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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 240 202 224 it is the complementary color RGB 15 53 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 240 202 224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 240 202 224 shade: RGB 245 202 219, RGB 255 220 238 and RGB 255 238 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 240 202 224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 240 202 224 shade: RGB 240 202 224, RGB 223 184 205, RGB 206 166 186, RGB 189 148 167 and RGB 172 130 148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 240 202 224 shade: RGB 240 203 224, RGB 240 203 214, RGB 240 203 204 and RGB 240 203 203

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 240 202 224 shade: RGB 240 203 224, RGB 240 203 234, RGB 236 203 240, RGB 226 203 240 and RGB 215 203 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 240 202 224 shade matches the following richer shades: RGB 240 203 224, RGB 245 197 225 and RGB 251 192 226

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 240 202 224 shade: RGB 240 203 224, RGB 235 208 223, RGB 229 214 223, RGB 224 219 222 and RGB 218 224 221

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 240 202 224 shade: RGB 236 203 240, RGB 240 203 234, RGB 240 203 224, RGB 240 203 215 and RGB 240 203 205

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 240 202 224 shade: RGB 222 138 187, RGB 231 171 205, RGB 240 203 224 and RGB 249 235 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 240 202 224 shade: RGB 240 202 224, RGB 240 226 203 and RGB 203 239 240

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 240 202 224 shade: RGB 240 202 224, RGB 224 240 203 and RGB 203 224 240

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 240 202 224 shade: RGB 240 202 224, RGB 240 226 203, RGB 203 240 218 and RGB 203 217 240

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 240 202 224 shade: RGB 240 202 224, RGB 240 237 203, RGB 203 240 218 and RGB 203 206 240

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 7 / 6

HEX #F0CAE0

RGB 240 202 224

HSL 325.26, 0.56%, 0.87%

LAB 85.07, 16.97, -5.89

 

Complementary color

CMYK 72 / 0 / 42 / 79

HEX #0F351F

RGB 15 53 31

HSL 145.26, 0.56%, 0.13%

LAB 19, -19.65, 10.01

 

CMYK 0 / 18 / 11 / 4

HEX #F5CADB

RGB 245 202 219

HSL 336.28, 0.68%, 0.88%

LAB 85.39, 17.86, -2.71

 

CMYK 0 / 14 / 7 / 0

HEX #FFDCEE

RGB 255 220 238

HSL 329.14, 1%, 0.93%

LAB 91.06, 15.03, -4.3

 

CMYK 0 / 7 / 0 / 0

HEX #FFEEFF

RGB 255 238 255

HSL 300, 1%, 0.97%

LAB 95.84, 8.66, -6.11

 

CMYK 0 / 16 / 7 / 6

HEX #F0CAE0

RGB 240 202 224

HSL 325.26, 0.56%, 0.87%

LAB 85.07, 16.97, -5.89

 

CMYK 0 / 17 / 8 / 13

HEX #DFB8CD

RGB 223 184 205

HSL 327.69, 0.38%, 0.8%

LAB 78.68, 17.43, -5.3

 

CMYK 0 / 19 / 10 / 19

HEX #CEA6BA

RGB 206 166 186

HSL 330, 0.29%, 0.73%

LAB 72.19, 17.92, -4.69

 

CMYK 0 / 22 / 12 / 26

HEX #BD94A7

RGB 189 148 167

HSL 332.2, 0.24%, 0.66%

LAB 65.58, 18.46, -4.05

 

CMYK 0 / 24 / 14 / 33

HEX #AC8294

RGB 172 130 148

HSL 334.29, 0.2%, 0.59%

LAB 58.86, 19.06, -3.36

 

CMYK 0 / 15 / 7 / 6

HEX #F0CBE0

RGB 240 203 224

HSL 325.95, 0.55%, 0.87%

LAB 85.31, 16.45, -5.53

 

