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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 240 123 14 it is the complementary color RGB 15 132 241. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 240 123 14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 240 123 14 shade: RGB 245 123 9, RGB 255 141 28, RGB 255 159 47, RGB 255 177 66 and RGB 255 195 85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 240 123 14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 240 123 14 shade: RGB 240 123 14, RGB 223 105 0, RGB 206 87 0, RGB 189 69 0 and RGB 172 51 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 240 123 14 shade: RGB 240 123 14, RGB 240 62 14 and RGB 240 14 14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 240 123 14 shade: RGB 240 123 14, RGB 240 184 14, RGB 236 240 14, RGB 174 240 14 and RGB 113 240 14

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 240 123 14 shade matches the following richer shades: RGB 240 123 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 240 123 14 shade: RGB 240 123 14, RGB 220 124 34, RGB 199 124 55, RGB 179 125 75 and RGB 158 126 96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 240 123 14 shade: RGB 240 14 29, RGB 240 59 14, RGB 240 119 14, RGB 240 180 14 and RGB 240 240 14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 240 123 14 shade: RGB 162 83 9, RGB 201 103 11, RGB 240 123 14, RGB 243 144 53 and RGB 245 166 92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 240 123 14 shade: RGB 240 123 14, RGB 89 240 14 and RGB 29 14 240

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 240 123 14 shade: RGB 240 123 14, RGB 14 240 119 and RGB 119 14 240

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 240 123 14 shade: RGB 240 123 14, RGB 89 240 14, RGB 14 135 240 and RGB 165 14 240

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 240 123 14 shade: RGB 240 123 14, RGB 21 240 14, RGB 14 135 240 and RGB 233 14 240

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 94 / 6

HEX #F07B0E

RGB 240 123 14

HSL 28.94, 0.89%, 0.5%

LAB 63.94, 39.58, 68.88

 

Complementary color

CMYK 94 / 45 / 0 / 5

HEX #0F84F1

RGB 15 132 241

HSL 208.94, 0.89%, 0.5%

LAB 55.03, 11.31, -62.68

 

CMYK 0 / 50 / 96 / 4

HEX #F57B09

RGB 245 123 9

HSL 28.98, 0.93%, 0.5%

LAB 64.64, 41.49, 70.5

 

CMYK 0 / 45 / 89 / 0

HEX #FF8D1C

RGB 255 141 28

HSL 29.87, 1%, 0.55%

LAB 69.75, 36.63, 70.86

 

CMYK 0 / 38 / 82 / 0

HEX #FF9F2F

RGB 255 159 47

HSL 32.31, 1%, 0.59%

LAB 73.71, 27.8, 68.33

 

CMYK 0 / 31 / 74 / 0

HEX #FFB142

RGB 255 177 66

HSL 35.24, 1%, 0.63%

LAB 77.93, 19.08, 65.14

 

CMYK 0 / 24 / 67 / 0

HEX #FFC355

RGB 255 195 85

HSL 38.82, 1%, 0.67%

LAB 82.35, 10.63, 61.73

 

CMYK 0 / 49 / 94 / 6

HEX #F07B0E

RGB 240 123 14

HSL 28.94, 0.89%, 0.5%

LAB 63.94, 39.58, 68.88

 

CMYK 0 / 53 / 100 / 13

HEX #DF6900

RGB 223 105 0

HSL 28.25, 1%, 0.44%

LAB 57.84, 41.75, 66.18

 

CMYK 0 / 58 / 100 / 19

HEX #CE5700

RGB 206 87 0

HSL 25.34, 1%, 0.4%

LAB 51.77, 43.97, 61.34

 

CMYK 0 / 63 / 100 / 26

HEX #BD4500

RGB 189 69 0

HSL 21.9, 1%, 0.37%

LAB 45.74, 45.99, 56.54

 

