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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 27 114 78 it is the complementary color RGB 228 141 177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 27 114 78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 27 114 78 shade: RGB 32 114 73, RGB 49 132 92, RGB 66 150 111, RGB 83 168 130 and RGB 100 186 149

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 27 114 78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 27 114 78 shade: RGB 27 114 78, RGB 10 96 59, RGB 0 78 40, RGB 0 60 21 and RGB 0 42 2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 27 114 78 shade: RGB 27 115 79, RGB 27 115 55, RGB 27 115 31, RGB 46 115 27 and RGB 70 115 27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 27 114 78 shade: RGB 27 115 79, RGB 27 115 102, RGB 27 104 115, RGB 27 80 115 and RGB 27 56 115

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 27 114 78 shade matches the following richer shades: RGB 27 115 79, RGB 15 127 81 and RGB 4 138 83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 27 114 78 shade: RGB 27 115 79, RGB 38 104 77, RGB 50 92 75, RGB 61 81 73 and RGB 73 69 71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 27 114 78 shade: RGB 27 115 31, RGB 27 115 55, RGB 27 115 78, RGB 27 115 102 and RGB 27 105 115

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 27 114 78 shade: RGB 11 48 33, RGB 19 82 56, RGB 27 115 79, RGB 34 149 101 and RGB 42 182 124

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 27 114 78 shade: RGB 27 114 78, RGB 27 46 115 and RGB 115 43 27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 27 114 78 shade: RGB 27 114 78, RGB 78 27 115 and RGB 115 78 27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 27 114 78 shade: RGB 27 114 78, RGB 27 46 115, RGB 115 27 64 and RGB 115 96 27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 27 114 78 shade: RGB 27 114 78, RGB 34 27 115, RGB 115 27 64 and RGB 108 115 27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 32 / 55

HEX #1B724E

RGB 27 114 78

HSL 155.17, 0.62%, 0.28%

LAB 42.49, -34.41, 12.86

 

Complementary color

CMYK 0 / 38 / 22 / 11

HEX #E48DB1

RGB 228 141 177

HSL 335.17, 0.62%, 0.72%

LAB 68.55, 37.73, -4.8

 

CMYK 72 / 0 / 36 / 55

HEX #207249

RGB 32 114 73

HSL 150, 0.56%, 0.29%

LAB 42.49, -34.71, 15.83

 

CMYK 63 / 0 / 30 / 48

HEX #31845C

RGB 49 132 92

HSL 151.08, 0.46%, 0.35%

LAB 49.41, -35, 14.34

 

CMYK 56 / 0 / 26 / 41

HEX #42966F

RGB 66 150 111

HSL 152.14, 0.39%, 0.42%

LAB 56.21, -35.03, 13.03

 

CMYK 51 / 0 / 23 / 34

HEX #53A882

RGB 83 168 130

HSL 153.18, 0.34%, 0.49%

LAB 62.89, -34.93, 11.86

 

CMYK 46 / 0 / 20 / 27

HEX #64BA95

RGB 100 186 149

HSL 154.19, 0.38%, 0.56%

LAB 69.47, -34.76, 10.79

 

CMYK 76 / 0 / 32 / 55

HEX #1B724E

RGB 27 114 78

HSL 155.17, 0.62%, 0.28%

LAB 42.49, -34.41, 12.86

 

CMYK 90 / 0 / 39 / 62

HEX #0A603B

RGB 10 96 59

HSL 154.19, 0.81%, 0.21%

LAB 35.49, -33.39, 14.59

 

CMYK 100 / 0 / 49 / 69

HEX #004E28

RGB 0 78 40

HSL 150.77, 1%, 0.15%

LAB 28.39, -31.44, 16.63

 

CMYK 100 / 0 / 65 / 76

HEX #003C15

RGB 0 60 21

HSL 141, 1%, 0.12%

LAB 21.15, -28.09, 18.92

 

CMYK 100 / 0 / 95 / 84

HEX #002A02

RGB 0 42 2

HSL 122.86, 1%, 0.08%

LAB 13.59, -24.22, 18.66

 

