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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 240 142 40 it is the complementary color RGB 15 113 215. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 240 142 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 240 142 40 shade: RGB 245 142 35, RGB 255 160 54, RGB 255 178 73, RGB 255 196 92 and RGB 255 214 111

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 240 142 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 240 142 40 shade: RGB 240 142 40, RGB 223 124 21, RGB 206 106 2, RGB 189 88 0 and RGB 172 70 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 240 142 40 shade: RGB 240 142 40, RGB 240 88 40 and RGB 240 40 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 240 142 40 shade: RGB 240 142 40, RGB 240 196 40, RGB 230 240 40, RGB 176 240 40 and RGB 122 240 40

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 240 142 40 shade matches the following richer shades: RGB 240 142 40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 240 142 40 shade: RGB 240 142 40, RGB 221 141 58, RGB 202 141 77, RGB 184 141 96 and RGB 165 140 114

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 240 142 40 shade: RGB 240 40 47, RGB 240 87 40, RGB 240 140 40, RGB 240 193 40 and RGB 233 240 40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 240 142 40 shade: RGB 185 100 12, RGB 223 121 15, RGB 240 142 40, RGB 242 162 78 and RGB 245 182 117

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 240 142 40 shade: RGB 240 142 40, RGB 100 240 40 and RGB 60 40 240

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 240 142 40 shade: RGB 240 142 40, RGB 40 240 140 and RGB 140 40 240

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 240 142 40 shade: RGB 240 142 40, RGB 100 240 40, RGB 40 140 240 and RGB 180 40 240

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 240 142 40 shade: RGB 240 142 40, RGB 40 240 40, RGB 40 140 240 and RGB 240 40 240

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 83 / 6

HEX #F08E28

RGB 240 142 40

HSL 30.6, 0.87%, 0.55%

LAB 68.04, 30.3, 65.07

 

Complementary color

CMYK 93 / 47 / 0 / 16

HEX #0F71D7

RGB 15 113 215

HSL 210.6, 0.87%, 0.45%

LAB 48.03, 13.08, -59.35

 

CMYK 0 / 42 / 86 / 4

HEX #F58E23

RGB 245 142 35

HSL 30.57, 0.91%, 0.55%

LAB 68.66, 32.22, 67.47

 

CMYK 0 / 37 / 79 / 0

HEX #FFA036

RGB 255 160 54

HSL 31.64, 1%, 0.61%

LAB 73.98, 27.5, 66.03

 

CMYK 0 / 30 / 71 / 0

HEX #FFB249

RGB 255 178 73

HSL 34.62, 1%, 0.64%

LAB 78.22, 18.87, 62.54

 

CMYK 0 / 23 / 64 / 0

HEX #FFC45C

RGB 255 196 92

HSL 38.28, 1%, 0.68%

LAB 82.65, 10.52, 58.96

 

CMYK 0 / 16 / 56 / 0

HEX #FFD66F

RGB 255 214 111

HSL 42.92, 1%, 0.72%

LAB 87.24, 2.52, 55.45

 

CMYK 0 / 41 / 83 / 6

HEX #F08E28

RGB 240 142 40

HSL 30.6, 0.87%, 0.55%

LAB 68.04, 30.3, 65.07

 

CMYK 0 / 44 / 91 / 13

HEX #DF7C15

RGB 223 124 21

HSL 30.59, 0.83%, 0.48%

LAB 61.79, 32.31, 64.77

 

CMYK 0 / 49 / 99 / 19

HEX #CE6A02

RGB 206 106 2

HSL 30.59, 0.98%, 0.41%

LAB 55.52, 34.49, 63.12

 

CMYK 0 / 53 / 100 / 26

HEX #BD5800

RGB 189 88 0

HSL 27.94, 1%, 0.37%

LAB 49.25, 36.85, 58.48

 

CMYK 0 / 59 / 100 / 33

HEX #AC4600

RGB 172 70 0

HSL 24.42, 1%, 0.34%

LAB 42.99, 39.13, 53.48

 

CMYK 0 / 41 / 83 / 6

HEX #F08E28

RGB 240 142 40

HSL 30.6, 0.87%, 0.55%

LAB 68.04, 30.3, 65.07

 

CMYK 0 / 63 / 83 / 6

HEX #F05828

RGB 240 88 40

HSL 14.4, 0.87%, 0.55%

LAB 57.71, 56.37, 56.13

 

CMYK 0 / 83 / 83 / 6

HEX #F02828

RGB 240 40 40

HSL 0, 0.87%, 0.55%

LAB 52.06, 71.98, 51.13

 

CMYK 0 / 41 / 83 / 6

HEX #F08E28

RGB 240 142 40

HSL 30.6, 0.87%, 0.55%

LAB 68.04, 30.3, 65.07

 

CMYK 0 / 18 / 83 / 6

HEX #F0C428

RGB 240 196 40

HSL 46.8, 0.87%, 0.55%

LAB 80.83, 1.95, 75.88

 

CMYK 4 / 0 / 83 / 6

HEX #E6F028

RGB 230 240 40

HSL 63, 0.87%, 0.55%

LAB 91.37, -24.15, 84.34

 

CMYK 27 / 0 / 83 / 6

HEX #B0F028

RGB 176 240 40

HSL 79.2, 0.87%, 0.55%

LAB 87.83, -45.39, 79.92

 

CMYK 49 / 0 / 83 / 6

HEX #7AF028

RGB 122 240 40

HSL 95.4, 0.87%, 0.55%

LAB 85.31, -63.32, 76.75

 

CMYK 0 / 41 / 83 / 6

HEX #F08E28

RGB 240 142 40

HSL 30.6, 0.87%, 0.55%

LAB 68.04, 30.3, 65.07

 