CMYK 0 / 15 / 11 / 6

HEX #F0CBD6

RGB 240 203 214

HSL 342.16, 0.55%, 0.87%

LAB 85.04, 14.77, -0.61

 

CMYK 0 / 15 / 15 / 6

HEX #F0CBCC

RGB 240 203 204

HSL 358.38, 0.55%, 0.87%

LAB 84.79, 13.17, 4.35

 

CMYK 0 / 15 / 15 / 6

HEX #F0CBCB

RGB 240 203 203

HSL 0, 0.55%, 0.87%

LAB 84.77, 13.01, 4.85

 

CMYK 0 / 15 / 7 / 6

HEX #F0CBE0

RGB 240 203 224

HSL 325.95, 0.55%, 0.87%

LAB 85.31, 16.45, -5.53

 

CMYK 0 / 15 / 3 / 6

HEX #F0CBEA

RGB 240 203 234

HSL 309.73, 0.55%, 0.87%

LAB 85.59, 18.19, -10.43

 

CMYK 2 / 15 / 0 / 6

HEX #ECCBF0

RGB 236 203 240

HSL 293.51, 0.55%, 0.87%

LAB 85.42, 17.95, -13.91

 

CMYK 6 / 15 / 0 / 6

HEX #E2CBF0

RGB 226 203 240

HSL 277.3, 0.55%, 0.87%

LAB 84.57, 14.67, -15.27

 

CMYK 10 / 15 / 0 / 6

HEX #D7CBF0

RGB 215 203 240

HSL 259.46, 0.55%, 0.87%

LAB 83.68, 11.11, -16.7

 

CMYK 0 / 15 / 7 / 6

HEX #F0CBE0

RGB 240 203 224

HSL 325.95, 0.55%, 0.87%

LAB 85.31, 16.45, -5.53

 

CMYK 0 / 20 / 8 / 4

HEX #F5C5E1

RGB 245 197 225

HSL 325, 0.71%, 0.87%

LAB 84.37, 21.49, -7.41

 

CMYK 0 / 24 / 10 / 2

HEX #FBC0E2

RGB 251 192 226

HSL 325.42, 0.88%, 0.87%

LAB 83.81, 26.34, -8.71

 

CMYK 0 / 15 / 7 / 6

HEX #F0CBE0

RGB 240 203 224

HSL 325.95, 0.55%, 0.87%

LAB 85.31, 16.45, -5.53

 

CMYK 0 / 11 / 5 / 8

HEX #EBD0DF

RGB 235 208 223

HSL 326.67, 0.4%, 0.87%

LAB 86.06, 11.92, -3.95

 

CMYK 0 / 7 / 3 / 10

HEX #E5D6DF

RGB 229 214 223

HSL 324, 0.22%, 0.87%

LAB 87.04, 6.72, -2.57

 

CMYK 0 / 2 / 1 / 12

HEX #E0DBDE

RGB 224 219 222

HSL 324, 0.07%, 0.87%

LAB 87.86, 2.24, -0.88

 

CMYK 3 / 0 / 1 / 12

HEX #DAE0DD

RGB 218 224 221

HSL 150, 0.09%, 0.87%

LAB 88.66, -2.56, 0.75

 

CMYK 2 / 15 / 0 / 6

HEX #ECCBF0

RGB 236 203 240

HSL 293.51, 0.55%, 0.87%

LAB 85.42, 17.95, -13.91

 

CMYK 0 / 15 / 3 / 6

HEX #F0CBEA

RGB 240 203 234

HSL 309.73, 0.55%, 0.87%

LAB 85.59, 18.19, -10.43

 

CMYK 0 / 15 / 7 / 6

HEX #F0CBE0

RGB 240 203 224

HSL 325.95, 0.55%, 0.87%

LAB 85.31, 16.45, -5.53

 

CMYK 0 / 15 / 10 / 6

HEX #F0CBD7

RGB 240 203 215

HSL 340.54, 0.55%, 0.87%

LAB 85.07, 14.93, -1.1

 

