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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 240 113 90 it is the complementary color RGB 15 142 165. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 240 113 90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 240 113 90 shade: RGB 245 113 85, RGB 255 131 104, RGB 255 149 123, RGB 255 167 142 and RGB 255 185 161

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 240 113 90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 240 113 90 shade: RGB 240 113 90, RGB 223 95 71, RGB 206 77 52, RGB 189 59 33 and RGB 172 41 14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 240 113 90 shade: RGB 239 114 91 and RGB 239 91 91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 240 113 90 shade: RGB 239 114 91, RGB 239 154 91, RGB 239 194 91, RGB 239 234 91 and RGB 205 239 91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 240 113 90 shade matches the following richer shades: RGB 239 114 91 and RGB 254 104 77

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 240 113 90 shade: RGB 239 114 91, RGB 225 124 106, RGB 210 134 120, RGB 196 144 134 and RGB 182 154 149

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 240 113 90 shade: RGB 239 91 148, RGB 239 91 108, RGB 239 113 91, RGB 239 153 91 and RGB 239 192 91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 240 113 90 shade: RGB 227 52 21, RGB 236 81 53, RGB 239 114 91, RGB 243 146 129 and RGB 246 179 167

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 240 113 90 shade: RGB 240 113 90, RGB 187 239 91 and RGB 91 128 239

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 240 113 90 shade: RGB 240 113 90, RGB 91 239 113 and RGB 113 91 239

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 240 113 90 shade: RGB 240 113 90, RGB 187 239 91, RGB 91 217 239 and RGB 143 91 239

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 240 113 90 shade: RGB 240 113 90, RGB 143 239 91, RGB 91 217 239 and RGB 187 91 239

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 63 / 6

HEX #F0715A

RGB 240 113 90

HSL 9.2, 0.83%, 0.65%

LAB 62.57, 47.2, 36.06

 

Complementary color

CMYK 91 / 14 / 0 / 35

HEX #0F8EA5

RGB 15 142 165

HSL 189.2, 0.83%, 0.35%

LAB 54.2, -22.76, -21

 

CMYK 0 / 54 / 65 / 4

HEX #F57155

RGB 245 113 85

HSL 10.5, 0.89%, 0.65%

LAB 63.24, 48.72, 39.77

 

CMYK 0 / 49 / 59 / 0

HEX #FF8368

RGB 255 131 104

HSL 10.73, 1%, 0.7%

LAB 68.38, 44.84, 36.14

 

CMYK 0 / 42 / 52 / 0

HEX #FF957B

RGB 255 149 123

HSL 11.82, 1%, 0.74%

LAB 72.35, 37.24, 30.95

 

CMYK 0 / 35 / 44 / 0

HEX #FFA78E

RGB 255 167 142

HSL 13.27, 1%, 0.78%

LAB 76.59, 29.69, 26.32

 

CMYK 0 / 27 / 37 / 0

HEX #FFB9A1

RGB 255 185 161

HSL 15.32, 1%, 0.82%

LAB 81.03, 22.32, 22.19

 

CMYK 0 / 53 / 63 / 6

HEX #F0715A

RGB 240 113 90

HSL 9.2, 0.83%, 0.65%

LAB 62.57, 47.2, 36.06

 

CMYK 0 / 57 / 68 / 13

HEX #DF5F47

RGB 223 95 71

HSL 9.47, 0.7%, 0.58%

LAB 56.41, 48.49, 38.46

 

CMYK 0 / 63 / 75 / 19

HEX #CE4D34

RGB 206 77 52

HSL 9.74, 0.61%, 0.51%

LAB 50.31, 49.74, 41.12

 

CMYK 0 / 69 / 83 / 26

HEX #BD3B21

RGB 189 59 33

HSL 10, 0.7%, 0.44%

LAB 44.31, 50.81, 43.93

 

