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Color name
RGB 240 199 159

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 240 199 159 it is the complementary color RGB 15 56 96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 240 199 159. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 240 199 159 shade: RGB 245 199 154, RGB 255 217 173, RGB 255 235 192, RGB 255 253 211 and RGB 255 255 230

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 240 199 159. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 240 199 159 shade: RGB 240 199 159, RGB 223 181 140, RGB 206 163 121, RGB 189 145 102 and RGB 172 127 83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 240 199 159 shade: RGB 239 198 157, RGB 239 176 157 and RGB 239 157 157

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 240 199 159 shade: RGB 239 198 157, RGB 239 220 157, RGB 237 239 157, RGB 215 239 157 and RGB 192 239 157

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 240 199 159 shade matches the following richer shades: RGB 239 198 157 and RGB 248 198 148

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 240 199 159 shade: RGB 239 198 157, RGB 230 198 167, RGB 221 198 176, RGB 212 198 185 and RGB 203 198 194

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 240 199 159 shade: RGB 239 157 162, RGB 239 175 157, RGB 239 197 157, RGB 239 219 157 and RGB 238 239 157

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 240 199 159 shade: RGB 228 156 86, RGB 234 177 122, RGB 239 198 157, RGB 245 219 193 and RGB 250 240 229

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 240 199 159 shade: RGB 240 199 159, RGB 183 239 157 and RGB 164 157 239

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 240 199 159 shade: RGB 240 199 159, RGB 157 239 197 and RGB 197 157 239

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 240 199 159 shade: RGB 240 199 159, RGB 183 239 157, RGB 157 200 239 and RGB 213 157 239

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 240 199 159 shade: RGB 240 199 159, RGB 159 239 157, RGB 157 200 239 and RGB 238 157 239

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 34 / 6

HEX #F0C79F

RGB 240 199 159

HSL 29.63, 0.73%, 0.78%

LAB 82.85, 9, 25.48

 

Complementary color

CMYK 84 / 42 / 0 / 62

HEX #0F3860

RGB 15 56 96

HSL 209.63, 0.73%, 0.22%

LAB 22.91, 2.08, -27.72

 

CMYK 0 / 19 / 37 / 4

HEX #F5C79A

RGB 245 199 154

HSL 29.67, 0.82%, 0.78%

LAB 83.23, 10.34, 28.7

 

CMYK 0 / 15 / 32 / 0

HEX #FFD9AD

RGB 255 217 173

HSL 32.2, 1%, 0.84%

LAB 88.88, 7.08, 26.6

 

CMYK 0 / 8 / 25 / 0

HEX #FFEBC0

RGB 255 235 192

HSL 40.95, 1%, 0.88%

LAB 93.66, 0.32, 23.36

 

CMYK 0 / 1 / 17 / 0

HEX #FFFDD3

RGB 255 253 211

HSL 57.27, 1%, 0.91%

LAB 98.52, -6.06, 20.38

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE6

RGB 255 255 230

HSL 60, 1%, 0.95%

LAB 99.41, -4.17, 11.95

 

CMYK 0 / 17 / 34 / 6

HEX #F0C79F

RGB 240 199 159

HSL 29.63, 0.73%, 0.78%

LAB 82.85, 9, 25.48

 

CMYK 0 / 19 / 37 / 13

HEX #DFB58C

RGB 223 181 140

HSL 29.64, 0.56%, 0.71%

LAB 76.45, 9.61, 26.63

 

CMYK 0 / 21 / 41 / 19

HEX #CEA379

RGB 206 163 121

HSL 29.65, 0.46%, 0.64%

LAB 69.96, 10.31, 27.85

 

CMYK 0 / 23 / 46 / 26

HEX #BD9166

RGB 189 145 102

HSL 29.66, 0.4%, 0.57%

LAB 63.37, 11.12, 29.17

 

CMYK 0 / 26 / 52 / 33

HEX #AC7F53

RGB 172 127 83

HSL 29.66, 0.35%, 0.5%

LAB 56.66, 12.08, 30.6

 

