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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 241 169 195 it is the complementary color RGB 14 86 60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 241 169 195. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 241 169 195 shade: RGB 246 169 190, RGB 255 187 209, RGB 255 205 228, RGB 255 223 247 and RGB 255 241 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 241 169 195. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 241 169 195 shade: RGB 241 169 195, RGB 224 151 176, RGB 207 133 157, RGB 190 115 138 and RGB 173 97 119

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 241 169 195 shade: RGB 240 167 193, RGB 240 167 173 and RGB 240 167 167

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 241 169 195 shade: RGB 240 167 193, RGB 240 167 213, RGB 240 167 233, RGB 228 167 240 and RGB 208 167 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 241 169 195 shade matches the following richer shades: RGB 240 167 193 and RGB 248 159 191

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 241 169 195 shade: RGB 240 167 193, RGB 232 175 196, RGB 224 183 198, RGB 215 192 200 and RGB 207 200 202

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 241 169 195 shade: RGB 240 167 233, RGB 240 167 213, RGB 240 167 194, RGB 240 167 174 and RGB 240 179 167

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 241 169 195 shade: RGB 229 96 144, RGB 234 131 169, RGB 240 167 193, RGB 246 202 218 and RGB 252 238 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 241 169 195 shade: RGB 241 169 195, RGB 240 228 167 and RGB 167 223 240

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 241 169 195 shade: RGB 241 169 195, RGB 194 240 167 and RGB 167 194 240

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 241 169 195 shade: RGB 241 169 195, RGB 240 228 167, RGB 167 240 213 and RGB 167 179 240

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 241 169 195 shade: RGB 241 169 195, RGB 230 240 167, RGB 167 240 213 and RGB 177 167 240

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 19 / 5

HEX #F1A9C3

RGB 241 169 195

HSL 338.33, 0.72%, 0.8%

LAB 76.69, 30.14, -2.59

 

Complementary color

CMYK 84 / 0 / 30 / 66

HEX #0E563C

RGB 14 86 60

HSL 158.33, 0.72%, 0.2%

LAB 31.98, -28.3, 9.18

 

CMYK 0 / 31 / 23 / 4

HEX #F6A9BE

RGB 246 169 190

HSL 343.64, 0.81%, 0.81%

LAB 77.09, 31.17, 0.79

 

CMYK 0 / 27 / 18 / 0

HEX #FFBBD1

RGB 255 187 209

HSL 340.59, 1%, 0.87%

LAB 82.6, 27.67, -1.34

 

CMYK 0 / 20 / 11 / 0

HEX #FFCDE4

RGB 255 205 228

HSL 332.4, 1%, 0.9%

LAB 87.25, 21.2, -4.64

 

CMYK 0 / 13 / 3 / 0

HEX #FFDFF7

RGB 255 223 247

HSL 315, 1%, 0.94%

LAB 92.02, 15.01, -7.6

 

CMYK 0 / 5 / 0 / 0

HEX #FFF1FF

RGB 255 241 255

HSL 300, 1%, 0.97%

LAB 96.57, 7.12, -5.04

 

CMYK 0 / 30 / 19 / 5

HEX #F1A9C3

RGB 241 169 195

HSL 338.33, 0.72%, 0.8%

LAB 76.69, 30.14, -2.59

 

CMYK 0 / 33 / 21 / 12

HEX #E097B0

RGB 224 151 176

HSL 339.45, 0.54%, 0.74%

LAB 70.26, 30.87, -1.78

 

CMYK 0 / 36 / 24 / 19

HEX #CF859D

RGB 207 133 157

HSL 340.54, 0.44%, 0.67%

LAB 63.73, 31.66, -0.89

 

CMYK 0 / 39 / 27 / 25

HEX #BE738A

RGB 190 115 138

HSL 341.6, 0.37%, 0.6%

LAB 57.12, 32.5, 0.11

 

CMYK 0 / 44 / 31 / 32

HEX #AD6177

RGB 173 97 119

HSL 342.63, 0.32%, 0.53%

LAB 50.41, 33.41, 1.26

 

