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Color name
RGB 240 175 126

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 240 175 126 it is the complementary color RGB 15 80 129. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 240 175 126. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 240 175 126 shade: RGB 245 175 121, RGB 255 193 140, RGB 255 211 159, RGB 255 229 178 and RGB 255 247 197

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 240 175 126. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 240 175 126 shade: RGB 240 175 126, RGB 223 157 107, RGB 206 139 88, RGB 189 121 69 and RGB 172 103 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 240 175 126 shade: RGB 240 175 127, RGB 240 145 127 and RGB 240 127 127

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 240 175 126 shade: RGB 240 175 127, RGB 240 206 127, RGB 240 236 127, RGB 213 240 127 and RGB 182 240 127

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 240 175 126 shade matches the following richer shades: RGB 240 175 127 and RGB 251 174 115

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 240 175 126 shade: RGB 240 175 127, RGB 228 177 138, RGB 216 178 150, RGB 205 180 161 and RGB 193 182 173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 240 175 126 shade: RGB 240 127 140, RGB 240 144 127, RGB 240 174 127, RGB 240 204 127 and RGB 240 234 127

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 240 175 126 shade: RGB 231 129 53, RGB 235 152 90, RGB 240 175 127, RGB 244 198 164 and RGB 248 221 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 240 175 126 shade: RGB 240 175 126, RGB 170 240 127 and RGB 129 127 240

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 240 175 126 shade: RGB 240 175 126, RGB 127 240 174 and RGB 174 127 240

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 240 175 126 shade: RGB 240 175 126, RGB 170 240 127, RGB 127 193 240 and RGB 196 127 240

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 240 175 126 shade: RGB 240 175 126, RGB 136 240 127, RGB 127 193 240 and RGB 230 127 240

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 48 / 6

HEX #F0AF7E

RGB 240 175 126

HSL 25.79, 0.79%, 0.72%

LAB 76.49, 18.06, 34.41

 

Complementary color

CMYK 88 / 38 / 0 / 49

HEX #0F5081

RGB 15 80 129

HSL 205.79, 0.79%, 0.28%

LAB 32.75, -0.28, -33

 

CMYK 0 / 29 / 51 / 4

HEX #F5AF79

RGB 245 175 121

HSL 26.13, 0.86%, 0.72%

LAB 76.95, 19.6, 37.72

 

CMYK 0 / 24 / 45 / 0

HEX #FFC18C

RGB 255 193 140

HSL 27.65, 1%, 0.77%

LAB 82.54, 15.89, 35.26

 

CMYK 0 / 17 / 38 / 0

HEX #FFD39F

RGB 255 211 159

HSL 32.5, 1%, 0.81%

LAB 87.17, 8.54, 31.54

 

CMYK 0 / 10 / 30 / 0

HEX #FFE5B2

RGB 255 229 178

HSL 39.74, 1%, 0.85%

LAB 91.91, 1.55, 28.16

 

CMYK 0 / 3 / 23 / 0

HEX #FFF7C5

RGB 255 247 197

HSL 51.72, 1%, 0.89%

LAB 96.74, -5.04, 25.05

 

CMYK 0 / 27 / 48 / 6

HEX #F0AF7E

RGB 240 175 126

HSL 25.79, 0.79%, 0.72%

LAB 76.49, 18.06, 34.41

 

CMYK 0 / 30 / 52 / 13

HEX #DF9D6B

RGB 223 157 107

HSL 25.86, 0.64%, 0.65%

LAB 70.08, 19.07, 35.84

 

CMYK 0 / 33 / 57 / 19

HEX #CE8B58

RGB 206 139 88

HSL 25.93, 0.55%, 0.58%

LAB 63.58, 20.23, 37.37

 

CMYK 0 / 36 / 63 / 26

HEX #BD7945

RGB 189 121 69

HSL 26, 0.48%, 0.51%

LAB 57, 21.55, 39.01

 

CMYK 0 / 40 / 71 / 33

HEX #AC6732

RGB 172 103 50

HSL 26.07, 0.55%, 0.44%

LAB 50.34, 23.09, 40.69

 

