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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 240 208 220 it is the complementary color RGB 15 47 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 240 208 220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 240 208 220 shade: RGB 245 208 215, RGB 255 226 234 and RGB 255 244 253

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 240 208 220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 240 208 220 shade: RGB 240 208 220, RGB 223 190 201, RGB 206 172 182, RGB 189 154 163 and RGB 172 136 144

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 240 208 220 shade: RGB 240 208 220, RGB 240 208 211 and RGB 240 208 208

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 240 208 220 shade: RGB 240 208 220, RGB 240 208 229, RGB 240 208 237, RGB 234 208 240 and RGB 225 208 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 240 208 220 shade matches the following richer shades: RGB 240 208 220, RGB 245 203 219 and RGB 250 198 217

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 240 208 220 shade: RGB 240 208 220, RGB 235 213 221, RGB 230 218 222, RGB 225 223 224 and RGB 220 228 225

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 240 208 220 shade: RGB 240 208 237, RGB 240 208 229, RGB 240 208 220, RGB 240 208 212 and RGB 240 213 208

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 240 208 220 shade: RGB 220 145 173, RGB 230 177 197, RGB 240 208 220 and RGB 250 239 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 240 208 220 shade: RGB 240 208 220, RGB 240 234 208 and RGB 208 233 240

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 240 208 220 shade: RGB 240 208 220, RGB 220 240 208 and RGB 208 220 240

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 240 208 220 shade: RGB 240 208 220, RGB 240 234 208, RGB 208 240 228 and RGB 208 214 240

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 240 208 220 shade: RGB 240 208 220, RGB 236 240 208, RGB 208 240 228 and RGB 212 208 240

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 8 / 6

HEX #F0D0DC

RGB 240 208 220

HSL 337.5, 0.52%, 0.88%

LAB 86.41, 13.13, -1.8

 

Complementary color

CMYK 68 / 0 / 26 / 82

HEX #0F2F23

RGB 15 47 35

HSL 157.5, 0.52%, 0.12%

LAB 16.78, -15.39, 4.22

 

CMYK 0 / 15 / 12 / 4

HEX #F5D0D7

RGB 245 208 215

HSL 348.65, 0.65%, 0.89%

LAB 86.72, 14.05, 1.36

 

CMYK 0 / 11 / 8 / 0

HEX #FFE2EA

RGB 255 226 234

HSL 343.45, 1%, 0.94%

LAB 92.4, 11.25, -0.25

 

CMYK 0 / 4 / 1 / 0

HEX #FFF4FD

RGB 255 244 253

HSL 310.91, 1%, 0.98%

LAB 97.25, 5.23, -3.01

 

CMYK 0 / 13 / 8 / 6

HEX #F0D0DC

RGB 240 208 220

HSL 337.5, 0.52%, 0.88%

LAB 86.41, 13.13, -1.8

 

CMYK 0 / 15 / 10 / 13

HEX #DFBEC9

RGB 223 190 201

HSL 340, 0.34%, 0.81%

LAB 80.03, 13.54, -1.16

 

CMYK 0 / 17 / 12 / 19

HEX #CEACB6

RGB 206 172 182

HSL 342.35, 0.26%, 0.74%

LAB 73.55, 13.98, -0.49

 

CMYK 0 / 19 / 14 / 26

HEX #BD9AA3

RGB 189 154 163

HSL 344.57, 0.21%, 0.67%

LAB 66.96, 14.46, 0.21

 

CMYK 0 / 21 / 16 / 33

HEX #AC8890

RGB 172 136 144

HSL 346.67, 0.18%, 0.6%

LAB 60.24, 14.99, 0.96

 

CMYK 0 / 13 / 8 / 6

HEX #F0D0DC

RGB 240 208 220

HSL 337.5, 0.52%, 0.88%

LAB 86.41, 13.13, -1.8

 

CMYK 0 / 13 / 12 / 6

HEX #F0D0D3

RGB 240 208 211

HSL 354.38, 0.52%, 0.88%

LAB 86.18, 11.65, 2.64

 

CMYK 0 / 13 / 13 / 6

HEX #F0D0D0

RGB 240 208 208

HSL 0, 0.52%, 0.88%

LAB 86.1, 11.17, 4.12

 

CMYK 0 / 13 / 8 / 6

HEX #F0D0DC

RGB 240 208 220

HSL 337.5, 0.52%, 0.88%

LAB 86.41, 13.13, -1.8

 

CMYK 0 / 13 / 5 / 6

HEX #F0D0E5

RGB 240 208 229

HSL 320.63, 0.52%, 0.88%

LAB 86.65, 14.67, -6.21

 

CMYK 0 / 13 / 1 / 6

HEX #F0D0ED

RGB 240 208 237

HSL 305.63, 0.52%, 0.88%

LAB 86.87, 16.09, -10.11

 

CMYK 3 / 13 / 0 / 6

HEX #EAD0F0

RGB 234 208 240

HSL 288.75, 0.52%, 0.88%

LAB 86.45, 14.64, -12.39

 

CMYK 6 / 13 / 0 / 6

HEX #E1D0F0

RGB 225 208 240

HSL 271.88, 0.52%, 0.88%

LAB 85.71, 11.69, -13.57

 

CMYK 0 / 13 / 8 / 6

HEX #F0D0DC

RGB 240 208 220

HSL 337.5, 0.52%, 0.88%

LAB 86.41, 13.13, -1.8

 

CMYK 0 / 17 / 11 / 4

HEX #F5CBDB

RGB 245 203 219

HSL 337.14, 0.68%, 0.88%

LAB 85.62, 17.33, -2.36

 

CMYK 0 / 21 / 13 / 2

HEX #FAC6D9

RGB 250 198 217

HSL 338.08, 0.84%, 0.88%

LAB 84.85, 21.38, -2.37

 