CMYK 77 / 0 / 31 / 55

HEX #1B734F

RGB 27 115 79

HSL 155.45, 0.62%, 0.28%

LAB 42.85, -34.6, 12.77

 

CMYK 77 / 0 / 52 / 55

HEX #1B7337

RGB 27 115 55

HSL 139.09, 0.62%, 0.28%

LAB 42.42, -39.52, 25.92

 

CMYK 77 / 0 / 73 / 55

HEX #1B731F

RGB 27 115 31

HSL 122.73, 0.62%, 0.28%

LAB 42.14, -42.75, 37.47

 

CMYK 60 / 0 / 77 / 55

HEX #2E731B

RGB 46 115 27

HSL 107.05, 0.62%, 0.28%

LAB 42.64, -38.75, 39.79

 

CMYK 39 / 0 / 77 / 55

HEX #46731B

RGB 70 115 27

HSL 90.68, 0.62%, 0.28%

LAB 43.72, -30.74, 41.22

 

CMYK 77 / 0 / 31 / 55

HEX #1B734F

RGB 27 115 79

HSL 155.45, 0.62%, 0.28%

LAB 42.85, -34.6, 12.77

 

CMYK 77 / 0 / 11 / 55

HEX #1B7366

RGB 27 115 102

HSL 171.14, 0.62%, 0.28%

LAB 43.44, -28.47, -0.1

 

CMYK 77 / 10 / 0 / 55

HEX #1B6873

RGB 27 104 115

HSL 187.5, 0.62%, 0.28%

LAB 40.2, -18.67, -12.8

 

CMYK 77 / 30 / 0 / 55

HEX #1B5073

RGB 27 80 115

HSL 203.86, 0.62%, 0.28%

LAB 32.28, -4.51, -25.03

 

CMYK 77 / 51 / 0 / 55

HEX #1B3873

RGB 27 56 115

HSL 220.23, 0.62%, 0.28%

LAB 24.64, 11.7, -37.18

 

CMYK 77 / 0 / 31 / 55

HEX #1B734F

RGB 27 115 79

HSL 155.45, 0.62%, 0.28%

LAB 42.85, -34.6, 12.77

 

CMYK 88 / 0 / 36 / 50

HEX #0F7F51

RGB 15 127 81

HSL 155.36, 0.79%, 0.28%

LAB 46.81, -40.56, 16.99

 

CMYK 97 / 0 / 40 / 46

HEX #048A53

RGB 4 138 83

HSL 155.37, 0.94%, 0.28%

LAB 50.48, -45.15, 20.77

 

CMYK 77 / 0 / 31 / 55

HEX #1B734F

RGB 27 115 79

HSL 155.45, 0.62%, 0.28%

LAB 42.85, -34.6, 12.77

 

CMYK 63 / 0 / 26 / 59

HEX #26684D

RGB 38 104 77

HSL 155.45, 0.46%, 0.28%

LAB 39.32, -28, 9.11

 

CMYK 46 / 0 / 18 / 64

HEX #325C4B

RGB 50 92 75

HSL 155.71, 0.3%, 0.28%

LAB 35.68, -19.19, 5.24

 

CMYK 25 / 0 / 10 / 68

HEX #3D5149

RGB 61 81 73

HSL 156, 0.14%, 0.28%

LAB 32.61, -9.67, 2.18

 

CMYK 0 / 5 / 3 / 71

HEX #494547

RGB 73 69 71

HSL 330, 0.03%, 0.28%

LAB 29.73, 2.11, -0.61

 

CMYK 77 / 0 / 73 / 55

HEX #1B731F

RGB 27 115 31

HSL 122.73, 0.62%, 0.28%

LAB 42.14, -42.75, 37.47

 

CMYK 77 / 0 / 52 / 55

HEX #1B7337

RGB 27 115 55

HSL 139.09, 0.62%, 0.28%

LAB 42.42, -39.52, 25.92

 

CMYK 77 / 0 / 32 / 55

HEX #1B734E

RGB 27 115 78

HSL 154.77, 0.62%, 0.28%

LAB 42.83, -34.84, 13.33

 

CMYK 77 / 0 / 11 / 55

HEX #1B7366

RGB 27 115 102

HSL 171.14, 0.62%, 0.28%

LAB 43.44, -28.47, -0.1

 