CMYK 0 / 41 / 83 / 6

HEX #F08E28

RGB 240 142 40

HSL 30.6, 0.87%, 0.55%

LAB 68.04, 30.3, 65.07

 

CMYK 0 / 36 / 74 / 13

HEX #DD8D3A

RGB 221 141 58

HSL 30.55, 0.71%, 0.55%

LAB 65.54, 23.58, 54.79

 

CMYK 0 / 30 / 62 / 21

HEX #CA8D4D

RGB 202 141 77

HSL 30.72, 0.54%, 0.55%

LAB 63.46, 16.64, 42.82

 

CMYK 0 / 23 / 48 / 28

HEX #B88D60

RGB 184 141 96

HSL 30.68, 0.38%, 0.55%

LAB 61.73, 10.63, 30.22

 

CMYK 0 / 15 / 31 / 35

HEX #A58C72

RGB 165 140 114

HSL 30.59, 0.22%, 0.55%

LAB 59.86, 5.43, 17.4

 

CMYK 0 / 83 / 80 / 6

HEX #F0282F

RGB 240 40 47

HSL 357.9, 0.87%, 0.55%

LAB 52.12, 72.16, 47.6

 

CMYK 0 / 64 / 83 / 6

HEX #F05728

RGB 240 87 40

HSL 14.1, 0.87%, 0.55%

LAB 57.55, 56.79, 56

 

CMYK 0 / 42 / 83 / 6

HEX #F08C28

RGB 240 140 40

HSL 30, 0.87%, 0.55%

LAB 67.6, 31.34, 64.7

 

CMYK 0 / 20 / 83 / 6

HEX #F0C128

RGB 240 193 40

HSL 45.9, 0.87%, 0.55%

LAB 80.08, 3.51, 75.25

 

CMYK 3 / 0 / 83 / 6

HEX #E9F028

RGB 233 240 40

HSL 62.1, 0.87%, 0.55%

LAB 91.59, -22.92, 84.62

 

CMYK 0 / 46 / 94 / 27

HEX #B9640C

RGB 185 100 12

HSL 30.52, 0.88%, 0.39%

LAB 51.22, 29.05, 56.82

 

CMYK 0 / 46 / 93 / 13

HEX #DF790F

RGB 223 121 15

HSL 30.58, 0.87%, 0.47%

LAB 61.13, 33.79, 65.64

 

CMYK 0 / 41 / 83 / 6

HEX #F08E28

RGB 240 142 40

HSL 30.6, 0.87%, 0.55%

LAB 68.04, 30.3, 65.07

 

CMYK 0 / 33 / 68 / 5

HEX #F2A24E

RGB 242 162 78

HSL 30.73, 0.86%, 0.63%

LAB 73.07, 22.16, 54.43

 

CMYK 0 / 26 / 52 / 4

HEX #F5B675

RGB 245 182 117

HSL 30.47, 0.86%, 0.71%

LAB 78.55, 15.56, 41.79

 

CMYK 0 / 41 / 83 / 6

HEX #F08E28

RGB 240 142 40

HSL 30.6, 0.87%, 0.55%

LAB 68.04, 30.3, 65.07

 

CMYK 58 / 0 / 83 / 6

HEX #64F028

RGB 100 240 40

HSL 102, 0.87%, 0.55%

LAB 84.58, -69.11, 75.82

 

CMYK 75 / 83 / 0 / 6

HEX #3C28F0

RGB 60 40 240

HSL 246, 0.87%, 0.55%

LAB 35.54, 66.84, -93.96

 

CMYK 0 / 41 / 83 / 6

HEX #F08E28

RGB 240 142 40

HSL 30.6, 0.87%, 0.55%

LAB 68.04, 30.3, 65.07

 

CMYK 83 / 0 / 42 / 6

HEX #28F08C

RGB 40 240 140

HSL 150, 0.87%, 0.55%

LAB 84.31, -68.05, 35.48

 

CMYK 42 / 83 / 0 / 6

HEX #8C28F0

RGB 140 40 240

HSL 270, 0.87%, 0.55%

LAB 43.34, 74.14, -80.82

 

CMYK 0 / 41 / 83 / 6

HEX #F08E28

RGB 240 142 40

HSL 30.6, 0.87%, 0.55%

LAB 68.04, 30.3, 65.07

 

CMYK 58 / 0 / 83 / 6

HEX #64F028

RGB 100 240 40

HSL 102, 0.87%, 0.55%

LAB 84.58, -69.11, 75.82

 

CMYK 83 / 42 / 0 / 6

HEX #288CF0

RGB 40 140 240

HSL 210, 0.87%, 0.55%

LAB 57.56, 7.44, -58.04

 

CMYK 25 / 83 / 0 / 6

HEX #B428F0

RGB 180 40 240

HSL 282, 0.87%, 0.55%

LAB 48.9, 79.7, -71.5

 

CMYK 0 / 41 / 83 / 6

HEX #F08E28

RGB 240 142 40

HSL 30.6, 0.87%, 0.55%

LAB 68.04, 30.3, 65.07

 

CMYK 83 / 0 / 83 / 6

HEX #28F028

RGB 40 240 40

HSL 120, 0.87%, 0.55%

LAB 83.4, -79.12, 74.32

 

CMYK 83 / 42 / 0 / 6

HEX #288CF0

RGB 40 140 240

HSL 210, 0.87%, 0.55%

LAB 57.56, 7.44, -58.04

 

CMYK 0 / 83 / 0 / 6

HEX #F028F0

RGB 240 40 240

HSL 300, 0.87%, 0.55%

LAB 58.35, 89.56, -55.79

 

Description

Color code: RGB 240 142 40 | qconv.com Color code: RGB 240 142 40 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 142 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 142 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 83 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 83% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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