CMYK 0 / 15 / 15 / 6

HEX #F0CBCD

RGB 240 203 205

HSL 356.76, 0.55%, 0.87%

LAB 84.81, 13.32, 3.85

 

CMYK 0 / 38 / 16 / 13

HEX #DE8ABB

RGB 222 138 187

HSL 325, 0.56%, 0.71%

LAB 67.5, 38.77, -12.04

 

CMYK 0 / 26 / 11 / 9

HEX #E7ABCD

RGB 231 171 205

HSL 326, 0.56%, 0.79%

LAB 76.39, 27.18, -8.61

 

CMYK 0 / 15 / 7 / 6

HEX #F0CBE0

RGB 240 203 224

HSL 325.95, 0.55%, 0.87%

LAB 85.31, 16.45, -5.53

 

CMYK 0 / 6 / 2 / 2

HEX #F9EBF3

RGB 249 235 243

HSL 325.71, 0.54%, 0.95%

LAB 94.32, 6.1, -2.18

 

CMYK 0 / 16 / 7 / 6

HEX #F0CAE0

RGB 240 202 224

HSL 325.26, 0.56%, 0.87%

LAB 85.07, 16.97, -5.89

 

CMYK 0 / 6 / 15 / 6

HEX #F0E2CB

RGB 240 226 203

HSL 37.3, 0.55%, 0.87%

LAB 90.43, 1.05, 12.95

 

CMYK 15 / 0 / 0 / 6

HEX #CBEFF0

RGB 203 239 240

HSL 181.62, 0.55%, 0.87%

LAB 92.01, -11.4, -4.4

 

CMYK 0 / 16 / 7 / 6

HEX #F0CAE0

RGB 240 202 224

HSL 325.26, 0.56%, 0.87%

LAB 85.07, 16.97, -5.89

 

CMYK 7 / 0 / 15 / 6

HEX #E0F0CB

RGB 224 240 203

HSL 85.95, 0.55%, 0.87%

LAB 92.79, -11.68, 16.12

 

CMYK 15 / 7 / 0 / 6

HEX #CBE0F0

RGB 203 224 240

HSL 205.95, 0.55%, 0.87%

LAB 88.11, -3.74, -10.16

 

CMYK 0 / 16 / 7 / 6

HEX #F0CAE0

RGB 240 202 224

HSL 325.26, 0.56%, 0.87%

LAB 85.07, 16.97, -5.89

 

CMYK 0 / 6 / 15 / 6

HEX #F0E2CB

RGB 240 226 203

HSL 37.3, 0.55%, 0.87%

LAB 90.43, 1.05, 12.95

 

CMYK 15 / 0 / 9 / 6

HEX #CBF0DA

RGB 203 240 218

HSL 144.32, 0.55%, 0.87%

LAB 91.72, -16.15, 6.63

 

CMYK 15 / 10 / 0 / 6

HEX #CBD9F0

RGB 203 217 240

HSL 217.3, 0.55%, 0.87%

LAB 86.31, -0.1, -12.85

 

CMYK 0 / 16 / 7 / 6

HEX #F0CAE0

RGB 240 202 224

HSL 325.26, 0.56%, 0.87%

LAB 85.07, 16.97, -5.89

 

CMYK 0 / 1 / 15 / 6

HEX #F0EDCB

RGB 240 237 203

HSL 55.14, 0.55%, 0.87%

LAB 93.19, -4.55, 16.86

 

CMYK 15 / 0 / 9 / 6

HEX #CBF0DA

RGB 203 240 218

HSL 144.32, 0.55%, 0.87%

LAB 91.72, -16.15, 6.63

 

CMYK 15 / 14 / 0 / 6

HEX #CBCEF0

RGB 203 206 240

HSL 235.14, 0.55%, 0.87%

LAB 83.51, 5.7, -17.05

 

Description

Color code: RGB 240 202 224 | qconv.com Color code: RGB 240 202 224 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 202 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 202 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 7 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 7% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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