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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 241 3 186 it is the complementary color RGB 14 252 69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 241 3 186. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 241 3 186 shade: RGB 246 3 181, RGB 255 21 200, RGB 255 39 219, RGB 255 57 238 and RGB 255 75 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 241 3 186. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 241 3 186 shade: RGB 241 3 186, RGB 224 0 167, RGB 207 0 148, RGB 190 0 129 and RGB 173 0 110

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 241 3 186 shade: RGB 242 2 186, RGB 242 2 122, RGB 242 2 57 and RGB 242 2 2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 241 3 186 shade: RGB 242 2 186, RGB 233 2 242, RGB 168 2 242, RGB 103 2 242 and RGB 39 2 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 241 3 186 shade matches the following richer shades: RGB 242 2 186

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 241 3 186 shade: RGB 242 2 186, RGB 222 22 176, RGB 202 42 165, RGB 182 61 154 and RGB 163 81 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 241 3 186 shade: RGB 166 2 242, RGB 230 2 242, RGB 242 2 190, RGB 242 2 126 and RGB 242 2 62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 241 3 186 shade: RGB 160 1 123, RGB 201 2 155, RGB 242 2 186, RGB 252 33 202 and RGB 253 74 211

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 241 3 186 shade: RGB 241 3 186, RGB 242 102 2 and RGB 2 242 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 241 3 186 shade: RGB 241 3 186, RGB 190 242 2 and RGB 2 190 242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 241 3 186 shade: RGB 241 3 186, RGB 242 102 2, RGB 2 242 54 and RGB 2 142 242

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 241 3 186 shade: RGB 241 3 186, RGB 242 174 2, RGB 2 242 54 and RGB 2 70 242

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 99 / 23 / 5

HEX #F103BA

RGB 241 3 186

HSL 313.87, 0.98%, 0.48%

LAB 54.36, 86.93, -31.31

 

Complementary color

CMYK 94 / 0 / 73 / 1

HEX #0EFC45

RGB 14 252 69

HSL 133.87, 0.98%, 0.52%

LAB 87.07, -82.27, 69.44

 

CMYK 0 / 99 / 26 / 4

HEX #F603B5

RGB 246 3 181

HSL 316.05, 0.98%, 0.49%

LAB 55.07, 87.32, -27.23

 

CMYK 0 / 92 / 22 / 0

HEX #FF15C8

RGB 255 21 200

HSL 314.1, 1%, 0.54%

LAB 58.01, 89.78, -33.52

 

CMYK 0 / 85 / 14 / 0

HEX #FF27DB

RGB 255 39 219

HSL 310, 1%, 0.58%

LAB 59.73, 89.6, -41.63

 

CMYK 0 / 78 / 7 / 0

HEX #FF39EE

RGB 255 57 238

HSL 305.15, 1%, 0.61%

LAB 61.96, 88.38, -48.78

 

CMYK 0 / 71 / 0 / 0

HEX #FF4BFF

RGB 255 75 255

HSL 300, 1%, 0.65%

LAB 64.57, 85.88, -54.06

 

CMYK 0 / 99 / 23 / 5

HEX #F103BA

RGB 241 3 186

HSL 313.87, 0.98%, 0.48%

LAB 54.36, 86.93, -31.31

 

CMYK 0 / 100 / 25 / 12

HEX #E000A7

RGB 224 0 167

HSL 315.27, 1%, 0.44%

LAB 50.26, 81.82, -26.78

 

CMYK 0 / 100 / 29 / 19

HEX #CF0094

RGB 207 0 148

HSL 317.1, 1%, 0.41%

LAB 46.18, 76.43, -21.99

 

CMYK 0 / 100 / 32 / 25

HEX #BE0081

RGB 190 0 129

HSL 319.26, 1%, 0.37%

LAB 42.05, 70.99, -17.02

 

