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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 27 222 29 it is the complementary color RGB 228 33 226. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 27 222 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 27 222 29 shade: RGB 32 222 24, RGB 49 240 43, RGB 66 255 62, RGB 83 255 81 and RGB 100 255 100

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 27 222 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 27 222 29 shade: RGB 27 222 29, RGB 10 204 10, RGB 0 186 0, RGB 0 168 0 and RGB 0 150 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 27 222 29 shade: RGB 27 222 29, RGB 78 222 27, RGB 130 222 27, RGB 183 222 27 and RGB 222 209 27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 27 222 29 shade: RGB 27 222 29, RGB 27 222 82, RGB 27 222 134, RGB 27 222 187 and RGB 27 205 222

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 27 222 29 shade matches the following richer shades: RGB 27 222 29 and RGB 7 242 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 27 222 29 shade: RGB 27 222 29, RGB 47 202 49, RGB 67 181 69, RGB 88 161 88 and RGB 108 141 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 27 222 29 shade: RGB 131 222 27, RGB 79 222 27, RGB 27 222 27, RGB 27 222 79 and RGB 27 222 131

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 27 222 29 shade: RGB 18 148 19, RGB 22 185 24, RGB 27 222 29, RGB 60 230 61 and RGB 96 235 98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 27 222 29 shade: RGB 27 222 29, RGB 27 183 222 and RGB 222 27 105

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 27 222 29 shade: RGB 27 222 29, RGB 27 27 222 and RGB 222 27 27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 27 222 29 shade: RGB 27 222 29, RGB 27 183 222, RGB 222 27 222 and RGB 222 66 27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 27 222 29 shade: RGB 27 222 29, RGB 27 124 222, RGB 222 27 222 and RGB 222 124 27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 87 / 13

HEX #1BDE1D

RGB 27 222 29

HSL 120.62, 0.78%, 0.49%

LAB 77.62, -75.67, 71.49

 

Complementary color

CMYK 0 / 86 / 1 / 11

HEX #E421E2

RGB 228 33 226

HSL 300.62, 0.78%, 0.51%

LAB 55.15, 86.65, -53.15

 

CMYK 86 / 0 / 89 / 13

HEX #20DE18

RGB 32 222 24

HSL 117.58, 0.8%, 0.48%

LAB 77.65, -75.45, 72.44

 

CMYK 80 / 0 / 82 / 6

HEX #31F02B

RGB 49 240 43

HSL 118.17, 0.87%, 0.55%

LAB 83.52, -78.03, 73.76

 

CMYK 74 / 0 / 76 / 0

HEX #42FF3E

RGB 66 255 62

HSL 118.76, 1%, 0.62%

LAB 88.46, -79.11, 73.25

 

CMYK 67 / 0 / 68 / 0

HEX #53FF51

RGB 83 255 81

HSL 119.31, 1%, 0.66%

LAB 88.9, -74.94, 67.35

 

CMYK 61 / 0 / 61 / 0

HEX #64FF64

RGB 100 255 100

HSL 120, 1%, 0.7%

LAB 89.46, -69.81, 60.55

 

CMYK 88 / 0 / 87 / 13

HEX #1BDE1D

RGB 27 222 29

HSL 120.62, 0.78%, 0.49%

LAB 77.62, -75.67, 71.49

 

CMYK 95 / 0 / 95 / 20

HEX #0ACC0A

RGB 10 204 10

HSL 120, 0.91%, 0.42%

LAB 71.74, -72.25, 69.32

 

CMYK 100 / 0 / 100 / 27

HEX #00BA00

RGB 0 186 0

HSL 120, 1%, 0.36%

LAB 65.84, -67.99, 65.62

 

CMYK 100 / 0 / 100 / 34

HEX #00A800

RGB 0 168 0

HSL 120, 1%, 0.33%

LAB 59.89, -63.05, 60.85

 

CMYK 100 / 0 / 100 / 41

HEX #009600

RGB 0 150 0

HSL 120, 1%, 0.29%

LAB 53.83, -58.01, 55.99

 

