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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 27 219 109 it is the complementary color RGB 228 36 146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 27 219 109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 27 219 109 shade: RGB 32 219 104, RGB 49 237 123, RGB 66 255 142, RGB 83 255 161 and RGB 100 255 180

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 27 219 109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 27 219 109 shade: RGB 27 219 109, RGB 10 201 90, RGB 0 183 71, RGB 0 165 52 and RGB 0 147 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 27 219 109 shade: RGB 26 217 108, RGB 26 217 57, RGB 48 217 26, RGB 99 217 26 and RGB 151 217 26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 27 219 109 shade: RGB 26 217 108, RGB 26 217 159, RGB 26 217 211, RGB 26 172 217 and RGB 26 121 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 27 219 109 shade matches the following richer shades: RGB 26 217 108 and RGB 7 237 105

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 27 219 109 shade: RGB 26 217 108, RGB 46 198 111, RGB 66 178 114, RGB 86 158 117 and RGB 106 138 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 27 219 109 shade: RGB 49 217 26, RGB 26 217 55, RGB 26 217 106, RGB 26 217 157 and RGB 26 217 208

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 27 219 109 shade: RGB 17 144 71, RGB 22 181 90, RGB 26 217 108, RGB 55 230 130 and RGB 92 234 153

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 27 219 109 shade: RGB 27 219 109, RGB 26 100 217 and RGB 217 30 26

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 27 219 109 shade: RGB 27 219 109, RGB 106 26 217 and RGB 217 106 26

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 27 219 109 shade: RGB 27 219 109, RGB 26 100 217, RGB 217 26 138 and RGB 217 144 26

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 27 219 109 shade: RGB 27 219 109, RGB 26 42 217, RGB 217 26 138 and RGB 217 201 26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 50 / 14

HEX #1BDB6D

RGB 27 219 109

HSL 145.63, 0.78%, 0.48%

LAB 77.28, -67.24, 41.72

 

Complementary color

CMYK 0 / 84 / 36 / 11

HEX #E42492

RGB 228 36 146

HSL 325.63, 0.78%, 0.52%

LAB 51.65, 76.16, -12.09

 

CMYK 85 / 0 / 53 / 14

HEX #20DB68

RGB 32 219 104

HSL 143.1, 0.75%, 0.49%

LAB 77.26, -67.62, 44.1

 

CMYK 79 / 0 / 48 / 7

HEX #31ED7B

RGB 49 237 123

HSL 143.62, 0.84%, 0.56%

LAB 83.26, -69.03, 42.48

 

CMYK 74 / 0 / 44 / 0

HEX #42FF8E

RGB 66 255 142

HSL 144.13, 1%, 0.63%

LAB 89.22, -70.03, 40.93

 

CMYK 67 / 0 / 37 / 0

HEX #53FFA1

RGB 83 255 161

HSL 147.21, 1%, 0.66%

LAB 89.83, -64.27, 32.43

 

CMYK 61 / 0 / 29 / 0

HEX #64FFB4

RGB 100 255 180

HSL 150.97, 1%, 0.7%

LAB 90.56, -57.71, 23.92

 

CMYK 88 / 0 / 50 / 14

HEX #1BDB6D

RGB 27 219 109

HSL 145.63, 0.78%, 0.48%

LAB 77.28, -67.24, 41.72

 

CMYK 95 / 0 / 55 / 21

HEX #0AC95A

RGB 10 201 90

HSL 145.13, 0.91%, 0.41%

LAB 71.27, -65.22, 43.43

 

CMYK 100 / 0 / 61 / 28

HEX #00B747

RGB 0 183 71

HSL 143.28, 1%, 0.36%

LAB 65.22, -62.57, 45.13

 

CMYK 100 / 0 / 68 / 35

HEX #00A534

RGB 0 165 52

HSL 138.91, 1%, 0.32%

LAB 59.12, -59.27, 46.64

 

CMYK 100 / 0 / 78 / 42

HEX #009321

RGB 0 147 33

HSL 133.47, 1%, 0.29%

LAB 52.92, -55.6, 47.58

 