CMYK 0 / 17 / 34 / 6

HEX #EFC69D

RGB 239 198 157

HSL 30, 0.72%, 0.78%

LAB 82.47, 8.9, 26.01

 

CMYK 0 / 26 / 34 / 6

HEX #EFB09D

RGB 239 176 157

HSL 13.9, 0.72%, 0.78%

LAB 77.18, 20.51, 18.76

 

CMYK 0 / 34 / 34 / 6

HEX #EF9D9D

RGB 239 157 157

HSL 0, 0.72%, 0.78%

LAB 72.83, 30.58, 12.67

 

CMYK 0 / 17 / 34 / 6

HEX #EFC69D

RGB 239 198 157

HSL 30, 0.72%, 0.78%

LAB 82.47, 8.9, 26.01

 

CMYK 0 / 8 / 34 / 6

HEX #EFDC9D

RGB 239 220 157

HSL 46.1, 0.72%, 0.78%

LAB 87.95, -2.48, 33.36

 

CMYK 1 / 0 / 34 / 6

HEX #EDEF9D

RGB 237 239 157

HSL 61.46, 0.72%, 0.78%

LAB 92.65, -12.79, 39.5

 

CMYK 10 / 0 / 34 / 6

HEX #D7EF9D

RGB 215 239 157

HSL 77.56, 0.72%, 0.78%

LAB 91.06, -21, 37.12

 

CMYK 20 / 0 / 34 / 6

HEX #C0EF9D

RGB 192 239 157

HSL 94.39, 0.72%, 0.78%

LAB 89.57, -29.26, 34.88

 

CMYK 0 / 17 / 34 / 6

HEX #EFC69D

RGB 239 198 157

HSL 30, 0.72%, 0.78%

LAB 82.47, 8.9, 26.01

 

CMYK 0 / 20 / 40 / 3

HEX #F8C694

RGB 248 198 148

HSL 30, 0.88%, 0.78%

LAB 83.17, 11.36, 31.81

 

CMYK 0 / 17 / 34 / 6

HEX #EFC69D

RGB 239 198 157

HSL 30, 0.72%, 0.78%

LAB 82.47, 8.9, 26.01

 

CMYK 0 / 14 / 27 / 10

HEX #E6C6A7

RGB 230 198 167

HSL 29.52, 0.56%, 0.78%

LAB 81.84, 6.73, 19.72

 

CMYK 0 / 10 / 20 / 13

HEX #DDC6B0

RGB 221 198 176

HSL 29.33, 0.4%, 0.78%

LAB 81.23, 4.62, 13.97

 

CMYK 0 / 7 / 13 / 17

HEX #D4C6B9

RGB 212 198 185

HSL 28.89, 0.24%, 0.78%

LAB 80.68, 2.71, 8.26

 

CMYK 0 / 2 / 4 / 20

HEX #CBC6C2

RGB 203 198 194

HSL 26.67, 0.08%, 0.78%

LAB 80.17, 1.03, 2.61

 

CMYK 0 / 34 / 32 / 6

HEX #EF9DA2

RGB 239 157 162

HSL 356.34, 0.72%, 0.78%

LAB 72.94, 31.2, 10.07

 

CMYK 0 / 27 / 34 / 6

HEX #EFAF9D

RGB 239 175 157

HSL 13.17, 0.72%, 0.78%

LAB 76.95, 21.04, 18.43

 

CMYK 0 / 18 / 34 / 6

HEX #EFC59D

RGB 239 197 157

HSL 29.27, 0.72%, 0.78%

LAB 82.23, 9.42, 25.68

 

CMYK 0 / 8 / 34 / 6

HEX #EFDB9D

RGB 239 219 157

HSL 45.37, 0.72%, 0.78%

LAB 87.7, -1.97, 33.03

 

CMYK 0 / 0 / 34 / 6

HEX #EEEF9D

RGB 238 239 157

HSL 60.73, 0.72%, 0.78%

LAB 92.73, -12.41, 39.61

 

