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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 240 237 2 it is the complementary color RGB 15 18 253. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 240 237 2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 240 237 2 shade: RGB 245 237 0, RGB 255 255 16, RGB 255 255 35, RGB 255 255 54 and RGB 255 255 73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 240 237 2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 240 237 2 shade: RGB 240 237 2, RGB 223 219 0, RGB 206 201 0, RGB 189 183 0 and RGB 172 165 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 240 237 2 shade: RGB 237 234 2, RGB 237 170 2, RGB 237 107 2, RGB 237 44 2 and RGB 237 2 2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 240 237 2 shade: RGB 237 234 2, RGB 176 237 2, RGB 113 237 2, RGB 50 237 2 and RGB 2 237 17

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 240 237 2 shade matches the following richer shades: RGB 237 234 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 240 237 2 shade: RGB 237 234 2, RGB 217 215 21, RGB 198 196 41, RGB 179 177 60 and RGB 159 158 79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 240 237 2 shade: RGB 237 108 2, RGB 237 170 2, RGB 237 233 2, RGB 178 237 2 and RGB 115 237 2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 240 237 2 shade: RGB 155 153 1, RGB 196 193 1, RGB 237 234 2, RGB 252 249 28 and RGB 253 250 69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 240 237 2 shade: RGB 240 237 2, RGB 2 237 45 and RGB 139 2 237

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 240 237 2 shade: RGB 240 237 2, RGB 2 237 233 and RGB 233 2 237

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 240 237 2 shade: RGB 240 237 2, RGB 2 237 45, RGB 2 6 237 and RGB 237 2 194

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 240 237 2 shade: RGB 240 237 2, RGB 2 237 115, RGB 2 6 237 and RGB 237 2 123

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 99 / 6

HEX #F0ED02

RGB 240 237 2

HSL 59.24, 0.98%, 0.47%

LAB 91.28, -19.13, 89.52

 

Complementary color

CMYK 94 / 93 / 0 / 1

HEX #0F12FD

RGB 15 18 253

HSL 239.24, 0.98%, 0.53%

LAB 33.19, 75.86, -105.25

 

CMYK 0 / 3 / 100 / 4

HEX #F5ED00

RGB 245 237 0

HSL 58.04, 1%, 0.48%

LAB 91.68, -17.06, 90.14

 

CMYK 0 / 0 / 94 / 0

HEX #FFFF10

RGB 255 255 16

HSL 60, 1%, 0.53%

LAB 97.15, -21.43, 93.33

 

CMYK 0 / 0 / 86 / 0

HEX #FFFF23

RGB 255 255 35

HSL 60, 1%, 0.57%

LAB 97.19, -21.16, 90.84

 

CMYK 0 / 0 / 79 / 0

HEX #FFFF36

RGB 255 255 54

HSL 60, 1%, 0.61%

LAB 97.25, -20.68, 86.81

 

CMYK 0 / 0 / 71 / 0

HEX #FFFF49

RGB 255 255 73

HSL 60, 1%, 0.64%

LAB 97.33, -19.98, 81.37

 

CMYK 0 / 1 / 99 / 6

HEX #F0ED02

RGB 240 237 2

HSL 59.24, 0.98%, 0.47%

LAB 91.28, -19.13, 89.52

 

CMYK 0 / 2 / 100 / 13

HEX #DFDB00

RGB 223 219 0

HSL 58.92, 1%, 0.44%

LAB 85.18, -17.53, 84.6

 

CMYK 0 / 2 / 100 / 19

HEX #CEC900

RGB 206 201 0

HSL 58.54, 1%, 0.4%

LAB 78.98, -15.87, 79.46

 

CMYK 0 / 3 / 100 / 26

HEX #BDB700

RGB 189 183 0

HSL 58.1, 1%, 0.37%

LAB 72.68, -14.18, 74.23

 

CMYK 0 / 4 / 100 / 33

HEX #ACA500

RGB 172 165 0

HSL 57.56, 1%, 0.34%

LAB 66.28, -12.44, 68.92

 