CMYK 0 / 100 / 36 / 32

HEX #AD006E

RGB 173 0 110

HSL 321.85, 1%, 0.34%

LAB 37.86, 65.48, -11.85

 

CMYK 0 / 99 / 23 / 5

HEX #F202BA

RGB 242 2 186

HSL 314, 0.98%, 0.48%

LAB 54.52, 87.19, -31.05

 

CMYK 0 / 99 / 50 / 5

HEX #F2027A

RGB 242 2 122

HSL 330, 0.98%, 0.48%

LAB 52.2, 81.19, 3.49

 

CMYK 0 / 99 / 76 / 5

HEX #F20239

RGB 242 2 57

HSL 346.25, 0.98%, 0.48%

LAB 50.94, 77.79, 40.99

 

CMYK 0 / 99 / 99 / 5

HEX #F20202

RGB 242 2 2

HSL 0, 0.98%, 0.48%

LAB 50.6, 76.86, 64.08

 

CMYK 0 / 99 / 23 / 5

HEX #F202BA

RGB 242 2 186

HSL 314, 0.98%, 0.48%

LAB 54.52, 87.19, -31.05

 

CMYK 4 / 99 / 0 / 5

HEX #E902F2

RGB 233 2 242

HSL 297.75, 0.98%, 0.48%

LAB 55.86, 92.93, -60.95

 

CMYK 31 / 99 / 0 / 5

HEX #A802F2

RGB 168 2 242

HSL 281.5, 0.98%, 0.48%

LAB 45.33, 84.19, -78.53

 

CMYK 57 / 99 / 0 / 5

HEX #6702F2

RGB 103 2 242

HSL 265.25, 0.98%, 0.48%

LAB 36.63, 78.48, -93.18

 

CMYK 84 / 99 / 0 / 5

HEX #2702F2

RGB 39 2 242

HSL 249.25, 0.98%, 0.48%

LAB 31.54, 76.14, -101.78

 

CMYK 0 / 99 / 23 / 5

HEX #F202BA

RGB 242 2 186

HSL 314, 0.98%, 0.48%

LAB 54.52, 87.19, -31.05

 

CMYK 0 / 99 / 23 / 5

HEX #F202BA

RGB 242 2 186

HSL 314, 0.98%, 0.48%

LAB 54.52, 87.19, -31.05

 

CMYK 0 / 90 / 21 / 13

HEX #DE16B0

RGB 222 22 176

HSL 313.8, 0.82%, 0.48%

LAB 50.96, 80.5, -31.02

 

CMYK 0 / 79 / 18 / 21

HEX #CA2AA5

RGB 202 42 165

HSL 313.88, 0.66%, 0.48%

LAB 48.17, 71.15, -29.15

 

CMYK 0 / 66 / 15 / 29

HEX #B63D9A

RGB 182 61 154

HSL 313.88, 0.5%, 0.48%

LAB 46.47, 58.59, -25.51

 

CMYK 0 / 50 / 12 / 36

HEX #A35190

RGB 163 81 144

HSL 313.9, 0.34%, 0.48%

LAB 46.56, 42.29, -19.62

 

CMYK 31 / 99 / 0 / 5

HEX #A602F2

RGB 166 2 242

HSL 281, 0.98%, 0.48%

LAB 45.03, 83.97, -79.04

 

CMYK 5 / 99 / 0 / 5

HEX #E602F2

RGB 230 2 242

HSL 297, 0.98%, 0.48%

LAB 55.36, 92.48, -61.8

 

CMYK 0 / 99 / 21 / 5

HEX #F202BE

RGB 242 2 190

HSL 313, 0.98%, 0.48%

LAB 54.7, 87.64, -33.09

 

CMYK 0 / 99 / 48 / 5

HEX #F2027E

RGB 242 2 126

HSL 329, 0.98%, 0.48%

LAB 52.32, 81.49, 1.23

 

CMYK 0 / 99 / 74 / 5

HEX #F2023E

RGB 242 2 62

HSL 345, 0.98%, 0.48%

LAB 51, 77.96, 38.16

 

