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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 240 90 221 it is the complementary color RGB 15 165 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 240 90 221. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 240 90 221 shade: RGB 245 90 216, RGB 255 108 235, RGB 255 126 254, RGB 255 144 255 and RGB 255 162 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 240 90 221. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 240 90 221 shade: RGB 240 90 221, RGB 223 72 202, RGB 206 54 183, RGB 189 36 164 and RGB 172 18 145

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 240 90 221 shade: RGB 239 91 221, RGB 239 91 181, RGB 239 91 141, RGB 239 91 101 and RGB 239 91 91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 240 90 221 shade: RGB 239 91 221, RGB 218 91 239, RGB 178 91 239, RGB 138 91 239 and RGB 98 91 239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 240 90 221 shade matches the following richer shades: RGB 239 91 221 and RGB 254 77 231

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 240 90 221 shade: RGB 239 91 221, RGB 225 106 210, RGB 210 120 199, RGB 196 134 188 and RGB 182 149 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 240 90 221 shade: RGB 178 91 239, RGB 217 91 239, RGB 239 91 222, RGB 239 91 183 and RGB 239 91 143

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 240 90 221 shade: RGB 227 21 201, RGB 236 53 213, RGB 239 91 221, RGB 243 129 228 and RGB 246 167 236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 240 90 221 shade: RGB 240 90 221, RGB 239 138 91 and RGB 91 239 197

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 240 90 221 shade: RGB 240 90 221, RGB 222 239 91 and RGB 91 222 239

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 240 90 221 shade: RGB 240 90 221, RGB 239 138 91, RGB 91 239 108 and RGB 91 192 239

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 240 90 221 shade: RGB 240 90 221, RGB 239 183 91, RGB 91 239 108 and RGB 91 148 239

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 8 / 6

HEX #F05ADD

RGB 240 90 221

HSL 307.6, 0.83%, 0.65%

LAB 62.56, 72.01, -38.5

 

Complementary color

CMYK 91 / 0 / 79 / 35

HEX #0FA522

RGB 15 165 34

HSL 127.6, 0.83%, 0.35%

LAB 59.09, -59.99, 53.3

 

CMYK 0 / 63 / 12 / 4

HEX #F55AD8

RGB 245 90 216

HSL 311.23, 0.89%, 0.66%

LAB 63.08, 72.5, -34.82

 

CMYK 0 / 58 / 8 / 0

HEX #FF6CEB

RGB 255 108 235

HSL 308.16, 1%, 0.71%

LAB 68.01, 70.59, -37.62

 

CMYK 0 / 51 / 0 / 0

HEX #FF7EFE

RGB 255 126 254

HSL 300.47, 1%, 0.75%

LAB 71.78, 65.7, -42.16

 

CMYK 0 / 44 / 0 / 0

HEX #FF90FF

RGB 255 144 255

HSL 300, 1%, 0.78%

LAB 75.09, 57.3, -37.55

 

CMYK 0 / 36 / 0 / 0

HEX #FFA2FF

RGB 255 162 255

HSL 300, 1%, 0.82%

LAB 78.65, 48.27, -32.05

 

CMYK 0 / 63 / 8 / 6

HEX #F05ADD

RGB 240 90 221

HSL 307.6, 0.83%, 0.65%

LAB 62.56, 72.01, -38.5

 

CMYK 0 / 68 / 9 / 13

HEX #DF48CA

RGB 223 72 202

HSL 308.34, 0.7%, 0.58%

LAB 56.67, 71.82, -37.14

 

CMYK 0 / 74 / 11 / 19

HEX #CE36B7

RGB 206 54 183

HSL 309.08, 0.61%, 0.51%

LAB 50.9, 71.13, -35.43

 

CMYK 0 / 81 / 13 / 26

HEX #BD24A4

RGB 189 36 164

HSL 309.8, 0.68%, 0.44%

LAB 45.3, 69.7, -33.21

 

CMYK 0 / 90 / 16 / 33

HEX #AC1291

RGB 172 18 145

HSL 310.52, 0.81%, 0.37%

LAB 39.99, 67.22, -30.31

 