CMYK 77 / 9 / 0 / 55

HEX #1B6973

RGB 27 105 115

HSL 186.82, 0.62%, 0.28%

LAB 40.53, -19.21, -12.3

 

CMYK 77 / 0 / 31 / 81

HEX #0B3021

RGB 11 48 33

HSL 155.68, 0.63%, 0.12%

LAB 16.96, -17.53, 5.85

 

CMYK 77 / 0 / 32 / 68

HEX #135238

RGB 19 82 56

HSL 155.24, 0.62%, 0.2%

LAB 30.54, -26.7, 9.7

 

CMYK 77 / 0 / 31 / 55

HEX #1B734F

RGB 27 115 79

HSL 155.45, 0.62%, 0.28%

LAB 42.85, -34.6, 12.77

 

CMYK 77 / 0 / 32 / 42

HEX #229565

RGB 34 149 101

HSL 154.96, 0.63%, 0.36%

LAB 54.84, -42.83, 16.63

 

CMYK 77 / 0 / 32 / 29

HEX #2AB67C

RGB 42 182 124

HSL 155.14, 0.63%, 0.44%

LAB 66.06, -49.91, 19.38

 

CMYK 76 / 0 / 32 / 55

HEX #1B724E

RGB 27 114 78

HSL 155.17, 0.62%, 0.28%

LAB 42.49, -34.41, 12.86

 

CMYK 77 / 60 / 0 / 55

HEX #1B2E73

RGB 27 46 115

HSL 227.05, 0.62%, 0.28%

LAB 21.67, 18.82, -41.98

 

CMYK 0 / 63 / 77 / 55

HEX #732B1B

RGB 115 43 27

HSL 10.91, 0.62%, 0.28%

LAB 27.98, 30.73, 26.24

 

CMYK 76 / 0 / 32 / 55

HEX #1B724E

RGB 27 114 78

HSL 155.17, 0.62%, 0.28%

LAB 42.49, -34.41, 12.86

 

CMYK 32 / 77 / 0 / 55

HEX #4E1B73

RGB 78 27 115

HSL 274.77, 0.62%, 0.28%

LAB 22.45, 40.08, -40.49

 

CMYK 0 / 32 / 77 / 55

HEX #734E1B

RGB 115 78 27

HSL 34.77, 0.62%, 0.28%

LAB 36.31, 10.49, 35.07

 

CMYK 76 / 0 / 32 / 55

HEX #1B724E

RGB 27 114 78

HSL 155.17, 0.62%, 0.28%

LAB 42.49, -34.41, 12.86

 

CMYK 77 / 60 / 0 / 55

HEX #1B2E73

RGB 27 46 115

HSL 227.05, 0.62%, 0.28%

LAB 21.67, 18.82, -41.98

 

CMYK 0 / 77 / 44 / 55

HEX #731B40

RGB 115 27 64

HSL 334.77, 0.62%, 0.28%

LAB 26.15, 40.91, -0.5

 

CMYK 0 / 17 / 77 / 55

HEX #73601B

RGB 115 96 27

HSL 47.05, 0.62%, 0.28%

LAB 41.36, -0.29, 40.09

 

CMYK 76 / 0 / 32 / 55

HEX #1B724E

RGB 27 114 78

HSL 155.17, 0.62%, 0.28%

LAB 42.49, -34.41, 12.86

 

CMYK 70 / 77 / 0 / 55

HEX #221B73

RGB 34 27 115

HSL 244.77, 0.62%, 0.28%

LAB 17.28, 32.56, -49.15

 

CMYK 0 / 77 / 44 / 55

HEX #731B40

RGB 115 27 64

HSL 334.77, 0.62%, 0.28%

LAB 26.15, 40.91, -0.5

 

CMYK 6 / 0 / 77 / 55

HEX #6C731B

RGB 108 115 27

HSL 64.77, 0.62%, 0.28%

LAB 46.35, -14.39, 44.68

 

Description

Color code: RGB 27 114 78 | qconv.com Color code: RGB 27 114 78 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 114 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 114 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 32 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 32% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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