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Color name
RGB 240 150 130

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 240 150 130 it is the complementary color RGB 15 105 125. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 240 150 130. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 240 150 130 shade: RGB 245 150 125, RGB 255 168 144, RGB 255 186 163, RGB 255 204 182 and RGB 255 222 201

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 240 150 130. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 240 150 130 shade: RGB 240 150 130, RGB 223 132 111, RGB 206 114 92, RGB 189 96 73 and RGB 172 78 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 240 150 130 shade: RGB 240 151 131 and RGB 240 131 131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 240 150 130 shade: RGB 240 151 131, RGB 240 180 131, RGB 240 210 131, RGB 240 239 131 and RGB 212 240 131

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 240 150 130 shade matches the following richer shades: RGB 240 151 131 and RGB 251 144 120

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 240 150 130 shade: RGB 240 151 131, RGB 229 158 142, RGB 218 165 154, RGB 207 172 165 and RGB 195 179 176

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 240 150 130 shade: RGB 240 131 171, RGB 240 131 142, RGB 240 149 131, RGB 240 178 131 and RGB 240 207 131

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 240 150 130 shade: RGB 231 89 57, RGB 236 120 94, RGB 240 151 131, RGB 244 182 168 and RGB 249 213 205

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 240 150 130 shade: RGB 240 150 130, RGB 200 240 131 and RGB 131 157 240

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 240 150 130 shade: RGB 240 150 130, RGB 131 240 149 and RGB 149 131 240

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 240 150 130 shade: RGB 240 150 130, RGB 200 240 131, RGB 131 222 240 and RGB 171 131 240

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 240 150 130 shade: RGB 240 150 130, RGB 168 240 131, RGB 131 222 240 and RGB 204 131 240

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 46 / 6

HEX #F09682

RGB 240 150 130

HSL 10.91, 0.79%, 0.73%

LAB 70.84, 31.66, 24.79

 

Complementary color

CMYK 88 / 16 / 0 / 51

HEX #0F697D

RGB 15 105 125

HSL 190.91, 0.79%, 0.27%

LAB 40.71, -16.97, -18.11

 

CMYK 0 / 39 / 49 / 4

HEX #F5967D

RGB 245 150 125

HSL 12.5, 0.86%, 0.73%

LAB 71.35, 33.1, 28.32

 

CMYK 0 / 34 / 44 / 0

HEX #FFA890

RGB 255 168 144

HSL 12.97, 1%, 0.78%

LAB 76.85, 29.37, 25.59

 

CMYK 0 / 27 / 36 / 0

HEX #FFBAA3

RGB 255 186 163

HSL 15, 1%, 0.82%

LAB 81.3, 22.03, 21.49

 

CMYK 0 / 20 / 29 / 0

HEX #FFCCB6

RGB 255 204 182

HSL 18.08, 1%, 0.86%

LAB 85.92, 14.96, 17.81

 

CMYK 0 / 13 / 21 / 0

HEX #FFDEC9

RGB 255 222 201

HSL 23.33, 1%, 0.89%

LAB 90.65, 8.22, 14.49

 

CMYK 0 / 38 / 46 / 6

HEX #F09682

RGB 240 150 130

HSL 10.91, 0.79%, 0.73%

LAB 70.84, 31.66, 24.79

 

CMYK 0 / 41 / 50 / 13

HEX #DF846F

RGB 223 132 111

HSL 11.25, 0.64%, 0.65%

LAB 64.43, 32.78, 26.36

 

CMYK 0 / 45 / 55 / 19

HEX #CE725C

RGB 206 114 92

HSL 11.58, 0.54%, 0.58%

LAB 57.97, 34.01, 28.13

 

CMYK 0 / 49 / 61 / 26

HEX #BD6049

RGB 189 96 73

HSL 11.9, 0.47%, 0.51%

LAB 51.46, 35.35, 30.13

 

