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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 240 213 29 it is the complementary color RGB 15 42 226. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 240 213 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 240 213 29 shade: RGB 245 213 24, RGB 255 231 43, RGB 255 249 62, RGB 255 255 81 and RGB 255 255 100

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 240 213 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 240 213 29 shade: RGB 240 213 29, RGB 223 195 10, RGB 206 177 0, RGB 189 159 0 and RGB 172 141 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 240 213 29 shade: RGB 240 213 29, RGB 240 156 29, RGB 240 99 29, RGB 240 42 29 and RGB 240 29 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 240 213 29 shade: RGB 240 213 29, RGB 210 240 29, RGB 153 240 29, RGB 96 240 29 and RGB 40 240 29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 240 213 29 shade matches the following richer shades: RGB 240 213 29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 240 213 29 shade: RGB 240 213 29, RGB 221 199 49, RGB 201 184 68, RGB 182 170 87 and RGB 163 155 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 240 213 29 shade: RGB 240 99 29, RGB 240 156 29, RGB 240 212 29, RGB 212 240 29 and RGB 156 240 29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 240 213 29 shade: RGB 176 155 11, RGB 215 189 13, RGB 240 213 29, RGB 243 220 68 and RGB 245 227 107

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 240 213 29 shade: RGB 240 213 29, RGB 29 240 43 and RGB 128 29 240

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 240 213 29 shade: RGB 240 213 29, RGB 29 240 212 and RGB 212 29 240

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 240 213 29 shade: RGB 240 213 29, RGB 29 240 43, RGB 29 57 240 and RGB 240 29 226

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 240 213 29 shade: RGB 240 213 29, RGB 29 240 107, RGB 29 57 240 and RGB 240 29 163

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 88 / 6

HEX #F0D51D

RGB 240 213 29

HSL 52.32, 0.88%, 0.53%

LAB 85.1, -6.97, 81.78

 

Complementary color

CMYK 93 / 81 / 0 / 11

HEX #0F2AE2

RGB 15 42 226

HSL 232.32, 0.88%, 0.47%

LAB 32.37, 60.23, -91.31

 

CMYK 0 / 13 / 90 / 4

HEX #F5D518

RGB 245 213 24

HSL 51.31, 0.92%, 0.53%

LAB 85.54, -4.93, 83.17

 

CMYK 0 / 9 / 83 / 0

HEX #FFE72B

RGB 255 231 43

HSL 53.21, 1%, 0.58%

LAB 91.05, -9.33, 84.22

 

CMYK 0 / 2 / 76 / 0

HEX #FFF93E

RGB 255 249 62

HSL 58.13, 1%, 0.62%

LAB 95.73, -17.54, 83.28

 

CMYK 0 / 0 / 68 / 0

HEX #FFFF51

RGB 255 255 81

HSL 60, 1%, 0.66%

LAB 97.38, -19.62, 78.71

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF64

RGB 255 255 100

HSL 60, 1%, 0.7%

LAB 97.51, -18.57, 71.69

 

CMYK 0 / 11 / 88 / 6

HEX #F0D51D

RGB 240 213 29

HSL 52.32, 0.88%, 0.53%

LAB 85.1, -6.97, 81.78

 

CMYK 0 / 13 / 96 / 13

HEX #DFC30A

RGB 223 195 10

HSL 52.11, 0.91%, 0.46%

LAB 78.89, -5.38, 79.09

 

CMYK 0 / 14 / 100 / 19

HEX #CEB100

RGB 206 177 0

HSL 51.55, 1%, 0.4%

LAB 72.61, -3.59, 74.88

 

CMYK 0 / 16 / 100 / 26

HEX #BD9F00

RGB 189 159 0

HSL 50.48, 1%, 0.37%

LAB 66.22, -1.64, 69.6

 

CMYK 0 / 18 / 100 / 33

HEX #AC8D00

RGB 172 141 0

HSL 49.19, 1%, 0.34%

LAB 59.73, 0.39, 64.24

 

