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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 27 164 74 it is the complementary color RGB 228 91 181. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 27 164 74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 27 164 74 shade: RGB 32 164 69, RGB 49 182 88, RGB 66 200 107, RGB 83 218 126 and RGB 100 236 145

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 27 164 74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 27 164 74 shade: RGB 27 164 74, RGB 10 146 55, RGB 0 128 36, RGB 0 110 17 and RGB 0 92 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 27 164 74 shade: RGB 26 162 73, RGB 26 162 36, RGB 53 162 26, RGB 89 162 26 and RGB 126 162 26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 27 164 74 shade: RGB 26 162 73, RGB 26 162 109, RGB 26 162 146, RGB 26 141 162 and RGB 26 104 162

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 27 164 74 shade matches the following richer shades: RGB 26 162 73 and RGB 11 177 68

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 27 164 74 shade: RGB 26 162 73, RGB 41 147 77, RGB 56 131 82, RGB 72 116 87 and RGB 87 101 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 27 164 74 shade: RGB 53 162 26, RGB 26 162 35, RGB 26 162 71, RGB 26 162 107 and RGB 26 162 144

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 27 164 74 shade: RGB 14 91 41, RGB 20 126 57, RGB 26 162 73, RGB 32 197 88 and RGB 49 221 108

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 27 164 74 shade: RGB 27 164 74, RGB 26 89 162 and RGB 162 26 35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 27 164 74 shade: RGB 27 164 74, RGB 71 26 162 and RGB 162 71 26

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 27 164 74 shade: RGB 27 164 74, RGB 26 89 162, RGB 162 26 116 and RGB 162 98 26

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 27 164 74 shade: RGB 27 164 74, RGB 26 49 162, RGB 162 26 116 and RGB 162 139 26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 55 / 36

HEX #1BA44A

RGB 27 164 74

HSL 140.58, 0.72%, 0.37%

LAB 59.23, -54.29, 36.69

 

Complementary color

CMYK 0 / 60 / 21 / 11

HEX #E45BB5

RGB 228 91 181

HSL 320.58, 0.72%, 0.63%

LAB 59.26, 62.61, -21.03

 

CMYK 80 / 0 / 58 / 36

HEX #20A445

RGB 32 164 69

HSL 136.82, 0.67%, 0.38%

LAB 59.24, -54.44, 39.16

 

CMYK 73 / 0 / 52 / 29

HEX #31B658

RGB 49 182 88

HSL 137.59, 0.58%, 0.45%

LAB 65.6, -55.56, 37.61

 

CMYK 67 / 0 / 47 / 22

HEX #42C86B

RGB 66 200 107

HSL 138.36, 0.55%, 0.52%

LAB 71.91, -56.22, 36.08

 

CMYK 62 / 0 / 42 / 15

HEX #53DA7E

RGB 83 218 126

HSL 139.11, 0.65%, 0.59%

LAB 78.16, -56.58, 34.63

 

CMYK 58 / 0 / 39 / 7

HEX #64EC91

RGB 100 236 145

HSL 139.85, 0.78%, 0.66%

LAB 84.35, -56.73, 33.26

 

CMYK 84 / 0 / 55 / 36

HEX #1BA44A

RGB 27 164 74

HSL 140.58, 0.72%, 0.37%

LAB 59.23, -54.29, 36.69

 

CMYK 93 / 0 / 62 / 43

HEX #0A9237

RGB 10 146 55

HSL 139.85, 0.87%, 0.31%

LAB 52.84, -52.36, 38.32

 

CMYK 100 / 0 / 72 / 50

HEX #008024

RGB 0 128 36

HSL 136.88, 1%, 0.25%

LAB 46.4, -49.5, 39.74

 

CMYK 100 / 0 / 85 / 57

HEX #006E11

RGB 0 110 17

HSL 129.27, 1%, 0.22%

LAB 39.9, -45.51, 40.37

 

CMYK 100 / 0 / 100 / 64

HEX #005C00

RGB 0 92 0

HSL 120, 1%, 0.18%

LAB 33.25, -40.92, 39.49

 

