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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 241 166 80 it is the complementary color RGB 14 89 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 241 166 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 241 166 80 shade: RGB 246 166 75, RGB 255 184 94, RGB 255 202 113, RGB 255 220 132 and RGB 255 238 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 241 166 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 241 166 80 shade: RGB 241 166 80, RGB 224 148 61, RGB 207 130 42, RGB 190 112 23 and RGB 173 94 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 241 166 80 shade: RGB 240 166 80, RGB 240 122 80 and RGB 240 80 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 241 166 80 shade: RGB 240 166 80, RGB 240 209 80, RGB 229 240 80, RGB 185 240 80 and RGB 142 240 80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 241 166 80 shade matches the following richer shades: RGB 240 166 80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 241 166 80 shade: RGB 240 166 80, RGB 225 165 95, RGB 210 164 110, RGB 195 163 126 and RGB 179 161 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 241 166 80 shade: RGB 240 80 80, RGB 240 123 80, RGB 240 165 80, RGB 240 208 80 and RGB 230 240 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 241 166 80 shade: RGB 220 126 17, RGB 237 146 42, RGB 240 166 80, RGB 243 185 118 and RGB 247 204 156

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 241 166 80 shade: RGB 241 166 80, RGB 123 240 80 and RGB 101 80 240

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 241 166 80 shade: RGB 241 166 80, RGB 80 240 165 and RGB 165 80 240

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 241 166 80 shade: RGB 241 166 80, RGB 123 240 80, RGB 80 155 240 and RGB 198 80 240

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 241 166 80 shade: RGB 241 166 80, RGB 80 240 85, RGB 80 155 240 and RGB 240 80 235

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 67 / 5

HEX #F1A650

RGB 241 166 80

HSL 32.05, 0.85%, 0.63%

LAB 73.9, 19.74, 54.38

 

Complementary color

CMYK 92 / 49 / 0 / 31

HEX #0E59AF

RGB 14 89 175

HSL 212.05, 0.85%, 0.37%

LAB 38.43, 12.61, -51.67

 

CMYK 0 / 33 / 70 / 4

HEX #F6A64B

RGB 246 166 75

HSL 31.93, 0.9%, 0.63%

LAB 74.43, 21.54, 57.4

 

CMYK 0 / 28 / 63 / 0

HEX #FFB85E

RGB 255 184 94

HSL 33.54, 1%, 0.68%

LAB 79.81, 16.89, 54.86

 

CMYK 0 / 21 / 56 / 0

HEX #FFCA71

RGB 255 202 113

HSL 37.61, 1%, 0.72%

LAB 84.33, 8.85, 51.05

 

CMYK 0 / 14 / 48 / 0

HEX #FFDC84

RGB 255 220 132

HSL 42.93, 1%, 0.76%

LAB 88.98, 1.19, 47.48

 

CMYK 0 / 7 / 41 / 0

HEX #FFEE97

RGB 255 238 151

HSL 50.19, 1%, 0.8%

LAB 93.73, -6.06, 44.14

 

CMYK 0 / 31 / 67 / 5

HEX #F1A650

RGB 241 166 80

HSL 32.05, 0.85%, 0.63%

LAB 73.9, 19.74, 54.38

 

CMYK 0 / 34 / 73 / 12

HEX #E0943D

RGB 224 148 61

HSL 32.02, 0.72%, 0.56%

LAB 67.55, 21.23, 55.64

 

CMYK 0 / 37 / 80 / 19

HEX #CF822A

RGB 207 130 42

HSL 32, 0.66%, 0.49%

LAB 61.13, 22.94, 56.6

 

CMYK 0 / 41 / 88 / 25

HEX #BE7017

RGB 190 112 23

HSL 31.98, 0.78%, 0.42%

LAB 54.66, 24.88, 56.81

 

CMYK 0 / 46 / 98 / 32

HEX #AD5E04

RGB 173 94 4

HSL 31.95, 0.95%, 0.35%

LAB 48.13, 27.08, 55.64

 

CMYK 0 / 31 / 67 / 6

HEX #F0A650

RGB 240 166 80

HSL 32.25, 0.84%, 0.63%

LAB 73.79, 19.33, 54.22

 

CMYK 0 / 49 / 67 / 6

HEX #F07A50

RGB 240 122 80

HSL 15.75, 0.84%, 0.63%

LAB 64.18, 42.19, 43.36

 

CMYK 0 / 67 / 67 / 6

HEX #F05050

RGB 240 80 80

HSL 0, 0.84%, 0.63%

LAB 56.92, 61.16, 34.71

 

CMYK 0 / 31 / 67 / 6

HEX #F0A650

RGB 240 166 80

HSL 32.25, 0.84%, 0.63%

LAB 73.79, 19.33, 54.22

 

CMYK 0 / 13 / 67 / 6

HEX #F0D150

RGB 240 209 80

HSL 48.38, 0.84%, 0.63%

LAB 84.33, -3.11, 65.49

 

CMYK 5 / 0 / 67 / 6

HEX #E5F050

RGB 229 240 80

HSL 64.13, 0.84%, 0.63%

LAB 91.49, -22.96, 72.54

 

CMYK 23 / 0 / 67 / 6

HEX #B9F050

RGB 185 240 80

HSL 80.63, 0.84%, 0.63%

LAB 88.55, -40.1, 68.6

 

CMYK 41 / 0 / 67 / 6

HEX #8EF050

RGB 142 240 80

HSL 96.75, 0.84%, 0.63%

LAB 86.33, -54.98, 65.59

 

CMYK 0 / 31 / 67 / 6

HEX #F0A650

RGB 240 166 80

HSL 32.25, 0.84%, 0.63%

LAB 73.79, 19.33, 54.22

 