CMYK 0 / 1 / 99 / 7

HEX #EDEA02

RGB 237 234 2

HSL 59.23, 0.98%, 0.47%

LAB 90.25, -18.93, 88.66

 

CMYK 0 / 28 / 99 / 7

HEX #EDAA02

RGB 237 170 2

HSL 42.89, 0.98%, 0.47%

LAB 74.03, 13.68, 77.13

 

CMYK 0 / 55 / 99 / 7

HEX #ED6B02

RGB 237 107 2

HSL 26.81, 0.98%, 0.47%

LAB 60.36, 46.16, 68.4

 

CMYK 0 / 81 / 99 / 7

HEX #ED2C02

RGB 237 44 2

HSL 10.72, 0.98%, 0.47%

LAB 51.62, 69.74, 63.89

 

CMYK 0 / 99 / 99 / 7

HEX #ED0202

RGB 237 2 2

HSL 0, 0.98%, 0.47%

LAB 49.56, 75.65, 63.05

 

CMYK 0 / 1 / 99 / 7

HEX #EDEA02

RGB 237 234 2

HSL 59.23, 0.98%, 0.47%

LAB 90.25, -18.93, 88.66

 

CMYK 26 / 0 / 99 / 7

HEX #B0ED02

RGB 176 237 2

HSL 75.57, 0.98%, 0.47%

LAB 86.9, -44.81, 84.29

 

CMYK 52 / 0 / 99 / 7

HEX #71ED02

RGB 113 237 2

HSL 91.66, 0.98%, 0.47%

LAB 84.01, -65.65, 80.8

 

CMYK 79 / 0 / 99 / 7

HEX #32ED02

RGB 50 237 2

HSL 107.74, 0.98%, 0.47%

LAB 82.51, -78.21, 78.98

 

CMYK 99 / 0 / 93 / 7

HEX #02ED11

RGB 2 237 17

HSL 123.83, 0.98%, 0.47%

LAB 82.17, -81.19, 77.18

 

CMYK 0 / 1 / 99 / 7

HEX #EDEA02

RGB 237 234 2

HSL 59.23, 0.98%, 0.47%

LAB 90.25, -18.93, 88.66

 

CMYK 0 / 1 / 99 / 7

HEX #EDEA02

RGB 237 234 2

HSL 59.23, 0.98%, 0.47%

LAB 90.25, -18.93, 88.66

 

CMYK 0 / 1 / 90 / 15

HEX #D9D715

RGB 217 215 21

HSL 59.39, 0.82%, 0.47%

LAB 83.66, -17.88, 81.13

 

CMYK 0 / 1 / 79 / 22

HEX #C6C429

RGB 198 196 41

HSL 59.24, 0.66%, 0.47%

LAB 77.07, -16.05, 70.9

 

CMYK 0 / 1 / 66 / 30

HEX #B3B13C

RGB 179 177 60

HSL 58.99, 0.5%, 0.47%

LAB 70.42, -13.7, 57.57

 

CMYK 0 / 1 / 50 / 38

HEX #9F9E4F

RGB 159 158 79

HSL 59.25, 0.34%, 0.47%

LAB 63.66, -10.94, 40.99

 

CMYK 0 / 54 / 99 / 7

HEX #ED6C02

RGB 237 108 2

HSL 27.06, 0.98%, 0.47%

LAB 60.55, 45.68, 68.51

 

CMYK 0 / 28 / 99 / 7

HEX #EDAA02

RGB 237 170 2

HSL 42.89, 0.98%, 0.47%

LAB 74.03, 13.68, 77.13

 

CMYK 0 / 2 / 99 / 7

HEX #EDE902

RGB 237 233 2

HSL 58.98, 0.98%, 0.47%

LAB 89.99, -18.45, 88.47

 

CMYK 25 / 0 / 99 / 7

HEX #B2ED02

RGB 178 237 2

HSL 75.06, 0.98%, 0.47%

LAB 87.02, -44.06, 84.43

 