CMYK 0 / 13 / 8 / 6

HEX #F0D0DC

RGB 240 208 220

HSL 337.5, 0.52%, 0.88%

LAB 86.41, 13.13, -1.8

 

CMYK 0 / 9 / 6 / 8

HEX #EBD5DD

RGB 235 213 221

HSL 338.18, 0.35%, 0.88%

LAB 87.23, 8.95, -1.18

 

CMYK 0 / 5 / 3 / 10

HEX #E6DADE

RGB 230 218 222

HSL 340, 0.19%, 0.88%

LAB 88.08, 4.8, -0.5

 

CMYK 0 / 1 / 0 / 12

HEX #E1DFE0

RGB 225 223 224

HSL 330, 0.03%, 0.88%

LAB 89, 0.86, -0.26

 

CMYK 4 / 0 / 1 / 11

HEX #DCE4E1

RGB 220 228 225

HSL 157.5, 0.13%, 0.88%

LAB 89.92, -3.22, 0.52

 

CMYK 0 / 13 / 1 / 6

HEX #F0D0ED

RGB 240 208 237

HSL 305.63, 0.52%, 0.88%

LAB 86.87, 16.09, -10.11

 

CMYK 0 / 13 / 5 / 6

HEX #F0D0E5

RGB 240 208 229

HSL 320.63, 0.52%, 0.88%

LAB 86.65, 14.67, -6.21

 

CMYK 0 / 13 / 8 / 6

HEX #F0D0DC

RGB 240 208 220

HSL 337.5, 0.52%, 0.88%

LAB 86.41, 13.13, -1.8

 

CMYK 0 / 13 / 12 / 6

HEX #F0D0D4

RGB 240 208 212

HSL 352.5, 0.52%, 0.88%

LAB 86.2, 11.81, 2.15

 

CMYK 0 / 11 / 13 / 6

HEX #F0D5D0

RGB 240 213 208

HSL 9.38, 0.52%, 0.88%

LAB 87.32, 8.56, 5.89

 

CMYK 0 / 34 / 21 / 14

HEX #DC91AD

RGB 220 145 173

HSL 337.6, 0.52%, 0.72%

LAB 68.38, 32.21, -2.92

 

CMYK 0 / 23 / 14 / 10

HEX #E6B1C5

RGB 230 177 197

HSL 337.36, 0.51%, 0.8%

LAB 77.46, 22.31, -2.68

 

CMYK 0 / 13 / 8 / 6

HEX #F0D0DC

RGB 240 208 220

HSL 337.5, 0.52%, 0.88%

LAB 86.41, 13.13, -1.8

 

CMYK 0 / 4 / 3 / 2

HEX #FAEFF3

RGB 250 239 243

HSL 338.18, 0.52%, 0.96%

LAB 95.38, 4.38, -0.62

 

CMYK 0 / 13 / 8 / 6

HEX #F0D0DC

RGB 240 208 220

HSL 337.5, 0.52%, 0.88%

LAB 86.41, 13.13, -1.8

 

CMYK 0 / 3 / 13 / 6

HEX #F0EAD0

RGB 240 234 208

HSL 48.75, 0.52%, 0.88%

LAB 92.54, -2.26, 13.35

 

CMYK 13 / 3 / 0 / 6

HEX #D0E9F0

RGB 208 233 240

HSL 193.13, 0.52%, 0.88%

LAB 90.77, -6.8, -6.18

 

CMYK 0 / 13 / 8 / 6

HEX #F0D0DC

RGB 240 208 220

HSL 337.5, 0.52%, 0.88%

LAB 86.41, 13.13, -1.8

 

CMYK 8 / 0 / 13 / 6

HEX #DCF0D0

RGB 220 240 208

HSL 97.5, 0.52%, 0.88%

LAB 92.61, -12.25, 13.25

 

CMYK 13 / 8 / 0 / 6

HEX #D0DCF0

RGB 208 220 240

HSL 217.5, 0.52%, 0.88%

LAB 87.43, -0.09, -11.14

 

CMYK 0 / 13 / 8 / 6

HEX #F0D0DC

RGB 240 208 220

HSL 337.5, 0.52%, 0.88%

LAB 86.41, 13.13, -1.8

 

CMYK 0 / 3 / 13 / 6

HEX #F0EAD0

RGB 240 234 208

HSL 48.75, 0.52%, 0.88%

LAB 92.54, -2.26, 13.35

 

CMYK 13 / 0 / 5 / 6

HEX #D0F0E4

RGB 208 240 228

HSL 157.5, 0.52%, 0.88%

LAB 92.28, -12.67, 2.28

 

CMYK 13 / 11 / 0 / 6

HEX #D0D6F0

RGB 208 214 240

HSL 228.75, 0.52%, 0.88%

LAB 85.9, 3.05, -13.42

 

CMYK 0 / 13 / 8 / 6

HEX #F0D0DC

RGB 240 208 220

HSL 337.5, 0.52%, 0.88%

LAB 86.41, 13.13, -1.8

 

CMYK 2 / 0 / 13 / 6

HEX #ECF0D0

RGB 236 240 208

HSL 67.5, 0.52%, 0.88%

LAB 93.76, -6.7, 15.03

 

CMYK 13 / 0 / 5 / 6

HEX #D0F0E4

RGB 208 240 228

HSL 157.5, 0.52%, 0.88%

LAB 92.28, -12.67, 2.28

 

CMYK 12 / 13 / 0 / 6

HEX #D4D0F0

RGB 212 208 240

HSL 247.5, 0.52%, 0.88%

LAB 84.69, 7.49, -15.21

 

Description

Color code: RGB 240 208 220 | qconv.com Color code: RGB 240 208 220 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 208 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 208 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 8 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 8% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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