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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 27 3 221 it is the complementary color RGB 228 252 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 27 3 221. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 27 3 221 shade: RGB 32 3 216, RGB 49 21 235, RGB 66 39 254, RGB 83 57 255 and RGB 100 75 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 27 3 221. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 27 3 221 shade: RGB 27 3 221, RGB 10 0 202, RGB 0 0 183, RGB 0 0 164 and RGB 0 0 145

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 27 3 221 shade: RGB 27 3 221, RGB 86 3 221, RGB 144 3 221, RGB 203 3 221 and RGB 221 3 179

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 27 3 221 shade: RGB 27 3 221 and RGB 3 3 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 27 3 221 shade matches the following richer shades: RGB 27 3 221

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 27 3 221 shade: RGB 27 3 221, RGB 41 21 202, RGB 55 39 184, RGB 69 57 166 and RGB 83 75 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 27 3 221 shade: RGB 3 97 221, RGB 3 39 221, RGB 25 3 221, RGB 83 3 221 and RGB 141 3 221

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 27 3 221 shade: RGB 17 2 139, RGB 22 2 180, RGB 27 3 221, RGB 40 14 251 and RGB 76 54 251

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 27 3 221 shade: RGB 27 3 221, RGB 221 3 155 and RGB 68 221 3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 27 3 221 shade: RGB 27 3 221, RGB 221 25 3 and RGB 3 221 25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 27 3 221 shade: RGB 27 3 221, RGB 221 3 155, RGB 199 221 3 and RGB 3 221 68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 27 3 221 shade: RGB 27 3 221, RGB 221 3 90, RGB 199 221 3 and RGB 3 221 133

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 99 / 0 / 13

HEX #1B03DD

RGB 27 3 221

HSL 246.61, 0.97%, 0.44%

LAB 28.16, 70.74, -95.44

 

Complementary color

CMYK 10 / 0 / 87 / 1

HEX #E4FC22

RGB 228 252 34

HSL 66.61, 0.97%, 0.56%

LAB 94.41, -30.71, 87.95

 

CMYK 85 / 99 / 0 / 15

HEX #2003D8

RGB 32 3 216

HSL 248.17, 0.97%, 0.43%

LAB 27.66, 69.6, -93.4

 

CMYK 79 / 91 / 0 / 8

HEX #3115EB

RGB 49 21 235

HSL 247.85, 0.84%, 0.5%

LAB 32.23, 71.21, -96.65

 

CMYK 74 / 85 / 0 / 0

HEX #4227FE

RGB 66 39 254

HSL 247.53, 0.99%, 0.57%

LAB 37.42, 71.36, -98.71

 

CMYK 67 / 78 / 0 / 0

HEX #5339FF

RGB 83 57 255

HSL 247.88, 1%, 0.61%

LAB 41.19, 65.42, -92.97

 

CMYK 61 / 71 / 0 / 0

HEX #644BFF

RGB 100 75 255

HSL 248.33, 1%, 0.65%

LAB 45.58, 58.39, -85.69

 

CMYK 88 / 99 / 0 / 13

HEX #1B03DD

RGB 27 3 221

HSL 246.61, 0.97%, 0.44%

LAB 28.16, 70.74, -95.44

 

CMYK 95 / 100 / 0 / 21

HEX #0A00CA

RGB 10 0 202

HSL 242.97, 1%, 0.4%

LAB 24.73, 66.51, -90.15

 

CMYK 100 / 100 / 0 / 28

HEX #0000B7

RGB 0 0 183

HSL 240, 1%, 0.36%

LAB 21.65, 61.73, -84.07

 

CMYK 100 / 100 / 0 / 36

HEX #0000A4

RGB 0 0 164

HSL 240, 1%, 0.32%

LAB 18.72, 56.92, -77.52

 

CMYK 100 / 100 / 0 / 43

HEX #000091

RGB 0 0 145

HSL 240, 1%, 0.28%

LAB 15.72, 52, -70.83

 

CMYK 88 / 99 / 0 / 13

HEX #1B03DD

RGB 27 3 221

HSL 246.61, 0.97%, 0.44%

LAB 28.16, 70.74, -95.44

 

CMYK 61 / 99 / 0 / 13

HEX #5603DD

RGB 86 3 221

HSL 262.84, 0.97%, 0.44%

LAB 32.4, 72.66, -88.27

 

CMYK 35 / 99 / 0 / 13

HEX #9003DD

RGB 144 3 221

HSL 278.81, 0.97%, 0.44%

LAB 39.94, 77.46, -75.57

 

CMYK 8 / 99 / 0 / 13

HEX #CB03DD

RGB 203 3 221

HSL 295.05, 0.97%, 0.44%

LAB 49.47, 85.19, -59.64

 

CMYK 0 / 99 / 19 / 13

HEX #DD03B3

RGB 221 3 179

HSL 311.56, 0.97%, 0.44%

LAB 50.32, 82.42, -33.79

 

CMYK 88 / 99 / 0 / 13

HEX #1B03DD

RGB 27 3 221

HSL 246.61, 0.97%, 0.44%

LAB 28.16, 70.74, -95.44

 

CMYK 99 / 99 / 0 / 13

HEX #0303DD

RGB 3 3 221

HSL 240, 0.97%, 0.44%

LAB 27.59, 70.54, -96.42

 

CMYK 88 / 99 / 0 / 13

HEX #1B03DD

RGB 27 3 221

HSL 246.61, 0.97%, 0.44%

LAB 28.16, 70.74, -95.44

 

CMYK 88 / 99 / 0 / 13

HEX #1B03DD

RGB 27 3 221

HSL 246.61, 0.97%, 0.44%

LAB 28.16, 70.74, -95.44

 