CMYK 84 / 0 / 55 / 36

HEX #1AA249

RGB 26 162 73

HSL 140.74, 0.72%, 0.37%

LAB 58.55, -53.86, 36.35

 

CMYK 84 / 0 / 78 / 36

HEX #1AA224

RGB 26 162 36

HSL 124.41, 0.72%, 0.37%

LAB 58.21, -57.96, 51.83

 

CMYK 67 / 0 / 84 / 36

HEX #35A21A

RGB 53 162 26

HSL 108.09, 0.72%, 0.37%

LAB 58.67, -54.23, 55.45

 

CMYK 45 / 0 / 84 / 36

HEX #59A21A

RGB 89 162 26

HSL 92.21, 0.72%, 0.37%

LAB 59.92, -44.3, 57.06

 

CMYK 22 / 0 / 84 / 36

HEX #7EA21A

RGB 126 162 26

HSL 75.88, 0.72%, 0.37%

LAB 61.96, -30.37, 59.63

 

CMYK 84 / 0 / 55 / 36

HEX #1AA249

RGB 26 162 73

HSL 140.74, 0.72%, 0.37%

LAB 58.55, -53.86, 36.35

 

CMYK 84 / 0 / 33 / 36

HEX #1AA26D

RGB 26 162 109

HSL 156.62, 0.72%, 0.37%

LAB 59.13, -47.13, 18.04

 

CMYK 84 / 0 / 10 / 36

HEX #1AA292

RGB 26 162 146

HSL 172.94, 0.72%, 0.37%

LAB 60.01, -37.69, -1.43

 

CMYK 84 / 13 / 0 / 36

HEX #1A8DA2

RGB 26 141 162

HSL 189.26, 0.72%, 0.37%

LAB 53.9, -22.51, -19.72

 

CMYK 84 / 36 / 0 / 36

HEX #1A68A2

RGB 26 104 162

HSL 205.59, 0.72%, 0.37%

LAB 42.35, -1.4, -37.71

 

CMYK 84 / 0 / 55 / 36

HEX #1AA249

RGB 26 162 73

HSL 140.74, 0.72%, 0.37%

LAB 58.55, -53.86, 36.35

 

CMYK 94 / 0 / 62 / 31

HEX #0BB144

RGB 11 177 68

HSL 140.6, 0.88%, 0.37%

LAB 63.29, -60.58, 44.29

 

CMYK 84 / 0 / 55 / 36

HEX #1AA249

RGB 26 162 73

HSL 140.74, 0.72%, 0.37%

LAB 58.55, -53.86, 36.35

 

CMYK 72 / 0 / 48 / 42

HEX #29934D

RGB 41 147 77

HSL 140.38, 0.56%, 0.37%

LAB 53.89, -45.73, 28.57

 

CMYK 57 / 0 / 37 / 49

HEX #388352

RGB 56 131 82

HSL 140.8, 0.4%, 0.37%

LAB 49.11, -35, 19.67

 

CMYK 38 / 0 / 25 / 55

HEX #487457

RGB 72 116 87

HSL 140.45, 0.23%, 0.37%

LAB 45.02, -22.06, 11.32

 

CMYK 14 / 0 / 9 / 60

HEX #57655C

RGB 87 101 92

HSL 141.43, 0.07%, 0.37%

LAB 41.38, -7.31, 3.3

 

CMYK 67 / 0 / 84 / 36

HEX #35A21A

RGB 53 162 26

HSL 108.09, 0.72%, 0.37%

LAB 58.67, -54.23, 55.45

 

CMYK 84 / 0 / 78 / 36

HEX #1AA223

RGB 26 162 35

HSL 123.97, 0.72%, 0.37%

LAB 58.21, -58.03, 52.16

 

CMYK 84 / 0 / 56 / 36

HEX #1AA247

RGB 26 162 71

HSL 139.85, 0.72%, 0.37%

LAB 58.52, -54.15, 37.31

 

CMYK 84 / 0 / 34 / 36

HEX #1AA26B

RGB 26 162 107

HSL 155.74, 0.72%, 0.37%

LAB 59.09, -47.57, 19.08

 