CMYK 0 / 70 / 100 / 33

HEX #AC3300

RGB 172 51 0

HSL 17.79, 1%, 0.34%

LAB 39.81, 47.61, 51.83

 

CMYK 0 / 49 / 94 / 6

HEX #F07B0E

RGB 240 123 14

HSL 28.94, 0.89%, 0.5%

LAB 63.94, 39.58, 68.88

 

CMYK 0 / 74 / 94 / 6

HEX #F03E0E

RGB 240 62 14

HSL 12.74, 0.89%, 0.5%

LAB 54.03, 65.64, 62.61

 

CMYK 0 / 94 / 94 / 6

HEX #F00E0E

RGB 240 14 14

HSL 0, 0.89%, 0.5%

LAB 50.54, 75.54, 60.65

 

CMYK 0 / 49 / 94 / 6

HEX #F07B0E

RGB 240 123 14

HSL 28.94, 0.89%, 0.5%

LAB 63.94, 39.58, 68.88

 

CMYK 0 / 23 / 94 / 6

HEX #F0B80E

RGB 240 184 14

HSL 45.13, 0.89%, 0.5%

LAB 77.78, 7.72, 78.58

 

CMYK 2 / 0 / 94 / 6

HEX #ECF00E

RGB 236 240 14

HSL 61.06, 0.89%, 0.5%

LAB 91.77, -22.13, 88.8

 

CMYK 28 / 0 / 94 / 6

HEX #AEF00E

RGB 174 240 14

HSL 77.52, 0.89%, 0.5%

LAB 87.66, -46.7, 83.85

 

CMYK 53 / 0 / 94 / 6

HEX #71F00E

RGB 113 240 14

HSL 93.72, 0.89%, 0.5%

LAB 84.93, -66.53, 80.52

 

CMYK 0 / 49 / 94 / 6

HEX #F07B0E

RGB 240 123 14

HSL 28.94, 0.89%, 0.5%

LAB 63.94, 39.58, 68.88

 

CMYK 0 / 49 / 94 / 6

HEX #F07B0E

RGB 240 123 14

HSL 28.94, 0.89%, 0.5%

LAB 63.94, 39.58, 68.88

 

CMYK 0 / 44 / 85 / 14

HEX #DC7C22

RGB 220 124 34

HSL 29.03, 0.73%, 0.5%

LAB 61.43, 31.35, 60.46

 

CMYK 0 / 38 / 72 / 22

HEX #C77C37

RGB 199 124 55

HSL 28.75, 0.57%, 0.5%

LAB 58.82, 23.33, 48.36

 

CMYK 0 / 30 / 58 / 30

HEX #B37D4B

RGB 179 125 75

HSL 28.85, 0.41%, 0.5%

LAB 56.84, 15.5, 35.34

 

CMYK 0 / 20 / 39 / 38

HEX #9E7E60

RGB 158 126 96

HSL 29.03, 0.24%, 0.5%

LAB 55.11, 8.08, 21.02

 

CMYK 0 / 94 / 88 / 6

HEX #F00E1D

RGB 240 14 29

HSL 356.02, 0.89%, 0.5%

LAB 50.6, 75.73, 55.09

 

CMYK 0 / 75 / 94 / 6

HEX #F03B0E

RGB 240 59 14

HSL 11.95, 0.89%, 0.5%

LAB 53.69, 66.58, 62.41

 

CMYK 0 / 50 / 94 / 6

HEX #F0770E

RGB 240 119 14

HSL 27.88, 0.89%, 0.5%

LAB 63.14, 41.57, 68.34

 

CMYK 0 / 25 / 94 / 6

HEX #F0B40E

RGB 240 180 14

HSL 44.07, 0.89%, 0.5%

LAB 76.8, 9.82, 77.87

 

CMYK 0 / 0 / 94 / 6

HEX #F0F00E

RGB 240 240 14

HSL 60, 0.89%, 0.5%

LAB 92.08, -20.47, 89.17

 

