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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 240 180 243 it is the complementary color RGB 15 75 12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 240 180 243. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 240 180 243 shade: RGB 245 180 238, RGB 255 198 255, RGB 255 216 255, RGB 255 234 255 and RGB 255 252 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 240 180 243. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 240 180 243 shade: RGB 240 180 243, RGB 223 162 224, RGB 206 144 205, RGB 189 126 186 and RGB 172 108 167

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 240 180 243 shade: RGB 239 180 242, RGB 242 180 229, RGB 242 180 212, RGB 242 180 195 and RGB 242 180 180

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 240 180 243 shade: RGB 239 180 242, RGB 223 180 242, RGB 206 180 242, RGB 189 180 242 and RGB 180 180 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 240 180 243 shade matches the following richer shades: RGB 239 180 242 and RGB 246 173 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 240 180 243 shade: RGB 239 180 242, RGB 233 187 235, RGB 227 194 228, RGB 220 201 221 and RGB 214 208 214

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 240 180 243 shade: RGB 206 180 242, RGB 223 180 242, RGB 239 180 242, RGB 242 180 229 and RGB 242 180 212

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 240 180 243 shade: RGB 225 109 231, RGB 232 144 237, RGB 239 180 242, RGB 247 215 248 and RGB 254 251 254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 240 180 243 shade: RGB 240 180 243, RGB 242 189 180 and RGB 180 242 214

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 240 180 243 shade: RGB 240 180 243, RGB 242 239 180 and RGB 180 242 239

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 240 180 243 shade: RGB 240 180 243, RGB 242 189 180, RGB 183 242 180 and RGB 180 233 242

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 240 180 243 shade: RGB 240 180 243, RGB 242 208 180, RGB 183 242 180 and RGB 180 214 242

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 26 / 0 / 5

HEX #F0B4F3

RGB 240 180 243

HSL 297.14, 0.72%, 0.83%

LAB 80.54, 32.03, -22.85

 

Complementary color

CMYK 80 / 0 / 84 / 71

HEX #0F4B0C

RGB 15 75 12

HSL 117.14, 0.72%, 0.17%

LAB 27.19, -32.11, 29.98

 

CMYK 0 / 27 / 3 / 4

HEX #F5B4EE

RGB 245 180 238

HSL 306.46, 0.76%, 0.83%

LAB 80.87, 32.74, -19.62

 

CMYK 0 / 22 / 0 / 0

HEX #FFC6FF

RGB 255 198 255

HSL 300, 1%, 0.89%

LAB 86.44, 29.52, -20.16

 

CMYK 0 / 15 / 0 / 0

HEX #FFD8FF

RGB 255 216 255

HSL 300, 1%, 0.92%

LAB 90.59, 20.08, -13.92

 

CMYK 0 / 8 / 0 / 0

HEX #FFEAFF

RGB 255 234 255

HSL 300, 1%, 0.96%

LAB 94.88, 10.72, -7.54

 

CMYK 0 / 1 / 0 / 0

HEX #FFFCFF

RGB 255 252 255

HSL 300, 1%, 0.99%

LAB 99.26, 1.52, -1.09

 

CMYK 1 / 26 / 0 / 5

HEX #F0B4F3

RGB 240 180 243

HSL 297.14, 0.72%, 0.83%

LAB 80.54, 32.03, -22.85

 

CMYK 0 / 28 / 0 / 12

HEX #DFA2E0

RGB 223 162 224

HSL 299.03, 0.5%, 0.76%

LAB 74.13, 32.67, -22.46

 

CMYK 0 / 30 / 0 / 19

HEX #CE90CD

RGB 206 144 205

HSL 300.97, 0.39%, 0.69%

LAB 67.63, 33.34, -22.06

 

CMYK 0 / 33 / 2 / 26

HEX #BD7EBA

RGB 189 126 186

HSL 302.86, 0.32%, 0.62%

LAB 61.03, 34.06, -21.63

 

CMYK 0 / 37 / 3 / 33

HEX #AC6CA7

RGB 172 108 167

HSL 304.69, 0.28%, 0.55%

LAB 54.33, 34.82, -21.16

 

