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Color name
RGB 240 71 126

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 240 71 126 it is the complementary color RGB 15 184 129. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 240 71 126. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 240 71 126 shade: RGB 245 71 121, RGB 255 89 140, RGB 255 107 159, RGB 255 125 178 and RGB 255 143 197

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 240 71 126. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 240 71 126 shade: RGB 240 71 126, RGB 223 53 107, RGB 206 35 88, RGB 189 17 69 and RGB 172 0 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 240 71 126 shade: RGB 240 71 126, RGB 240 71 80 and RGB 240 71 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 240 71 126 shade: RGB 240 71 126, RGB 240 71 171, RGB 240 71 217, RGB 217 71 240 and RGB 171 71 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 240 71 126 shade matches the following richer shades: RGB 240 71 126

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 240 71 126 shade: RGB 240 71 126, RGB 223 87 131, RGB 207 103 137, RGB 191 119 142 and RGB 175 135 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 240 71 126 shade: RGB 240 71 217, RGB 240 71 172, RGB 240 71 127, RGB 240 71 82 and RGB 240 104 71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 240 71 126 shade: RGB 211 17 80, RGB 236 32 99, RGB 240 71 126, RGB 243 109 152 and RGB 246 147 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 240 71 126 shade: RGB 240 71 126, RGB 240 217 71 and RGB 71 194 240

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 240 71 126 shade: RGB 240 71 126, RGB 127 240 71 and RGB 71 127 240

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 240 71 126 shade: RGB 240 71 126, RGB 240 217 71, RGB 71 240 183 and RGB 71 93 240

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 240 71 126 shade: RGB 240 71 126, RGB 211 240 71, RGB 71 240 183 and RGB 99 71 240

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 48 / 6

HEX #F0477E

RGB 240 71 126

HSL 340.47, 0.85%, 0.61%

LAB 56.62, 67.67, 7.38

 

Complementary color

CMYK 92 / 0 / 30 / 28

HEX #0FB881

RGB 15 184 129

HSL 160.47, 0.85%, 0.39%

LAB 66.5, -51.88, 17.22

 

CMYK 0 / 71 / 51 / 4

HEX #F54779

RGB 245 71 121

HSL 342.76, 0.9%, 0.62%

LAB 57.37, 68.67, 11.52

 

CMYK 0 / 65 / 45 / 0

HEX #FF598C

RGB 255 89 140

HSL 341.57, 1%, 0.67%

LAB 61.91, 66.58, 7.07

 

CMYK 0 / 58 / 38 / 0

HEX #FF6B9F

RGB 255 107 159

HSL 338.92, 1%, 0.71%

LAB 65.18, 60.98, 0.86

 

CMYK 0 / 51 / 30 / 0

HEX #FF7DB2

RGB 255 125 178

HSL 335.54, 1%, 0.75%

LAB 68.85, 54.93, -4.52

 

CMYK 0 / 44 / 23 / 0

HEX #FF8FC5

RGB 255 143 197

HSL 331.07, 1%, 0.78%

LAB 72.85, 48.65, -9.19

 

CMYK 0 / 70 / 48 / 6

HEX #F0477E

RGB 240 71 126

HSL 340.47, 0.85%, 0.61%

LAB 56.62, 67.67, 7.38

 

CMYK 0 / 76 / 52 / 13

HEX #DF356B

RGB 223 53 107

HSL 340.94, 0.73%, 0.54%

LAB 51.03, 67.25, 10.42

 

CMYK 0 / 83 / 57 / 19

HEX #CE2358

RGB 206 35 88

HSL 341.4, 0.71%, 0.47%

LAB 45.67, 66.13, 14.13

 

CMYK 0 / 91 / 63 / 26

HEX #BD1145

RGB 189 17 69

HSL 341.86, 0.83%, 0.4%

LAB 40.65, 64.01, 18.7

 

