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Color name
RGB 240 34 228

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 240 34 228 it is the complementary color RGB 15 221 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 240 34 228. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 240 34 228 shade: RGB 245 34 223, RGB 255 52 242, RGB 255 70 255, RGB 255 88 255 and RGB 255 106 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 240 34 228. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 240 34 228 shade: RGB 240 34 228, RGB 223 16 209, RGB 206 0 190, RGB 189 0 171 and RGB 172 0 152

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 240 34 228 shade: RGB 239 35 227, RGB 239 35 172, RGB 239 35 117, RGB 239 35 62 and RGB 239 35 35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 240 34 228 shade: RGB 239 35 227, RGB 196 35 239, RGB 141 35 239, RGB 86 35 239 and RGB 35 35 239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 240 34 228 shade matches the following richer shades: RGB 239 35 227

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 240 34 228 shade: RGB 239 35 227, RGB 220 54 211, RGB 201 73 194, RGB 182 92 177 and RGB 163 111 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 240 34 228 shade: RGB 141 35 239, RGB 195 35 239, RGB 239 35 229, RGB 239 35 175 and RGB 239 35 120

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 240 34 228 shade: RGB 180 12 170, RGB 218 15 207, RGB 239 35 227, RGB 242 74 232 and RGB 245 112 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 240 34 228 shade: RGB 240 34 228, RGB 239 86 35 and RGB 35 239 168

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 240 34 228 shade: RGB 240 34 228, RGB 229 239 35 and RGB 35 229 239

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 240 34 228 shade: RGB 240 34 228, RGB 239 86 35, RGB 35 239 45 and RGB 35 188 239

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 240 34 228 shade: RGB 240 34 228, RGB 239 147 35, RGB 35 239 45 and RGB 35 127 239

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 5 / 6

HEX #F022E4

RGB 240 34 228

HSL 303.5, 0.87%, 0.54%

LAB 57.34, 88.88, -50.67

 

Complementary color

CMYK 93 / 0 / 88 / 13

HEX #0FDD1B

RGB 15 221 27

HSL 123.5, 0.87%, 0.46%

LAB 77.22, -76.18, 71.49

 

CMYK 0 / 86 / 9 / 4

HEX #F522DF

RGB 245 34 223

HSL 306.26, 0.91%, 0.55%

LAB 57.93, 89.1, -46.86

 

CMYK 0 / 80 / 5 / 0

HEX #FF34F2

RGB 255 52 242

HSL 303.84, 1%, 0.6%

LAB 61.76, 90.11, -51.33

 

CMYK 0 / 73 / 0 / 0

HEX #FF46FF

RGB 255 70 255

HSL 300, 1%, 0.64%

LAB 64.05, 87.38, -54.9

 

CMYK 0 / 65 / 0 / 0

HEX #FF58FF

RGB 255 88 255

HSL 300, 1%, 0.67%

LAB 66.1, 81.54, -51.64

 

CMYK 0 / 58 / 0 / 0

HEX #FF6AFF

RGB 255 106 255

HSL 300, 1%, 0.71%

LAB 68.6, 74.61, -47.7

 

CMYK 0 / 86 / 5 / 6

HEX #F022E4

RGB 240 34 228

HSL 303.5, 0.87%, 0.54%

LAB 57.34, 88.88, -50.67

 

CMYK 0 / 93 / 6 / 13

HEX #DF10D1

RGB 223 16 209

HSL 304.06, 0.87%, 0.47%

LAB 52.58, 85.62, -47.61

 

CMYK 0 / 100 / 8 / 19

HEX #CE00BE

RGB 206 0 190

HSL 304.66, 1%, 0.4%

LAB 48.06, 81.41, -43.99

 

CMYK 0 / 100 / 10 / 26

HEX #BD00AB

RGB 189 0 171

HSL 305.71, 1%, 0.37%

LAB 43.89, 75.89, -39.62

 

CMYK 0 / 100 / 12 / 33

HEX #AC0098

RGB 172 0 152

HSL 306.98, 1%, 0.34%

LAB 39.64, 70.29, -35.12

 