CMYK 80 / 90 / 0 / 21

HEX #2915CA

RGB 41 21 202

HSL 246.63, 0.81%, 0.44%

LAB 27.5, 62.25, -85.5

 

CMYK 70 / 79 / 0 / 28

HEX #3727B8

RGB 55 39 184

HSL 246.62, 0.65%, 0.44%

LAB 28.71, 50.62, -72.86

 

CMYK 58 / 66 / 0 / 35

HEX #4539A6

RGB 69 57 166

HSL 246.61, 0.49%, 0.44%

LAB 31.68, 36.66, -57.17

 

CMYK 44 / 49 / 0 / 42

HEX #534B94

RGB 83 75 148

HSL 246.58, 0.33%, 0.44%

LAB 36, 22.64, -39.25

 

CMYK 99 / 56 / 0 / 13

HEX #0361DD

RGB 3 97 221

HSL 214.13, 0.97%, 0.44%

LAB 43.93, 25.39, -69.41

 

CMYK 99 / 82 / 0 / 13

HEX #0327DD

RGB 3 39 221

HSL 230.09, 0.97%, 0.44%

LAB 31.09, 59.9, -90.57

 

CMYK 89 / 99 / 0 / 13

HEX #1903DD

RGB 25 3 221

HSL 246.06, 0.97%, 0.44%

LAB 28.09, 70.72, -95.56

 

CMYK 62 / 99 / 0 / 13

HEX #5303DD

RGB 83 3 221

HSL 262.02, 0.97%, 0.44%

LAB 32.09, 72.49, -88.8

 

CMYK 36 / 99 / 0 / 13

HEX #8D03DD

RGB 141 3 221

HSL 277.98, 0.97%, 0.44%

LAB 39.49, 77.13, -76.32

 

CMYK 88 / 99 / 0 / 45

HEX #11028B

RGB 17 2 139

HSL 246.57, 0.97%, 0.28%

LAB 15.63, 49.93, -67.21

 

CMYK 88 / 99 / 0 / 29

HEX #1602B4

RGB 22 2 180

HSL 246.74, 0.98%, 0.36%

LAB 21.98, 60.69, -81.71

 

CMYK 88 / 99 / 0 / 13

HEX #1B03DD

RGB 27 3 221

HSL 246.61, 0.97%, 0.44%

LAB 28.16, 70.74, -95.44

 

CMYK 84 / 94 / 0 / 2

HEX #280EFB

RGB 40 14 251

HSL 246.58, 0.97%, 0.52%

LAB 33.41, 76.48, -103.73

 

CMYK 70 / 78 / 0 / 2

HEX #4C36FB

RGB 76 54 251

HSL 246.7, 0.96%, 0.6%

LAB 39.82, 65.07, -93.03

 

CMYK 88 / 99 / 0 / 13

HEX #1B03DD

RGB 27 3 221

HSL 246.61, 0.97%, 0.44%

LAB 28.16, 70.74, -95.44

 

CMYK 0 / 99 / 30 / 13

HEX #DD039B

RGB 221 3 155

HSL 318.17, 0.97%, 0.44%

LAB 49.26, 79.7, -21.23

 

CMYK 69 / 0 / 99 / 13

HEX #44DD03

RGB 68 221 3

HSL 102.11, 0.97%, 0.44%

LAB 77.84, -70.8, 75.27

 

CMYK 88 / 99 / 0 / 13

HEX #1B03DD

RGB 27 3 221

HSL 246.61, 0.97%, 0.44%

LAB 28.16, 70.74, -95.44

 

CMYK 0 / 89 / 99 / 13

HEX #DD1903

RGB 221 25 3

HSL 6.06, 0.97%, 0.44%

LAB 47.07, 69.26, 59.78

 

CMYK 99 / 0 / 89 / 13

HEX #03DD19

RGB 3 221 25

HSL 126.06, 0.97%, 0.44%

LAB 77.16, -76.7, 71.78

 

CMYK 88 / 99 / 0 / 13

HEX #1B03DD

RGB 27 3 221

HSL 246.61, 0.97%, 0.44%

LAB 28.16, 70.74, -95.44

 

CMYK 0 / 99 / 30 / 13

HEX #DD039B

RGB 221 3 155

HSL 318.17, 0.97%, 0.44%

LAB 49.26, 79.7, -21.23

 

CMYK 10 / 0 / 99 / 13

HEX #C7DD03

RGB 199 221 3

HSL 66.06, 0.97%, 0.44%

LAB 83.89, -28.5, 82.58

 

CMYK 99 / 0 / 69 / 13

HEX #03DD44

RGB 3 221 68

HSL 137.89, 0.97%, 0.44%

LAB 77.37, -74.03, 59.76

 

CMYK 88 / 99 / 0 / 13

HEX #1B03DD

RGB 27 3 221

HSL 246.61, 0.97%, 0.44%

LAB 28.16, 70.74, -95.44

 

CMYK 0 / 99 / 59 / 13

HEX #DD035A

RGB 221 3 90

HSL 336.06, 0.97%, 0.44%

LAB 47.2, 74.3, 15.47

 

CMYK 10 / 0 / 99 / 13

HEX #C7DD03

RGB 199 221 3

HSL 66.06, 0.97%, 0.44%

LAB 83.89, -28.5, 82.58

 

CMYK 99 / 0 / 40 / 13

HEX #03DD85

RGB 3 221 133

HSL 155.78, 0.97%, 0.44%

LAB 78.13, -64.8, 30.83

 

Description

Color code: RGB 27 3 221 | qconv.com Color code: RGB 27 3 221 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 3 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 3 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 99 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 99% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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