CMYK 0 / 100 / 71 / 33

HEX #AC0032

RGB 172 0 50

HSL 342.56, 1%, 0.34%

LAB 35.99, 60.85, 24.11

 

CMYK 0 / 70 / 48 / 6

HEX #F0477E

RGB 240 71 126

HSL 340.47, 0.85%, 0.61%

LAB 56.62, 67.67, 7.38

 

CMYK 0 / 70 / 67 / 6

HEX #F04750

RGB 240 71 80

HSL 356.8, 0.85%, 0.61%

LAB 55.7, 64.52, 33.21

 

CMYK 0 / 70 / 70 / 6

HEX #F04747

RGB 240 71 71

HSL 0, 0.85%, 0.61%

LAB 55.57, 64.09, 38.18

 

CMYK 0 / 70 / 48 / 6

HEX #F0477E

RGB 240 71 126

HSL 340.47, 0.85%, 0.61%

LAB 56.62, 67.67, 7.38

 

CMYK 0 / 70 / 29 / 6

HEX #F047AB

RGB 240 71 171

HSL 324.5, 0.85%, 0.61%

LAB 58.01, 72.24, -16.98

 

CMYK 0 / 70 / 10 / 6

HEX #F047D9

RGB 240 71 217

HSL 308.17, 0.85%, 0.61%

LAB 59.93, 78.27, -40.37

 

CMYK 10 / 70 / 0 / 6

HEX #D947F0

RGB 217 71 240

HSL 291.83, 0.85%, 0.61%

LAB 57.61, 76.98, -57.18

 

CMYK 29 / 70 / 0 / 6

HEX #AB47F0

RGB 171 71 240

HSL 275.5, 0.85%, 0.61%

LAB 51.22, 67.89, -67.8

 

CMYK 0 / 70 / 48 / 6

HEX #F0477E

RGB 240 71 126

HSL 340.47, 0.85%, 0.61%

LAB 56.62, 67.67, 7.38

 

CMYK 0 / 70 / 48 / 6

HEX #F0477E

RGB 240 71 126

HSL 340.47, 0.85%, 0.61%

LAB 56.62, 67.67, 7.38

 

CMYK 0 / 61 / 41 / 13

HEX #DF5783

RGB 223 87 131

HSL 340.59, 0.68%, 0.61%

LAB 56.23, 56.8, 3.5

 

CMYK 0 / 50 / 34 / 19

HEX #CF6789

RGB 207 103 137

HSL 340.38, 0.52%, 0.61%

LAB 56.85, 44.7, 0.58

 

CMYK 0 / 38 / 26 / 25

HEX #BF778E

RGB 191 119 142

HSL 340.83, 0.36%, 0.61%

LAB 58.25, 31.26, -0.54

 

CMYK 0 / 23 / 15 / 31

HEX #AF8794

RGB 175 135 148

HSL 340.5, 0.2%, 0.61%

LAB 60.41, 17.35, -1.04

 

CMYK 0 / 70 / 10 / 6

HEX #F047D9

RGB 240 71 217

HSL 308.17, 0.85%, 0.61%

LAB 59.93, 78.27, -40.37

 

CMYK 0 / 70 / 28 / 6

HEX #F047AC

RGB 240 71 172

HSL 324.14, 0.85%, 0.61%

LAB 58.05, 72.35, -17.51

 

CMYK 0 / 70 / 47 / 6

HEX #F0477F

RGB 240 71 127

HSL 340.12, 0.85%, 0.61%

LAB 56.65, 67.76, 6.83

 

CMYK 0 / 70 / 66 / 6

HEX #F04752

RGB 240 71 82

HSL 356.09, 0.85%, 0.61%

LAB 55.73, 64.63, 32.09

 

CMYK 0 / 57 / 70 / 6

HEX #F06847

RGB 240 104 71

HSL 11.72, 0.85%, 0.61%

LAB 60.68, 50.41, 44.06

 