CMYK 0 / 49 / 94 / 36

HEX #A25309

RGB 162 83 9

HSL 29.02, 0.89%, 0.34%

LAB 44.07, 28.43, 50.91

 

CMYK 0 / 49 / 95 / 21

HEX #C9670B

RGB 201 103 11

HSL 29.05, 0.9%, 0.42%

LAB 54.18, 34.11, 60.18

 

CMYK 0 / 49 / 94 / 6

HEX #F07B0E

RGB 240 123 14

HSL 28.94, 0.89%, 0.5%

LAB 63.94, 39.58, 68.88

 

CMYK 0 / 41 / 78 / 5

HEX #F39035

RGB 243 144 53

HSL 28.74, 0.89%, 0.58%

LAB 68.94, 30.89, 61.18

 

CMYK 0 / 32 / 62 / 4

HEX #F5A65C

RGB 245 166 92

HSL 29.02, 0.88%, 0.66%

LAB 74.48, 22.12, 49.42

 

CMYK 0 / 49 / 94 / 6

HEX #F07B0E

RGB 240 123 14

HSL 28.94, 0.89%, 0.5%

LAB 63.94, 39.58, 68.88

 

CMYK 63 / 0 / 94 / 6

HEX #59F00E

RGB 89 240 14

HSL 100.09, 0.89%, 0.5%

LAB 84.21, -72.35, 79.64

 

CMYK 88 / 94 / 0 / 6

HEX #1D0EF0

RGB 29 14 240

HSL 243.98, 0.89%, 0.5%

LAB 31.5, 73.57, -100.73

 

CMYK 0 / 49 / 94 / 6

HEX #F07B0E

RGB 240 123 14

HSL 28.94, 0.89%, 0.5%

LAB 63.94, 39.58, 68.88

 

CMYK 94 / 0 / 50 / 6

HEX #0EF077

RGB 14 240 119

HSL 147.88, 0.89%, 0.5%

LAB 83.83, -73.06, 45.05

 

CMYK 50 / 94 / 0 / 6

HEX #770EF0

RGB 119 14 240

HSL 267.88, 0.89%, 0.5%

LAB 38.77, 77.7, -88.43

 

CMYK 0 / 49 / 94 / 6

HEX #F07B0E

RGB 240 123 14

HSL 28.94, 0.89%, 0.5%

LAB 63.94, 39.58, 68.88

 

CMYK 63 / 0 / 94 / 6

HEX #59F00E

RGB 89 240 14

HSL 100.09, 0.89%, 0.5%

LAB 84.21, -72.35, 79.64

 

CMYK 94 / 44 / 0 / 6

HEX #0E87F0

RGB 14 135 240

HSL 207.88, 0.89%, 0.5%

LAB 55.8, 9.05, -60.88

 

CMYK 31 / 94 / 0 / 6

HEX #A50EF0

RGB 165 14 240

HSL 280.09, 0.89%, 0.5%

LAB 45.09, 82.35, -77.82

 

CMYK 0 / 49 / 94 / 6

HEX #F07B0E

RGB 240 123 14

HSL 28.94, 0.89%, 0.5%

LAB 63.94, 39.58, 68.88

 

CMYK 91 / 0 / 94 / 6

HEX #15F00E

RGB 21 240 14

HSL 118.14, 0.89%, 0.5%

LAB 83.18, -81.33, 78.37

 

CMYK 94 / 44 / 0 / 6

HEX #0E87F0

RGB 14 135 240

HSL 207.88, 0.89%, 0.5%

LAB 55.8, 9.05, -60.88

 

CMYK 3 / 94 / 0 / 6

HEX #E90EF0

RGB 233 14 240

HSL 298.14, 0.89%, 0.5%

LAB 56.02, 91.83, -59.59

 

Description

Color code: RGB 240 123 14 | qconv.com Color code: RGB 240 123 14 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 123 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 123 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 94 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 94% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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