 57 / 5

HEX #F1BB67

RGB 241 187 103

HSL 36.52, 0.83%, 0.67%

LAB 79.17, 10.19, 49.43

 

Complementary color

CMYK 91 / 55 / 0 / 40

HEX #0E4498

RGB 14 68 152

HSL 216.52, 0.83%, 0.33%

LAB 30.63, 17.37, -50.53

 

CMYK 0 / 24 / 60 / 4

HEX #F6BB62

RGB 246 187 98

HSL 36.08, 0.89%, 0.67%

LAB 79.62, 11.89, 52.5

 

CMYK 0 / 20 / 54 / 0

HEX #FFCD75

RGB 255 205 117

HSL 38.26, 1%, 0.73%

LAB 85.1, 7.61, 50.05

 

CMYK 0 / 13 / 47 / 0

HEX #FFDF88

RGB 255 223 136

HSL 43.87, 1%, 0.77%

LAB 89.77, 0.03, 46.51

 

CMYK 0 / 5 / 39 / 0

HEX #FFF19B

RGB 255 241 155

HSL 51.6, 1%, 0.8%

LAB 94.54, -7.13, 43.21

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAE

RGB 255 255 174

HSL 60, 1%, 0.84%

LAB 98.37, -11.92, 38.8

 

CMYK 0 / 22 / 57 / 5

HEX #F1BB67

RGB 241 187 103

HSL 36.52, 0.83%, 0.67%

LAB 79.17, 10.19, 49.43

 

CMYK 0 / 25 / 63 / 12

HEX #E0A954

RGB 224 169 84

HSL 36.43, 0.69%, 0.6%

LAB 72.8, 11.3, 50.75

 

CMYK 0 / 27 / 69 / 19

HEX #CF9741

RGB 207 151 65

HSL 36.34, 0.6%, 0.53%

LAB 66.35, 12.58, 52

 

CMYK 0 / 30 / 76 / 25

HEX #BE852E

RGB 190 133 46

HSL 36.25, 0.61%, 0.46%

LAB 59.82, 14.08, 53.01

 

CMYK 0 / 34 / 84 / 32

HEX #AD731B

RGB 173 115 27

HSL 36.16, 0.73%, 0.39%

LAB 53.19, 15.84, 53.42

 

CMYK 0 / 23 / 58 / 6

HEX #F0BA65

RGB 240 186 101

HSL 36.69, 0.82%, 0.67%

LAB 78.8, 10.15, 49.94

 

CMYK 0 / 38 / 58 / 6

HEX #F09465

RGB 240 148 101

HSL 20.29, 0.82%, 0.67%

LAB 69.93, 30.2, 39.24

 

CMYK 0 / 54 / 58 / 6

HEX #F06E65

RGB 240 110 101

HSL 3.88, 0.82%, 0.67%

LAB 62.18, 49.38, 29.46

 

CMYK 0 / 58 / 58 / 6

HEX #F06565

RGB 240 101 101

HSL 0, 0.82%, 0.67%

LAB 60.58, 53.57, 27.38

 

CMYK 0 / 23 / 58 / 6

HEX #F0BA65

RGB 240 186 101

HSL 36.69, 0.82%, 0.67%

LAB 78.8, 10.15, 49.94

 

CMYK 0 / 7 / 58 / 6

HEX #F0DF65

RGB 240 223 101

HSL 52.66, 0.82%, 0.67%

LAB 88.08, -8.86, 60.61

 

CMYK 8 / 0 / 58 / 6

HEX #DCF065

RGB 220 240 101

HSL 68.63, 0.82%, 0.67%

LAB 91, -25.18, 63.43

 

CMYK 24 / 0 / 58 / 6

HEX #B6F065

RGB 182 240 101

HSL 85.04, 0.82%, 0.67%

LAB 88.55, -39.6, 60.01

 

CMYK 40 / 0 / 58 / 6

HEX #90F065

RGB 144 240 101

HSL 101.44, 0.82%, 0.67%

LAB 86.6, -52.5, 57.28

 

CMYK 0 / 23 / 58 / 6

HEX #F0BA65

RGB 240 186 101

HSL 36.69, 0.82%, 0.67%

LAB 78.8, 10.15, 49.94

 

CMYK 0 / 26 / 66 / 0

HEX #FEBC57

RGB 254 188 87

HSL 36.29, 0.99%, 0.67%

LAB 80.59, 13.97, 58.9

 

CMYK 0 / 23 / 58 / 6

HEX #F0BA65

RGB 240 186 101

HSL 36.69, 0.82%, 0.67%

LAB 78.8, 10.15, 49.94

 

CMYK 0 / 19 / 50 / 11

HEX #E3B772

RGB 227 183 114

HSL 36.64, 0.67%, 0.67%

LAB 76.93, 7.46, 40.9

 

CMYK 0 / 15 / 40 / 16

HEX #D5B480

RGB 213 180 128

HSL 36.71, 0.5%, 0.67%

LAB 75.04, 4.8, 30.95

 

CMYK 0 / 11 / 29 / 22

HEX #C7B18D

RGB 199 177 141

HSL 37.24, 0.34%, 0.67%

LAB 73.23, 2.44, 21.34

 