CMYK 88 / 0 / 87 / 13

HEX #1BDE1D

RGB 27 222 29

HSL 120.62, 0.78%, 0.49%

LAB 77.62, -75.67, 71.49

 

CMYK 65 / 0 / 88 / 13

HEX #4EDE1B

RGB 78 222 27

HSL 104.31, 0.78%, 0.49%

LAB 78.43, -68.63, 72.89

 

CMYK 41 / 0 / 88 / 13

HEX #82DE1B

RGB 130 222 27

HSL 88.31, 0.78%, 0.49%

LAB 80.22, -54.57, 75.12

 

CMYK 18 / 0 / 88 / 13

HEX #B7DE1B

RGB 183 222 27

HSL 72, 0.78%, 0.49%

LAB 83.12, -35.11, 78.71

 

CMYK 0 / 6 / 88 / 13

HEX #DED11B

RGB 222 209 27

HSL 56, 0.78%, 0.49%

LAB 82.49, -12.67, 79.42

 

CMYK 88 / 0 / 87 / 13

HEX #1BDE1D

RGB 27 222 29

HSL 120.62, 0.78%, 0.49%

LAB 77.62, -75.67, 71.49

 

CMYK 88 / 0 / 63 / 13

HEX #1BDE52

RGB 27 222 82

HSL 136.92, 0.78%, 0.49%

LAB 77.93, -71.78, 54.78

 

CMYK 88 / 0 / 40 / 13

HEX #1BDE86

RGB 27 222 134

HSL 152.92, 0.78%, 0.49%

LAB 78.58, -63.94, 30.94

 

CMYK 88 / 0 / 16 / 13

HEX #1BDEBB

RGB 27 222 187

HSL 169.23, 0.78%, 0.49%

LAB 79.65, -52.06, 4.71

 

CMYK 88 / 8 / 0 / 13

HEX #1BCDDE

RGB 27 205 222

HSL 185.23, 0.78%, 0.49%

LAB 75.56, -34.67, -20.12

 

CMYK 88 / 0 / 87 / 13

HEX #1BDE1D

RGB 27 222 29

HSL 120.62, 0.78%, 0.49%

LAB 77.62, -75.67, 71.49

 

CMYK 97 / 0 / 96 / 5

HEX #07F209

RGB 7 242 9

HSL 120.51, 0.94%, 0.49%

LAB 83.74, -82.48, 79.25

 

CMYK 88 / 0 / 87 / 13

HEX #1BDE1D

RGB 27 222 29

HSL 120.62, 0.78%, 0.49%

LAB 77.62, -75.67, 71.49

 

CMYK 77 / 0 / 76 / 21

HEX #2FCA31

RGB 47 202 49

HSL 120.77, 0.62%, 0.49%

LAB 71.6, -66.7, 60.76

 

CMYK 63 / 0 / 62 / 29

HEX #43B545

RGB 67 181 69

HSL 121.05, 0.46%, 0.49%

LAB 65.49, -54.29, 46.59

 

CMYK 45 / 0 / 45 / 37

HEX #58A158

RGB 88 161 88

HSL 120, 0.29%, 0.49%

LAB 60.13, -38.22, 31.01

 

CMYK 23 / 0 / 23 / 45

HEX #6C8D6C

RGB 108 141 108

HSL 120, 0.13%, 0.49%

LAB 55.4, -18.44, 13.92

 

CMYK 41 / 0 / 88 / 13

HEX #83DE1B

RGB 131 222 27

HSL 88, 0.78%, 0.49%

LAB 80.26, -54.24, 75.18

 

CMYK 64 / 0 / 88 / 13

HEX #4FDE1B

RGB 79 222 27

HSL 104, 0.78%, 0.49%

LAB 78.45, -68.43, 72.92

 

CMYK 88 / 0 / 88 / 13

HEX #1BDE1B

RGB 27 222 27

HSL 120, 0.78%, 0.49%

LAB 77.61, -75.74, 71.86

 

CMYK 88 / 0 / 64 / 13

HEX #1BDE4F

RGB 27 222 79

HSL 136, 0.78%, 0.49%

LAB 77.9, -72.1, 56

 

