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Color name
RGB 240 60 222

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 240 60 222 it is the complementary color RGB 15 195 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 240 60 222. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 240 60 222 shade: RGB 245 60 217, RGB 255 78 236, RGB 255 96 255, RGB 255 114 255 and RGB 255 132 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 240 60 222. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 240 60 222 shade: RGB 240 60 222, RGB 223 42 203, RGB 206 24 184, RGB 189 6 165 and RGB 172 0 146

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 240 60 222 shade: RGB 240 60 222, RGB 240 60 173, RGB 240 60 125, RGB 240 60 76 and RGB 240 60 60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 240 60 222 shade: RGB 240 60 222, RGB 209 60 240, RGB 161 60 240, RGB 112 60 240 and RGB 64 60 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 240 60 222 shade matches the following richer shades: RGB 240 60 222

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 240 60 222 shade: RGB 240 60 222, RGB 223 77 208, RGB 206 94 195, RGB 189 111 181 and RGB 172 128 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 240 60 222 shade: RGB 162 60 240, RGB 210 60 240, RGB 240 60 222, RGB 240 60 174 and RGB 240 60 126

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 240 60 222 shade: RGB 203 15 184, RGB 237 22 215, RGB 240 60 222, RGB 243 98 228 and RGB 246 137 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 240 60 222 shade: RGB 240 60 222, RGB 240 114 60 and RGB 60 240 186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 240 60 222 shade: RGB 240 60 222, RGB 222 240 60 and RGB 60 222 240

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 240 60 222 shade: RGB 240 60 222, RGB 240 114 60, RGB 60 240 78 and RGB 60 186 240

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 240 60 222 shade: RGB 240 60 222, RGB 240 168 60, RGB 60 240 78 and RGB 60 132 240

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 8 / 6

HEX #F03CDE

RGB 240 60 222

HSL 306, 0.86%, 0.59%

LAB 59, 82.31, -44.64

 

Complementary color

CMYK 92 / 0 / 83 / 24

HEX #0FC321

RGB 15 195 33

HSL 126, 0.86%, 0.41%

LAB 68.93, -68.73, 62.8

 

CMYK 0 / 76 / 11 / 4

HEX #F53CD9

RGB 245 60 217

HSL 309.08, 0.9%, 0.6%

LAB 59.57, 82.65, -40.86

 

CMYK 0 / 69 / 7 / 0

HEX #FF4EEC

RGB 255 78 236

HSL 306.44, 1%, 0.65%

LAB 63.97, 82.08, -44.5

 

CMYK 0 / 62 / 0 / 0

HEX #FF60FF

RGB 255 96 255

HSL 300, 1%, 0.69%

LAB 67.16, 78.59, -49.97

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FF

RGB 255 114 255

HSL 300, 1%, 0.72%

LAB 69.83, 71.23, -45.76

 

CMYK 0 / 48 / 0 / 0

HEX #FF84FF

RGB 255 132 255

HSL 300, 1%, 0.76%

LAB 72.88, 63.08, -40.99

 

CMYK 0 / 75 / 8 / 6

HEX #F03CDE

RGB 240 60 222

HSL 306, 0.86%, 0.59%

LAB 59, 82.31, -44.64

 

CMYK 0 / 81 / 9 / 13

HEX #DF2ACB

RGB 223 42 203

HSL 306.63, 0.74%, 0.52%

LAB 53.66, 80.7, -42.45

 

CMYK 0 / 88 / 11 / 19

HEX #CE18B8

RGB 206 24 184

HSL 307.25, 0.79%, 0.45%

LAB 48.56, 78.18, -39.7

 

CMYK 0 / 97 / 13 / 26

HEX #BD06A5

RGB 189 6 165

HSL 307.87, 0.94%, 0.38%

LAB 43.75, 74.53, -36.26

 

CMYK 0 / 100 / 15 / 33

HEX #AC0092

RGB 172 0 146

HSL 309.07, 1%, 0.34%

LAB 39.32, 69.48, -31.98

 