CMYK 0 / 55 / 69 / 33

HEX #AC4E36

RGB 172 78 54

HSL 12.2, 0.52%, 0.44%

LAB 44.92, 36.79, 32.43

 

CMYK 0 / 37 / 45 / 6

HEX #F09783

RGB 240 151 131

HSL 11.01, 0.78%, 0.73%

LAB 71.08, 31.24, 24.57

 

CMYK 0 / 45 / 45 / 6

HEX #F08383

RGB 240 131 131

HSL 0, 0.78%, 0.73%

LAB 66.82, 41.59, 18.78

 

CMYK 0 / 37 / 45 / 6

HEX #F09783

RGB 240 151 131

HSL 11.01, 0.78%, 0.73%

LAB 71.08, 31.24, 24.57

 

CMYK 0 / 25 / 45 / 6

HEX #F0B483

RGB 240 180 131

HSL 26.97, 0.78%, 0.73%

LAB 77.76, 15.91, 33.43

 

CMYK 0 / 13 / 45 / 6

HEX #F0D283

RGB 240 210 131

HSL 43.49, 0.78%, 0.73%

LAB 85.13, 0.24, 42.87

 

CMYK 0 / 0 / 45 / 6

HEX #F0EF83

RGB 240 239 131

HSL 59.45, 0.78%, 0.73%

LAB 92.53, -14.34, 52.04

 

CMYK 12 / 0 / 45 / 6

HEX #D4F083

RGB 212 240 131

HSL 75.41, 0.78%, 0.73%

LAB 90.76, -25.59, 49.41

 

CMYK 0 / 37 / 45 / 6

HEX #F09783

RGB 240 151 131

HSL 11.01, 0.78%, 0.73%

LAB 71.08, 31.24, 24.57

 

CMYK 0 / 43 / 52 / 2

HEX #FB9078

RGB 251 144 120

HSL 10.99, 0.94%, 0.73%

LAB 70.74, 38.04, 30.38

 

CMYK 0 / 37 / 45 / 6

HEX #F09783

RGB 240 151 131

HSL 11.01, 0.78%, 0.73%

LAB 71.08, 31.24, 24.57

 

CMYK 0 / 31 / 38 / 10

HEX #E59E8E

RGB 229 158 142

HSL 11.03, 0.63%, 0.73%

LAB 71.6, 24.49, 19.04

 

CMYK 0 / 24 / 29 / 15

HEX #DAA59A

RGB 218 165 154

HSL 10.31, 0.46%, 0.73%

LAB 72.33, 18, 13.29

 

CMYK 0 / 17 / 20 / 19

HEX #CFACA5

RGB 207 172 165

HSL 10, 0.3%, 0.73%

LAB 73.21, 11.63, 8.36

 

CMYK 0 / 8 / 10 / 24

HEX #C3B3B0

RGB 195 179 176

HSL 9.47, 0.14%, 0.73%

LAB 74.17, 5.19, 3.58

 

CMYK 0 / 45 / 29 / 6

HEX #F083AB

RGB 240 131 171

HSL 337.98, 0.78%, 0.73%

LAB 67.8, 46.17, -2.36

 

CMYK 0 / 45 / 41 / 6

HEX #F0838E

RGB 240 131 142

HSL 353.94, 0.78%, 0.73%

LAB 67.06, 42.72, 12.92

 

CMYK 0 / 38 / 45 / 6

HEX #F09583

RGB 240 149 131

HSL 9.91, 0.78%, 0.73%

LAB 70.64, 32.29, 23.97

 

CMYK 0 / 26 / 45 / 6

HEX #F0B283

RGB 240 178 131

HSL 25.87, 0.78%, 0.73%

LAB 77.28, 16.96, 32.81

 

CMYK 0 / 14 / 45 / 6

HEX #F0CF83

RGB 240 207 131

HSL 41.83, 0.78%, 0.73%

LAB 84.38, 1.78, 41.93

 