CMYK 0 / 27 / 47 / 6

HEX #F0AF7F

RGB 240 175 127

HSL 25.49, 0.79%, 0.72%

LAB 76.51, 18.16, 33.9

 

CMYK 0 / 40 / 47 / 6

HEX #F0917F

RGB 240 145 127

HSL 9.56, 0.79%, 0.72%

LAB 69.69, 33.99, 24.9

 

CMYK 0 / 47 / 47 / 6

HEX #F07F7F

RGB 240 127 127

HSL 0, 0.79%, 0.72%

LAB 65.93, 43.23, 19.81

 

CMYK 0 / 27 / 47 / 6

HEX #F0AF7F

RGB 240 175 127

HSL 25.49, 0.79%, 0.72%

LAB 76.51, 18.16, 33.9

 

CMYK 0 / 14 / 47 / 6

HEX #F0CE7F

RGB 240 206 127

HSL 41.95, 0.79%, 0.72%

LAB 84.07, 1.92, 43.54

 

CMYK 0 / 2 / 47 / 6

HEX #F0EC7F

RGB 240 236 127

HSL 57.88, 0.79%, 0.72%

LAB 91.71, -13.23, 52.93

 

CMYK 11 / 0 / 47 / 6

HEX #D5F07F

RGB 213 240 127

HSL 74.34, 0.79%, 0.72%

LAB 90.78, -25.62, 51.35

 

CMYK 24 / 0 / 47 / 6

HEX #B6F07F

RGB 182 240 127

HSL 90.8, 0.79%, 0.72%

LAB 88.83, -37, 48.51

 

CMYK 0 / 27 / 47 / 6

HEX #F0AF7F

RGB 240 175 127

HSL 25.49, 0.79%, 0.72%

LAB 76.51, 18.16, 33.9

 

CMYK 0 / 31 / 54 / 2

HEX #FBAE73

RGB 251 174 115

HSL 26.03, 0.94%, 0.72%

LAB 77.29, 22.01, 41.39

 

CMYK 0 / 27 / 47 / 6

HEX #F0AF7F

RGB 240 175 127

HSL 25.49, 0.79%, 0.72%

LAB 76.51, 18.16, 33.9

 

CMYK 0 / 22 / 39 / 11

HEX #E4B18A

RGB 228 177 138

HSL 26, 0.63%, 0.72%

LAB 75.93, 13.49, 27.08

 

CMYK 0 / 18 / 31 / 15

HEX #D8B296

RGB 216 178 150

HSL 25.45, 0.46%, 0.72%

LAB 75.23, 9.71, 19.48

 

CMYK 0 / 12 / 21 / 20

HEX #CDB4A1

RGB 205 180 161

HSL 25.91, 0.31%, 0.72%

LAB 74.95, 5.97, 12.98

 

CMYK 0 / 6 / 10 / 24

HEX #C1B6AD

RGB 193 182 173

HSL 27, 0.14%, 0.72%

LAB 74.71, 2.34, 5.96

 

CMYK 0 / 47 / 42 / 6

HEX #F07F8C

RGB 240 127 140

HSL 353.1, 0.79%, 0.72%

LAB 66.21, 44.53, 12.86

 

CMYK 0 / 40 / 47 / 6

HEX #F0907F

RGB 240 144 127

HSL 9.03, 0.79%, 0.72%

LAB 69.47, 34.51, 24.61

 

CMYK 0 / 28 / 47 / 6

HEX #F0AE7F

RGB 240 174 127

HSL 24.96, 0.79%, 0.72%

LAB 76.27, 18.69, 33.59

 

CMYK 0 / 15 / 47 / 6

HEX #F0CC7F

RGB 240 204 127

HSL 40.88, 0.79%, 0.72%

LAB 83.57, 2.95, 42.92

 

CMYK 0 / 3 / 47 / 6

HEX #F0EA7F

RGB 240 234 127

HSL 56.81, 0.79%, 0.72%

LAB 91.19, -12.25, 52.31

 