CMYK 0 / 62 / 8 / 6

HEX #EF5BDD

RGB 239 91 221

HSL 307.3, 0.82%, 0.65%

LAB 62.55, 71.37, -38.52

 

CMYK 0 / 62 / 24 / 6

HEX #EF5BB5

RGB 239 91 181

HSL 323.51, 0.82%, 0.65%

LAB 60.93, 65.68, -18.33

 

CMYK 0 / 62 / 41 / 6

HEX #EF5B8D

RGB 239 91 141

HSL 339.73, 0.82%, 0.65%

LAB 59.67, 61.06, 2.93

 

CMYK 0 / 62 / 58 / 6

HEX #EF5B65

RGB 239 91 101

HSL 355.95, 0.82%, 0.65%

LAB 58.76, 57.63, 24.96

 

CMYK 0 / 62 / 62 / 6

HEX #EF5B5B

RGB 239 91 91

HSL 0, 0.82%, 0.65%

LAB 58.59, 56.97, 30.49

 

CMYK 0 / 62 / 8 / 6

HEX #EF5BDD

RGB 239 91 221

HSL 307.3, 0.82%, 0.65%

LAB 62.55, 71.37, -38.52

 

CMYK 9 / 62 / 0 / 6

HEX #DA5BEF

RGB 218 91 239

HSL 291.49, 0.82%, 0.65%

LAB 60.44, 69.32, -52.1

 

CMYK 26 / 62 / 0 / 6

HEX #B25BEF

RGB 178 91 239

HSL 275.27, 0.82%, 0.65%

LAB 55.26, 60.17, -60.68

 

CMYK 42 / 62 / 0 / 6

HEX #8A5BEF

RGB 138 91 239

HSL 259.05, 0.82%, 0.65%

LAB 50.82, 51.65, -68.06

 

CMYK 59 / 62 / 0 / 6

HEX #625BEF

RGB 98 91 239

HSL 242.84, 0.82%, 0.65%

LAB 47.38, 44.41, -73.81

 

CMYK 0 / 62 / 8 / 6

HEX #EF5BDD

RGB 239 91 221

HSL 307.3, 0.82%, 0.65%

LAB 62.55, 71.37, -38.52

 

CMYK 0 / 70 / 9 / 0

HEX #FE4DE7

RGB 254 77 231

HSL 307.8, 0.99%, 0.65%

LAB 63.47, 81.46, -42.52

 

CMYK 0 / 62 / 8 / 6

HEX #EF5BDD

RGB 239 91 221

HSL 307.3, 0.82%, 0.65%

LAB 62.55, 71.37, -38.52

 

CMYK 0 / 53 / 7 / 12

HEX #E16AD2

RGB 225 106 210

HSL 307.56, 0.66%, 0.65%

LAB 62.48, 59.44, -32.6

 

CMYK 0 / 43 / 5 / 18

HEX #D278C7

RGB 210 120 199

HSL 307.33, 0.5%, 0.65%

LAB 62.72, 46.29, -26.18

 

CMYK 0 / 32 / 4 / 23

HEX #C486BC

RGB 196 134 188

HSL 307.74, 0.34%, 0.65%

LAB 63.69, 32.36, -18.65

 

CMYK 0 / 18 / 3 / 29

HEX #B695B1

RGB 182 149 177

HSL 309.09, 0.18%, 0.65%

LAB 65.45, 17.19, -9.94

 

CMYK 26 / 62 / 0 / 6

HEX #B25BEF

RGB 178 91 239

HSL 275.27, 0.82%, 0.65%

LAB 55.26, 60.17, -60.68

 

CMYK 9 / 62 / 0 / 6

HEX #D95BEF

RGB 217 91 239

HSL 291.08, 0.82%, 0.65%

LAB 60.31, 69.09, -52.32

 

CMYK 0 / 62 / 7 / 6

HEX #EF5BDE

RGB 239 91 222

HSL 306.89, 0.82%, 0.65%

LAB 62.6, 71.52, -39.01

 

CMYK 0 / 62 / 23 / 6

HEX #EF5BB7

RGB 239 91 183

HSL 322.7, 0.82%, 0.65%

LAB 61, 65.94, -19.37

 

