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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 240 49 202 it is the complementary color RGB 15 206 53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 240 49 202. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 240 49 202 shade: RGB 245 49 197, RGB 255 67 216, RGB 255 85 235, RGB 255 103 254 and RGB 255 121 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 240 49 202. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 240 49 202 shade: RGB 240 49 202, RGB 223 31 183, RGB 206 13 164, RGB 189 0 145 and RGB 172 0 126

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 240 49 202 shade: RGB 239 51 202, RGB 239 51 151, RGB 239 51 100 and RGB 239 51 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 240 49 202 shade: RGB 239 51 202, RGB 226 51 239, RGB 175 51 239, RGB 124 51 239 and RGB 73 51 239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 240 49 202 shade matches the following richer shades: RGB 239 51 202

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 240 49 202 shade: RGB 239 51 202, RGB 221 68 191, RGB 204 86 180, RGB 186 104 170 and RGB 168 122 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 240 49 202 shade: RGB 173 51 239, RGB 223 51 239, RGB 239 51 205, RGB 239 51 154 and RGB 239 51 104

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 240 49 202 shade: RGB 193 14 157, RGB 231 17 189, RGB 239 51 202, RGB 242 89 212 and RGB 245 127 222

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 240 49 202 shade: RGB 240 49 202, RGB 239 123 51 and RGB 51 239 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 240 49 202 shade: RGB 240 49 202, RGB 205 239 51 and RGB 51 205 239

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 240 49 202 shade: RGB 240 49 202, RGB 239 123 51, RGB 51 239 85 and RGB 51 167 239

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 240 49 202 shade: RGB 240 49 202, RGB 239 179 51, RGB 51 239 85 and RGB 51 110 239

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 16 / 6

HEX #F031CA

RGB 240 49 202

HSL 311.94, 0.86%, 0.57%

LAB 57.06, 82.4, -36.33

 

Complementary color

CMYK 93 / 0 / 74 / 19

HEX #0FCE35

RGB 15 206 53

HSL 131.94, 0.86%, 0.43%

LAB 72.56, -70.56, 60.26

 

CMYK 0 / 80 / 20 / 4

HEX #F531C5

RGB 245 49 197

HSL 314.69, 0.91%, 0.58%

LAB 57.69, 82.81, -32.41

 

CMYK 0 / 74 / 15 / 0

HEX #FF43D8

RGB 255 67 216

HSL 312.45, 1%, 0.63%

LAB 61.85, 82.69, -36.61

 

CMYK 0 / 67 / 8 / 0

HEX #FF55EB

RGB 255 85 235

HSL 307.06, 1%, 0.67%

LAB 64.77, 79.55, -42.69

 

CMYK 0 / 60 / 0 / 0

HEX #FF67FE

RGB 255 103 254

HSL 300.39, 1%, 0.7%

LAB 68.11, 75.67, -47.93

 

CMYK 0 / 53 / 0 / 0

HEX #FF79FF

RGB 255 121 255

HSL 300, 1%, 0.74%

LAB 70.98, 68.15, -43.96

 

CMYK 0 / 80 / 16 / 6

HEX #F031CA

RGB 240 49 202

HSL 311.94, 0.86%, 0.57%

LAB 57.06, 82.4, -36.33

 

CMYK 0 / 86 / 18 / 13

HEX #DF1FB7

RGB 223 31 183

HSL 312.5, 0.76%, 0.5%

LAB 51.94, 80.2, -33.59

 

CMYK 0 / 94 / 20 / 19

HEX #CE0DA4

RGB 206 13 164

HSL 313.06, 0.88%, 0.43%

LAB 47.09, 76.96, -30.19

 

CMYK 0 / 100 / 23 / 26

HEX #BD0091

RGB 189 0 145

HSL 313.97, 1%, 0.37%

LAB 42.56, 72.58, -26.07

 

CMYK 0 / 100 / 27 / 33

HEX #AC007E

RGB 172 0 126

HSL 316.05, 1%, 0.34%

LAB 38.34, 67.01, -21.18

 