CMYK 0 / 44 / 77 / 9

HEX #E78135

RGB 231 129 53

HSL 25.62, 0.79%, 0.56%

LAB 64.12, 33.83, 55.99

 

CMYK 0 / 35 / 62 / 8

HEX #EB985A

RGB 235 152 90

HSL 25.66, 0.78%, 0.64%

LAB 70.08, 25.31, 44.97

 

CMYK 0 / 27 / 47 / 6

HEX #F0AF7F

RGB 240 175 127

HSL 25.49, 0.79%, 0.72%

LAB 76.51, 18.16, 33.9

 

CMYK 0 / 19 / 33 / 4

HEX #F4C6A4

RGB 244 198 164

HSL 25.5, 0.78%, 0.8%

LAB 83.07, 11.67, 23.22

 

CMYK 0 / 11 / 19 / 3

HEX #F8DDC9

RGB 248 221 201

HSL 25.53, 0.77%, 0.88%

LAB 89.81, 6.2, 13.21

 

CMYK 0 / 27 / 48 / 6

HEX #F0AF7E

RGB 240 175 126

HSL 25.79, 0.79%, 0.72%

LAB 76.49, 18.06, 34.41

 

CMYK 29 / 0 / 47 / 6

HEX #AAF07F

RGB 170 240 127

HSL 97.17, 0.79%, 0.72%

LAB 88.16, -41.16, 47.54

 

CMYK 46 / 47 / 0 / 6

HEX #817FF0

RGB 129 127 240

HSL 241.06, 0.79%, 0.72%

LAB 58.17, 29.49, -56.84

 

CMYK 0 / 27 / 48 / 6

HEX #F0AF7E

RGB 240 175 126

HSL 25.79, 0.79%, 0.72%

LAB 76.49, 18.06, 34.41

 

CMYK 47 / 0 / 28 / 6

HEX #7FF0AE

RGB 127 240 174

HSL 144.96, 0.79%, 0.72%

LAB 86.94, -46.78, 22.14

 

CMYK 28 / 47 / 0 / 6

HEX #AE7FF0

RGB 174 127 240

HSL 264.96, 0.79%, 0.72%

LAB 62.06, 40.64, -50.42

 

CMYK 0 / 27 / 48 / 6

HEX #F0AF7E

RGB 240 175 126

HSL 25.79, 0.79%, 0.72%

LAB 76.49, 18.06, 34.41

 

CMYK 29 / 0 / 47 / 6

HEX #AAF07F

RGB 170 240 127

HSL 97.17, 0.79%, 0.72%

LAB 88.16, -41.16, 47.54

 

CMYK 47 / 20 / 0 / 6

HEX #7FC1F0

RGB 127 193 240

HSL 204.96, 0.79%, 0.72%

LAB 75.42, -8.57, -29.8

 

CMYK 18 / 47 / 0 / 6

HEX #C47FF0

RGB 196 127 240

HSL 276.64, 0.79%, 0.72%

LAB 64.33, 46.56, -46.68

 

CMYK 0 / 27 / 48 / 6

HEX #F0AF7E

RGB 240 175 126

HSL 25.79, 0.79%, 0.72%

LAB 76.49, 18.06, 34.41

 

CMYK 43 / 0 / 47 / 6

HEX #88F07F

RGB 136 240 127

HSL 115.22, 0.79%, 0.72%

LAB 86.55, -51.9, 45.18

 

CMYK 47 / 20 / 0 / 6

HEX #7FC1F0

RGB 127 193 240

HSL 204.96, 0.79%, 0.72%

LAB 75.42, -8.57, -29.8

 

CMYK 4 / 47 / 0 / 6

HEX #E67FF0

RGB 230 127 240

HSL 294.69, 0.79%, 0.72%

LAB 68.24, 55.96, -40.27

 

Description

Color code: RGB 240 175 126 | qconv.com Color code: RGB 240 175 126 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 175 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 175 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 48 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 48% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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