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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 241 119 99 it is the complementary color RGB 14 136 156. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 241 119 99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 241 119 99 shade: RGB 246 119 94, RGB 255 137 113, RGB 255 155 132, RGB 255 173 151 and RGB 255 191 170

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 241 119 99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 241 119 99 shade: RGB 241 119 99, RGB 224 101 80, RGB 207 83 61, RGB 190 65 42 and RGB 173 47 23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 241 119 99 shade: RGB 241 120 100 and RGB 241 100 100

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 241 119 99 shade: RGB 241 120 100, RGB 241 158 100, RGB 241 196 100, RGB 241 234 100 and RGB 210 241 100

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 241 119 99 shade matches the following richer shades: RGB 241 120 100

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 241 119 99 shade: RGB 241 120 100, RGB 227 129 113, RGB 214 139 127, RGB 200 149 141 and RGB 187 159 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 241 119 99 shade: RGB 241 100 156, RGB 241 100 119, RGB 241 119 100, RGB 241 156 100 and RGB 241 194 100

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 241 119 99 shade: RGB 234 53 24, RGB 238 86 62, RGB 241 120 100, RGB 244 153 138 and RGB 248 186 176

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 241 119 99 shade: RGB 241 119 99, RGB 194 241 100 and RGB 100 137 241

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 241 119 99 shade: RGB 241 119 99, RGB 100 241 119 and RGB 119 100 241

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 241 119 99 shade: RGB 241 119 99, RGB 194 241 100, RGB 100 222 241 and RGB 147 100 241

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 241 119 99 shade: RGB 241 119 99, RGB 152 241 100, RGB 100 222 241 and RGB 189 100 241

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 59 / 5

HEX #F17763

RGB 241 119 99

HSL 8.45, 0.84%, 0.67%

LAB 63.99, 45.25, 32.92

 

Complementary color

CMYK 91 / 13 / 0 / 39

HEX #0E889C

RGB 14 136 156

HSL 188.45, 0.84%, 0.33%

LAB 51.95, -22.78, -19.25

 

CMYK 0 / 52 / 62 / 4

HEX #F6775E

RGB 246 119 94

HSL 9.87, 0.89%, 0.67%

LAB 64.64, 46.74, 36.63

 

CMYK 0 / 46 / 56 / 0

HEX #FF8971

RGB 255 137 113

HSL 10.14, 1%, 0.72%

LAB 69.71, 42.52, 32.95

 

CMYK 0 / 39 / 48 / 0

HEX #FF9B84

RGB 255 155 132

HSL 11.22, 1%, 0.76%

LAB 73.78, 34.96, 27.97

 

CMYK 0 / 32 / 41 / 0

HEX #FFAD97

RGB 255 173 151

HSL 12.69, 1%, 0.8%

LAB 78.1, 27.49, 23.53

 

CMYK 0 / 25 / 33 / 0

HEX #FFBFAA

RGB 255 191 170

HSL 14.82, 1%, 0.83%

LAB 82.61, 20.24, 19.56

 

CMYK 0 / 51 / 59 / 5

HEX #F17763

RGB 241 119 99

HSL 8.45, 0.84%, 0.67%

LAB 63.99, 45.25, 32.92

 

CMYK 0 / 55 / 64 / 12

HEX #E06550

RGB 224 101 80

HSL 8.75, 0.7%, 0.6%

LAB 57.78, 46.53, 35.17

 

CMYK 0 / 60 / 71 / 19

HEX #CF533D

RGB 207 83 61

HSL 9.04, 0.6%, 0.53%

LAB 51.6, 47.8, 37.7

 

CMYK 0 / 66 / 78 / 25

HEX #BE412A

RGB 190 65 42

HSL 9.32, 0.64%, 0.45%

LAB 45.49, 48.97, 40.52

 

CMYK 0 / 73 / 87 / 32

HEX #AD2F17

RGB 173 47 23

HSL 9.6, 0.77%, 0.38%

LAB 39.55, 49.85, 43.35

 

CMYK 0 / 50 / 59 / 5

HEX #F17864

RGB 241 120 100

HSL 8.51, 0.83%, 0.67%

LAB 64.2, 44.83, 32.64

 

CMYK 0 / 59 / 59 / 5

HEX #F16464

RGB 241 100 100

HSL 0, 0.83%, 0.67%

LAB 60.55, 54.29, 27.93

 

CMYK 0 / 50 / 59 / 5

HEX #F17864

RGB 241 120 100

HSL 8.51, 0.83%, 0.67%

LAB 64.2, 44.83, 32.64

 

CMYK 0 / 34 / 59 / 5

HEX #F19E64

RGB 241 158 100

HSL 24.68, 0.83%, 0.67%

LAB 72.28, 25.27, 42.67

 

CMYK 0 / 19 / 59 / 5

HEX #F1C464

RGB 241 196 100

HSL 40.85, 0.83%, 0.67%

LAB 81.35, 5.27, 53.41

 

CMYK 0 / 3 / 59 / 5

HEX #F1EA64

RGB 241 234 100

HSL 57.02, 0.83%, 0.67%

LAB 90.99, -13.99, 64.3

 

CMYK 13 / 0 / 59 / 5

HEX #D2F164

RGB 210 241 100

HSL 73.19, 0.83%, 0.67%

LAB 90.57, -29.62, 63.19

 

CMYK 0 / 50 / 59 / 5

HEX #F17864

RGB 241 120 100

HSL 8.51, 0.83%, 0.67%

LAB 64.2, 44.83, 32.64

 

CMYK 0 / 50 / 59 / 5

HEX #F17864

RGB 241 120 100

HSL 8.51, 0.83%, 0.67%

LAB 64.2, 44.83, 32.64

 