CMYK 0 / 79 / 15 / 6

HEX #EF33CA

RGB 239 51 202

HSL 311.81, 0.85%, 0.57%

LAB 57.06, 81.71, -36.35

 

CMYK 0 / 79 / 37 / 6

HEX #EF3397

RGB 239 51 151

HSL 328.09, 0.85%, 0.57%

LAB 55.02, 75.81, -9.79

 

CMYK 0 / 79 / 58 / 6

HEX #EF3364

RGB 239 51 100

HSL 344.36, 0.85%, 0.57%

LAB 53.64, 71.62, 18.71

 

CMYK 0 / 79 / 79 / 6

HEX #EF3333

RGB 239 51 51

HSL 0, 0.85%, 0.57%

LAB 52.9, 69.33, 46.2

 

CMYK 0 / 79 / 15 / 6

HEX #EF33CA

RGB 239 51 202

HSL 311.81, 0.85%, 0.57%

LAB 57.06, 81.71, -36.35

 

CMYK 5 / 79 / 0 / 6

HEX #E233EF

RGB 226 51 239

HSL 295.85, 0.85%, 0.57%

LAB 56.85, 84.52, -57.76

 

CMYK 27 / 79 / 0 / 6

HEX #AF33EF

RGB 175 51 239

HSL 279.57, 0.85%, 0.57%

LAB 49.15, 75.67, -70.57

 

CMYK 48 / 79 / 0 / 6

HEX #7C33EF

RGB 124 51 239

HSL 263.3, 0.85%, 0.57%

LAB 42.59, 68.14, -81.56

 

CMYK 69 / 79 / 0 / 6

HEX #4933EF

RGB 73 51 239

HSL 247.02, 0.85%, 0.57%

LAB 37.87, 62.75, -89.5

 

CMYK 0 / 79 / 15 / 6

HEX #EF33CA

RGB 239 51 202

HSL 311.81, 0.85%, 0.57%

LAB 57.06, 81.71, -36.35

 

CMYK 0 / 79 / 15 / 6

HEX #EF33CA

RGB 239 51 202

HSL 311.81, 0.85%, 0.57%

LAB 57.06, 81.71, -36.35

 

CMYK 0 / 69 / 14 / 13

HEX #DD44BF

RGB 221 68 191

HSL 311.76, 0.69%, 0.57%

LAB 55.35, 71.15, -32.92

 

CMYK 0 / 58 / 12 / 20

HEX #CC56B4

RGB 204 86 180

HSL 312.2, 0.54%, 0.57%

LAB 54.85, 57.92, -27.53

 

CMYK 0 / 44 / 9 / 27

HEX #BA68AA

RGB 186 104 170

HSL 311.71, 0.37%, 0.57%

LAB 55.32, 42.06, -21.23

 

CMYK 0 / 27 / 5 / 34

HEX #A87A9F

RGB 168 122 159

HSL 311.74, 0.21%, 0.57%

LAB 56.83, 24.1, -12.77

 

CMYK 28 / 79 / 0 / 6

HEX #AD33EF

RGB 173 51 239

HSL 278.94, 0.85%, 0.57%

LAB 48.86, 75.34, -71.04

 

CMYK 7 / 79 / 0 / 6

HEX #DF33EF

RGB 223 51 239

HSL 294.89, 0.85%, 0.57%

LAB 56.37, 83.97, -58.55

 

CMYK 0 / 79 / 14 / 6

HEX #EF33CD

RGB 239 51 205

HSL 310.85, 0.85%, 0.57%

LAB 57.2, 82.11, -37.85

 

CMYK 0 / 79 / 36 / 6

HEX #EF339A

RGB 239 51 154

HSL 327.13, 0.85%, 0.57%

LAB 55.13, 76.11, -11.41

 

CMYK 0 / 79 / 56 / 6

HEX #EF3368

RGB 239 51 104

HSL 343.09, 0.85%, 0.57%

LAB 53.73, 71.89, 16.43

 