CMYK 0 / 6 / 17 / 27

HEX #BAAE9B

RGB 186 174 155

HSL 36.77, 0.18%, 0.67%

LAB 71.61, 1.1, 11.3

 

CMYK 0 / 54 / 58 / 6

HEX #F06E65

RGB 240 110 101

HSL 3.88, 0.82%, 0.67%

LAB 62.18, 49.38, 29.46

 

CMYK 0 / 39 / 58 / 6

HEX #F09365

RGB 240 147 101

HSL 19.86, 0.82%, 0.67%

LAB 69.71, 30.73, 38.97

 

CMYK 0 / 23 / 58 / 6

HEX #F0B865

RGB 240 184 101

HSL 35.83, 0.82%, 0.67%

LAB 78.31, 11.2, 49.37

 

CMYK 0 / 8 / 58 / 6

HEX #F0DE65

RGB 240 222 101

HSL 52.23, 0.82%, 0.67%

LAB 87.83, -8.36, 60.32

 

CMYK 8 / 0 / 58 / 6

HEX #DEF065

RGB 222 240 101

HSL 67.77, 0.82%, 0.67%

LAB 91.14, -24.4, 63.63

 

CMYK 0 / 35 / 89 / 9

HEX #E99819

RGB 233 152 25

HSL 36.63, 0.83%, 0.51%

LAB 69.36, 21.78, 70.07

 

CMYK 0 / 29 / 73 / 7

HEX #EDA93F

RGB 237 169 63

HSL 36.55, 0.83%, 0.59%

LAB 74.02, 15.63, 61.81

 

CMYK 0 / 23 / 58 / 6

HEX #F0BA65

RGB 240 186 101

HSL 36.69, 0.82%, 0.67%

LAB 78.8, 10.15, 49.94

 

CMYK 0 / 17 / 43 / 4

HEX #F4CA8A

RGB 244 202 138

HSL 36.23, 0.83%, 0.75%

LAB 83.6, 6.66, 37.47

 

CMYK 0 / 11 / 29 / 3

HEX #F7DBB0

RGB 247 219 176

HSL 36.34, 0.82%, 0.83%

LAB 88.72, 3.41, 24.72

 

CMYK 0 / 22 / 57 / 5

HEX #F1BB67

RGB 241 187 103

HSL 36.52, 0.83%, 0.67%

LAB 79.17, 10.19, 49.43

 

CMYK 47 / 0 / 58 / 6

HEX #80F065

RGB 128 240 101

HSL 108.35, 0.82%, 0.67%

LAB 85.93, -57.28, 56.33

 

CMYK 47 / 58 / 0 / 6

HEX #8065F0

RGB 128 101 240

HSL 251.65, 0.82%, 0.67%

LAB 52.05, 44.39, -66.68

 

CMYK 0 / 22 / 57 / 5

HEX #F1BB67

RGB 241 187 103

HSL 36.52, 0.83%, 0.67%

LAB 79.17, 10.19, 49.43

 

CMYK 58 / 0 / 23 / 6

HEX #65F0B8

RGB 101 240 184

HSL 155.83, 0.82%, 0.67%

LAB 86.28, -50.65, 15.92

 

CMYK 23 / 58 / 0 / 6

HEX #B865F0

RGB 184 101 240

HSL 275.83, 0.82%, 0.67%

LAB 57.84, 56.9, -57.07

 

CMYK 0 / 22 / 57 / 5

HEX #F1BB67

RGB 241 187 103

HSL 36.52, 0.83%, 0.67%

LAB 79.17, 10.19, 49.43

 

CMYK 47 / 0 / 58 / 6

HEX #80F065

RGB 128 240 101

HSL 108.35, 0.82%, 0.67%

LAB 85.93, -57.28, 56.33

 

CMYK 58 / 35 / 0 / 6

HEX #659CF0

RGB 101 156 240

HSL 216.26, 0.82%, 0.67%

LAB 64.03, 6.42, -47.64

 

CMYK 12 / 58 / 0 / 6

HEX #D465F0

RGB 212 101 240

HSL 287.91, 0.82%, 0.67%

LAB 61.3, 63.67, -51.34

 

CMYK 0 / 22 / 57 / 5

HEX #F1BB67

RGB 241 187 103

HSL 36.52, 0.83%, 0.67%

LAB 79.17, 10.19, 49.43

 

CMYK 58 / 0 / 53 / 6

HEX #65F072

RGB 101 240 114

HSL 125.61, 0.82%, 0.67%

LAB 85.15, -62.66, 49.32

 

CMYK 58 / 35 / 0 / 6

HEX #659CF0

RGB 101 156 240

HSL 216.26, 0.82%, 0.67%

LAB 64.03, 6.42, -47.64

 

CMYK 0 / 58 / 6 / 6

HEX #F065E2

RGB 240 101 226

HSL 306.04, 0.82%, 0.67%

LAB 64.42, 68.28, -38.38

 

Description

Color code: RGB 241 187 103 | qconv.com Color code: RGB 241 187 103 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 187 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 187 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 57 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 57% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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