CMYK 0 / 85 / 5 / 6

HEX #EF23E3

RGB 239 35 227

HSL 303.53, 0.86%, 0.54%

LAB 57.17, 88.4, -50.38

 

CMYK 0 / 85 / 28 / 6

HEX #EF23AC

RGB 239 35 172

HSL 319.71, 0.86%, 0.54%

LAB 54.59, 81.49, -22.82

 

CMYK 0 / 85 / 51 / 6

HEX #EF2375

RGB 239 35 117

HSL 335.88, 0.86%, 0.54%

LAB 52.77, 76.41, 7.25

 

CMYK 0 / 85 / 74 / 6

HEX #EF233E

RGB 239 35 62

HSL 352.06, 0.86%, 0.54%

LAB 51.72, 73.39, 38.82

 

CMYK 0 / 85 / 85 / 6

HEX #EF2323

RGB 239 35 35

HSL 0, 0.86%, 0.54%

LAB 51.47, 72.63, 52.95

 

CMYK 0 / 85 / 5 / 6

HEX #EF23E3

RGB 239 35 227

HSL 303.53, 0.86%, 0.54%

LAB 57.17, 88.4, -50.38

 

CMYK 18 / 85 / 0 / 6

HEX #C423EF

RGB 196 35 239

HSL 287.35, 0.86%, 0.54%

LAB 50.89, 83.08, -67.61

 

CMYK 41 / 85 / 0 / 6

HEX #8D23EF

RGB 141 35 239

HSL 271.18, 0.86%, 0.54%

LAB 42.91, 75.44, -80.95

 

CMYK 64 / 85 / 0 / 6

HEX #5623EF

RGB 86 35 239

HSL 255, 0.86%, 0.54%

LAB 36.77, 70.05, -91.3

 

CMYK 85 / 85 / 0 / 6

HEX #2323EF

RGB 35 35 239

HSL 240, 0.86%, 0.54%

LAB 33.54, 67.46, -96.74

 

CMYK 0 / 85 / 5 / 6

HEX #EF23E3

RGB 239 35 227

HSL 303.53, 0.86%, 0.54%

LAB 57.17, 88.4, -50.38

 

CMYK 0 / 85 / 5 / 6

HEX #EF23E3

RGB 239 35 227

HSL 303.53, 0.86%, 0.54%

LAB 57.17, 88.4, -50.38

 

CMYK 0 / 75 / 4 / 14

HEX #DC36D3

RGB 220 54 211

HSL 303.25, 0.7%, 0.54%

LAB 54.61, 78.25, -45.56

 

CMYK 0 / 64 / 3 / 21

HEX #C949C2

RGB 201 73 194

HSL 303.28, 0.54%, 0.54%

LAB 53.03, 64.9, -38.5

 

CMYK 0 / 49 / 3 / 29

HEX #B65CB1

RGB 182 92 177

HSL 303.33, 0.38%, 0.54%

LAB 52.7, 48.25, -29.38

 

CMYK 0 / 32 / 2 / 36

HEX #A36FA0

RGB 163 111 160

HSL 303.46, 0.22%, 0.54%

LAB 53.7, 28.79, -18.14

 

CMYK 41 / 85 / 0 / 6

HEX #8D23EF

RGB 141 35 239

HSL 271.18, 0.86%, 0.54%

LAB 42.91, 75.44, -80.95

 

CMYK 18 / 85 / 0 / 6

HEX #C323EF

RGB 195 35 239

HSL 287.06, 0.86%, 0.54%

LAB 50.73, 82.92, -67.87

 

CMYK 0 / 85 / 4 / 6

HEX #EF23E5

RGB 239 35 229

HSL 302.94, 0.86%, 0.54%

LAB 57.28, 88.68, -51.33

 

CMYK 0 / 85 / 27 / 6

HEX #EF23AF

RGB 239 35 175

HSL 318.82, 0.86%, 0.54%

LAB 54.71, 81.83, -24.38

 

