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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 241 168 150 it is the complementary color RGB 14 87 105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 241 168 150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 241 168 150 shade: RGB 246 168 145, RGB 255 186 164, RGB 255 204 183, RGB 255 222 202 and RGB 255 240 221

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 241 168 150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 241 168 150 shade: RGB 241 168 150, RGB 224 150 131, RGB 207 132 112, RGB 190 114 93 and RGB 173 96 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 241 168 150 shade: RGB 240 169 151 and RGB 240 151 151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 241 168 150 shade: RGB 240 169 151, RGB 240 193 151, RGB 240 217 151, RGB 240 240 151 and RGB 216 240 151

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 241 168 150 shade matches the following richer shades: RGB 240 169 151 and RGB 250 163 142

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 241 168 150 shade: RGB 240 169 151, RGB 231 175 161, RGB 221 180 170, RGB 212 186 180 and RGB 202 192 189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 241 168 150 shade: RGB 240 151 182, RGB 240 151 159, RGB 240 168 151, RGB 240 191 151 and RGB 240 215 151

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 241 168 150 shade: RGB 231 109 79, RGB 235 139 115, RGB 240 169 151, RGB 245 199 188 and RGB 250 229 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 241 168 150 shade: RGB 241 168 150, RGB 206 240 151 and RGB 151 171 240

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 241 168 150 shade: RGB 241 168 150, RGB 151 240 168 and RGB 168 151 240

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 241 168 150 shade: RGB 241 168 150, RGB 206 240 151, RGB 151 224 240 and RGB 185 151 240

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 241 168 150 shade: RGB 241 168 150, RGB 180 240 151, RGB 151 224 240 and RGB 212 151 240

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 38 / 5

HEX #F1A896

RGB 241 168 150

HSL 11.87, 0.76%, 0.77%

LAB 75.39, 24.69, 20.11

 

Complementary color

CMYK 87 / 17 / 0 / 59

HEX #0E5769

RGB 14 87 105

HSL 191.87, 0.76%, 0.23%

LAB 33.84, -14.2, -16.38

 

CMYK 0 / 32 / 41 / 4

HEX #F6A891

RGB 246 168 145

HSL 13.66, 0.85%, 0.77%

LAB 75.85, 26.04, 23.53

 

CMYK 0 / 27 / 36 / 0

HEX #FFBAA4

RGB 255 186 164

HSL 14.51, 1%, 0.82%

LAB 81.32, 22.14, 20.99

 

CMYK 0 / 20 / 28 / 0

HEX #FFCCB7

RGB 255 204 183

HSL 17.5, 1%, 0.86%

LAB 85.94, 15.09, 17.31

 

CMYK 0 / 13 / 21 / 0

HEX #FFDECA

RGB 255 222 202

HSL 22.64, 1%, 0.9%

LAB 90.67, 8.36, 14

 

CMYK 0 / 6 / 13 / 0

HEX #FFF0DD

RGB 255 240 221

HSL 33.53, 1%, 0.93%

LAB 95.5, 1.98, 10.98

 

CMYK 0 / 30 / 38 / 5

HEX #F1A896

RGB 241 168 150

HSL 11.87, 0.76%, 0.77%

LAB 75.39, 24.69, 20.11

 

CMYK 0 / 33 / 42 / 12

HEX #E09683

RGB 224 150 131

HSL 12.26, 0.6%, 0.7%

LAB 68.97, 25.6, 21.39

 

CMYK 0 / 36 / 46 / 19

HEX #CF8470

RGB 207 132 112

HSL 12.63, 0.5%, 0.63%

LAB 62.46, 26.61, 22.81

 

CMYK 0 / 40 / 51 / 25

HEX #BE725D

RGB 190 114 93

HSL 12.99, 0.43%, 0.55%

LAB 55.86, 27.75, 24.4

 