CMYK 0 / 76 / 92 / 33

HEX #AC290E

RGB 172 41 14

HSL 10.25, 0.85%, 0.36%

LAB 38.53, 51.48, 46.31

 

CMYK 0 / 52 / 62 / 6

HEX #EF725B

RGB 239 114 91

HSL 9.32, 0.82%, 0.65%

LAB 62.63, 46.42, 35.55

 

CMYK 0 / 62 / 62 / 6

HEX #EF5B5B

RGB 239 91 91

HSL 0, 0.82%, 0.65%

LAB 58.59, 56.97, 30.49

 

CMYK 0 / 52 / 62 / 6

HEX #EF725B

RGB 239 114 91

HSL 9.32, 0.82%, 0.65%

LAB 62.63, 46.42, 35.55

 

CMYK 0 / 36 / 62 / 6

HEX #EF9A5B

RGB 239 154 91

HSL 25.54, 0.82%, 0.65%

LAB 71.02, 25.94, 45.69

 

CMYK 0 / 19 / 62 / 6

HEX #EFC25B

RGB 239 194 91

HSL 41.76, 0.82%, 0.65%

LAB 80.57, 4.86, 56.65

 

CMYK 0 / 2 / 62 / 6

HEX #EFEA5B

RGB 239 234 91

HSL 57.97, 0.82%, 0.65%

LAB 90.76, -15.38, 67.75

 

CMYK 14 / 0 / 62 / 6

HEX #CDEF5B

RGB 205 239 91

HSL 73.78, 0.82%, 0.65%

LAB 89.61, -31.29, 65.79

 

CMYK 0 / 52 / 62 / 6

HEX #EF725B

RGB 239 114 91

HSL 9.32, 0.82%, 0.65%

LAB 62.63, 46.42, 35.55

 

CMYK 0 / 59 / 70 / 0

HEX #FE684D

RGB 254 104 77

HSL 9.15, 0.99%, 0.65%

LAB 62.93, 55.61, 44.04

 

CMYK 0 / 52 / 62 / 6

HEX #EF725B

RGB 239 114 91

HSL 9.32, 0.82%, 0.65%

LAB 62.63, 46.42, 35.55

 

CMYK 0 / 45 / 53 / 12

HEX #E17C6A

RGB 225 124 106

HSL 9.08, 0.66%, 0.65%

LAB 62.9, 37.29, 27.18

 

CMYK 0 / 36 / 43 / 18

HEX #D28678

RGB 210 134 120

HSL 9.33, 0.5%, 0.65%

LAB 63.43, 27.55, 19.7

 

CMYK 0 / 27 / 32 / 23

HEX #C49086

RGB 196 144 134

HSL 9.68, 0.34%, 0.65%

LAB 64.49, 18.29, 13.04

 

CMYK 0 / 15 / 18 / 29

HEX #B69A95

RGB 182 154 149

HSL 9.09, 0.18%, 0.65%

LAB 65.92, 9.55, 6.47

 

CMYK 0 / 62 / 38 / 6

HEX #EF5B94

RGB 239 91 148

HSL 336.89, 0.82%, 0.65%

LAB 59.86, 61.79, -0.86

 

CMYK 0 / 62 / 55 / 6

HEX #EF5B6C

RGB 239 91 108

HSL 353.11, 0.82%, 0.65%

LAB 58.9, 58.14, 21.09

 

CMYK 0 / 53 / 62 / 6

HEX #EF715B

RGB 239 113 91

HSL 8.92, 0.82%, 0.65%

LAB 62.44, 46.9, 35.32

 

CMYK 0 / 36 / 62 / 6

HEX #EF995B

RGB 239 153 91

HSL 25.14, 0.82%, 0.65%

LAB 70.79, 26.47, 45.43

 

CMYK 0 / 20 / 62 / 6

HEX #EFC05B

RGB 239 192 91

HSL 40.95, 0.82%, 0.65%

LAB 80.07, 5.9, 56.09

 