CMYK 84 / 0 / 11 / 36

HEX #1AA290

RGB 26 162 144

HSL 172.06, 0.72%, 0.37%

LAB 59.96, -38.25, -0.38

 

CMYK 85 / 0 / 55 / 64

HEX #0E5B29

RGB 14 91 41

HSL 141.04, 0.73%, 0.21%

LAB 33.43, -34.57, 22.47

 

CMYK 84 / 0 / 55 / 51

HEX #147E39

RGB 20 126 57

HSL 140.94, 0.73%, 0.29%

LAB 46.13, -44.32, 29.4

 

CMYK 84 / 0 / 55 / 36

HEX #1AA249

RGB 26 162 73

HSL 140.74, 0.72%, 0.37%

LAB 58.55, -53.86, 36.35

 

CMYK 84 / 0 / 55 / 23

HEX #20C558

RGB 32 197 88

HSL 140.36, 0.72%, 0.45%

LAB 70.14, -62.79, 43.06

 

CMYK 78 / 0 / 51 / 13

HEX #31DD6C

RGB 49 221 108

HSL 140.58, 0.72%, 0.53%

LAB 78.14, -65.98, 43.32

 

CMYK 84 / 0 / 55 / 36

HEX #1BA44A

RGB 27 164 74

HSL 140.58, 0.72%, 0.37%

LAB 59.23, -54.29, 36.69

 

CMYK 84 / 45 / 0 / 36

HEX #1A59A2

RGB 26 89 162

HSL 212.21, 0.72%, 0.37%

LAB 37.79, 8.19, -44.97

 

CMYK 0 / 84 / 78 / 36

HEX #A21A23

RGB 162 26 35

HSL 356.03, 0.72%, 0.37%

LAB 35.09, 53.4, 31.86

 

CMYK 84 / 0 / 55 / 36

HEX #1BA44A

RGB 27 164 74

HSL 140.58, 0.72%, 0.37%

LAB 59.23, -54.29, 36.69

 

CMYK 56 / 84 / 0 / 36

HEX #471AA2

RGB 71 26 162

HSL 259.85, 0.72%, 0.37%

LAB 25.82, 51.68, -64.35

 

CMYK 0 / 56 / 84 / 36

HEX #A2471A

RGB 162 71 26

HSL 19.85, 0.72%, 0.37%

LAB 41.63, 35.17, 43.05

 

CMYK 84 / 0 / 55 / 36

HEX #1BA44A

RGB 27 164 74

HSL 140.58, 0.72%, 0.37%

LAB 59.23, -54.29, 36.69

 

CMYK 84 / 45 / 0 / 36

HEX #1A59A2

RGB 26 89 162

HSL 212.21, 0.72%, 0.37%

LAB 37.79, 8.19, -44.97

 

CMYK 0 / 84 / 28 / 36

HEX #A21A74

RGB 162 26 116

HSL 320.29, 0.72%, 0.37%

LAB 37.26, 59.77, -16.74

 

CMYK 0 / 40 / 84 / 36

HEX #A2621A

RGB 162 98 26

HSL 31.76, 0.72%, 0.37%

LAB 47.61, 20.47, 48.38

 

CMYK 84 / 0 / 55 / 36

HEX #1BA44A

RGB 27 164 74

HSL 140.58, 0.72%, 0.37%

LAB 59.23, -54.29, 36.69

 

CMYK 84 / 70 / 0 / 36

HEX #1A31A2

RGB 26 49 162

HSL 229.85, 0.72%, 0.37%

LAB 26.81, 35.03, -62.85

 

CMYK 0 / 84 / 28 / 36

HEX #A21A74

RGB 162 26 116

HSL 320.29, 0.72%, 0.37%

LAB 37.26, 59.77, -16.74

 

CMYK 0 / 14 / 84 / 36

HEX #A28B1A

RGB 162 139 26

HSL 49.85, 0.72%, 0.37%

LAB 58.25, -2.6, 57.57

 

Description

Color code: RGB 27 164 74 | qconv.com Color code: RGB 27 164 74 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 164 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 164 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 55 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 55% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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