CMYK 0 / 31 / 67 / 6

HEX #F0A650

RGB 240 166 80

HSL 32.25, 0.84%, 0.63%

LAB 73.79, 19.33, 54.22

 

CMYK 0 / 27 / 58 / 12

HEX #E1A55F

RGB 225 165 95

HSL 32.31, 0.68%, 0.63%

LAB 72.06, 14.63, 44.52

 

CMYK 0 / 22 / 48 / 18

HEX #D2A46E

RGB 210 164 110

HSL 32.4, 0.53%, 0.63%

LAB 70.44, 10.26, 34.42

 

CMYK 0 / 16 / 35 / 24

HEX #C3A37E

RGB 195 163 126

HSL 32.17, 0.37%, 0.63%

LAB 68.97, 6.46, 23.63

 

CMYK 0 / 10 / 21 / 30

HEX #B3A18D

RGB 179 161 141

HSL 31.58, 0.2%, 0.63%

LAB 67.27, 3.3, 12.81

 

CMYK 0 / 67 / 67 / 6

HEX #F05050

RGB 240 80 80

HSL 0, 0.84%, 0.63%

LAB 56.92, 61.16, 34.71

 

CMYK 0 / 49 / 67 / 6

HEX #F07B50

RGB 240 123 80

HSL 16.13, 0.84%, 0.63%

LAB 64.38, 41.69, 43.59

 

CMYK 0 / 31 / 67 / 6

HEX #F0A550

RGB 240 165 80

HSL 31.88, 0.84%, 0.63%

LAB 73.56, 19.86, 53.96

 

CMYK 0 / 13 / 67 / 6

HEX #F0D050

RGB 240 208 80

HSL 48, 0.84%, 0.63%

LAB 84.08, -2.6, 65.22

 

CMYK 4 / 0 / 67 / 6

HEX #E6F050

RGB 230 240 80

HSL 63.75, 0.84%, 0.63%

LAB 91.56, -22.56, 72.64

 

CMYK 0 / 43 / 92 / 14

HEX #DC7E11

RGB 220 126 17

HSL 32.22, 0.86%, 0.46%

LAB 61.81, 29.96, 65.51

 

CMYK 0 / 38 / 82 / 7

HEX #ED922A

RGB 237 146 42

HSL 32, 0.84%, 0.55%

LAB 68.55, 27.02, 64.68

 

CMYK 0 / 31 / 67 / 6

HEX #F0A650

RGB 240 166 80

HSL 32.25, 0.84%, 0.63%

LAB 73.79, 19.33, 54.22

 

CMYK 0 / 24 / 51 / 5

HEX #F3B976

RGB 243 185 118

HSL 32.16, 0.84%, 0.71%

LAB 79.08, 13.26, 41.89

 

CMYK 0 / 17 / 37 / 3

HEX #F7CC9C

RGB 247 204 156

HSL 31.65, 0.85%, 0.79%

LAB 84.67, 8.74, 29.62

 

CMYK 0 / 31 / 67 / 5

HEX #F1A650

RGB 241 166 80

HSL 32.05, 0.85%, 0.63%

LAB 73.9, 19.74, 54.38

 

CMYK 49 / 0 / 67 / 6

HEX #7BF050

RGB 123 240 80

HSL 103.88, 0.84%, 0.63%

LAB 85.56, -60.65, 64.54

 

CMYK 58 / 67 / 0 / 6

HEX #6550F0

RGB 101 80 240

HSL 247.88, 0.84%, 0.63%

LAB 45.35, 51.42, -77.67

 

CMYK 0 / 31 / 67 / 5

HEX #F1A650

RGB 241 166 80

HSL 32.05, 0.85%, 0.63%

LAB 73.9, 19.74, 54.38

 

CMYK 67 / 0 / 31 / 6

HEX #50F0A5

RGB 80 240 165

HSL 151.88, 0.84%, 0.63%

LAB 85.37, -58.37, 24.38

 

CMYK 31 / 67 / 0 / 6

HEX #A550F0

RGB 165 80 240

HSL 271.88, 0.84%, 0.63%

LAB 51.87, 62.79, -66.78

 

CMYK 0 / 31 / 67 / 5

HEX #F1A650

RGB 241 166 80

HSL 32.05, 0.85%, 0.63%

LAB 73.9, 19.74, 54.38

 

CMYK 49 / 0 / 67 / 6

HEX #7BF050

RGB 123 240 80

HSL 103.88, 0.84%, 0.63%

LAB 85.56, -60.65, 64.54

 

CMYK 67 / 35 / 0 / 6

HEX #509BF0

RGB 80 155 240

HSL 211.88, 0.84%, 0.63%

LAB 62.88, 3.29, -49.51

 

CMYK 18 / 67 / 0 / 6

HEX #C650F0

RGB 198 80 240

HSL 284.25, 0.84%, 0.63%

LAB 56.12, 69.62, -59.71

 

CMYK 0 / 31 / 67 / 5

HEX #F1A650

RGB 241 166 80

HSL 32.05, 0.85%, 0.63%

LAB 73.9, 19.74, 54.38

 

CMYK 67 / 0 / 65 / 6

HEX #50F055

RGB 80 240 85

HSL 121.88, 0.84%, 0.63%

LAB 84.32, -70.29, 60.86

 

CMYK 67 / 35 / 0 / 6

HEX #509BF0

RGB 80 155 240

HSL 211.88, 0.84%, 0.63%

LAB 62.88, 3.29, -49.51

 

CMYK 0 / 67 / 2 / 6

HEX #F050EB

RGB 240 80 235

HSL 301.88, 0.84%, 0.63%

LAB 61.88, 77.92, -47.39

 

Description

Color code: RGB 241 166 80 | qconv.com Color code: RGB 241 166 80 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 166 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 166 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 67 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 67% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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