CMYK 88 / 0 / 41 / 13

HEX #1BDE83

RGB 27 222 131

HSL 152, 0.78%, 0.49%

LAB 78.53, -64.5, 32.4

 

CMYK 88 / 0 / 87 / 42

HEX #129413

RGB 18 148 19

HSL 120.46, 0.78%, 0.33%

LAB 53.34, -55.52, 52.18

 

CMYK 88 / 0 / 87 / 27

HEX #16B918

RGB 22 185 24

HSL 120.74, 0.79%, 0.41%

LAB 65.7, -65.84, 62.03

 

CMYK 88 / 0 / 87 / 13

HEX #1BDE1D

RGB 27 222 29

HSL 120.62, 0.78%, 0.49%

LAB 77.62, -75.67, 71.49

 

CMYK 74 / 0 / 73 / 10

HEX #3CE63D

RGB 60 230 61

HSL 120.35, 0.77%, 0.57%

LAB 80.68, -72.53, 65.85

 

CMYK 59 / 0 / 58 / 8

HEX #60EB62

RGB 96 235 98

HSL 120.86, 0.78%, 0.65%

LAB 83.33, -63.93, 54.37

 

CMYK 88 / 0 / 87 / 13

HEX #1BDE1D

RGB 27 222 29

HSL 120.62, 0.78%, 0.49%

LAB 77.62, -75.67, 71.49

 

CMYK 88 / 18 / 0 / 13

HEX #1BB7DE

RGB 27 183 222

HSL 192, 0.78%, 0.49%

LAB 69.02, -23.89, -30.12

 

CMYK 0 / 88 / 53 / 13

HEX #DE1B69

RGB 222 27 105

HSL 336, 0.78%, 0.49%

LAB 48.68, 72.87, 8.29

 

CMYK 88 / 0 / 87 / 13

HEX #1BDE1D

RGB 27 222 29

HSL 120.62, 0.78%, 0.49%

LAB 77.62, -75.67, 71.49

 

CMYK 88 / 88 / 0 / 13

HEX #1B1BDE

RGB 27 27 222

HSL 240, 0.78%, 0.49%

LAB 30.13, 65.38, -92.73

 

CMYK 0 / 88 / 88 / 13

HEX #DE1B1B

RGB 222 27 27

HSL 0, 0.78%, 0.49%

LAB 47.49, 69.47, 52

 

CMYK 88 / 0 / 87 / 13

HEX #1BDE1D

RGB 27 222 29

HSL 120.62, 0.78%, 0.49%

LAB 77.62, -75.67, 71.49

 

CMYK 88 / 18 / 0 / 13

HEX #1BB7DE

RGB 27 183 222

HSL 192, 0.78%, 0.49%

LAB 69.02, -23.89, -30.12

 

CMYK 0 / 88 / 0 / 13

HEX #DE1BDE

RGB 222 27 222

HSL 300, 0.78%, 0.49%

LAB 53.59, 85.97, -53.43

 

CMYK 0 / 70 / 88 / 13

HEX #DE421B

RGB 222 66 27

HSL 12, 0.78%, 0.49%

LAB 51.27, 58.84, 54.91

 

CMYK 88 / 0 / 87 / 13

HEX #1BDE1D

RGB 27 222 29

HSL 120.62, 0.78%, 0.49%

LAB 77.62, -75.67, 71.49

 

CMYK 88 / 44 / 0 / 13

HEX #1B7CDE

RGB 27 124 222

HSL 210.15, 0.78%, 0.49%

LAB 51.75, 9.5, -57.32

 

CMYK 0 / 88 / 0 / 13

HEX #DE1BDE

RGB 222 27 222

HSL 300, 0.78%, 0.49%

LAB 53.59, 85.97, -53.43

 

CMYK 0 / 44 / 88 / 13

HEX #DE7C1B

RGB 222 124 27

HSL 29.85, 0.78%, 0.49%

LAB 61.67, 32.01, 63.01

 

Description

Color code: RGB 27 222 29 | qconv.com Color code: RGB 27 222 29 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 222 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 222 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 87 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 87% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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