CMYK 0 / 93 / 19 / 24

HEX #C10E9D

RGB 193 14 157

HSL 312.07, 0.86%, 0.41%

LAB 44.36, 73.47, -30.46

 

CMYK 0 / 93 / 18 / 9

HEX #E711BD

RGB 231 17 189

HSL 311.78, 0.86%, 0.49%

LAB 53.02, 84.37, -35.28

 

CMYK 0 / 79 / 15 / 6

HEX #EF33CA

RGB 239 51 202

HSL 311.81, 0.85%, 0.57%

LAB 57.06, 81.71, -36.35

 

CMYK 0 / 63 / 12 / 5

HEX #F259D4

RGB 242 89 212

HSL 311.76, 0.85%, 0.65%

LAB 62.32, 71.56, -33.79

 

CMYK 0 / 48 / 9 / 4

HEX #F57FDE

RGB 245 127 222

HSL 311.69, 0.86%, 0.73%

LAB 69.37, 57.16, -28.43

 

CMYK 0 / 80 / 16 / 6

HEX #F031CA

RGB 240 49 202

HSL 311.94, 0.86%, 0.57%

LAB 57.06, 82.4, -36.33

 

CMYK 0 / 49 / 79 / 6

HEX #EF7B33

RGB 239 123 51

HSL 22.98, 0.85%, 0.57%

LAB 63.96, 39.99, 57.09

 

CMYK 79 / 0 / 17 / 6

HEX #33EFC6

RGB 51 239 198

HSL 166.91, 0.85%, 0.57%

LAB 85.26, -54.34, 7.02

 

CMYK 0 / 80 / 16 / 6

HEX #F031CA

RGB 240 49 202

HSL 311.94, 0.86%, 0.57%

LAB 57.06, 82.4, -36.33

 

CMYK 14 / 0 / 79 / 6

HEX #CDEF33

RGB 205 239 51

HSL 70.85, 0.85%, 0.57%

LAB 89.37, -33.42, 79.27

 

CMYK 79 / 14 / 0 / 6

HEX #33CDEF

RGB 51 205 239

HSL 190.85, 0.85%, 0.57%

LAB 76.44, -27.59, -27.9

 

CMYK 0 / 80 / 16 / 6

HEX #F031CA

RGB 240 49 202

HSL 311.94, 0.86%, 0.57%

LAB 57.06, 82.4, -36.33

 

CMYK 0 / 49 / 79 / 6

HEX #EF7B33

RGB 239 123 51

HSL 22.98, 0.85%, 0.57%

LAB 63.96, 39.99, 57.09

 

CMYK 79 / 0 / 64 / 6

HEX #33EF55

RGB 51 239 85

HSL 130.85, 0.85%, 0.57%

LAB 83.49, -74.35, 59.8

 

CMYK 79 / 30 / 0 / 6

HEX #33A7EF

RGB 51 167 239

HSL 202.98, 0.85%, 0.57%

LAB 65.42, -7.63, -45.01

 

CMYK 0 / 80 / 16 / 6

HEX #F031CA

RGB 240 49 202

HSL 311.94, 0.86%, 0.57%

LAB 57.06, 82.4, -36.33

 

CMYK 0 / 25 / 79 / 6

HEX #EFB333

RGB 239 179 51

HSL 40.85, 0.85%, 0.57%

LAB 76.58, 10.73, 68.82

 

CMYK 79 / 0 / 64 / 6

HEX #33EF55

RGB 51 239 85

HSL 130.85, 0.85%, 0.57%

LAB 83.49, -74.35, 59.8

 

CMYK 79 / 54 / 0 / 6

HEX #336EEF

RGB 51 110 239

HSL 221.17, 0.85%, 0.57%

LAB 49.6, 26.63, -70.3

 

Description

Color code: RGB 240 49 202 | qconv.com Color code: RGB 240 49 202 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 49 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 49 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 16 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 16% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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