CMYK 0 / 62 / 40 / 6

HEX #EF5B8F

RGB 239 91 143

HSL 338.92, 0.82%, 0.65%

LAB 59.72, 61.27, 1.84

 

CMYK 0 / 91 / 11 / 11

HEX #E315C9

RGB 227 21 201

HSL 307.57, 0.83%, 0.49%

LAB 53.04, 84.72, -42.24

 

CMYK 0 / 78 / 10 / 7

HEX #EC35D5

RGB 236 53 213

HSL 307.54, 0.83%, 0.57%

LAB 57.25, 82.08, -42.35

 

CMYK 0 / 62 / 8 / 6

HEX #EF5BDD

RGB 239 91 221

HSL 307.3, 0.82%, 0.65%

LAB 62.55, 71.37, -38.52

 

CMYK 0 / 47 / 6 / 5

HEX #F381E4

RGB 243 129 228

HSL 307.89, 0.83%, 0.73%

LAB 69.72, 56.58, -31.22

 

CMYK 0 / 32 / 4 / 4

HEX #F6A7EC

RGB 246 167 236

HSL 307.59, 0.81%, 0.81%

LAB 78.04, 39.55, -22.81

 

CMYK 0 / 63 / 8 / 6

HEX #F05ADD

RGB 240 90 221

HSL 307.6, 0.83%, 0.65%

LAB 62.56, 72.01, -38.5

 

CMYK 0 / 42 / 62 / 6

HEX #EF8A5B

RGB 239 138 91

HSL 19.05, 0.82%, 0.65%

LAB 67.49, 34.32, 41.49

 

CMYK 62 / 0 / 18 / 6

HEX #5BEFC5

RGB 91 239 197

HSL 162.97, 0.82%, 0.65%

LAB 86, -49.21, 8.71

 

CMYK 0 / 63 / 8 / 6

HEX #F05ADD

RGB 240 90 221

HSL 307.6, 0.83%, 0.65%

LAB 62.56, 72.01, -38.5

 

CMYK 7 / 0 / 62 / 6

HEX #DEEF5B

RGB 222 239 91

HSL 66.89, 0.82%, 0.65%

LAB 90.79, -24.62, 67.4

 

CMYK 62 / 7 / 0 / 6

HEX #5BDEEF

RGB 91 222 239

HSL 186.89, 0.82%, 0.65%

LAB 82.22, -30.74, -19.02

 

CMYK 0 / 63 / 8 / 6

HEX #F05ADD

RGB 240 90 221

HSL 307.6, 0.83%, 0.65%

LAB 62.56, 72.01, -38.5

 

CMYK 0 / 42 / 62 / 6

HEX #EF8A5B

RGB 239 138 91

HSL 19.05, 0.82%, 0.65%

LAB 67.49, 34.32, 41.49

 

CMYK 62 / 0 / 55 / 6

HEX #5BEF6C

RGB 91 239 108

HSL 126.89, 0.82%, 0.65%

LAB 84.5, -65.23, 51.23

 

CMYK 62 / 20 / 0 / 6

HEX #5BC0EF

RGB 91 192 239

HSL 199.05, 0.82%, 0.65%

LAB 73.65, -15.68, -32.11

 

CMYK 0 / 63 / 8 / 6

HEX #F05ADD

RGB 240 90 221

HSL 307.6, 0.83%, 0.65%

LAB 62.56, 72.01, -38.5

 

CMYK 0 / 23 / 62 / 6

HEX #EFB75B

RGB 239 183 91

HSL 37.3, 0.82%, 0.65%

LAB 77.86, 10.62, 53.6

 

CMYK 62 / 0 / 55 / 6

HEX #5BEF6C

RGB 91 239 108

HSL 126.89, 0.82%, 0.65%

LAB 84.5, -65.23, 51.23

 

CMYK 62 / 38 / 0 / 6

HEX #5B94EF

RGB 91 148 239

HSL 216.89, 0.82%, 0.65%

LAB 61.34, 8.9, -51.37

 

Description

Color code: RGB 240 90 221 | qconv.com Color code: RGB 240 90 221 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 90 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 90 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 8 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 8% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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