CMYK 0 / 61 / 75 / 9

HEX #E75939

RGB 231 89 57

HSL 11.03, 0.78%, 0.56%

LAB 56.51, 53.39, 46.37

 

CMYK 0 / 49 / 60 / 7

HEX #EC785E

RGB 236 120 94

HSL 10.99, 0.79%, 0.65%

LAB 63.4, 42.55, 34.78

 

CMYK 0 / 37 / 45 / 6

HEX #F09783

RGB 240 151 131

HSL 11.01, 0.78%, 0.73%

LAB 71.08, 31.24, 24.57

 

CMYK 0 / 25 / 31 / 4

HEX #F4B6A8

RGB 244 182 168

HSL 11.05, 0.78%, 0.81%

LAB 79.34, 20.59, 15.91

 

CMYK 0 / 14 / 18 / 2

HEX #F9D5CD

RGB 249 213 205

HSL 10.91, 0.79%, 0.89%

LAB 88.03, 11.31, 8.59

 

CMYK 0 / 38 / 46 / 6

HEX #F09682

RGB 240 150 130

HSL 10.91, 0.79%, 0.73%

LAB 70.84, 31.66, 24.79

 

CMYK 17 / 0 / 45 / 6

HEX #C8F083

RGB 200 240 131

HSL 82.02, 0.78%, 0.73%

LAB 89.97, -30.06, 48.26

 

CMYK 45 / 35 / 0 / 6

HEX #839DF0

RGB 131 157 240

HSL 225.69, 0.78%, 0.73%

LAB 65.93, 12.42, -44.53

 

CMYK 0 / 38 / 46 / 6

HEX #F09682

RGB 240 150 130

HSL 10.91, 0.79%, 0.73%

LAB 70.84, 31.66, 24.79

 

CMYK 45 / 0 / 38 / 6

HEX #83F095

RGB 131 240 149

HSL 129.91, 0.78%, 0.73%

LAB 86.66, -50.09, 34.49

 

CMYK 38 / 45 / 0 / 6

HEX #9583F0

RGB 149 131 240

HSL 249.91, 0.78%, 0.73%

LAB 60.71, 31.94, -52.7

 

CMYK 0 / 38 / 46 / 6

HEX #F09682

RGB 240 150 130

HSL 10.91, 0.79%, 0.73%

LAB 70.84, 31.66, 24.79

 

CMYK 17 / 0 / 45 / 6

HEX #C8F083

RGB 200 240 131

HSL 82.02, 0.78%, 0.73%

LAB 89.97, -30.06, 48.26

 

CMYK 45 / 8 / 0 / 6

HEX #83DEF0

RGB 131 222 240

HSL 189.91, 0.78%, 0.73%

LAB 83.63, -22.59, -17.28

 

CMYK 29 / 45 / 0 / 6

HEX #AB83F0

RGB 171 131 240

HSL 262.02, 0.78%, 0.73%

LAB 62.66, 37.62, -49.48

 

CMYK 0 / 38 / 46 / 6

HEX #F09682

RGB 240 150 130

HSL 10.91, 0.79%, 0.73%

LAB 70.84, 31.66, 24.79

 

CMYK 30 / 0 / 45 / 6

HEX #A8F083

RGB 168 240 131

HSL 99.63, 0.78%, 0.73%

LAB 88.1, -41.35, 45.54

 

CMYK 45 / 8 / 0 / 6

HEX #83DEF0

RGB 131 222 240

HSL 189.91, 0.78%, 0.73%

LAB 83.63, -22.59, -17.28

 

CMYK 15 / 45 / 0 / 6

HEX #CC83F0

RGB 204 131 240

HSL 280.18, 0.78%, 0.73%

LAB 66.03, 46.65, -43.94

 

Description

Color code: RGB 240 150 130 | qconv.com Color code: RGB 240 150 130 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 150 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 150 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 46 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 46% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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