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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 27 185 95 it is the complementary color RGB 228 70 160. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 27 185 95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 27 185 95 shade: RGB 32 185 90, RGB 49 203 109, RGB 66 221 128, RGB 83 239 147 and RGB 100 255 166

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 27 185 95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 27 185 95 shade: RGB 27 185 95, RGB 10 167 76, RGB 0 149 57, RGB 0 131 38 and RGB 0 113 19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 27 185 95 shade: RGB 26 187 95, RGB 26 187 52, RGB 44 187 26, RGB 87 187 26 and RGB 130 187 26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 27 185 95 shade: RGB 26 187 95, RGB 26 187 139, RGB 26 187 182, RGB 26 148 187 and RGB 26 105 187

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 27 185 95 shade matches the following richer shades: RGB 26 187 95 and RGB 9 204 93

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 27 185 95 shade: RGB 26 187 95, RGB 44 170 98, RGB 61 152 100, RGB 78 135 103 and RGB 96 118 105

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 27 185 95 shade: RGB 45 187 26, RGB 26 187 50, RGB 26 187 93, RGB 26 187 136 and RGB 26 187 179

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 27 185 95 shade: RGB 16 115 58, RGB 21 151 77, RGB 26 187 95, RGB 32 223 114 and RGB 68 228 137

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 27 185 95 shade: RGB 27 185 95, RGB 26 88 187 and RGB 187 29 26

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 27 185 95 shade: RGB 27 185 95, RGB 93 26 187 and RGB 187 93 26

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 27 185 95 shade: RGB 27 185 95, RGB 26 88 187, RGB 187 26 120 and RGB 187 125 26

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 27 185 95 shade: RGB 27 185 95, RGB 26 40 187, RGB 187 26 120 and RGB 187 174 26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 49 / 27

HEX #1BB95F

RGB 27 185 95

HSL 145.82, 0.75%, 0.42%

LAB 66.33, -58.16, 34.94

 

Complementary color

CMYK 0 / 69 / 30 / 11

HEX #E446A0

RGB 228 70 160

HSL 325.82, 0.75%, 0.58%

LAB 55.49, 68.18, -14.57

 

CMYK 83 / 0 / 51 / 27

HEX #20B95A

RGB 32 185 90

HSL 142.75, 0.71%, 0.43%

LAB 66.32, -58.49, 37.44

 

CMYK 76 / 0 / 46 / 20

HEX #31CB6D

RGB 49 203 109

HSL 143.38, 0.61%, 0.49%

LAB 72.54, -59.66, 35.81

 

CMYK 70 / 0 / 42 / 13

HEX #42DD80

RGB 66 221 128

HSL 144, 0.7%, 0.56%

LAB 78.71, -60.41, 34.26

 

CMYK 65 / 0 / 38 / 6

HEX #53EF93

RGB 83 239 147

HSL 144.62, 0.83%, 0.63%

LAB 84.83, -60.87, 32.8

 

CMYK 61 / 0 / 35 / 0

HEX #64FFA6

RGB 100 255 166

HSL 145.55, 1%, 0.7%

LAB 90.31, -60.36, 30.65

 

CMYK 85 / 0 / 49 / 27

HEX #1BB95F

RGB 27 185 95

HSL 145.82, 0.75%, 0.42%

LAB 66.33, -58.16, 34.94

 

CMYK 94 / 0 / 54 / 35

HEX #0AA74C

RGB 10 167 76

HSL 145.22, 0.89%, 0.35%

LAB 60.09, -56.29, 36.7

 

CMYK 100 / 0 / 62 / 42

HEX #009539

RGB 0 149 57

HSL 142.95, 1%, 0.29%

LAB 53.8, -53.68, 38.47

 

CMYK 100 / 0 / 71 / 49

HEX #008326

RGB 0 131 38

HSL 137.4, 1%, 0.26%

LAB 47.46, -50.23, 40.02

 

CMYK 100 / 0 / 83 / 56

HEX #007113

RGB 0 113 19

HSL 130.09, 1%, 0.22%

LAB 40.99, -46.3, 40.76

 