CMYK 51 / 0 / 99 / 7

HEX #73ED02

RGB 115 237 2

HSL 91.15, 0.98%, 0.47%

LAB 84.08, -65.09, 80.88

 

CMYK 0 / 1 / 99 / 39

HEX #9B9901

RGB 155 153 1

HSL 59.22, 0.99%, 0.31%

LAB 61.44, -13.8, 64.58

 

CMYK 0 / 2 / 99 / 23

HEX #C4C101

RGB 196 193 1

HSL 59.08, 0.99%, 0.39%

LAB 75.99, -16.17, 76.81

 

CMYK 0 / 1 / 99 / 7

HEX #EDEA02

RGB 237 234 2

HSL 59.23, 0.98%, 0.47%

LAB 90.25, -18.93, 88.66

 

CMYK 0 / 1 / 89 / 1

HEX #FCF91C

RGB 252 249 28

HSL 59.2, 0.97%, 0.55%

LAB 95.38, -19.65, 90.44

 

CMYK 0 / 1 / 73 / 1

HEX #FDFA45

RGB 253 250 69

HSL 59.02, 0.98%, 0.63%

LAB 95.87, -18.57, 81.21

 

CMYK 0 / 1 / 99 / 6

HEX #F0ED02

RGB 240 237 2

HSL 59.24, 0.98%, 0.47%

LAB 91.28, -19.13, 89.52

 

CMYK 99 / 0 / 81 / 7

HEX #02ED2D

RGB 2 237 45

HSL 130.98, 0.98%, 0.47%

LAB 82.26, -80.15, 71.97

 

CMYK 41 / 99 / 0 / 7

HEX #8B02ED

RGB 139 2 237

HSL 274.98, 0.98%, 0.47%

LAB 40.65, 80.21, -83.55

 

CMYK 0 / 1 / 99 / 6

HEX #F0ED02

RGB 240 237 2

HSL 59.24, 0.98%, 0.47%

LAB 91.28, -19.13, 89.52

 

CMYK 99 / 0 / 2 / 7

HEX #02EDE9

RGB 2 237 233

HSL 178.98, 0.98%, 0.47%

LAB 85.23, -46.6, -11.44

 

CMYK 2 / 99 / 0 / 7

HEX #E902ED

RGB 233 2 237

HSL 298.98, 0.98%, 0.47%

LAB 55.56, 92.21, -58.63

 

CMYK 0 / 1 / 99 / 6

HEX #F0ED02

RGB 240 237 2

HSL 59.24, 0.98%, 0.47%

LAB 91.28, -19.13, 89.52

 

CMYK 99 / 0 / 81 / 7

HEX #02ED2D

RGB 2 237 45

HSL 130.98, 0.98%, 0.47%

LAB 82.26, -80.15, 71.97

 

CMYK 99 / 97 / 0 / 7

HEX #0206ED

RGB 2 6 237

HSL 238.98, 0.98%, 0.47%

LAB 30.05, 73.94, -101.46

 

CMYK 0 / 99 / 18 / 7

HEX #ED02C2

RGB 237 2 194

HSL 310.98, 0.98%, 0.47%

LAB 53.97, 87.21, -36.61

 

CMYK 0 / 1 / 99 / 6

HEX #F0ED02

RGB 240 237 2

HSL 59.24, 0.98%, 0.47%

LAB 91.28, -19.13, 89.52

 

CMYK 99 / 0 / 51 / 7

HEX #02ED73

RGB 2 237 115

HSL 148.85, 0.98%, 0.47%

LAB 82.82, -73.09, 45.68

 

CMYK 99 / 97 / 0 / 7

HEX #0206ED

RGB 2 6 237

HSL 238.98, 0.98%, 0.47%

LAB 30.05, 73.94, -101.46

 

CMYK 0 / 99 / 48 / 7

HEX #ED027B

RGB 237 2 123

HSL 329.11, 0.98%, 0.47%

LAB 51.24, 80.19, 1.36

 

Description

Color code: RGB 240 237 2 | qconv.com Color code: RGB 240 237 2 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 237 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 237 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 99 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 99% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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