CMYK 0 / 30 / 20 / 6

HEX #F0A7C1

RGB 240 167 193

HSL 338.63, 0.71%, 0.8%

LAB 76.08, 30.55, -2.41

 

CMYK 0 / 30 / 28 / 6

HEX #F0A7AD

RGB 240 167 173

HSL 355.07, 0.71%, 0.8%

LAB 75.56, 27.71, 7.79

 

CMYK 0 / 30 / 30 / 6

HEX #F0A7A7

RGB 240 167 167

HSL 0, 0.71%, 0.8%

LAB 75.42, 26.92, 10.87

 

CMYK 0 / 30 / 20 / 6

HEX #F0A7C1

RGB 240 167 193

HSL 338.63, 0.71%, 0.8%

LAB 76.08, 30.55, -2.41

 

CMYK 0 / 30 / 11 / 6

HEX #F0A7D5

RGB 240 167 213

HSL 322.19, 0.71%, 0.8%

LAB 76.66, 33.69, -12.47

 

CMYK 0 / 30 / 3 / 6

HEX #F0A7E9

RGB 240 167 233

HSL 305.75, 0.71%, 0.8%

LAB 77.31, 37.11, -22.36

 

CMYK 5 / 30 / 0 / 6

HEX #E4A7F0

RGB 228 167 240

HSL 290.14, 0.71%, 0.8%

LAB 76.33, 34.6, -27.76

 

CMYK 13 / 30 / 0 / 6

HEX #D0A7F0

RGB 208 167 240

HSL 273.7, 0.71%, 0.8%

LAB 74.41, 28.38, -30.88

 

CMYK 0 / 30 / 20 / 6

HEX #F0A7C1

RGB 240 167 193

HSL 338.63, 0.71%, 0.8%

LAB 76.08, 30.55, -2.41

 

CMYK 0 / 36 / 23 / 3

HEX #F89FBF

RGB 248 159 191

HSL 338.43, 0.86%, 0.8%

LAB 75.15, 37.26, -2.58

 

CMYK 0 / 30 / 20 / 6

HEX #F0A7C1

RGB 240 167 193

HSL 338.63, 0.71%, 0.8%

LAB 76.08, 30.55, -2.41

 

CMYK 0 / 25 / 16 / 9

HEX #E8AFC4

RGB 232 175 196

HSL 337.89, 0.55%, 0.8%

LAB 77.16, 23.93, -2.55

 

CMYK 0 / 18 / 12 / 12

HEX #E0B7C6

RGB 224 183 198

HSL 338.05, 0.4%, 0.8%

LAB 78.34, 17.14, -2

 

CMYK 0 / 11 / 7 / 16

HEX #D7C0C8

RGB 215 192 200

HSL 339.13, 0.22%, 0.8%

LAB 79.79, 9.48, -1.05

 

CMYK 0 / 3 / 2 / 19

HEX #CFC8CA

RGB 207 200 202

HSL 342.86, 0.07%, 0.8%

LAB 81.2, 2.79, -0.14

 

CMYK 0 / 30 / 3 / 6

HEX #F0A7E9

RGB 240 167 233

HSL 305.75, 0.71%, 0.8%

LAB 77.31, 37.11, -22.36

 

CMYK 0 / 30 / 11 / 6

HEX #F0A7D5

RGB 240 167 213

HSL 322.19, 0.71%, 0.8%

LAB 76.66, 33.69, -12.47

 

CMYK 0 / 30 / 19 / 6

HEX #F0A7C2

RGB 240 167 194

HSL 337.81, 0.71%, 0.8%

LAB 76.1, 30.7, -2.92

 

CMYK 0 / 30 / 28 / 6

HEX #F0A7AE

RGB 240 167 174

HSL 354.25, 0.71%, 0.8%

LAB 75.59, 27.84, 7.28

 

CMYK 0 / 25 / 30 / 6

HEX #F0B3A7

RGB 240 179 167

HSL 9.86, 0.71%, 0.8%

LAB 78.2, 20.55, 14.79

 