CMYK 0 / 85 / 50 / 6

HEX #EF2378

RGB 239 35 120

HSL 335, 0.86%, 0.54%

LAB 52.85, 76.64, 5.55

 

CMYK 0 / 93 / 6 / 29

HEX #B40CAA

RGB 180 12 170

HSL 303.57, 0.88%, 0.38%

LAB 42.56, 73.01, -41.22

 

CMYK 0 / 93 / 5 / 15

HEX #DA0FCF

RGB 218 15 207

HSL 303.25, 0.87%, 0.46%

LAB 51.56, 84.59, -48.14

 

CMYK 0 / 85 / 5 / 6

HEX #EF23E3

RGB 239 35 227

HSL 303.53, 0.86%, 0.54%

LAB 57.17, 88.4, -50.38

 

CMYK 0 / 69 / 4 / 5

HEX #F24AE8

RGB 242 74 232

HSL 303.57, 0.87%, 0.62%

LAB 61.31, 79.95, -46.6

 

CMYK 0 / 54 / 3 / 4

HEX #F570ED

RGB 245 112 237

HSL 303.61, 0.87%, 0.7%

LAB 67.36, 66.56, -39.84

 

CMYK 0 / 86 / 5 / 6

HEX #F022E4

RGB 240 34 228

HSL 303.5, 0.87%, 0.54%

LAB 57.34, 88.88, -50.67

 

CMYK 0 / 64 / 85 / 6

HEX #EF5623

RGB 239 86 35

HSL 15, 0.86%, 0.54%

LAB 57.2, 56.75, 57.72

 

CMYK 85 / 0 / 30 / 6

HEX #23EFA8

RGB 35 239 168

HSL 159.12, 0.86%, 0.54%

LAB 84.44, -62.58, 21.45

 

CMYK 0 / 86 / 5 / 6

HEX #F022E4

RGB 240 34 228

HSL 303.5, 0.87%, 0.54%

LAB 57.34, 88.88, -50.67

 

CMYK 4 / 0 / 85 / 6

HEX #E5EF23

RGB 229 239 35

HSL 62.94, 0.86%, 0.54%

LAB 91.01, -24.2, 85.03

 

CMYK 85 / 4 / 0 / 6

HEX #23E5EF

RGB 35 229 239

HSL 182.94, 0.86%, 0.54%

LAB 83.25, -40.14, -17.56

 

CMYK 0 / 86 / 5 / 6

HEX #F022E4

RGB 240 34 228

HSL 303.5, 0.87%, 0.54%

LAB 57.34, 88.88, -50.67

 

CMYK 0 / 64 / 85 / 6

HEX #EF5623

RGB 239 86 35

HSL 15, 0.86%, 0.54%

LAB 57.2, 56.75, 57.72

 

CMYK 85 / 0 / 81 / 6

HEX #23EF2D

RGB 35 239 45

HSL 122.94, 0.86%, 0.54%

LAB 83.06, -79.04, 72.78

 

CMYK 85 / 21 / 0 / 6

HEX #23BCEF

RGB 35 188 239

HSL 195, 0.86%, 0.54%

LAB 71.25, -20.26, -35.91

 

CMYK 0 / 86 / 5 / 6

HEX #F022E4

RGB 240 34 228

HSL 303.5, 0.87%, 0.54%

LAB 57.34, 88.88, -50.67

 

CMYK 0 / 38 / 85 / 6

HEX #EF9323

RGB 239 147 35

HSL 32.94, 0.86%, 0.54%

LAB 69, 27.15, 67.42

 

CMYK 85 / 0 / 81 / 6

HEX #23EF2D

RGB 35 239 45

HSL 122.94, 0.86%, 0.54%

LAB 83.06, -79.04, 72.78

 

CMYK 85 / 47 / 0 / 6

HEX #237FEF

RGB 35 127 239

HSL 212.94, 0.86%, 0.54%

LAB 53.78, 14.65, -63.56

 

Description

Color code: RGB 240 34 228 | qconv.com Color code: RGB 240 34 228 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 34 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 34 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 5 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 5% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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