CMYK 0 / 75 / 8 / 6

HEX #F03CDE

RGB 240 60 222

HSL 306, 0.86%, 0.59%

LAB 59, 82.31, -44.64

 

CMYK 0 / 75 / 28 / 6

HEX #F03CAD

RGB 240 60 173

HSL 322.33, 0.86%, 0.59%

LAB 56.85, 75.94, -19.91

 

CMYK 0 / 75 / 48 / 6

HEX #F03C7D

RGB 240 60 125

HSL 338.33, 0.86%, 0.59%

LAB 55.32, 71.17, 6.11

 

CMYK 0 / 75 / 68 / 6

HEX #F03C4C

RGB 240 60 76

HSL 354.67, 0.86%, 0.59%

LAB 54.32, 67.98, 33.83

 

CMYK 0 / 75 / 75 / 6

HEX #F03C3C

RGB 240 60 60

HSL 0, 0.86%, 0.59%

LAB 54.12, 67.3, 42.66

 

CMYK 0 / 75 / 8 / 6

HEX #F03CDE

RGB 240 60 222

HSL 306, 0.86%, 0.59%

LAB 59, 82.31, -44.64

 

CMYK 13 / 75 / 0 / 6

HEX #D13CF0

RGB 209 60 240

HSL 289.67, 0.86%, 0.59%

LAB 55.15, 79.03, -61.18

 

CMYK 33 / 75 / 0 / 6

HEX #A13CF0

RGB 161 60 240

HSL 273.67, 0.86%, 0.59%

LAB 48.39, 70.46, -72.46

 

CMYK 53 / 75 / 0 / 6

HEX #703CF0

RGB 112 60 240

HSL 257.33, 0.86%, 0.59%

LAB 42.71, 63.06, -81.96

 

CMYK 73 / 75 / 0 / 6

HEX #403CF0

RGB 64 60 240

HSL 241.33, 0.86%, 0.59%

LAB 38.92, 57.96, -88.35

 

CMYK 0 / 75 / 8 / 6

HEX #F03CDE

RGB 240 60 222

HSL 306, 0.86%, 0.59%

LAB 59, 82.31, -44.64

 

CMYK 0 / 75 / 8 / 6

HEX #F03CDE

RGB 240 60 222

HSL 306, 0.86%, 0.59%

LAB 59, 82.31, -44.64

 

CMYK 0 / 65 / 7 / 13

HEX #DF4DD0

RGB 223 77 208

HSL 306.16, 0.7%, 0.59%

LAB 57.61, 70.89, -39.09

 

CMYK 0 / 54 / 5 / 19

HEX #CE5EC3

RGB 206 94 195

HSL 305.89, 0.53%, 0.59%

LAB 57.14, 57.25, -32.59

 

CMYK 0 / 41 / 4 / 26

HEX #BD6FB5

RGB 189 111 181

HSL 306.15, 0.37%, 0.59%

LAB 57.58, 41.26, -24.07

 

CMYK 0 / 26 / 2 / 33

HEX #AC80A8

RGB 172 128 168

HSL 305.45, 0.21%, 0.59%

LAB 59.01, 23.8, -14.61

 

CMYK 33 / 75 / 0 / 6

HEX #A23CF0

RGB 162 60 240

HSL 274, 0.86%, 0.59%

LAB 48.52, 70.63, -72.24

 

CMYK 13 / 75 / 0 / 6

HEX #D23CF0

RGB 210 60 240

HSL 290, 0.86%, 0.59%

LAB 55.3, 79.22, -60.93

 

CMYK 0 / 75 / 8 / 6

HEX #F03CDE

RGB 240 60 222

HSL 306, 0.86%, 0.59%

LAB 59, 82.31, -44.64

 

CMYK 0 / 75 / 28 / 6

HEX #F03CAE

RGB 240 60 174

HSL 322, 0.86%, 0.59%

LAB 56.89, 76.06, -20.43

 