CMYK 1 / 26 / 0 / 5

HEX #EFB4F2

RGB 239 180 242

HSL 297.1, 0.7%, 0.83%

LAB 80.41, 31.53, -22.52

 

CMYK 0 / 26 / 5 / 5

HEX #F2B4E5

RGB 242 180 229

HSL 312.58, 0.7%, 0.83%

LAB 80.28, 30.17, -15.69

 

CMYK 0 / 26 / 12 / 5

HEX #F2B4D4

RGB 242 180 212

HSL 329.03, 0.7%, 0.83%

LAB 79.77, 27.32, -7.27

 

CMYK 0 / 26 / 19 / 5

HEX #F2B4C3

RGB 242 180 195

HSL 345.48, 0.7%, 0.83%

LAB 79.31, 24.67, 1.24

 

CMYK 0 / 26 / 26 / 5

HEX #F2B4B4

RGB 242 180 180

HSL 0, 0.7%, 0.83%

LAB 78.93, 22.5, 8.83

 

CMYK 1 / 26 / 0 / 5

HEX #EFB4F2

RGB 239 180 242

HSL 297.1, 0.7%, 0.83%

LAB 80.41, 31.53, -22.52

 

CMYK 8 / 26 / 0 / 5

HEX #DFB4F2

RGB 223 180 242

HSL 281.61, 0.7%, 0.83%

LAB 78.89, 26.42, -24.96

 

CMYK 15 / 26 / 0 / 5

HEX #CEB4F2

RGB 206 180 242

HSL 265.16, 0.7%, 0.83%

LAB 77.39, 21.09, -27.4

 

CMYK 22 / 26 / 0 / 5

HEX #BDB4F2

RGB 189 180 242

HSL 248.71, 0.7%, 0.83%

LAB 75.99, 15.9, -29.66

 

CMYK 26 / 26 / 0 / 5

HEX #B4B4F2

RGB 180 180 242

HSL 240, 0.7%, 0.83%

LAB 75.3, 13.22, -30.78

 

CMYK 1 / 26 / 0 / 5

HEX #EFB4F2

RGB 239 180 242

HSL 297.1, 0.7%, 0.83%

LAB 80.41, 31.53, -22.52

 

CMYK 1 / 31 / 0 / 2

HEX #F6ADF9

RGB 246 173 249

HSL 297.63, 0.86%, 0.83%

LAB 79.8, 38.73, -27.15

 

CMYK 1 / 26 / 0 / 5

HEX #EFB4F2

RGB 239 180 242

HSL 297.1, 0.7%, 0.83%

LAB 80.41, 31.53, -22.52

 

CMYK 1 / 20 / 0 / 8

HEX #E9BBEB

RGB 233 187 235

HSL 297.5, 0.55%, 0.83%

LAB 81.22, 24.56, -17.59

 

CMYK 0 / 15 / 0 / 11

HEX #E3C2E4

RGB 227 194 228

HSL 298.24, 0.39%, 0.83%

LAB 82.12, 17.54, -12.54

 

CMYK 0 / 9 / 0 / 13

HEX #DCC9DD

RGB 220 201 221

HSL 297, 0.23%, 0.83%

LAB 83.02, 10.16, -7.51

 

CMYK 0 / 3 / 0 / 16

HEX #D6D0D6

RGB 214 208 214

HSL 300, 0.07%, 0.83%

LAB 84.1, 3.14, -2.24

 

CMYK 15 / 26 / 0 / 5

HEX #CEB4F2

RGB 206 180 242

HSL 265.16, 0.7%, 0.83%

LAB 77.39, 21.09, -27.4

 

CMYK 8 / 26 / 0 / 5

HEX #DFB4F2

RGB 223 180 242

HSL 281.61, 0.7%, 0.83%

LAB 78.89, 26.42, -24.96

 

CMYK 1 / 26 / 0 / 5

HEX #EFB4F2

RGB 239 180 242

HSL 297.1, 0.7%, 0.83%

LAB 80.41, 31.53, -22.52

 

CMYK 0 / 26 / 5 / 5

HEX #F2B4E5

RGB 242 180 229

HSL 312.58, 0.7%, 0.83%

LAB 80.28, 30.17, -15.69

 