CMYK 0 / 45 / 57 / 32

HEX #AD604A

RGB 173 96 74

HSL 13.33, 0.4%, 0.48%

LAB 49.18, 29.03, 26.21

 

CMYK 0 / 30 / 37 / 6

HEX #F0A997

RGB 240 169 151

HSL 12.13, 0.75%, 0.77%

LAB 75.54, 23.89, 19.75

 

CMYK 0 / 37 / 37 / 6

HEX #F09797

RGB 240 151 151

HSL 0, 0.75%, 0.77%

LAB 71.48, 33.4, 14.11

 

CMYK 0 / 30 / 37 / 6

HEX #F0A997

RGB 240 169 151

HSL 12.13, 0.75%, 0.77%

LAB 75.54, 23.89, 19.75

 

CMYK 0 / 20 / 37 / 6

HEX #F0C197

RGB 240 193 151

HSL 28.31, 0.75%, 0.77%

LAB 81.24, 11.2, 27.52

 

CMYK 0 / 10 / 37 / 6

HEX #F0D997

RGB 240 217 151

HSL 44.49, 0.75%, 0.77%

LAB 87.19, -1.26, 35.43

 

CMYK 0 / 0 / 37 / 6

HEX #F0F097

RGB 240 240 151

HSL 60, 0.75%, 0.77%

LAB 93.05, -12.81, 43.03

 

CMYK 10 / 0 / 37 / 6

HEX #D8F097

RGB 216 240 151

HSL 76.18, 0.75%, 0.77%

LAB 91.3, -21.85, 40.43

 

CMYK 0 / 30 / 37 / 6

HEX #F0A997

RGB 240 169 151

HSL 12.13, 0.75%, 0.77%

LAB 75.54, 23.89, 19.75

 

CMYK 0 / 35 / 43 / 2

HEX #FAA38E

RGB 250 163 142

HSL 11.67, 0.92%, 0.77%

LAB 75.12, 29.88, 24.24

 

CMYK 0 / 30 / 37 / 6

HEX #F0A997

RGB 240 169 151

HSL 12.13, 0.75%, 0.77%

LAB 75.54, 23.89, 19.75

 

CMYK 0 / 24 / 30 / 9

HEX #E7AFA1

RGB 231 175 161

HSL 12, 0.59%, 0.77%

LAB 76.21, 18.51, 15.11

 

CMYK 0 / 19 / 23 / 13

HEX #DDB4AA

RGB 221 180 170

HSL 11.76, 0.43%, 0.77%

LAB 76.63, 13.3, 10.68

 

CMYK 0 / 12 / 15 / 17

HEX #D4BAB4

RGB 212 186 180

HSL 11.25, 0.27%, 0.77%

LAB 77.53, 8.28, 6.43

 

CMYK 0 / 5 / 6 / 21

HEX #CAC0BD

RGB 202 192 189

HSL 13.85, 0.11%, 0.77%

LAB 78.42, 2.98, 2.75

 

CMYK 0 / 37 / 24 / 6

HEX #F097B6

RGB 240 151 182

HSL 339.1, 0.75%, 0.77%

LAB 72.25, 37.38, -1.97

 

CMYK 0 / 37 / 34 / 6

HEX #F0979F

RGB 240 151 159

HSL 354.61, 0.75%, 0.77%

LAB 71.66, 34.35, 9.93

 

CMYK 0 / 30 / 37 / 6

HEX #F0A897

RGB 240 168 151

HSL 11.46, 0.75%, 0.77%

LAB 75.3, 24.42, 19.43

 

CMYK 0 / 20 / 37 / 6

HEX #F0BF97

RGB 240 191 151

HSL 26.97, 0.75%, 0.77%

LAB 80.75, 12.25, 26.86

 

CMYK 0 / 10 / 37 / 6

HEX #F0D797

RGB 240 215 151

HSL 43.15, 0.75%, 0.77%

LAB 86.68, -0.23, 34.76

 