CMYK 88 / 0 / 50 / 15

HEX #1AD96C

RGB 26 217 108

HSL 145.76, 0.79%, 0.48%

LAB 76.64, -66.81, 41.4

 

CMYK 88 / 0 / 74 / 15

HEX #1AD939

RGB 26 217 57

HSL 129.74, 0.79%, 0.48%

LAB 76.16, -72.74, 62.52

 

CMYK 78 / 0 / 88 / 15

HEX #30D91A

RGB 48 217 26

HSL 113.09, 0.79%, 0.48%

LAB 76.27, -72.24, 70.98

 

CMYK 54 / 0 / 88 / 15

HEX #63D91A

RGB 99 217 26

HSL 97.07, 0.79%, 0.48%

LAB 77.49, -62, 72.51

 

CMYK 30 / 0 / 88 / 15

HEX #97D91A

RGB 151 217 26

HSL 80.73, 0.79%, 0.48%

LAB 79.77, -45.24, 75.34

 

CMYK 88 / 0 / 50 / 15

HEX #1AD96C

RGB 26 217 108

HSL 145.76, 0.79%, 0.48%

LAB 76.64, -66.81, 41.4

 

CMYK 88 / 0 / 27 / 15

HEX #1AD99F

RGB 26 217 159

HSL 161.78, 0.79%, 0.48%

LAB 77.49, -56.97, 16.48

 

CMYK 88 / 0 / 3 / 15

HEX #1AD9D3

RGB 26 217 211

HSL 178.12, 0.79%, 0.48%

LAB 78.78, -43.46, -9.37

 

CMYK 88 / 21 / 0 / 15

HEX #1AACD9

RGB 26 172 217

HSL 194.14, 0.79%, 0.48%

LAB 65.54, -19.96, -32.75

 

CMYK 88 / 44 / 0 / 15

HEX #1A79D9

RGB 26 121 217

HSL 210.16, 0.79%, 0.48%

LAB 50.57, 9.38, -56.38

 

CMYK 88 / 0 / 50 / 15

HEX #1AD96C

RGB 26 217 108

HSL 145.76, 0.79%, 0.48%

LAB 76.64, -66.81, 41.4

 

CMYK 97 / 0 / 56 / 7

HEX #07ED69

RGB 7 237 105

HSL 145.57, 0.94%, 0.48%

LAB 82.72, -74.37, 50.19

 

CMYK 88 / 0 / 50 / 15

HEX #1AD96C

RGB 26 217 108

HSL 145.76, 0.79%, 0.48%

LAB 76.64, -66.81, 41.4

 

CMYK 77 / 0 / 44 / 22

HEX #2EC66F

RGB 46 198 111

HSL 145.66, 0.62%, 0.48%

LAB 70.95, -57.93, 32.75

 

CMYK 63 / 0 / 36 / 30

HEX #42B272

RGB 66 178 114

HSL 145.71, 0.46%, 0.48%

LAB 65.13, -46.46, 23.59

 

CMYK 46 / 0 / 26 / 38

HEX #569E75

RGB 86 158 117

HSL 145.83, 0.3%, 0.48%

LAB 59.63, -32.24, 14.55

 

CMYK 23 / 0 / 13 / 46

HEX #6A8A78

RGB 106 138 120

HSL 146.25, 0.13%, 0.48%

LAB 54.65, -15.19, 5.97

 

CMYK 77 / 0 / 88 / 15

HEX #31D91A

RGB 49 217 26

HSL 112.77, 0.79%, 0.48%

LAB 76.29, -72.1, 71

 

CMYK 88 / 0 / 75 / 15

HEX #1AD937

RGB 26 217 55

HSL 129.11, 0.79%, 0.48%

LAB 76.14, -72.89, 63.19

 

CMYK 88 / 0 / 51 / 15

HEX #1AD96A

RGB 26 217 106

HSL 145.13, 0.79%, 0.48%

LAB 76.61, -67.12, 42.33

 

CMYK 88 / 0 / 28 / 15

HEX #1AD99D

RGB 26 217 157

HSL 161.15, 0.79%, 0.48%

LAB 77.45, -57.42, 17.47

 