CMYK 0 / 11 / 88 / 6

HEX #F0D51D

RGB 240 213 29

HSL 52.32, 0.88%, 0.53%

LAB 85.1, -6.97, 81.78

 

CMYK 0 / 35 / 88 / 6

HEX #F09C1D

RGB 240 156 29

HSL 36.11, 0.88%, 0.53%

LAB 71.14, 22.7, 70.84

 

CMYK 0 / 59 / 88 / 6

HEX #F0631D

RGB 240 99 29

HSL 19.91, 0.88%, 0.53%

LAB 59.47, 51.32, 61.82

 

CMYK 0 / 83 / 88 / 6

HEX #F02A1D

RGB 240 42 29

HSL 3.7, 0.88%, 0.53%

LAB 52.14, 71.32, 56.25

 

CMYK 0 / 88 / 88 / 6

HEX #F01D1D

RGB 240 29 29

HSL 0, 0.88%, 0.53%

LAB 51.26, 73.84, 55.58

 

CMYK 0 / 11 / 88 / 6

HEX #F0D51D

RGB 240 213 29

HSL 52.32, 0.88%, 0.53%

LAB 85.1, -6.97, 81.78

 

CMYK 13 / 0 / 88 / 6

HEX #D2F01D

RGB 210 240 29

HSL 68.53, 0.88%, 0.53%

LAB 89.91, -32.51, 84.63

 

CMYK 36 / 0 / 88 / 6

HEX #99F01D

RGB 153 240 29

HSL 84.74, 0.88%, 0.53%

LAB 86.59, -53.91, 80.55

 

CMYK 60 / 0 / 88 / 6

HEX #60F01D

RGB 96 240 29

HSL 100.95, 0.88%, 0.53%

LAB 84.43, -70.44, 77.85

 

CMYK 83 / 0 / 88 / 6

HEX #28F01D

RGB 40 240 29

HSL 116.87, 0.88%, 0.53%

LAB 83.37, -79.55, 76.53

 

CMYK 0 / 11 / 88 / 6

HEX #F0D51D

RGB 240 213 29

HSL 52.32, 0.88%, 0.53%

LAB 85.1, -6.97, 81.78

 

CMYK 0 / 11 / 88 / 6

HEX #F0D51D

RGB 240 213 29

HSL 52.32, 0.88%, 0.53%

LAB 85.1, -6.97, 81.78

 

CMYK 0 / 10 / 78 / 13

HEX #DDC731

RGB 221 199 49

HSL 52.33, 0.72%, 0.53%

LAB 79.86, -7.45, 71.79

 

CMYK 0 / 8 / 66 / 21

HEX #C9B844

RGB 201 184 68

HSL 52.33, 0.55%, 0.53%

LAB 74.26, -7.41, 58.85

 

CMYK 0 / 7 / 52 / 29

HEX #B6AA57

RGB 182 170 87

HSL 52.42, 0.39%, 0.53%

LAB 69.03, -6.8, 43.87

 

CMYK 0 / 5 / 34 / 36

HEX #A39B6B

RGB 163 155 107

HSL 51.43, 0.23%, 0.53%

LAB 63.58, -4.58, 26.26

 

CMYK 0 / 59 / 88 / 6

HEX #F0631D

RGB 240 99 29

HSL 19.91, 0.88%, 0.53%

LAB 59.47, 51.32, 61.82

 

CMYK 0 / 35 / 88 / 6

HEX #F09C1D

RGB 240 156 29

HSL 36.11, 0.88%, 0.53%

LAB 71.14, 22.7, 70.84

 

CMYK 0 / 12 / 88 / 6

HEX #F0D41D

RGB 240 212 29

HSL 52.04, 0.88%, 0.53%

LAB 84.84, -6.47, 81.58

 

CMYK 12 / 0 / 88 / 6

HEX #D4F01D

RGB 212 240 29

HSL 67.96, 0.88%, 0.53%

LAB 90.05, -31.71, 84.8

 

CMYK 35 / 0 / 88 / 6

HEX #9CF01D

RGB 156 240 29

HSL 83.89, 0.88%, 0.53%

LAB 86.74, -52.88, 80.73

 