CMYK 0 / 53 / 66 / 9

HEX #E76D4F

RGB 231 109 79

HSL 11.84, 0.76%, 0.61%

LAB 60.33, 45.17, 39.03

 

CMYK 0 / 41 / 51 / 8

HEX #EB8B73

RGB 235 139 115

HSL 12, 0.75%, 0.69%

LAB 67.55, 34.1, 28.54

 

CMYK 0 / 30 / 37 / 6

HEX #F0A997

RGB 240 169 151

HSL 12.13, 0.75%, 0.77%

LAB 75.54, 23.89, 19.75

 

CMYK 0 / 19 / 23 / 4

HEX #F5C7BC

RGB 245 199 188

HSL 11.58, 0.74%, 0.85%

LAB 83.91, 14.69, 11.66

 

CMYK 0 / 8 / 10 / 2

HEX #FAE5E0

RGB 250 229 224

HSL 11.54, 0.72%, 0.93%

LAB 92.46, 6.34, 5.01

 

CMYK 0 / 30 / 38 / 5

HEX #F1A896

RGB 241 168 150

HSL 11.87, 0.76%, 0.77%

LAB 75.39, 24.69, 20.11

 

CMYK 14 / 0 / 37 / 6

HEX #CEF097

RGB 206 240 151

HSL 82.92, 0.75%, 0.77%

LAB 90.63, -25.52, 39.43

 

CMYK 37 / 29 / 0 / 6

HEX #97ABF0

RGB 151 171 240

HSL 226.52, 0.75%, 0.77%

LAB 70.87, 9.56, -36.72

 

CMYK 0 / 30 / 38 / 5

HEX #F1A896

RGB 241 168 150

HSL 11.87, 0.76%, 0.77%

LAB 75.39, 24.69, 20.11

 

CMYK 37 / 0 / 30 / 6

HEX #97F0A8

RGB 151 240 168

HSL 131.46, 0.75%, 0.77%

LAB 87.84, -41.3, 26.6

 

CMYK 30 / 37 / 0 / 6

HEX #A897F0

RGB 168 151 240

HSL 251.46, 0.75%, 0.77%

LAB 67.09, 25.53, -42.52

 

CMYK 0 / 30 / 38 / 5

HEX #F1A896

RGB 241 168 150

HSL 11.87, 0.76%, 0.77%

LAB 75.39, 24.69, 20.11

 

CMYK 14 / 0 / 37 / 6

HEX #CEF097

RGB 206 240 151

HSL 82.92, 0.75%, 0.77%

LAB 90.63, -25.52, 39.43

 

CMYK 37 / 7 / 0 / 6

HEX #97E0F0

RGB 151 224 240

HSL 190.79, 0.75%, 0.77%

LAB 85.09, -18.7, -15

 

CMYK 23 / 37 / 0 / 6

HEX #B997F0

RGB 185 151 240

HSL 262.92, 0.75%, 0.77%

LAB 68.56, 30.34, -40.11

 

CMYK 0 / 30 / 38 / 5

HEX #F1A896

RGB 241 168 150

HSL 11.87, 0.76%, 0.77%

LAB 75.39, 24.69, 20.11

 

CMYK 25 / 0 / 37 / 6

HEX #B4F097

RGB 180 240 151

HSL 100.45, 0.75%, 0.77%

LAB 89.04, -34.69, 37.06

 

CMYK 37 / 7 / 0 / 6

HEX #97E0F0

RGB 151 224 240

HSL 190.79, 0.75%, 0.77%

LAB 85.09, -18.7, -15

 

CMYK 12 / 37 / 0 / 6

HEX #D497F0

RGB 212 151 240

HSL 281.12, 0.75%, 0.77%

LAB 71.16, 38.29, -35.87

 

Description

Color code: RGB 241 168 150 | qconv.com Color code: RGB 241 168 150 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 168 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 168 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 38 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 38% 5% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

23% - Witamy - KetoBazar
Link: http://ketobazar.pl

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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