CMYK 0 / 92 / 62 / 17

HEX #D31150

RGB 211 17 80

HSL 340.52, 0.85%, 0.45%

LAB 45.4, 70.06, 18.9

 

CMYK 0 / 86 / 58 / 7

HEX #EC2063

RGB 236 32 99

HSL 340.29, 0.84%, 0.53%

LAB 51.57, 75, 16.41

 

CMYK 0 / 70 / 48 / 6

HEX #F0477E

RGB 240 71 126

HSL 340.47, 0.85%, 0.61%

LAB 56.62, 67.67, 7.38

 

CMYK 0 / 55 / 37 / 5

HEX #F36D98

RGB 243 109 152

HSL 340.75, 0.85%, 0.69%

LAB 63.56, 55.53, 2.29

 

CMYK 0 / 40 / 27 / 4

HEX #F693B3

RGB 246 147 179

HSL 340.61, 0.85%, 0.77%

LAB 72.04, 41.13, -0.54

 

CMYK 0 / 70 / 48 / 6

HEX #F0477E

RGB 240 71 126

HSL 340.47, 0.85%, 0.61%

LAB 56.62, 67.67, 7.38

 

CMYK 0 / 10 / 70 / 6

HEX #F0D947

RGB 240 217 71

HSL 51.83, 0.85%, 0.61%

LAB 86.31, -7.62, 70.98

 

CMYK 70 / 19 / 0 / 6

HEX #47C2F0

RGB 71 194 240

HSL 196.33, 0.85%, 0.61%

LAB 73.68, -19.47, -32.63

 

CMYK 0 / 70 / 48 / 6

HEX #F0477E

RGB 240 71 126

HSL 340.47, 0.85%, 0.61%

LAB 56.62, 67.67, 7.38

 

CMYK 47 / 0 / 70 / 6

HEX #7FF047

RGB 127 240 71

HSL 100.12, 0.85%, 0.61%

LAB 85.65, -60.2, 68.02

 

CMYK 70 / 47 / 0 / 6

HEX #477FF0

RGB 71 127 240

HSL 220.12, 0.85%, 0.61%

LAB 54.88, 18.73, -62.3

 

CMYK 0 / 70 / 48 / 6

HEX #F0477E

RGB 240 71 126

HSL 340.47, 0.85%, 0.61%

LAB 56.62, 67.67, 7.38

 

CMYK 0 / 10 / 70 / 6

HEX #F0D947

RGB 240 217 71

HSL 51.83, 0.85%, 0.61%

LAB 86.31, -7.62, 70.98

 

CMYK 70 / 0 / 24 / 6

HEX #47F0B7

RGB 71 240 183

HSL 159.76, 0.85%, 0.61%

LAB 85.54, -55.93, 15.3

 

CMYK 70 / 61 / 0 / 6

HEX #475DF0

RGB 71 93 240

HSL 232.19, 0.85%, 0.61%

LAB 46.26, 39.76, -76.27

 

CMYK 0 / 70 / 48 / 6

HEX #F0477E

RGB 240 71 126

HSL 340.47, 0.85%, 0.61%

LAB 56.62, 67.67, 7.38

 

CMYK 12 / 0 / 70 / 6

HEX #D3F047

RGB 211 240 71

HSL 70.3, 0.85%, 0.61%

LAB 90.15, -30.63, 74

 

CMYK 70 / 0 / 24 / 6

HEX #47F0B7

RGB 71 240 183

HSL 159.76, 0.85%, 0.61%

LAB 85.54, -55.93, 15.3

 

CMYK 59 / 70 / 0 / 6

HEX #6347F0

RGB 99 71 240

HSL 249.94, 0.85%, 0.61%

LAB 43.43, 55.97, -80.82

 

Description

Color code: RGB 240 71 126 | qconv.com Color code: RGB 240 71 126 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 71 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 71 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 48 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 48% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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