CMYK 88 / 0 / 4 / 15

HEX #1AD9D0

RGB 26 217 208

HSL 177.17, 0.79%, 0.48%

LAB 78.69, -44.32, -7.89

 

CMYK 88 / 0 / 51 / 44

HEX #119047

RGB 17 144 71

HSL 145.51, 0.79%, 0.32%

LAB 52.42, -48.76, 29.81

 

CMYK 88 / 0 / 50 / 29

HEX #16B55A

RGB 22 181 90

HSL 145.66, 0.78%, 0.4%

LAB 64.93, -58.02, 35.69

 

CMYK 88 / 0 / 50 / 15

HEX #1AD96C

RGB 26 217 108

HSL 145.76, 0.79%, 0.48%

LAB 76.64, -66.81, 41.4

 

CMYK 76 / 0 / 43 / 10

HEX #37E682

RGB 55 230 130

HSL 145.71, 0.78%, 0.56%

LAB 81.3, -64.81, 36.58

 

CMYK 61 / 0 / 35 / 8

HEX #5CEA99

RGB 92 234 153

HSL 145.77, 0.77%, 0.64%

LAB 83.66, -56.19, 28.25

 

CMYK 88 / 0 / 50 / 14

HEX #1BDB6D

RGB 27 219 109

HSL 145.63, 0.78%, 0.48%

LAB 77.28, -67.24, 41.72

 

CMYK 88 / 54 / 0 / 15

HEX #1A64D9

RGB 26 100 217

HSL 216.75, 0.79%, 0.48%

LAB 44.72, 22.76, -65.83

 

CMYK 0 / 86 / 88 / 15

HEX #D91E1A

RGB 217 30 26

HSL 1.26, 0.79%, 0.48%

LAB 46.65, 67.58, 51.36

 

CMYK 88 / 0 / 50 / 14

HEX #1BDB6D

RGB 27 219 109

HSL 145.63, 0.78%, 0.48%

LAB 77.28, -67.24, 41.72

 

CMYK 51 / 88 / 0 / 15

HEX #6A1AD9

RGB 106 26 217

HSL 265.13, 0.79%, 0.48%

LAB 35.62, 69.01, -80.56

 

CMYK 0 / 51 / 88 / 15

HEX #D96A1A

RGB 217 106 26

HSL 25.13, 0.79%, 0.48%

LAB 57.21, 39.24, 59.52

 

CMYK 88 / 0 / 50 / 14

HEX #1BDB6D

RGB 27 219 109

HSL 145.63, 0.78%, 0.48%

LAB 77.28, -67.24, 41.72

 

CMYK 88 / 54 / 0 / 15

HEX #1A64D9

RGB 26 100 217

HSL 216.75, 0.79%, 0.48%

LAB 44.72, 22.76, -65.83

 

CMYK 0 / 88 / 36 / 15

HEX #D91A8A

RGB 217 26 138

HSL 324.82, 0.79%, 0.48%

LAB 48.67, 74.7, -11.98

 

CMYK 0 / 34 / 88 / 15

HEX #D9901A

RGB 217 144 26

HSL 37.07, 0.79%, 0.48%

LAB 65.57, 19.23, 66.06

 

CMYK 88 / 0 / 50 / 14

HEX #1BDB6D

RGB 27 219 109

HSL 145.63, 0.78%, 0.48%

LAB 77.28, -67.24, 41.72

 

CMYK 88 / 81 / 0 / 15

HEX #1A2AD9

RGB 26 42 217

HSL 234.97, 0.79%, 0.48%

LAB 31.54, 57.72, -87.5

 

CMYK 0 / 88 / 36 / 15

HEX #D91A8A

RGB 217 26 138

HSL 324.82, 0.79%, 0.48%

LAB 48.67, 74.7, -11.98

 

CMYK 0 / 7 / 88 / 15

HEX #D9C91A

RGB 217 201 26

HSL 54.97, 0.79%, 0.48%

LAB 79.95, -10.81, 77.41

 

Description

Color code: RGB 27 219 109 | qconv.com Color code: RGB 27 219 109 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 219 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 219 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 50 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 50% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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