CMYK 0 / 26 / 12 / 5

HEX #F2B4D4

RGB 242 180 212

HSL 329.03, 0.7%, 0.83%

LAB 79.77, 27.32, -7.27

 

CMYK 3 / 53 / 0 / 9

HEX #E16DE7

RGB 225 109 231

HSL 297.05, 0.72%, 0.67%

LAB 63.93, 61.63, -42.08

 

CMYK 2 / 39 / 0 / 7

HEX #E890ED

RGB 232 144 237

HSL 296.77, 0.72%, 0.75%

LAB 71.7, 47.38, -33.22

 

CMYK 1 / 26 / 0 / 5

HEX #EFB4F2

RGB 239 180 242

HSL 297.1, 0.7%, 0.83%

LAB 80.41, 31.53, -22.52

 

CMYK 0 / 13 / 0 / 3

HEX #F7D7F8

RGB 247 215 248

HSL 298.18, 0.7%, 0.91%

LAB 89.46, 16.71, -12

 

CMYK 0 / 1 / 0 / 0

HEX #FEFBFE

RGB 254 251 254

HSL 300, 0.6%, 0.99%

LAB 98.92, 1.52, -1.09

 

CMYK 1 / 26 / 0 / 5

HEX #F0B4F3

RGB 240 180 243

HSL 297.14, 0.72%, 0.83%

LAB 80.54, 32.03, -22.85

 

CMYK 0 / 22 / 26 / 5

HEX #F2BDB4

RGB 242 189 180

HSL 8.71, 0.7%, 0.83%

LAB 81.05, 17.74, 11.85

 

CMYK 26 / 0 / 12 / 5

HEX #B4F2D6

RGB 180 242 214

HSL 152.9, 0.7%, 0.83%

LAB 90.81, -25.1, 7.22

 

CMYK 1 / 26 / 0 / 5

HEX #F0B4F3

RGB 240 180 243

HSL 297.14, 0.72%, 0.83%

LAB 80.54, 32.03, -22.85

 

CMYK 0 / 1 / 26 / 5

HEX #F2EFB4

RGB 242 239 180

HSL 57.1, 0.7%, 0.83%

LAB 93.41, -8.08, 28.99

 

CMYK 26 / 0 / 1 / 5

HEX #B4F2EF

RGB 180 242 239

HSL 177.1, 0.7%, 0.83%

LAB 91.43, -19.96, -4.88

 

CMYK 1 / 26 / 0 / 5

HEX #F0B4F3

RGB 240 180 243

HSL 297.14, 0.72%, 0.83%

LAB 80.54, 32.03, -22.85

 

CMYK 0 / 22 / 26 / 5

HEX #F2BDB4

RGB 242 189 180

HSL 8.71, 0.7%, 0.83%

LAB 81.05, 17.74, 11.85

 

CMYK 24 / 0 / 26 / 5

HEX #B7F2B4

RGB 183 242 180

HSL 117.1, 0.7%, 0.83%

LAB 90.26, -30.25, 24.04

 

CMYK 26 / 4 / 0 / 5

HEX #B4E9F2

RGB 180 233 242

HSL 188.71, 0.7%, 0.83%

LAB 89.11, -14.83, -9.88

 

CMYK 1 / 26 / 0 / 5

HEX #F0B4F3

RGB 240 180 243

HSL 297.14, 0.72%, 0.83%

LAB 80.54, 32.03, -22.85

 

CMYK 0 / 14 / 26 / 5

HEX #F2D0B4

RGB 242 208 180

HSL 27.1, 0.7%, 0.83%

LAB 85.65, 7.76, 18.31

 

CMYK 24 / 0 / 26 / 5

HEX #B7F2B4

RGB 183 242 180

HSL 117.1, 0.7%, 0.83%

LAB 90.26, -30.25, 24.04

 

CMYK 26 / 12 / 0 / 5

HEX #B4D6F2

RGB 180 214 242

HSL 207.1, 0.7%, 0.83%

LAB 84.07, -5.08, -17.42

 

Description

Color code: RGB 240 180 243 | qconv.com Color code: RGB 240 180 243 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 180 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 180 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 26 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 26% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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