CMYK 0 / 77 / 91 / 11

HEX #E33415

RGB 227 52 21

HSL 9.03, 0.83%, 0.49%

LAB 50.5, 64.93, 57.03

 

CMYK 0 / 66 / 78 / 7

HEX #EC5135

RGB 236 81 53

HSL 9.18, 0.83%, 0.57%

LAB 56.06, 58.3, 48.21

 

CMYK 0 / 52 / 62 / 6

HEX #EF725B

RGB 239 114 91

HSL 9.32, 0.82%, 0.65%

LAB 62.63, 46.42, 35.55

 

CMYK 0 / 40 / 47 / 5

HEX #F39281

RGB 243 146 129

HSL 8.95, 0.83%, 0.73%

LAB 70.31, 34.8, 24.7

 

CMYK 0 / 27 / 32 / 4

HEX #F6B3A7

RGB 246 179 167

HSL 9.11, 0.81%, 0.81%

LAB 78.82, 22.8, 15.76

 

CMYK 0 / 53 / 63 / 6

HEX #F0715A

RGB 240 113 90

HSL 9.2, 0.83%, 0.65%

LAB 62.57, 47.2, 36.06

 

CMYK 22 / 0 / 62 / 6

HEX #BBEF5B

RGB 187 239 91

HSL 81.08, 0.82%, 0.65%

LAB 88.47, -38.13, 64.22

 

CMYK 62 / 46 / 0 / 6

HEX #5B80EF

RGB 91 128 239

HSL 225, 0.82%, 0.65%

LAB 55.98, 20.89, -59.92

 

CMYK 0 / 53 / 63 / 6

HEX #F0715A

RGB 240 113 90

HSL 9.2, 0.83%, 0.65%

LAB 62.57, 47.2, 36.06

 

CMYK 62 / 0 / 53 / 6

HEX #5BEF71

RGB 91 239 113

HSL 128.92, 0.82%, 0.65%

LAB 84.56, -64.59, 49

 

CMYK 53 / 62 / 0 / 6

HEX #715BEF

RGB 113 91 239

HSL 248.92, 0.82%, 0.65%

LAB 48.54, 46.92, -71.87

 

CMYK 0 / 53 / 63 / 6

HEX #F0715A

RGB 240 113 90

HSL 9.2, 0.83%, 0.65%

LAB 62.57, 47.2, 36.06

 

CMYK 22 / 0 / 62 / 6

HEX #BBEF5B

RGB 187 239 91

HSL 81.08, 0.82%, 0.65%

LAB 88.47, -38.13, 64.22

 

CMYK 62 / 9 / 0 / 6

HEX #5BD9EF

RGB 91 217 239

HSL 188.92, 0.82%, 0.65%

LAB 80.78, -28.32, -21.19

 

CMYK 40 / 62 / 0 / 6

HEX #8F5BEF

RGB 143 91 239

HSL 261.08, 0.82%, 0.65%

LAB 51.33, 52.66, -67.21

 

CMYK 0 / 53 / 63 / 6

HEX #F0715A

RGB 240 113 90

HSL 9.2, 0.83%, 0.65%

LAB 62.57, 47.2, 36.06

 

CMYK 40 / 0 / 62 / 6

HEX #8FEF5B

RGB 143 239 91

HSL 98.92, 0.82%, 0.65%

LAB 86.17, -53.36, 61.04

 

CMYK 62 / 9 / 0 / 6

HEX #5BD9EF

RGB 91 217 239

HSL 188.92, 0.82%, 0.65%

LAB 80.78, -28.32, -21.19

 

CMYK 22 / 62 / 0 / 6

HEX #BB5BEF

RGB 187 91 239

HSL 278.92, 0.82%, 0.65%

LAB 56.37, 62.19, -58.84

 

Description

Color code: RGB 240 113 90 | qconv.com Color code: RGB 240 113 90 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 113 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 113 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 63 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 63% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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