CMYK 0 / 43 / 50 / 11

HEX #E38171

RGB 227 129 113

HSL 8.42, 0.67%, 0.67%

LAB 64.34, 36.07, 25.22

 

CMYK 0 / 35 / 41 / 16

HEX #D68B7F

RGB 214 139 127

HSL 8.28, 0.51%, 0.67%

LAB 65.2, 27.18, 18.27

 

CMYK 0 / 26 / 30 / 22

HEX #C8958D

RGB 200 149 141

HSL 8.14, 0.35%, 0.67%

LAB 66.29, 18.04, 11.71

 

CMYK 0 / 15 / 18 / 27

HEX #BB9F9A

RGB 187 159 154

HSL 9.09, 0.2%, 0.67%

LAB 67.79, 9.48, 6.43

 

CMYK 0 / 59 / 35 / 5

HEX #F1649C

RGB 241 100 156

HSL 336.17, 0.83%, 0.67%

LAB 61.84, 59.4, -2.56

 

CMYK 0 / 59 / 51 / 5

HEX #F16477

RGB 241 100 119

HSL 351.91, 0.83%, 0.67%

LAB 60.91, 55.75, 17.51

 

CMYK 0 / 51 / 59 / 5

HEX #F17764

RGB 241 119 100

HSL 8.09, 0.83%, 0.67%

LAB 64.01, 45.32, 32.39

 

CMYK 0 / 35 / 59 / 5

HEX #F19C64

RGB 241 156 100

HSL 23.83, 0.83%, 0.67%

LAB 71.82, 26.32, 42.12

 

CMYK 0 / 20 / 59 / 5

HEX #F1C264

RGB 241 194 100

HSL 40, 0.83%, 0.67%

LAB 80.85, 6.31, 52.84

 

CMYK 0 / 77 / 90 / 8

HEX #EA3518

RGB 234 53 24

HSL 8.29, 0.83%, 0.51%

LAB 51.96, 66.73, 57.57

 

CMYK 0 / 64 / 74 / 7

HEX #EE563E

RGB 238 86 62

HSL 8.18, 0.84%, 0.59%

LAB 57.25, 57.26, 44.9

 

CMYK 0 / 50 / 59 / 5

HEX #F17864

RGB 241 120 100

HSL 8.51, 0.83%, 0.67%

LAB 64.2, 44.83, 32.64

 

CMYK 0 / 37 / 43 / 4

HEX #F4998A

RGB 244 153 138

HSL 8.49, 0.83%, 0.75%

LAB 72.13, 32.42, 22.24

 

CMYK 0 / 25 / 29 / 3

HEX #F8BAB0

RGB 248 186 176

HSL 8.33, 0.84%, 0.83%

LAB 80.85, 21.01, 13.8

 

CMYK 0 / 51 / 59 / 5

HEX #F17763

RGB 241 119 99

HSL 8.45, 0.84%, 0.67%

LAB 63.99, 45.25, 32.92

 

CMYK 20 / 0 / 59 / 5

HEX #C2F164

RGB 194 241 100

HSL 80, 0.83%, 0.67%

LAB 89.53, -35.71, 61.75

 

CMYK 59 / 43 / 0 / 5

HEX #6489F1

RGB 100 137 241

HSL 224.26, 0.83%, 0.67%

LAB 58.93, 17.76, -56.28

 

CMYK 0 / 51 / 59 / 5

HEX #F17763

RGB 241 119 99

HSL 8.45, 0.84%, 0.67%

LAB 63.99, 45.25, 32.92

 

CMYK 59 / 0 / 51 / 5

HEX #64F177

RGB 100 241 119

HSL 128.09, 0.83%, 0.67%

LAB 85.48, -62.59, 47.38

 

CMYK 51 / 59 / 0 / 5

HEX #7764F1

RGB 119 100 241

HSL 248.09, 0.83%, 0.67%

LAB 51.14, 43.48, -68.75

 

CMYK 0 / 51 / 59 / 5

HEX #F17763

RGB 241 119 99

HSL 8.45, 0.84%, 0.67%

LAB 63.99, 45.25, 32.92

 

CMYK 20 / 0 / 59 / 5

HEX #C2F164

RGB 194 241 100

HSL 80, 0.83%, 0.67%

LAB 89.53, -35.71, 61.75

 

CMYK 59 / 8 / 0 / 5

HEX #64DEF1

RGB 100 222 241

HSL 188.09, 0.83%, 0.67%

LAB 82.54, -28.65, -19.56

 

CMYK 39 / 59 / 0 / 5

HEX #9364F1

RGB 147 100 241

HSL 260, 0.83%, 0.67%

LAB 53.67, 49.2, -64.53

 

CMYK 0 / 51 / 59 / 5

HEX #F17763

RGB 241 119 99

HSL 8.45, 0.84%, 0.67%

LAB 63.99, 45.25, 32.92

 

CMYK 37 / 0 / 59 / 5

HEX #98F164

RGB 152 241 100

HSL 97.87, 0.83%, 0.67%

LAB 87.24, -50.46, 58.55

 

CMYK 59 / 8 / 0 / 5

HEX #64DEF1

RGB 100 222 241

HSL 188.09, 0.83%, 0.67%

LAB 82.54, -28.65, -19.56

 

CMYK 22 / 59 / 0 / 5

HEX #BD64F1

RGB 189 100 241

HSL 277.87, 0.83%, 0.67%

LAB 58.31, 58.8, -56.84

 

Description

Color code: RGB 241 119 99 | qconv.com Color code: RGB 241 119 99 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 119 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 119 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 59 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 59% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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