CMYK 0 / 58 / 37 / 10

HEX #E56090

RGB 229 96 144

HSL 338.35, 0.72%, 0.64%

LAB 59.01, 56.1, 0.03

 

CMYK 0 / 44 / 28 / 8

HEX #EA83A9

RGB 234 131 169

HSL 337.86, 0.71%, 0.72%

LAB 66.97, 43.87, -2.55

 

CMYK 0 / 30 / 20 / 6

HEX #F0A7C1

RGB 240 167 193

HSL 338.63, 0.71%, 0.8%

LAB 76.08, 30.55, -2.41

 

CMYK 0 / 18 / 11 / 4

HEX #F6CADA

RGB 246 202 218

HSL 338.18, 0.71%, 0.88%

LAB 85.45, 18.04, -2.07

 

CMYK 0 / 6 / 4 / 1

HEX #FCEEF3

RGB 252 238 243

HSL 338.57, 0.7%, 0.96%

LAB 95.29, 5.57, -0.73

 

CMYK 0 / 30 / 19 / 5

HEX #F1A9C3

RGB 241 169 195

HSL 338.33, 0.72%, 0.8%

LAB 76.69, 30.14, -2.59

 

CMYK 0 / 5 / 30 / 6

HEX #F0E4A7

RGB 240 228 167

HSL 50.14, 0.71%, 0.8%

LAB 90.23, -4.96, 31.3

 

CMYK 30 / 7 / 0 / 6

HEX #A7DFF0

RGB 167 223 240

HSL 193.97, 0.71%, 0.8%

LAB 85.65, -13.9, -14.07

 

CMYK 0 / 30 / 19 / 5

HEX #F1A9C3

RGB 241 169 195

HSL 338.33, 0.72%, 0.8%

LAB 76.69, 30.14, -2.59

 

CMYK 19 / 0 / 30 / 6

HEX #C2F0A7

RGB 194 240 167

HSL 97.81, 0.71%, 0.8%

LAB 90.13, -27.62, 30.6

 

CMYK 30 / 19 / 0 / 6

HEX #A7C2F0

RGB 167 194 240

HSL 217.81, 0.71%, 0.8%

LAB 77.93, 1.32, -25.75

 

CMYK 0 / 30 / 19 / 5

HEX #F1A9C3

RGB 241 169 195

HSL 338.33, 0.72%, 0.8%

LAB 76.69, 30.14, -2.59

 

CMYK 0 / 5 / 30 / 6

HEX #F0E4A7

RGB 240 228 167

HSL 50.14, 0.71%, 0.8%

LAB 90.23, -4.96, 31.3

 

CMYK 30 / 0 / 11 / 6

HEX #A7F0D5

RGB 167 240 213

HSL 157.81, 0.71%, 0.8%

LAB 89.55, -28.19, 5.85

 

CMYK 30 / 25 / 0 / 6

HEX #A7B3F0

RGB 167 179 240

HSL 230.14, 0.71%, 0.8%

LAB 74.03, 9.53, -31.74

 

CMYK 0 / 30 / 19 / 5

HEX #F1A9C3

RGB 241 169 195

HSL 338.33, 0.72%, 0.8%

LAB 76.69, 30.14, -2.59

 

CMYK 4 / 0 / 30 / 6

HEX #E6F0A7

RGB 230 240 167

HSL 68.22, 0.71%, 0.8%

LAB 92.55, -14.69, 34.25

 

CMYK 30 / 0 / 11 / 6

HEX #A7F0D5

RGB 167 240 213

HSL 157.81, 0.71%, 0.8%

LAB 89.55, -28.19, 5.85

 

CMYK 26 / 30 / 0 / 6

HEX #B1A7F0

RGB 177 167 240

HSL 248.22, 0.71%, 0.8%

LAB 71.74, 19.08, -35.21

 

Description

Color code: RGB 241 169 195 | qconv.com Color code: RGB 241 169 195 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 169 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 169 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 19 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 19% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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