CMYK 0 / 75 / 48 / 6

HEX #F03C7E

RGB 240 60 126

HSL 338, 0.86%, 0.59%

LAB 55.34, 71.25, 5.55

 

CMYK 0 / 93 / 9 / 20

HEX #CB0FB8

RGB 203 15 184

HSL 306.06, 0.86%, 0.43%

LAB 47.62, 78.78, -41.21

 

CMYK 0 / 91 / 9 / 7

HEX #ED16D7

RGB 237 22 215

HSL 306.14, 0.86%, 0.51%

LAB 55.57, 88.24, -46.14

 

CMYK 0 / 75 / 8 / 6

HEX #F03CDE

RGB 240 60 222

HSL 306, 0.86%, 0.59%

LAB 59, 82.31, -44.64

 

CMYK 0 / 60 / 6 / 5

HEX #F362E4

RGB 243 98 228

HSL 306.21, 0.86%, 0.67%

LAB 64.48, 70.61, -39.38

 

CMYK 0 / 44 / 4 / 4

HEX #F689EB

RGB 246 137 235

HSL 306.06, 0.86%, 0.75%

LAB 71.88, 54.71, -31.71

 

CMYK 0 / 75 / 8 / 6

HEX #F03CDE

RGB 240 60 222

HSL 306, 0.86%, 0.59%

LAB 59, 82.31, -44.64

 

CMYK 0 / 53 / 75 / 6

HEX #F0723C

RGB 240 114 60

HSL 18, 0.86%, 0.59%

LAB 62.41, 45.17, 51.49

 

CMYK 75 / 0 / 23 / 6

HEX #3CF0BA

RGB 60 240 186

HSL 162, 0.86%, 0.59%

LAB 85.42, -56.64, 13.53

 

CMYK 0 / 75 / 8 / 6

HEX #F03CDE

RGB 240 60 222

HSL 306, 0.86%, 0.59%

LAB 59, 82.31, -44.64

 

CMYK 8 / 0 / 75 / 6

HEX #DEF03C

RGB 222 240 60

HSL 66, 0.86%, 0.59%

LAB 90.86, -26.74, 78.5

 

CMYK 75 / 8 / 0 / 6

HEX #3CDEF0

RGB 60 222 240

HSL 186, 0.86%, 0.59%

LAB 81.56, -34.58, -20.6

 

CMYK 0 / 75 / 8 / 6

HEX #F03CDE

RGB 240 60 222

HSL 306, 0.86%, 0.59%

LAB 59, 82.31, -44.64

 

CMYK 0 / 53 / 75 / 6

HEX #F0723C

RGB 240 114 60

HSL 18, 0.86%, 0.59%

LAB 62.41, 45.17, 51.49

 

CMYK 75 / 0 / 68 / 6

HEX #3CF04E

RGB 60 240 78

HSL 126, 0.86%, 0.59%

LAB 83.88, -74.19, 63.02

 

CMYK 75 / 23 / 0 / 6

HEX #3CBAF0

RGB 60 186 240

HSL 198, 0.86%, 0.59%

LAB 71.13, -16.64, -36.62

 

CMYK 0 / 75 / 8 / 6

HEX #F03CDE

RGB 240 60 222

HSL 306, 0.86%, 0.59%

LAB 59, 82.31, -44.64

 

CMYK 0 / 30 / 75 / 6

HEX #F0A83C

RGB 240 168 60

HSL 36, 0.86%, 0.59%

LAB 74.1, 17.29, 63.21

 

CMYK 75 / 0 / 68 / 6

HEX #3CF04E

RGB 60 240 78

HSL 126, 0.86%, 0.59%

LAB 83.88, -74.19, 63.02

 

CMYK 75 / 45 / 0 / 6

HEX #3C84F0

RGB 60 132 240

HSL 216, 0.86%, 0.59%

LAB 55.84, 14.26, -60.77

 

Description

Color code: RGB 240 60 222 | qconv.com Color code: RGB 240 60 222 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 60 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 60 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 8 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 8% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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