CMYK 0 / 32 / 62 / 11

HEX #E49C56

RGB 228 156 86

HSL 29.58, 0.72%, 0.62%

LAB 70.14, 20.04, 46.84

 

CMYK 0 / 24 / 48 / 8

HEX #EAB17A

RGB 234 177 122

HSL 29.46, 0.73%, 0.7%

LAB 76.28, 14.22, 36.1

 

CMYK 0 / 17 / 34 / 6

HEX #EFC69D

RGB 239 198 157

HSL 30, 0.72%, 0.78%

LAB 82.47, 8.9, 26.01

 

CMYK 0 / 11 / 21 / 4

HEX #F5DBC1

RGB 245 219 193

HSL 30, 0.72%, 0.86%

LAB 88.89, 4.98, 16.06

 

CMYK 0 / 4 / 8 / 2

HEX #FAF0E5

RGB 250 240 229

HSL 31.43, 0.68%, 0.94%

LAB 95.29, 1.52, 6.5

 

CMYK 0 / 17 / 34 / 6

HEX #F0C79F

RGB 240 199 159

HSL 29.63, 0.73%, 0.78%

LAB 82.85, 9, 25.48

 

CMYK 23 / 0 / 34 / 6

HEX #B7EF9D

RGB 183 239 157

HSL 100.98, 0.72%, 0.78%

LAB 89.03, -32.37, 34.07

 

CMYK 31 / 34 / 0 / 6

HEX #A49DEF

RGB 164 157 239

HSL 245.12, 0.72%, 0.78%

LAB 68.2, 20.76, -40.26

 

CMYK 0 / 17 / 34 / 6

HEX #F0C79F

RGB 240 199 159

HSL 29.63, 0.73%, 0.78%

LAB 82.85, 9, 25.48

 

CMYK 34 / 0 / 18 / 6

HEX #9DEFC5

RGB 157 239 197

HSL 149.27, 0.72%, 0.78%

LAB 88.42, -33.79, 12.48

 

CMYK 18 / 34 / 0 / 6

HEX #C59DEF

RGB 197 157 239

HSL 269.27, 0.72%, 0.78%

LAB 71.02, 30.32, -35.65

 

CMYK 0 / 17 / 34 / 6

HEX #F0C79F

RGB 240 199 159

HSL 29.63, 0.73%, 0.78%

LAB 82.85, 9, 25.48

 

CMYK 23 / 0 / 34 / 6

HEX #B7EF9D

RGB 183 239 157

HSL 100.98, 0.72%, 0.78%

LAB 89.03, -32.37, 34.07

 

CMYK 34 / 16 / 0 / 6

HEX #9DC8EF

RGB 157 200 239

HSL 208.54, 0.72%, 0.78%

LAB 78.87, -4.94, -23.83

 

CMYK 11 / 34 / 0 / 6

HEX #D59DEF

RGB 213 157 239

HSL 280.98, 0.72%, 0.78%

LAB 72.56, 35.14, -33.15

 

CMYK 0 / 17 / 34 / 6

HEX #F0C79F

RGB 240 199 159

HSL 29.63, 0.73%, 0.78%

LAB 82.85, 9, 25.48

 

CMYK 33 / 0 / 34 / 6

HEX #9FEF9D

RGB 159 239 157

HSL 118.54, 0.72%, 0.78%

LAB 87.75, -40.22, 32.13

 

CMYK 34 / 16 / 0 / 6

HEX #9DC8EF

RGB 157 200 239

HSL 208.54, 0.72%, 0.78%

LAB 78.87, -4.94, -23.83

 

CMYK 0 / 34 / 0 / 6

HEX #EE9DEF

RGB 238 157 239

HSL 299.27, 0.72%, 0.78%

LAB 75.15, 42.81, -28.93

 

Description

Color code: RGB 240 199 159 | qconv.com Color code: RGB 240 199 159 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 199 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 199 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 34 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 34% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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