CMYK 0 / 99 / 23 / 37

HEX #A0017B

RGB 160 1 123

HSL 313.96, 0.99%, 0.32%

LAB 35.84, 64.12, -23.37

 

CMYK 0 / 99 / 23 / 21

HEX #C9029B

RGB 201 2 155

HSL 313.87, 0.98%, 0.4%

LAB 45.4, 75.89, -27.52

 

CMYK 0 / 99 / 23 / 5

HEX #F202BA

RGB 242 2 186

HSL 314, 0.98%, 0.48%

LAB 54.52, 87.19, -31.05

 

CMYK 0 / 87 / 20 / 1

HEX #FC21CA

RGB 252 33 202

HSL 313.7, 0.97%, 0.56%

LAB 58.08, 87.91, -34.58

 

CMYK 0 / 71 / 17 / 1

HEX #FD4AD3

RGB 253 74 211

HSL 314.08, 0.98%, 0.64%

LAB 62.07, 79.43, -33.48

 

CMYK 0 / 99 / 23 / 5

HEX #F103BA

RGB 241 3 186

HSL 313.87, 0.98%, 0.48%

LAB 54.36, 86.93, -31.31

 

CMYK 0 / 58 / 99 / 5

HEX #F26602

RGB 242 102 2

HSL 25, 0.98%, 0.48%

LAB 60.23, 50.36, 68.74

 

CMYK 99 / 0 / 18 / 5

HEX #02F2C6

RGB 2 242 198

HSL 169, 0.98%, 0.48%

LAB 85.8, -58.06, 7.76

 

CMYK 0 / 99 / 23 / 5

HEX #F103BA

RGB 241 3 186

HSL 313.87, 0.98%, 0.48%

LAB 54.36, 86.93, -31.31

 

CMYK 21 / 0 / 99 / 5

HEX #BEF202

RGB 190 242 2

HSL 73, 0.98%, 0.48%

LAB 89.14, -41.64, 86.36

 

CMYK 99 / 21 / 0 / 5

HEX #02BEF2

RGB 2 190 242

HSL 193, 0.98%, 0.48%

LAB 71.72, -21.58, -36.82

 

CMYK 0 / 99 / 23 / 5

HEX #F103BA

RGB 241 3 186

HSL 313.87, 0.98%, 0.48%

LAB 54.36, 86.93, -31.31

 

CMYK 0 / 58 / 99 / 5

HEX #F26602

RGB 242 102 2

HSL 25, 0.98%, 0.48%

LAB 60.23, 50.36, 68.74

 

CMYK 99 / 0 / 78 / 5

HEX #02F236

RGB 2 242 54

HSL 133, 0.98%, 0.48%

LAB 83.85, -80.97, 71

 

CMYK 99 / 41 / 0 / 5

HEX #028EF2

RGB 2 142 242

HSL 205, 0.98%, 0.48%

LAB 57.82, 5.25, -58.76

 

CMYK 0 / 99 / 23 / 5

HEX #F103BA

RGB 241 3 186

HSL 313.87, 0.98%, 0.48%

LAB 54.36, 86.93, -31.31

 

CMYK 0 / 28 / 99 / 5

HEX #F2AE02

RGB 242 174 2

HSL 43, 0.98%, 0.48%

LAB 75.55, 13.72, 78.42

 

CMYK 99 / 0 / 78 / 5

HEX #02F236

RGB 2 242 54

HSL 133, 0.98%, 0.48%

LAB 83.85, -80.97, 71

 

CMYK 99 / 71 / 0 / 5

HEX #0246F2

RGB 2 70 242

HSL 223, 0.98%, 0.48%

LAB 39.25, 50.27, -88.99

 

Description

Color code: RGB 241 3 186 | qconv.com Color code: RGB 241 3 186 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 3 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 3 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 99 magenta, 23 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 99% 23% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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