CMYK 86 / 0 / 49 / 27

HEX #1ABB5F

RGB 26 187 95

HSL 145.71, 0.76%, 0.42%

LAB 66.97, -58.92, 35.73

 

CMYK 86 / 0 / 72 / 27

HEX #1ABB34

RGB 26 187 52

HSL 129.69, 0.76%, 0.42%

LAB 66.53, -64.31, 54.5

 

CMYK 76 / 0 / 86 / 27

HEX #2CBB1A

RGB 44 187 26

HSL 113.29, 0.76%, 0.42%

LAB 66.63, -63.85, 62.53

 

CMYK 53 / 0 / 86 / 27

HEX #57BB1A

RGB 87 187 26

HSL 97.27, 0.76%, 0.42%

LAB 67.76, -54.55, 63.95

 

CMYK 30 / 0 / 86 / 27

HEX #82BB1A

RGB 130 187 26

HSL 81.24, 0.76%, 0.42%

LAB 69.73, -40.17, 66.42

 

CMYK 86 / 0 / 49 / 27

HEX #1ABB5F

RGB 26 187 95

HSL 145.71, 0.76%, 0.42%

LAB 66.97, -58.92, 35.73

 

CMYK 86 / 0 / 26 / 27

HEX #1ABB8B

RGB 26 187 139

HSL 162.11, 0.76%, 0.42%

LAB 67.74, -50.03, 13.55

 

CMYK 86 / 0 / 3 / 27

HEX #1ABBB6

RGB 26 187 182

HSL 178.14, 0.76%, 0.42%

LAB 68.85, -38.52, -8.42

 

CMYK 86 / 21 / 0 / 27

HEX #1A94BB

RGB 26 148 187

HSL 194.53, 0.76%, 0.42%

LAB 57.06, -17.6, -29.13

 

CMYK 86 / 44 / 0 / 27

HEX #1A69BB

RGB 26 105 187

HSL 210.56, 0.76%, 0.42%

LAB 44.1, 7.77, -49.57

 

CMYK 86 / 0 / 49 / 27

HEX #1ABB5F

RGB 26 187 95

HSL 145.71, 0.76%, 0.42%

LAB 66.97, -58.92, 35.73

 

CMYK 96 / 0 / 54 / 20

HEX #09CC5D

RGB 9 204 93

HSL 145.85, 0.92%, 0.42%

LAB 72.25, -65.77, 43.2

 

CMYK 86 / 0 / 49 / 27

HEX #1ABB5F

RGB 26 187 95

HSL 145.71, 0.76%, 0.42%

LAB 66.97, -58.92, 35.73

 

CMYK 74 / 0 / 42 / 33

HEX #2CAA62

RGB 44 170 98

HSL 145.71, 0.59%, 0.42%

LAB 61.8, -50.25, 27.62

 

CMYK 60 / 0 / 34 / 40

HEX #3D9864

RGB 61 152 100

HSL 145.71, 0.43%, 0.42%

LAB 56.46, -39.41, 19.5

 

CMYK 42 / 0 / 24 / 47

HEX #4E8767

RGB 78 135 103

HSL 146.32, 0.27%, 0.42%

LAB 51.75, -26.4, 11.44

 

CMYK 19 / 0 / 11 / 54

HEX #607669

RGB 96 118 105

HSL 144.55, 0.1%, 0.42%

LAB 47.58, -10.91, 4.49

 

CMYK 76 / 0 / 86 / 27

HEX #2DBB1A

RGB 45 187 26

HSL 112.92, 0.76%, 0.42%

LAB 66.65, -63.71, 62.55

 

CMYK 86 / 0 / 73 / 27

HEX #1ABB32

RGB 26 187 50

HSL 128.94, 0.76%, 0.42%

LAB 66.51, -64.48, 55.22

 

CMYK 86 / 0 / 50 / 27

HEX #1ABB5D

RGB 26 187 93

HSL 144.97, 0.76%, 0.42%

LAB 66.94, -59.25, 36.7

 

CMYK 86 / 0 / 27 / 27

HEX #1ABB88

RGB 26 187 136

HSL 160.99, 0.76%, 0.42%

LAB 67.68, -50.74, 15.09

 