CMYK 0 / 12 / 94 / 31

HEX #B09B0B

RGB 176 155 11

HSL 52.36, 0.88%, 0.37%

LAB 63.91, -5.22, 65.86

 

CMYK 0 / 12 / 94 / 16

HEX #D7BD0D

RGB 215 189 13

HSL 52.28, 0.89%, 0.45%

LAB 76.6, -5.74, 76.74

 

CMYK 0 / 11 / 88 / 6

HEX #F0D51D

RGB 240 213 29

HSL 52.32, 0.88%, 0.53%

LAB 85.1, -6.97, 81.78

 

CMYK 0 / 9 / 72 / 5

HEX #F3DC44

RGB 243 220 68

HSL 52.11, 0.88%, 0.61%

LAB 87.32, -8.01, 73.14

 

CMYK 0 / 7 / 56 / 4

HEX #F5E36B

RGB 245 227 107

HSL 52.17, 0.87%, 0.69%

LAB 89.59, -8.4, 59.75

 

CMYK 0 / 11 / 88 / 6

HEX #F0D51D

RGB 240 213 29

HSL 52.32, 0.88%, 0.53%

LAB 85.1, -6.97, 81.78

 

CMYK 88 / 0 / 82 / 6

HEX #1DF02B

RGB 29 240 43

HSL 123.98, 0.88%, 0.53%

LAB 83.31, -79.87, 73.49

 

CMYK 47 / 88 / 0 / 6

HEX #801DF0

RGB 128 29 240

HSL 268.15, 0.88%, 0.53%

LAB 40.83, 75.7, -85

 

CMYK 0 / 11 / 88 / 6

HEX #F0D51D

RGB 240 213 29

HSL 52.32, 0.88%, 0.53%

LAB 85.1, -6.97, 81.78

 

CMYK 88 / 0 / 12 / 6

HEX #1DF0D4

RGB 29 240 212

HSL 172.04, 0.88%, 0.53%

LAB 85.67, -52.78, 0.26

 

CMYK 12 / 88 / 0 / 6

HEX #D41DF0

RGB 212 29 240

HSL 292.04, 0.88%, 0.53%

LAB 53.13, 86.8, -64.41

 

CMYK 0 / 11 / 88 / 6

HEX #F0D51D

RGB 240 213 29

HSL 52.32, 0.88%, 0.53%

LAB 85.1, -6.97, 81.78

 

CMYK 88 / 0 / 82 / 6

HEX #1DF02B

RGB 29 240 43

HSL 123.98, 0.88%, 0.53%

LAB 83.31, -79.87, 73.49

 

CMYK 88 / 76 / 0 / 6

HEX #1D39F0

RGB 29 57 240

HSL 232.04, 0.88%, 0.53%

LAB 36.89, 57.54, -91.75

 

CMYK 0 / 88 / 6 / 6

HEX #F01DE2

RGB 240 29 226

HSL 303.98, 0.88%, 0.53%

LAB 56.97, 89.36, -50.12

 

CMYK 0 / 11 / 88 / 6

HEX #F0D51D

RGB 240 213 29

HSL 52.32, 0.88%, 0.53%

LAB 85.1, -6.97, 81.78

 

CMYK 88 / 0 / 55 / 6

HEX #1DF06B

RGB 29 240 107

HSL 142.18, 0.88%, 0.53%

LAB 83.78, -74.04, 50.58

 

CMYK 88 / 76 / 0 / 6

HEX #1D39F0

RGB 29 57 240

HSL 232.04, 0.88%, 0.53%

LAB 36.89, 57.54, -91.75

 

CMYK 0 / 88 / 32 / 6

HEX #F01DA3

RGB 240 29 163

HSL 321.9, 0.88%, 0.53%

LAB 54.08, 81.73, -18.29

 

Description

Color code: RGB 240 213 29 | qconv.com Color code: RGB 240 213 29 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 213 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 213 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 88 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 88% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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