CMYK 86 / 0 / 4 / 27

HEX #1ABBB3

RGB 26 187 179

HSL 177.02, 0.76%, 0.42%

LAB 68.76, -39.4, -6.9

 

CMYK 86 / 0 / 50 / 55

HEX #10733A

RGB 16 115 58

HSL 145.45, 0.76%, 0.26%

LAB 42.27, -40.52, 24.05

 

CMYK 86 / 0 / 49 / 41

HEX #15974D

RGB 21 151 77

HSL 145.85, 0.76%, 0.34%

LAB 54.9, -49.86, 29.78

 

CMYK 86 / 0 / 49 / 27

HEX #1ABB5F

RGB 26 187 95

HSL 145.71, 0.76%, 0.42%

LAB 66.97, -58.92, 35.73

 

CMYK 86 / 0 / 49 / 13

HEX #20DF72

RGB 32 223 114

HSL 145.76, 0.75%, 0.5%

LAB 78.63, -67.4, 40.99

 

CMYK 70 / 0 / 40 / 11

HEX #44E489

RGB 68 228 137

HSL 145.88, 0.75%, 0.58%

LAB 81.03, -61.07, 32.76

 

CMYK 85 / 0 / 49 / 27

HEX #1BB95F

RGB 27 185 95

HSL 145.82, 0.75%, 0.42%

LAB 66.33, -58.16, 34.94

 

CMYK 86 / 53 / 0 / 27

HEX #1A58BB

RGB 26 88 187

HSL 216.89, 0.76%, 0.42%

LAB 39.22, 18.84, -57.45

 

CMYK 0 / 84 / 86 / 27

HEX #BB1D1A

RGB 187 29 26

HSL 1.12, 0.76%, 0.42%

LAB 40.44, 59.57, 43.78

 

CMYK 85 / 0 / 49 / 27

HEX #1BB95F

RGB 27 185 95

HSL 145.82, 0.75%, 0.42%

LAB 66.33, -58.16, 34.94

 

CMYK 50 / 86 / 0 / 27

HEX #5D1ABB

RGB 93 26 187

HSL 264.97, 0.76%, 0.42%

LAB 31.01, 60.52, -70.71

 

CMYK 0 / 50 / 86 / 27

HEX #BB5D1A

RGB 187 93 26

HSL 24.97, 0.76%, 0.42%

LAB 50.06, 33.88, 51.88

 

CMYK 85 / 0 / 49 / 27

HEX #1BB95F

RGB 27 185 95

HSL 145.82, 0.75%, 0.42%

LAB 66.33, -58.16, 34.94

 

CMYK 86 / 53 / 0 / 27

HEX #1A58BB

RGB 26 88 187

HSL 216.89, 0.76%, 0.42%

LAB 39.22, 18.84, -57.45

 

CMYK 0 / 86 / 36 / 27

HEX #BB1A78

RGB 187 26 120

HSL 324.97, 0.76%, 0.42%

LAB 42.25, 66.08, -11.21

 

CMYK 0 / 33 / 86 / 27

HEX #BB7D1A

RGB 187 125 26

HSL 36.89, 0.76%, 0.42%

LAB 57.37, 16.48, 57.95

 

CMYK 85 / 0 / 49 / 27

HEX #1BB95F

RGB 27 185 95

HSL 145.82, 0.75%, 0.42%

LAB 66.33, -58.16, 34.94

 

CMYK 86 / 79 / 0 / 27

HEX #1A28BB

RGB 26 40 187

HSL 234.78, 0.76%, 0.42%

LAB 27.64, 49.14, -76.45

 

CMYK 0 / 86 / 36 / 27

HEX #BB1A78

RGB 187 26 120

HSL 324.97, 0.76%, 0.42%

LAB 42.25, 66.08, -11.21

 

CMYK 0 / 7 / 86 / 27

HEX #BBAE1A

RGB 187 174 26

HSL 55.16, 0.76%, 0.42%

LAB 70.11, -10.03, 68.4

 

Description

Color code: RGB 27 185 95 | qconv.com Color code: RGB 27 185 95 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 185 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 185 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 49 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 49% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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